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Bush dance

From Wikipedia, the free encyclopedia
Style of dance from Australia
This article is about the dance style. For the album by Johnny Griffin, seeBush Dance (album).
This article includes alist of references,related reading, orexternal links,but its sources remain unclear because it lacksinline citations. Please helpimprove this article byintroducing more precise citations.(May 2025) (Learn how and when to remove this message)

Bush dance is a style of dance fromAustralia, particularly where the music is provided by abush band. The dances are mainly based on the traditionalfolk dances of the UK, Ireland and central Europe.

Eras of bush dance in Australia

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  • Early European 1770–1850 settlers came with their local dance traditions.
  • Gold rush 1850–1860 miners brought dances from Europe some via the American gold rush.
  • Pastoral period 1860–1950 rural woolshed balls and dances in local halls.
  • Revival 1950–1960 collectors and enthusiasts document and perform dances.
  • Recent[when?] popularity 1970–1980 most areas and many social clubs have regular Bushy Balls.

Dance styles

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  • Bush dance – in general less emphasis on complex foot work and more about people being in the right place. Dress codes are relaxed.
  • Colonial dance – more concern for correct foot work. Many of the dances are unique to Australia. Dress code usually period costume.

Dance formations

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Dances can be grouped by the formations of the dancers.

Big circle dances

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Alternate men and women in a circle or horse shoe (exampleStockyards)

Closed-couples dance .....

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Men and women in a ballroom or similar hold arranged around the room (exampleBrown Jug Polka)


Longways sets

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3 to 8 couples in two lines, ladies face the band, men face the ladies. Top couple on the band's left. If up and down the hall, ladies on band's left, top couple nearest the band (exampleGalopede)

Sicilian circle dances

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Couples facing each other at right angles to the line-of-dance around the room. Usually a progressive dance, so half the dancers will progress clockwise and half anti-clockwise. Double Sicilian is 2 couples, facing 2 couples (exampleCottages)

Trio dances

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Lines of three, a man and two women or two women and a man facing a similar line. Sets arranged around the room (exampleDashing White Sergeant)

Quadrilles

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Four couples arranged on the sides of a square (exampleColonial’s Quadrille).

For more details refer toQuadrilles.

Music

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Tunes are mostly traditional UK and Irish tunes. UK, Irish and USA session players would know variations of most of the tunes.

Rhythms include –Reel,Jig,March,Waltz andHornpipe.

Instruments –Fiddle,Piano,Accordion bothPiano andMelodeon,Concertina; both English and Anglo,Tin whistle,Bush bass,Guitar,Banjo and all types ofPercussion, includinglagerphone. Electric amplified instruments, such aselectric bass guitar orelectric guitar have been used since the 1970s.

American connection

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Bush dances are similar to Americanline dances or Americansquare dances, in that all dancers know certain steps and execute them together. Partners are often changed in the course of the dance. There are many standard dances that dancers are either taught or expected to know, such as The Ninepins Quadrille (nicknamed TheDrongo byThe Bushwackers)in which one person is excluded from the group when they have no partner and are 'mocked' by the others. Another popular, simple, progressive dance, often used with children, is the Heel-Toe Polka (also known as the Brown Jug Polka), where partners slap their knees, hands and partners' hands.

See also

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References

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Further reading

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  • Shirly Andrews,Take Your Partners, Hyland House Publishing PTY Limited., 1979ISBN 0-908090-13-7
  • Max Klubal,Music for Australian Folk Dancing with Instructions, The Australian Folk Trust., 1979
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