Carl Bergmann | |
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| Background information | |
| Born | (1821-04-12)April 12, 1821 |
| Died | August 10, 1876(1876-08-10) (aged 55) New York City |
| Genres | Classical |
| Occupation | Conductor |
| Years active | 1850–1876 |
| Formerly of | New York Philharmonic |
Carl Bergmann (bornEbersbach,Kingdom of Saxony, April 12, 1821; diedNew York, August 10, 1876) was aGerman-Americancellist andconductor.
In 1827, he began studies with Adolph Zimmerman inZittau, and later he studied with organist-composerAdolph Hesse inBreslau. By 1842, he was conducting and playing the cello inBreslau.[1] Eventually, Bergmann conducted orchestras inVienna,Breslau,Budapest,Warsaw, andVenice.
Motivated by his implication in therevolutions of 1848 in Vienna,[2] Bergmann came to the United States in 1850 as first cellist in theGermania Orchestra, a touring band of young German musicians, mostly refugees.[2] When the conductor of that orchestra resigned the same year, Bergmann took over.[3] The Germania Orchestra subsequently based itself inBoston before disbanding in 1854 after giving 800 concerts over its career.[2] During this period Bergmann directed the Germanians in performances with theHandel and Haydn Society of that city, including the Boston premiere of Beethoven's Ninth Symphony.[4] After this Bergmann went to Chicago and was immediately invited to direct theChicago Philharmonic Society. However, he left after giving only two concerts because the Chicago musicians intrigued against him.[5]
In 1854, he went to New York City to conduct the Männergesangverein Arion, a choral group of German-born men.[6] WhenTheodore Eisfeld, conductor of the New York Philharmonic Society, became sick for the last concert of the 1854–1855 season, Bergmann replaced him, directingWagner'sTannhäuser overture. This concert was so successful that Bergmann became sole conductor for the 1855–1856 season.[7] In 1859 he conducted the American premiere ofTannhäuser at theStadt Theater. It was the first performance of aWagner opera in America. He also played cello in a renowned piano quintet that includedTheodore Thomas on first violin andWilliam Mason on piano. In addition to the Philharmonic, he also conducted a choral group, the New York Harmonic Society which later became the Mendelssohn Union.[6] Bergmann organized and conducted a German music festival, held in theWinter Garden Theatre, in 1855, and in 1856 introduced German opera atNiblo's Garden.[8] He conducted Italian as well as German opera in New York.[9]
Eisfeld returned to conduct the Philharmonic Society for the 1856–1857 and 1857–1858 seasons, but Bergmann returned to the podium the next season, and shared the podium with Eisfeld between 1859 and 1865. In 1865 Eisfeld returned to Europe, and Bergmann continued as sole conductor of the Philharmonic Society until his death in 1876.
Bergmann's life and career declined after 1870. Bergmann suffered fromalcoholism. Since 1864, there had been a rival orchestra conducted by Theodore Thomas to contend with. And thepanic of 1873 exacerbated the Philharmonic's financial problems. In 1876, the Philharmonic board requested his resignation, and his wife, whose name has been lost to history, died.[1]
In his autobiography, Theodore Thomas described Bergmann as "a talented musician and a fair 'cello player"[10] but went on to criticize him as follows:[7]
He gave the impression that he never worked much, or cared to do so. He lacked most of the qualities of a first-rank conductor, but he had one great redeeming quality for those days which soon brought him into prominence. He possessed an artistic nature ...
George Upton wrote:[11]
With all his ability and his scholarship, however, Bergmann was not an industrious worker, nor was he regardful of his duties. ... At last he gave himself up to an indolent, pleasure-loving manner of life, and this alienated many of his musical associates. Near the end of his career he became very despondent. Friends abandoned him, and he died at last in a New York hospital in 1876, almost alone and forgotten.
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