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Bust of Nicolas Poussin

Coordinates:52°31′19″N13°23′41″E / 52.52194°N 13.39472°E /52.52194; 13.39472
From Wikipedia, the free encyclopedia
Marble portrait by François Duquesnoy
Bust of Nicolas Poussin
Map
ArtistFrançois Duquesnoy
Yearc. 1630
TypeSculpture
MediumMarble
SubjectNicolas Poussin
Dimensions70.5 cm × 51.5 cm (27.7 in × 20.3 in)
LocationBode Museum, Berlin
Coordinates52°31′19″N13°23′41″E / 52.52194°N 13.39472°E /52.52194; 13.39472

TheBust of Nicolas Poussin is a marble portrait bust by theFlemish sculptorFrançois Duquesnoy.Nicolas Poussin was a close friend of Duquesnoy, and the leadingclassicist painter in17th-century French art, although he spent most of his working life inRome.

Both Poussin's and Duquesnoy's visions were at odds with the mainstreamBaroque style of artists such asGian Lorenzo Bernini andPietro da Cortona.[1] The portrait sculpture was completed in the 1630s, and is currently housed at theBode Museum inBerlin.[2]

Sculpture

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Duquesnoy was a close friend of a number of prominent artists in Rome; among these was Poussin. The two artists even shared a house in 1626.[3]

Duquesnoy produced a small bust for Poussin, with details carefully worked out. The sitter has a melancholy face. The stylish rendering of moustache and beard and the composition itself are strongly reminiscent of Duquesnoy'sNano di Créqui and hisbust of Cardinal Maurizio of Savoy.[4] The physiognomy and the surface of the sitter's skin are delicately rendered; delicacy and sensitivity contrast with the long, curvy hair framing the sitter's face.[2][5]

References

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  1. ^Wright, Christopher (1985).Poussin Paintings: A Catalogue Raisonné. New York: Hippocrene. pp. 49–50.ISBN 0-87052-218-3.
  2. ^ab"Nicolas Poussin – Duquesnoy".Google Arts and Culture; Bode Museum. Retrieved20 September 2020.[dead link]
  3. ^Brooks, Julian; Franklin, David (2008).Bernini and the Birth of Baroque Portrait Sculpture. J. Paul Getty Museum. p. 301.ISBN 9780892369324.
  4. ^Lingo, Estelle (2002)."The Greek Manner and a Christian 'Canon': François Duquesnoy's 'Saint Susanna'".The Art Bulletin.84 (1). The Art Bulletin:65–93.doi:10.2307/3177253.JSTOR 3177253.
  5. ^Lavin, Irving (1970)."Duquesnoy's Nano di Créqui and Two Busts by Francesco Mochi".The Art Bulletin.52 (2). The Art Bulletin:132–149.doi:10.2307/3048702.JSTOR 3048702.

External links

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Sculpture
1620s
1630s
1640s
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