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Carlo Rambaldi

From Wikipedia, the free encyclopedia
Italian special effects artist (1925–2012)
For the Italian painter of the Baroque period, seeCarlo Antonio Rambaldi.

Carlo Rambaldi
Carlo Rambaldi in 2010
Born(1925-09-15)September 15, 1925
DiedAugust 10, 2012(2012-08-10) (aged 86)
CitizenshipItaly
EducationAcademy of Fine Arts of Bologna[1]
Occupation(s)Special effects artist, makeup artist
Years active1963-2006[1]
Notable workKing Kong (1976)
Close Encounters of the Third Kind (1977)
Alien (1979)
E.T. the Extra-Terrestrial (1982)
SpouseBruna Basso[2]
ChildrenVittorio[2]
Daniela[3]
Awards3 Oscars
Academy Awards Special Achievement Award
Saturn Award
BAFTA Film Award (nominated)
David di Donatello Special
Los Angeles Film Critics Association Special
Los Angeles Italian Film Awards Outstanding Achievement Award
Mystfest Special
Razzie Award (nominated)

Carlo Rambaldi (September 15, 1925 – August 10, 2012) was an Italianspecial effects andmakeup effects artist. He was the winner of threeAcademy Awards: oneSpecial Achievement Academy Award for Best Visual Effects in1977 for the 1976 version ofKing Kong[4] and twoAcademy Awards for Best Visual Effects in1980 and1983 for, respectively,Alien[5] (1979) andE.T. the Extra-Terrestrial[6] (1982). He is most famous for his work in those two last mentioned films, that is for the mechanical head-effects for the creature inAlien and the design of thetitle character ofE.T. the Extra-Terrestrial. In 2017, he was inducted into theVisual Effects Society Hall of Fame.

Early life

[edit]

Carlo Rambaldi was born September 15, 1925, inVigarano Mainarda,Emilia-Romagna.[7] He studied painting at theAccademia di Belle Arti di Bologna, where he developed a passion for electromechanics and the skeleton and musculature of the human body. He was heavily influenced by the work ofPicasso and the Italian artistRenato Guttuso.[2]

Career

[edit]

Rambaldi's first work in film was creating a fire-breathing dragon for the 1957 Italian pictureSigfrido[2] (titled in the English version asThe Dragon's Blood).

In 1963 he became a full-time special effects artist. He worked with Italian directors includingMario Bava,Federico Fellini,Pier Paolo Pasolini,Mario Monicelli andDario Argento.[2] Some films he worked on includedMedusa vs the Son of Hercules (1962),Bloody Pit of Horror (1965),Planet of the Vampires (1965),Hercules and the Princess of Troy (1965),L'Odissea (1968, a TV miniseries),A Bay of Blood (1972),The Night of the Devils (1972),Andy Warhol's Frankenstein (1974),Andy Warhol's Dracula (1974),Deep Red (Profondo Rosso, 1975),King Kong (1976),Close Encounters of the Third Kind (1977),Alien (1979),Nightwing (1979),Possession (1981),E.T. the Extra-Terrestrial (1982),Dune (1984),Conan the Destroyer (1984),Silver Bullet (1985),Cat's Eye (1985),King Kong Lives (1986) andCameron's Closet (1988), among others.

Rambaldi had the distinction of being the first special effects artist to be required to prove that his work on a film was not 'real'. Dog-mutilation scenes in the 1971 filmA Lizard in a Woman's Skin were so convincingly visceral that its director,Lucio Fulci, was prosecuted for offenses relating toanimal cruelty. Fulci would have served a two-year prison sentence, had Rambaldi not exhibited the film's array of props to a courtroom, proving that the scene was not filmed using real animals.[8][9]

Rambaldi's last screen credit was on the 1988 horror filmPrimal Rage, directed by his son Vittorio. When computer-generated special effects became common place, Rambaldi complained, "Any kid with a computer can reproduce the special effects seen in today’s movies. The mystery's gone. The curiosity that viewers once felt when they saw special effects has disappeared. It's as if a magician had revealed all of his tricks... There’s no question that these computer films are well packaged but the charm has disappeared... IfSpielberg were to filmE.T. today using the latest technology I'm not sure it would be a hit because the techniques they’re using at the moment couldn't reproduce the tender expression of ET's eyes, for example. The secret of creating what technology is unable to express lies in the work of the artisan, who is able to develop characteristics that touch our deepest emotions."[2]

Personal life and death

[edit]

Carlo Rambaldi married Bruna Basso, with whom he had a son, Vittorio, and a daughter, Daniela.[10][2] Another son, Alessandro, died of a rare form of leukemia at 33 years of age.[11]

Rambaldi died after a long illness[12] on August 10, 2012, inLamezia Terme,Calabria, where he had lived for the last decade of his life,[7] after relocating to be near his daughter and grandchildren.[13]

His ashes were laid to rest in the family tomb in Vigarano Mainarda, near his son Alessandro.[13]

Select filmography

[edit]
TitleYearCredited asNotesRef(s)
Special effectsOther
Dragon's Blood1957YesDragon creator[14]
Goliath and the Dragon1960YesSpecial make-up effects[15]
The Giants of ThessalyYes[16]
Fire Monsters Against the Son of Hercules1962Yes[17]
Medusa Against the Son of Hercules1963Yes[18]
Bloody Pit of Horror1965Yes[19]
Danger: Diabolik1968YesSet designer[20][21]
Lady Frankenstein1971Yes[22]
The Night of the Devils1972Yes[23]
Frankenstein '80Yes[24]
Tragic CeremonyYes[25]
Flesh for Frankenstein1973Yes[26]
The Hand That Feeds the Dead1974Yes[27]
Blood for DraculaYes[28]
Deep Red1975Yes[29][30]
King Kong1976YesKong design and engineering[31]
The White Buffalo1977YesConsultant on buffalo sequences[32]
Close Encounters of the Third KindYesRealization of "extraterrestrial"[33]
Alien1979Yes'Alien' head effect[34]
NightwingYesSpecial visual effects[35]
The Hand1981YesSpecial visual effects[36]
Possession1981Yes[37]
E.T. the Extra-Terrestrial1982YesCreator of E.T.[38]
Conan the Destroyer1984YesCreator of Dagoth[39]
DuneYesCreature creator[40]
Cat's Eye1985YesCreature creator[41]
Silver BulletYesCreature creator[42]

Academy Awards

[edit]

One Special Achievement Academy Award

[edit]

Two Academy Awards for Best Visual Effects

[edit]

Other awards

[edit]

Los Angeles Film Critics Association Awards

[edit]
  • 1982: Special Award, "for the body of his work"

Saturn Awards

[edit]

MystFest Awards

[edit]
  • 1985: Special Award, "for his whole activities"[note 1]

Los Angeles Italian Film Awards

[edit]
  • 2000: Outstanding Achievement Award for Best Special Effects

David di Donatello Awards

[edit]
  • 2002: Special David Award

Notes

[edit]
  1. ^MystFest is the commonly used abbreviation for the "International Mystery Film Festival ofCattolica", in Italian "Festival internazionale del giallo e del mistero di Cattolica"

References

[edit]

Footnotes

[edit]
  1. ^abStudying art at the Fine Arts Academy of BolognaArchived 2012-04-02 at theWayback Machine
  2. ^abcdefg"Obituaries: Carlo Rambaldi".The Daily Telegraph. October 5, 2012
  3. ^"Addio a Carlo Rambaldiil creatore di E.T. E Alien". August 10, 2012.
  4. ^49th Academy Awards (Monday, March 28, 1977), official lists of winners and nominees in theOscars.org website
  5. ^52nd Academy Awards (Monday, April 14, 1980), official lists of winners and nominees in theOscars.org website
  6. ^55th Academy Awards (Monday, April 11, 1983), official lists of winners and nominees in theOscars.org website
  7. ^ab(in Italian)Assante, Ernesto (August 10, 2012)."Addio a Carlo Rambaldi il creatore di E.T. e Alien".la Repubblica
  8. ^Wickman, Forrest (August 13, 2012)."R.I.P. Carlo Rambaldi, Creator ofE.T."Slate.
  9. ^Davis, Lauren (October 28, 2012)."5 horror movies so gruesome, the makers were investigated for cruelty and murder".io9.
  10. ^"Addio a Carlo Rambaldi il creatore di E.T. e Alien".repubblica.it. August 10, 2012. Retrieved2017-06-03.
  11. ^"Carlo Rambaldi sarà cremato e sepolto a Vigarano Mainarda".www.ilrestodelcarlino.it. August 11, 2012. Retrieved2017-06-03.
  12. ^"ET and Alien special effects artist Carlo Rambaldi dies".BBC News. August 10, 2012. Retrieved2017-06-03.
  13. ^abAgi, Fonte (August 11, 2012)."Carlo Rambaldi sarà cremato e sepolto a Vigarano Mainarda".www.ilrestodelcarlino.it. Retrieved2017-06-03.
  14. ^Kinnard & Crnkovich 2017, p. 49.
  15. ^Kinnard & Crnkovich 2017, p. 70.
  16. ^Curti 2017a, pp. 315–316.
  17. ^Kinnard & Crnkovich 2017, pp. 57–58.
  18. ^Kinnard & Crnkovich 2017, pp. 115–116.
  19. ^Curti 2017b, pp. 137–138.
  20. ^Celli & Cottino-Jones 2007, p. 106.
  21. ^Curti 2016, p. 104.
  22. ^Curti 2017a, p. 32.
  23. ^Curti 2017a, p. 74.
  24. ^Curti 2017a, p. 69.
  25. ^Curti 2017a, p. 327.
  26. ^Curti 2017a, p. 80.
  27. ^Curti 2017b, pp. 124–125.
  28. ^"Andy Warhol's Frankenstein". American Film Institute. Retrieved2017-09-12.
  29. ^Gallant, Chris (2000).Art of Darkness: The Cinema of Dario Argento. Fab Press. p. 279.ISBN 1903254078.
  30. ^"Profondo rosso" (in French). Bifi.fr. Retrieved2018-06-29.
  31. ^"King Kong". American Film Institute. Retrieved2017-09-12.
  32. ^"The White Buffalo". American Film Institute. Retrieved2017-09-12.
  33. ^"Close Encounters of the Third Kind". American Film Institute. Retrieved2017-09-12.
  34. ^"Alien". American Film Institute. Archived fromthe original on 2015-09-06. Retrieved2017-09-12.
  35. ^"Nightwing". American Film Institute. Retrieved2017-09-12.
  36. ^"The Hand". American Film Institute. Retrieved2017-09-12.
  37. ^"Possession (1981)".IMDb. Retrieved2021-10-01.
  38. ^"E.T.: The Extra-Terrestrial". American Film Institute. Retrieved2017-09-12.
  39. ^"Conan the Destroyer". American Film Institute. Retrieved2017-09-12.
  40. ^"Dune". American Film Institute. Retrieved2017-09-12.
  41. ^"Stephen King's Cat's Eye". American Film Institute. Retrieved2017-09-12.
  42. ^"Silver Bullet". American Film Institute. Retrieved2017-09-12.

Sources

[edit]
  • Celli, C.; Cottino-Jones, M. C (2007).A New Guide to Italian Cinema. Springer.ISBN 978-0-230-60182-6.
  • Curti, Roberto (2015).Italian Gothic Horror Films, 1957-1969. McFarland.ISBN 978-1476619897.
  • Curti, Roberto (2016).Diabolika: Supercriminals, Superheroes and the Comic Book Universe in Italian Cinema. Midnight Marquee Press.ISBN 978-1-936168-60-6.
  • Curti, Roberto (2017a).Riccardo Freda: The Life and Works of a Born Filmmaker. McFarland.ISBN 978-1-4766-6970-0.
  • Curti, Roberto (2017b).Italian Gothic Horror Films, 1970-1979.McFarland.ISBN 978-1476629605.
  • Kinnard, Roy; Crnkovich, Tony (2017).Italian Sword and Sandal Films, 1908-1990. McFarland.ISBN 978-1476662916.

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