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Bust of Kul Tigin

From Wikipedia, the free encyclopedia
Bust of Kul Tigin
MaterialMarble
Size42 cm × 21 cm (16.5 in × 8.3 in)
Created732 CE[1]
PlaceKul Tigin Complex, Orkon Valley
Present locationNational Museum of Mongolia,Ulaanbaatar

TheBust of Kul Tigin is an 8th-century marble bust thought to representKul Tigin, a Turkic general and prince of theSecond Turkic Khaganate. The head was probably part of a seated figure, whose torso was found in the same building at the Complex of Kul Tigin inKhöshöö-Tsaidam,Mongolia. Differently from other artifacts found at this site and the neighboring one, such as a golden diadem, theBilge Khan Crown, this stone sculpture and a number of paintings now lost were likely the work ofTang Chinese artisans, as reported in the Book of Tang. The fact it was sculpted by a Chinese artisan could explain the origin of the sculpture's hat.[1] It is also possible that the hat, which was also in use among Eastern Turks, was reproduced by the Chinese artist from the actual headgear of the deceased Kul Tigin.[1] The eagle depicted on the hat is similar to theGolden Crown of Bilge Khan, produced by a local artisan. The Czech archeologistLumír Jisl who found the head, described the animal on the Bust of Kul Tigin's hat first as a heraldic eagle, later opting for a falcon, which the Turks associated with death. It could also represent thephoenix, often depicted by Eastern Turks with similarly spread wings.[1]

Overview

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The statue was found at the excavations carried out atOrkhon.[2] It was found at the complex of Kul Tigin (KhöshööTsaidam-2), located about one km (0.62 mi) north of the Burial Complex of Bilge Khan.[3] The site is attributed to Kul Tigin due to the monument which was discovered here in the 1880s, theOrkhon inscriptions, identifying the place as a memorial to Bilge Khan's brother Kul Tigin.[1] Successive excavations revealed a 10 m × 10 m (33 ft × 33 ft) building in the middle of the complex. It had a central room and a corridor around it. Inside of the former there was the severed head on one side, and two marble torsos of seated figures on the other. Their heads were missing. The so-called Bust of Kul Tigin, found by the Czech archeologistLumír Jisl is thought to have once belonged to one of the torsos.[1]

While metalwork such as the golden diadem, found at the neighboring site, was the work of local, Central Asian artisans, this site's mural paintings, of which only a few fragments survive, and sculptures in the "ancestral temple" (i.e. Kul Tigin Complex'sbarq) were likely the work of Chinese artisans. This is suggested in theOld Book of Tang, and confirmed in theOrkhon inscriptions, where Bilgai Khan states that he asked for Chinese artisans to be sent to him, and ordered them to decorate the memorial to his brother.[1]

The "bird tiara" of the sculpture, featuring aneagle, might be an import from Tang China. However, it also resembles the diadem found at the neighboring site of Bilge Khan, which was likely the work of a Central Asian metalsmith.[1]

The eagle depicted on the hat is similar to theGolden Crown of Bilge Khan, likely produced by a local, Central Asian artisan.Lumír Jisl described the animal on the Bust of Kul Tigin's hat first as a heraldic eagle, later opting for a falcon, a symbol of death. The Turks associated the eagle/falcon with death. It could also represent thephoenix, often depicted by Eastern Turks with similarly spread wings.[1] Stark reports that a wooden sculpture ofVaiśravaṇa from ancientKyoto, said to have been brought from China in AD 800, has a similar hat with the depiction of a bird. A hat calledheguan (he-bird hat) was used by Chinese military officials. Rather than ascribing a Buddhist origin to the hat, Stark says that the statue in Kyoto has a military connection, rather than religious.[1] Stark concludes by saying that the "bird-tiara" was in use among the Eastern Turks as a symbol of supreme military authority, and that its origins should be ultimately traced back to the Chinese "pheasant hat", used as a symbol of high rank by Chinese military officials.[1] Indeed, Turkic culture received influences not only from the Chinese, but also from Iranian, Indian, Byzantine civilisations, combining these elements in their own distinct culture.[4]

As for thecrown, analogous to the bird's depiction on the hat, no "direct analogies" with this kind of crown have been found in the earlyTurkic steppes. However, similar examples have been found inSogdia and in EasternTurkestan.[1] Stark speculates that the idea behind this type of crown may have a "distant Indian origin".[1]

In contemporary culture

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Kazakhstan banknote with Bust of Kul Tigin (2013).

The Bust of Kul Tigin is depicted on a KZT 1,000tengebanknote, issued by theKazakh government.[5] The issue of the commemorative banknote was confirmed by the Kazakh government on December 12, 2013.[5] The banknote was dedicated to theSecond Turkic Khaganate on both sides, with theSilver Deer on one side, and the Bust of Kul Tigin on the other. About 10 million banknotes were put in circulation by theNational Bank of Kazakhstan.[5][6]

See also

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References

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Notes

  1. ^abcdefghijklmStark, Soren."Some Remarks on the Headgear of the Royal Türks"(PDF).ISAW.Archived from the original on 27 August 2021. Retrieved28 August 2021.
  2. ^Publications de la Société d'histoire turque VII. sér. Türk Tarih Kurumu Basımevı. 1991. p. 374.
  3. ^Bahar, Hasan."THE EXCAVATION AND THE CONSERVATION OF BILGE KHAN MONUMENTAL GRAVE COMPLEX IN MONGOLIA"(PDF).Selçuk University.Archived(PDF) from the original on 27 August 2021. Retrieved28 August 2021.
  4. ^Giumlía-Mair, Alessandra (2013)."METALLURGY AND TECHNOLOGY OF THE HUNNIC GOLD HOARD FROM NAGYSZÉKSÓS"(PDF). AGM Archeoanalisi Merano, Italy. p. 21.
  5. ^abc"New Kazakhstan Commemorative Banknote".Secura Monde International. 16 December 2013.Archived from the original on 28 August 2021. Retrieved28 August 2021.
  6. ^"Kultegin Monument / Turkic runic writing".www.banknote.ws. Retrieved28 August 2021.
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