Carol Dempster | |
|---|---|
Dempster in 1920 | |
| Born | (1901-12-09)December 9, 1901 Duluth, Minnesota, U.S. |
| Died | February 1, 1991(1991-02-01) (aged 89) La Jolla, California, U.S. |
| Resting place | Forest Lawn Memorial Park,Glendale, California, U.S. |
| Occupation | Actress |
| Years active | 1916–1926 |
| Spouse | |
Carol Dempster (December 9, 1901 – February 1, 1991) was an American film actress of thesilent film era.[1] She appeared in films from 1916 to 1926, working withD. W. Griffith extensively.
Born inDuluth, Minnesota, Dempster was the daughter of a captain on the Great Lakes and the youngest of four children. The family moved to California when her father decided to change careers. While dancing in a school program, Dempster was noticed byRuth St. Denis and went on to become the youngest graduate in the first class of St. Denis's school of dance.[2]
Dempster's first feature role came in 1919 in the Griffith directedThe Girl Who Stayed at Home oppositeRobert "Bobby" Harron. Dempster followed this with Griffith'sThe Love Flower (1920),Dream Street (1921),One Exciting Night (1922) andIsn't Life Wonderful (1924),America (1924),Sally of the Sawdust (1925), andThat Royle Girl (1925). Dempster appeared opposite such notable actors asJohn Barrymore,Richard Barthelmess,William Powell,Ivor Novello, andW. C. Fields.
In 1926 Dempster acted in her final film, a Griffith vehicle entitledThe Sorrows of Satan (1926), co-starringAdolphe Menjou,Ricardo Cortez, and the Hungarian vampLya De Putti. Dempster then retired from the screen to marry wealthy banker Edwin S. Larson in 1926.[1]
"Griffith made three films at Paramount'sAstoria Studios, each marked by his increasing obsession with his then inamorata, another ex-Denishawn dancer named Carol Dempster...her talents have received as little respect from historians as they did at the time from her co-workers. To Griffith's biographerRichard Schickel, Dempster was a 'mildly attractive young woman' who moved well but photographed badly. ActressLouise Brooks described her as unfriendly and withdrawn. Ed Falherty, a longtime studio gaffer who observed everything and everyone from high up in the grid, remembered icily: 'she had nothing.'"—Film historian Richard Koszarski inHollywood on the Hudson (2008).[3]
Dempster's critical stock was never very high, in part because she was unable to live up to the performances ofLillian Gish, whom she replaced as Griffith's leading lady. Her somewhat "ordinary" appearance and animated acting style were frequently criticized.[4] Also, with a few exceptions, the films she appeared in were not among Griffith's more popular works. In recent years, however, viewers and critics alike have slowly begun to appreciate her performances, particularly in two later films,Isn't Life Wonderful andThe Sorrows of Satan.[5][6]
Dempster died inLa Jolla, California, in 1991 at the age of 89 fromheart failure and was buried at theForest Lawn Memorial Park cemetery inGlendale, California. Upon her death, Dempster left $1.6 million to the San Diego Museum of Art, which was used to expand the museum's collections of prints and drawings.[7]

All features were directed byD. W. Griffith exceptSherlock Holmes, which was directed byAlbert Parker.The Hope Chest, a product of the New Art Film Company from 1918, was produced by Griffith but directed byElmer Clifton.
| Year | Title | Role | Notes |
|---|---|---|---|
| 1916 | Intolerance | Dancer | Uncredited |
| 1918 | Lillian Gish in a Liberty Loan Appeal | Lillian's Sister | Short Lost film |
| The Greatest Thing in Life | Dancer | Uncredited Lost film | |
| The Hope Chest | Ethel Hoyt | Undetermined / presumablylost | |
| 1919 | A Romance of Happy Valley | Girl John Logan meets in New York | Uncredited |
| The Girl Who Stayed at Home | Acoline France | ||
| True Heart Susie | Bettina's friend | ||
| Scarlet Days | Lady Fair | ||
| 1920 | The Love Flower | Stella Bevan | |
| Way Down East | Barn dancer | Uncredited | |
| 1921 | Dream Street | Gypsy Fair | |
| 1922 | Sherlock Holmes | Alice Faulkner | |
| One Exciting Night | Agnes Harrington | ||
| 1923 | The White Rose | Marie Carrington | |
| 1924 | America | Miss Nancy Montague | |
| Isn't Life Wonderful | Inga | ||
| 1925 | Sally of the Sawdust | Sally | |
| That Royle Girl | Joan Daisy Royle | Lost film | |
| 1926 | The Sorrows of Satan | Mavis Claire |