Note: "Captain America March" was only released as a download bonus track and is not included on the physical CD. A 1940s style big band rendition of "Make Way for Tomorrow Today" fromIron Man 2 was arranged by Alan Silvestri, befitting the time period, is heard in the film, but is not included in the soundtrack, and would later be used in the ending credits ofAvengers: Endgame.
In June 2011,Buena Vista Records announced the details for the soundtrack release ofCaptain America: The First Avenger. The album includes the originalscore byAlan Silvestri,[1][4] as well as the original song "Star Spangled Man" with music byAlan Menken and lyrics byDavid Zippel.[5] The soundtrack was recorded atAir Studios in London and was released on July 19, 2011.[6]
The score received a positive response from critics. James Southall of Movie-Wave.net commented, "for those of us tearing our hair out in despair at the ludicrously dumb approach to scoring [Marvel's] films sinceIron Man, we might be able to hold off on needing hair implants for a little while longer – this is precisely the old-school symphonic score with a big theme that we've been waiting for."[7]
Jonathan Broxton ofMovie Music UK stated, "Captain America is one of the most enjoyable scores of the summer for one single reason – it's fun. There's nothing pretentious about it, nothing hidden, no deeper meanings. Much like the film it accompanies it wears its heart on its sleeve and has a simple intent: to excite you, entertain you, and leave the experience smiling. Sometimes you just need a score like that, filled with basic pleasures, and Silvestri's work here succeeds on that mark with aplomb."[8]
A review inAllmusic commented, "Appropriately stoic and expansive, the main theme forCaptain America: The First Avenger feels both familiar and iconic, arriving early in the soundtrack (as all good superhero themes must) on a foundation of rolling military snares, sepia-toned brass, and long strings that evoke an endless sea of amber waves of grain. It's enjoyable and effective, but not groundbreaking, which pretty much sums up the score as a whole. Bombastic, melodramatic, and steeped in late-'70s/early-'80s big-budget adventure cinema, the Captain is well served here, even if it all feels a little old-fashioned at times. That said, it is awfully nice to hear a well-conducted orchestra, as opposed to a room full of expensive computers and keyboards, churn out a big traditional action score, and few do that as well as Silvestri."[9]
