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Catgirl

From Wikipedia, the free encyclopedia
Human female character with feline traits
This article is about the anime/manga trope. For the film, seeCat Girl. For the character, seeCarrie Kelley. For other uses, seeCatgirl (disambiguation).Not to be confused withCat lady orCatwoman.
"Catboy" redirects here. For the musician, seeBoyd Terry.
Ashōjo illustration of a catgirl maid, with cat ears and a tail

Acatgirl (Japanese:猫耳,Hepburn:nekomimi,lit.'cat ear[s]')[a] orneko is a young female character with feline traits, such ascat ears, a tail, or other feline characteristics on an otherwise human body. As a type ofkemonomimi, catgirls are associated with Japaneseanime andmanga but may appear in other genres. The equivalent male character is called acatboy.

Catgirls are descended fromEdo andShōwa period stories of villainous,shapeshiftingcat monsters such asbakeneko ornekomata, whose cat traits designated them as antagonists.Postwar and more recent media have largely rehabilitated catgirls into docile,moe characters.

Description

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The termcatgirl is applied broadly to characters with some (often minor or superficial) cat physiology, and usually with at least one of either cat ears or a cat tail. Depending on the narrative, a catgirl may have cat-like mannerisms orverbal tics, or the ability to become a cat.[1] A character who wears a cat ear headband, or who is momentarily depicted with cat ears to convey emotion, might also be called a catgirl within that context.

Whether a catgirl is correctly categorized as a "furry", or whether a person who appreciates catgirls is consideredkemonā, is hotly controversial to fans who do not wish to be associated with both furry and catgirl cultures. This is further complicated by the loose definition of a catgirl as a character who may or may not possess certain cat traits, raising the question of which or how many such traits can be added before a character is better sorted as a furry.[2]

History

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The oldest mention of the termnekomusume (猫娘,lit.'cat girl') comes from an 18th-centurymisemono in which a cat/woman hybrid was displayed.[3] Stories of shapeshiftingbakenekoprostitutes were popular during theEdo period.[3] Theukiyo-e artistUtagawa Kuniyoshi (1798–1861) depicted the human forms of cat monsters as retaining cat ears, a trait that made them appear untrustworthy or frightening.[1] The popularity of thenekomusume continued throughout the Edo andShōwa periods, with many tales of cat/woman hybrids appearing in works such as theEhon Sayoshigure (絵本小夜時雨) andAnsei zakki (安政雑記).[3]

The villain inKenji Miyazawa's 1924 workThe 4th of Narcissus Month [ja] is the first example of a beautiful cat-eared woman in modern Japanese literature.[4] In 1936, thenekomusume experienced a revival inkamishibai.[3]Anime andmanga such asPrincess Knight (1953) andStar of Cottonland (1978) began to reimagine catgirls as cute and approachable characters rather than dangerous monsters, though these mediums can still cast antagonistic catgirls as inDominion (1985) andBakemonogatari (2009).[1][5][6]

Catgirlcosplayers at fan conventions

By the 1990s, catgirls had become common in Japanese anime and manga.[7] Catgirls have since been featured invarious media worldwide. Enough of a subculture has developed for various themed conventions and events to be held around the world, such asNekocon.[8]

As an aesthetic

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In 1980s Japan, cat ears started to appear as a regular accessory in some youth,[9] with limited continuing popularity.[5] Recent cat ear headbands sometimes use motorized ears, which emote depending on the wearer's state of mindas determined by an electrode.[4] Some Japanese trains and train stations are also decorated with cat ears.

In the West,queer ortransgender youth may adopt the catgirl as anideal self, to be expressed on theInternet.[10] In a 2022 survey of transsoftware engineers, 80.5% indicated they were "kinda" or "very" experienced with the catgirl concept.[11]

Analysis

[edit]
This catgirl sketch shows that very few lines are necessary to add cat ears to an existing character, which may have contributed to their popularity.

Japanese philosopherHiroki Azuma has stated that catgirl characteristics such as cat ears and feline speech patterns are examples ofmoe-elements.[7][12] In a 2010 critique of the manga seriesLoveless, thefeminist writer T. A. Noonan argued that, in Japanese culture, catgirl characteristics have a similar role to that of thePlayboy Bunny in western culture, serving as afetishization of youthful innocence.[13]

According to the Japanese magazineDa Vinci, that cat ears can be easily added to a character or costume without compromise has made the catgirl trope accessible and quickly popular. It is further suggested that the docile image created by cat ears stimulates the viewer's desire to protect cute animals.[5]

See also

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Notes

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  1. ^Also:nekomusume (猫娘,lit.'cat girl')

References

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  1. ^abcPlanty, Blake (July 19, 2020)."From Bakeneko to Bakemonogatari: The Secret History of Catgirls".Crunchyroll News. RetrievedMarch 4, 2025.
  2. ^"『けものフレンズ』大ヒットの理由とは? ガチケモナーな東大研究者が語るケモナーの歴史とその深淵" [What is the reason for the huge success of "Kemono Friends"? A hardcore furry researcher from Tokyo University talks about the history and depths of furries].Denfaminicogamer (in Japanese). 17 February 2017. Retrieved4 March 2025.
  3. ^abcdDavisson, Zack (2017).Kaibyō : the supernatural cats of Japan (First ed.). Seattle, WA: Chin Music Press.ISBN 978-1-63405-916-9.OCLC 1006517249.
  4. ^ab"ニコニコ超会議のネコ耳人気に嫉妬!最古のネコ耳もかわいいもん" [I'm jealous of the popularity of cat ears at Niconico Chokaigi! The oldest cat ears are cute too].Gow! Magazine (in Japanese). 29 April 2012. Archived fromthe original on 5 May 2012. Retrieved4 March 2025.
  5. ^abc"なぜ獣耳(けもみみ)娘はかわいいのか? を検証してみた" [Why are girls with animal ears so cute?].Da Vinci (in Japanese). 2 November 2013. Retrieved4 March 2025.
  6. ^Berndt, Jaqueline (1995).Phänomen Manga : Comic-Kulture in Japan (in German). Berlin: Edition q. p. 111.ISBN 978-3-86124-289-5.
  7. ^abAzuma, Hiroki (2009).Otaku: Japan's database animals. Translated by Abel, Jonathan; Kono, Shion (English ed.). Minneapolis: University of Minnesota Press. pp. 47, 89.ISBN 978-0-8166-6800-7.OCLC 527737445.
  8. ^"After Action Report".The Virginian-Pilot. 2007-11-07. Archived fromthe original on 2016-09-14. Retrieved2013-02-03.
  9. ^Kaneko, Shobo (November 1985). "「若者+昭和」ライフスタイル事典" ["Youth + Showa" Lifestyle Encyclopedia].青年心理 (in Japanese).54: 49.NCID BN14331136
  10. ^Zaman, Hazal Ali (23 May 2024).Feeling Otherwise: A Hermeneutic Phenomenological Study of Queer and Trans Youth of Color Who Create and Embody Fursonas(PDF) (Ph.D. thesis).Portland State University.doi:10.15760/etd.3757. Retrieved4 March 2025.
  11. ^Kychenthal, Skye (26 March 2022).Why The Trans Programmer?. IEEE Integrated STEM Education Conference 2022.arXiv:2205.01553.
  12. ^Galbraith, Patrick W. (31 October 2009)."Moe and the Potential of Fantasy in Post-Millennial Japan".Electronic Journal of Contemporary Japanese Studies.9 (3).Archived from the original on 2019-10-25. Retrieved2018-05-23.
  13. ^Noonan, T. A. (Fall 2010).""I Can't Get Excited for a Child, Ritsuka": Intersections of Gender, Identity, and Audience Ambiguity in Yun Kôga's Loveless"(PDF).MP: An Online Feminist Journal.3 (2).ISSN 1939-330X.Archived(PDF) from the original on 12 January 2016. Retrieved10 February 2013.

Further reading

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External links

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  • Media related toCatgirls at Wikimedia Commons
  • The dictionary definition ofcatgirl at Wiktionary
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