Bump mapping[1] is atexture mapping technique incomputer graphics for simulating bumps and wrinkles on the surface of an object. This is achieved by perturbing thesurface normals of the object and using the perturbed normal during lighting calculations. The result is an apparently bumpy surface rather than a smooth surface, although the surface of the underlying object is not changed. Bump mapping was introduced byJames Blinn in 1978.[2]
Bump mapping is the most common variation of bump mapping used.[3]
Bump mapping is a technique incomputer graphics to make arendered surface look more realistic by simulating small displacements of the surface. However, unlikedisplacement mapping, the surface geometry is not modified. Instead only the surface normal is modified as if the surface had been displaced. The modified surface normal is then used for lighting calculations (using, for example, thePhong reflection model) giving the appearance of detail instead of a smooth surface.
Bump mapping is much faster and consumes fewer resources for the same level of detail compared to displacement mapping because the geometry remains unchanged.
There are also extensions which modify other surface features in addition to increasing the sense of depth.Parallax mapping andhorizon mapping are two such extensions.[4]
The primary limitation with bump mapping is that it perturbs only the surface normals without changing the underlying surface itself.[5] Silhouettes and shadows therefore remain unaffected, which is especially noticeable for larger simulated displacements. This limitation can be overcome by techniques including displacement mapping where bumps are applied to the surface or using anisosurface.
There are two primary methods to perform bump mapping. The first uses aheight map for simulating the surface displacement yielding the modified normal. This is the method invented by Blinn[2] and is usually what is referred to as bump mapping unless specified. The steps of this method are summarized as follows.
Before a lighting calculation is performed for each visible point (orpixel) on the object's surface:
The result is a surface that appears to have real depth. The algorithm also ensures that the surface appearance changes as lights in the scene are moved around.
The other method is to specify anormal map which contains the modified normal for each point on the surface directly. Since the normal is specified directly instead of derived from a height map this method usually leads to more predictable results. This makes it easier for artists to work with, making it the most common method of bump mapping today.[3]
Realtime 3D graphicsprogrammers often use variations of the technique in order to simulate bump mapping at a lower computational cost.
One typical way was to use a fixed geometry, which allows one to use the heightmap surface normal almost directly. Combined with a precomputedlookup table for the lighting calculations, the method could be implemented with a very simple and fast loop, allowing for a full-screen effect. This method was a commonvisual effect when bump mapping was first introduced.
