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Carmelo Bene

From Wikipedia, the free encyclopedia
Italian actor (1937–2002)

Carmelo Bene
Bene inOur Lady of the Turks (1968)
Born(1937-09-01)1 September 1937
Died16 March 2002(2002-03-16) (aged 64)
Rome, Italy
Occupation(s)Actor, theater director, writer, film director, screenwriter
Years active1967–2002
Spouses
Children1

Carmelo Pompilio Realino Antonio Bene (1 September 1937 – 16 March 2002)[1] was an Italian actor, poet,film director, andscreenwriter. He was an important exponent of the Italianavant-garde theatre and cinema.[2] In 1968, his movieOur Lady of the Turks won theSpecial Jury Prize (Venice Film Festival) at the Venice Film Festival.[3]He died of a heart ailment in 2002.[4]

Works

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Literature

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In 1979 he wrote, in collaboration with French philosopherGilles Deleuze, the essay "Superpositions". In 1984 his playAdelchi was published. In 1970 he wrote the screenplayA Boccaperta.

  • I Appeared to the Madonna, translated with a preface by Carole Viers-Andronico (Contra Mundum Press: 2020)

Partial filmography

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Selected bibliography in English

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  • Carmelo Bene,I Appeared to the Madonna, tr. with a preface by Carole Viers-Andronico (New York: Contra Mundum Press, 2020).
  • Carmelo Bene, "I am Non-Existent: Therefore I am," tr. by Carole Viers Andronico,Hyperion: On the Future of Aesthetics, Vol. VIII, No. 1 (spring 2014) 37–44.
  • Carmelo Bene, “Being in Abandonment: Reading as Non-Memory,” tr. by Rainer J. Hanshe,Hyperion: On the Future of Aesthetics, Vol. VIII, No. 1 (spring 2014) 45–49.
  • Carmelo Bene, "Well, yes, Gilles Deleuze!," tr. by Rainer J. Hanshe,Hyperion: On the Future of Aesthetics, Vol. VIII, No. 1 (spring 2014) 50–57.
  • Carmelo Bene,Our Lady of the Turks, tr. with a preface by Carole Viers-Andronico (New York: Contra Mundum Press, 2021).
  • Gilles Deleuze, "One Manifesto Less," tr. by Alan Orenstein.The Deleuze Reader, ed. by Constantin V. Boundas (New York: Columbia UP, 1993) 204–222.
  • Gilles Deleuze, "Cinema, body and brain, thought," inCinema 2: The Time-Image, tr. by Hugh Tomlinson & Robert Galeta (Minnesota: University of Minnesota Press, 1989) 190–191; 220.
  • Gilles Deleuze, "Manfred: an Extraordinary Renewal," inTwo Regimes of Madness, tr. by Ames Hodges & Mike Taormina (New York: Semiotext(e), 2006) 188-189.
  • Tristan Grünberg, "Outrageous Salome: Grace and Fury in Carmelo Bene’sSalomè and Ken Russell’sSalome’s Last Dance," inPerforming Salome, Revealing Stories, ed. by Clair Rowden (Abingdon; New York: Routledge, 2016) 171–189.
  • Emilio Villa, "Litany for Carmelo Bene," tr. by Dominic Siracusa,Hyperion: On the Future of Aesthetics, Vol. VIII, No. 1 (spring 2014) 58–67.
  • Amos Vogel, "Capricci," inFilm as Subversive Art (New York: Random House, 1976).
  • Amos Vogel, "Our Lady of the Turks," inFilm as Subversive Art (New York: Random House, 1976).
  • Amos Vogel, "Don Giovanni," inFilm as Subversive Art (New York: Random House, 1976).

See also

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References

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  1. ^"Archives".Los Angeles Times. 19 March 2002.
  2. ^(in Italian)Carmelo Bene on the Italian EncyclopediaTreccani
  3. ^Enrico Lancia (1998).I premi del cinema. Gremese Editore, 1998.ISBN 8877422211.
  4. ^III, Harris M. Lentz (9 April 2003).Obituaries in the Performing Arts, 2002: Film, Television, Radio, Theatre, Dance, Music, Cartoons and Pop Culture. McFarland.ISBN 9780786452071. Retrieved13 June 2018 – via Google Books.

Sources

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  • Umberto Artioli - Carmelo Bene,Un dio assente. Monologo a due voci, Antonio Attisani andMarco Dotti eds., Medusa, Milan, 2006.ISBN 88-7698-051-2
  • Giuseppe Leone, "D'in su la vetta della torre antica. Giacomo Leopardi e Carmelo Bene sospesi fra silenzio e voce", Edizioni Il Melabò, Lecco, 2015.
  • Giuseppe Leone, "D'in su la vetta della torre antica. Giacomo Leopardi e Carmelo Bene sospesi fra silenzio e voce", II Edizione, Grafiche Rusconi, Bellano-Lecco, 2016.
  • Carlo Alberto Petruzzi,Carmelo Bene. Una bibliografia (1959-2018), Damocle edizioni, 2018, 182 pp.

External links

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