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The termCavalier (/ˌkævəˈlɪər/) was first used byRoundheads as a term of abuse for the wealthierroyalist supporters ofCharles I of England and his sonCharles II during theEnglish Civil War, theInterregnum, and theRestoration (1642 –c. 1679). It was later adopted by the Royalists themselves. Although it referred originally to political and social attitudes and behaviour, of which clothing was a very small part, it has subsequently become strongly identified with the fashionable clothing of the court at the time.Prince Rupert, commander of much of Charles I's cavalry, is often considered to be an archetypal Cavalier.[1]
Cavalier derives from the same Latin root as the Italian wordcavaliere, the French wordchevalier, and the Spanish wordcaballero, theVulgar Latin wordcaballarius, meaning 'horseman'.Shakespeare used the wordcavaleros to describe an overbearingswashbuckler or swaggeringgallant inHenry IV, Part 2 (c. 1596–1599), in whichRobert Shallow says, "I'll drink to Master Bardolph, and to all the cavaleros about London".[2] Shallow returns inThe Merry Wives of Windsor (c. 1597), where he is called "Cavaleiro Justice" (knightly judge) and "bully rook", a term meaning "blustering cheat".[3][4]
"Cavalier" is chiefly associated with the Royalist supporters of King Charles I in his struggle with Parliament in the English Civil War. It first appears as a term of reproach and contempt, applied to Charles' followers in June 1642:
1642 (June 10)Propositions of Parlt. in Clarendon v. (1702) I. 504 Several sorts of malignant Men, who were about the King; some whereof, under the name of Cavaliers, without having respect to the Laws of the Land, or any fear either of God or Man, were ready to commit all manner of Outrage and Violence. 1642Petition Lords & Com. 17 June in Rushw. Coll. III. (1721) I. 631 That your Majesty..would please to dismiss your extraordinary Guards, and the Cavaliers and others of that Quality, who seem to have little Interest or Affection to the publick Good, their Language and Behaviour speaking nothing but Division and War.[2]
Charles, in the Answer to the Petition 13 June 1642, speaks of Cavaliers as a "word by what mistake soever it seemes much in disfavour".[5] It was soonreappropriated as a title of honour by the king's party, who in return applied Roundhead to their opponents. At the Restoration, the court party preserved the name, which survived until the rise of the termTory.[5]
Cavalier was not understood at the time as primarily a term describing a style of dress, but a whole political and social attitude. However, in modern times the word has become more particularly associated with thecourt fashions of the period, which included long flowing hair in ringlets, brightly coloured clothing with elaborate trimmings (i.e., lace collars and cuffs), and plumedhats.[6] This contrasted with the dress of at least the most extreme Roundhead supporters ofParliament, with their preference for shorter hair and plainer dress, although neither side conformed to thestereotypical images entirely.[7]
Most Parliamentarian generals wore their hair at much the same length as their Royalist counterparts,[8] thoughCromwell was something of an exception. The best patrons in the nobility of Charles I's court painter SirAnthony van Dyck, the archetypal recorder of the Cavalier image, all took the Parliamentary side in the Civil War. Probably the most famous image identified as of a "cavalier",Frans Hals'Laughing Cavalier, shows a gentleman from the stronglyCalvinist Dutch town ofHaarlem, and is dated 1624. These derogatory terms (for at the time they were so intended) also showed what the typical Parliamentarian thought of the Royalist side – capricious men who cared more for vanity than the nation at large.[9]
The chaplain to King Charles I, Edward Simmons described a Cavalier as "a Child of Honour, a Gentleman well borne and bred, that loves his king for conscience sake, of a clearer countenance, and bolder look than other men, because of a more loyal Heart".[10] There were many men in the Royalist armies who fit this description since most of the Royalist field officers were typically in their early thirties, married with rural estates which had to be managed. Although they did not share the same outlook on how to worship God as the EnglishIndependents of theNew Model Army, God was often central to their lives.[11] This type of Cavalier was personified byJacob Astley, 1st Baron Astley of Reading, whose prayer at the start of theBattle of Edgehill has become famous "O Lord, Thou knowest how busy I must be this day. If I forget Thee, do not forget me".[12]
At the end of theFirst Civil War, Astley gave his word that he would not take up arms again against Parliament and having given his word he felt duty bound to refuse to help the Royalist cause in theSecond Civil War; however, the word was coined by the Roundheads as a pejorative propaganda image of a licentious, hard drinking and frivolous man, who rarely, if ever, thought of God. It is this image which has survived and many Royalists, for exampleHenry Wilmot, 1st Earl of Rochester, fitted this description to a tee.[13] Of another Cavalier,George Goring, Lord Goring, a general in the Royalist army,[14] the principal advisor toCharles II,Edward Hyde, 1st Earl of Clarendon, said:
_1644_Triple_Unite_of_Charles_I.jpg)
[He] would, without hesitation, have broken any trust, or done any act of treachery to have satisfied an ordinary passion or appetite; and in truth wanted nothing but industry (for he had wit, and courage, and understanding and ambition, uncontrolled by any fear of God or man) to have been as eminent and successful in the highest attempt of wickedness as any man in the age he lived in or before. Of all his qualifications dissimulation was his masterpiece; in which he so much excelled, that men were not ordinarily ashamed, or out of countenance, with being deceived but twice by him.[15][16]
This sense has developed into the modern English use of "cavalier" to describe a recklessly nonchalant attitude, although still with a suggestion of stylishness. Cavalier remained in use as a description for members of the party that supported the monarchy up until theExclusion Crisis of 1678–1681 when the term was superseded by "Tory" which was another term initially with pejorative connotations. Likewise, during the Exclusion Bill crisis, the term Roundhead was replaced with "Whig", a term introduced by the opponents of the Whigs and also was initially a pejorative term.[17]
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An example of the Cavalier style can be seen in the paintingCharles I, King of England, from Three Angles by Anthony van Dyck.
Attribution
This article incorporates text from a publication now in thepublic domain: Chisholm, Hugh, ed. (1911). "Cavalier".Encyclopædia Britannica. Vol. 5 (11th ed.). Cambridge University Press. pp. 562–563.
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The dictionary definition ofcavalier at Wiktionary