| Bull Durham | |
|---|---|
 Theatrical release poster | |
| Directed by | Ron Shelton |
| Written by | Ron Shelton |
| Produced by | Thom Mount Mark Burg |
| Starring | |
| Cinematography | Bobby Byrne |
| Edited by | Robert Leighton Adam Weiss |
| Music by | Michael Convertino |
| Distributed by | Orion Pictures |
Release date |
|
Running time | 108 minutes |
| Country | United States |
| Language | English |
| Budget | $9 million |
| Box office | $50.9 million[1] |
Bull Durham is a 1988 Americanromantic comedysports film directed byRon Shelton. The film starsKevin Costner as"Crash" Davis, a veteran catcher from theAAARichmond Braves, brought in to teach rookie pitcher Ebby Calvin "Nuke" LaLoosh (Tim Robbins) about the game in preparation for reaching the major leagues. Baseballgroupie Annie Savoy (Susan Sarandon) romances Nuke, but finds herself increasingly attracted to Crash. Also featured areRobert Wuhl andTrey Wilson, as well as "The Clown Prince of Baseball",Max Patkin. The film is partly based upon Shelton's experience inminor league baseball, and depicts the players and fans of theDurham Bulls, aminor-league baseball team inDurham, North Carolina.
Bull Durham was a commercial success, grossing over $50 million in North America, well above its estimated budget, and was a critical success as well.Sports Illustrated ranked it the #1 Greatest Sports Movie of all time.The Moving Arts Film Journal ranked it #3 on its list of the 25 Greatest Sports Movies of All-Time. In addition, the film is ranked #55 onBravo's "100 Funniest Movies." It is also ranked #97 on theAmerican Film Institute's "100 Years...100 Laughs" list, and #1 onRotten Tomatoes' list of the 53 best-reviewed sports movies.
TheDurham Bulls, asingle-AMinor League Baseball team, are dealing with another sparsely attended losing season, with one thing working for them: Ebby Calvin LaLoosh, a hotshot rookiepitcher known for having a "million dollar arm, but a five cent head," who has potential to become amajor league talent. "Crash" Davis, a 12-year veteran in the minor leagues, is sent down fromTriple-A as the team'scatcher to teach LaLoosh to control his haphazard pitching. Crash immediately begins calling Ebby by the degrading nickname of "Meat", and they get off to a rocky start.
Thrown into the mix is Annie, a "baseball groupie" and lifelong spiritual seeker who has latched onto the "Church of Baseball" and has, every year, chosen one player on the Bulls to be her lover and student. Annie flirts with both Crash and Ebby and invites them to her house, but Crash walks out, saying he's too much of a veteran to "try out" for anything. But before he leaves, Crash sparks Annie's interest with a memorable speech listing the things he "believes in", ending with, "I believe in long, slow, deep, soft, wet kisses that last three days... Good night".
Despite some animosity between them, Annie and Crash work, in their own ways, to shape Ebby into a big-league pitcher. Annie plays mildbondage games, reads poetry to him, gets him to try different mental approaches to pitching, and gives him the nickname "Nuke".
Crash forces Nuke to learn "not to think" by letting the catcher make the pitching calls. After Nuke shakes off his signs, he twice tells the batters what pitch is coming, leading to both players hittinghome runs; he also lectures him about the pressure of facing major league hitters who can hit his "heat" (fastballs). Crash talks about life in the major leagues, which he lived for "the 21 greatest days of my life" and to which he has tried for years to return. Meanwhile, as Nuke matures, the relationship between Annie and Crash grows, until it becomes obvious that the two of them are a more appropriate match.
After a rough start, Nuke becomes a dominant pitcher by mid-season, adding to the Bulls' good fortunes; in the end, he is called up to the major leagues. This incites jealous anger in Crash, who is frustrated by Nuke's failure to value the rare talent he has. Nuke leaves, Annie ends their relationship, and Crash overcomes his jealousy enough to leave Nuke with some final words of advice.
The Bulls, now having no use for Nuke's mentor, call up a younger catcher and release Crash. Crash presents himself at Annie's house and the two consummate their attraction with a weekend-long lovemaking session. Crash then leaves Annie's house to seek a further minor-league position.
Nuke is seen one last time, being interviewed by the press as a major leaguer, reciting the clichéd answers that Crash had taught him earlier. Crash joins another team, theAsheville Tourists, and breaks the minor-league record for career home runs. He then retires as a player and returns to Durham, where Annie tells him she's ready to give up her annual affairs with "boys." Crash tells her that he is thinking about becoming amanager fora minor-league team in Visalia. The film ends with Annie and Crash dancing in Annie's candle-lit living room.
The film's name is based on the nickname forDurham, North Carolina, since 1874, whenW. T. Blackwell and Company named its product "Bull" Durham tobacco, which soon became a well-known trademark. In 1898,James B. Duke purchased the company and renamed it theAmerican Tobacco Company. By this time, the nickname "Bull City" had already stuck.
The film's writer and director, Ron Shelton, playedminor league baseball for five years after graduating fromWestmont College inSanta Barbara, California. Initially playing second base for theBaltimore Orioles' farm system, he moved from theAppalachian League to California and then Texas before finally playingAAA baseball for theRochester Red Wings in theInternational League. Shelton quit when he realized he would never become a major league player. "I was 25. In baseball, you feel 60 if you're not in the big leagues. I didn't want to become a Crash Davis", he said.[2]
He returned to school and earned aMaster of Fine Arts in sculpture at theUniversity of Arizona before moving to Los Angeles to join the city's art scene. However, he felt more kinship in telling stories than in creating performance art. His break into filmmaking came with scriptwriting credits on the filmsUnder Fire andThe Best of Times.[2]
According toJustin Turner, the bull in right field that was hit for a home run in the film is actually in left field atDurham Bulls Athletic Park.[3]
According to Shelton, "I wrote a very early script about minor league baseball; the only thing it had in common withBull Durham was that it was about a pitcher and a catcher."[4] That script was titledThe Player To Be Named Later; a single anecdote from that script made it intoBull Durham.[2] ForBull Durham, Shelton "decided to see if a woman could tell the story" and "dictated that opening monologue on a little micro-recorder while I was driving around North Carolina."[4] Crash was named afterLawrence "Crash" Davis but was modeled after Pike Bishop, the lead characterWilliam Holden played inThe Wild Bunch: a guy who "loved something more than it loved him."[4] Annie Savoy's name was a combination of the nickname ("Annies") that baseball players gave their groupies and the name of a bar; she was a "High Priestess [who] could lead us into a man's world, and shine a light on it. And she would be very sensual, and sexual, yet she'd live by her own rigorous moral code. It seemed like a character we hadn't seen before."[4] After Shelton returned to Los Angeles from his road trip, he wrote the script forBull Durham in "about twelve weeks."[4]
Filming began on October 5, 1987, and wrapped on November 30, 1987, after 56 days of filming. When Shelton pitchedBull Durham, he had a hard time convincing a studio to give him the opportunity to direct.[2] Baseball movies were not considered a viable commercial prospect at the time and every studio passed except forOrion Pictures who gave him a $9 million budget (with many cast members accepting lower-than-usual salaries because of the material), an eight-week shooting schedule, and creative freedom.[2] Shelton scouted locations throughout the southern United States before settling on Durham in North Carolina because ofits old ballpark and its location, "among abandoned tobacco warehouses and on the edge of an abandoned downtown and in the middle of a residential neighborhood where people could walk".[5] According toNO BULL: The Real Story of the Rebirth of a Team and a City by Ron Morris, Shelton decided because the city was "run down with vacated tobacco warehouses and boarded up downtown storefronts" it made a "down-and-out, minor-league town that represented his story well."[6] The Imperial Tobacco Warehouse, which is currently owned and has been renovated byMeasurement Incorporated, was used as a filming location.[7] TheQueen Anne styleJames Manning House, built in 1880, was used for Annie Savoy's romantic encounters.[6]
Shelton cast Costner because of the actor's natural athleticism. Costner was a former high school baseball player and was able to hit two home runs while the cameras were rolling and, according to Shelton, insisted "on throwing runners out even when they (the cameras) weren't rolling".[8] He cast Robbins over the strong objections of the studio, who wantedAnthony Michael Hall instead.[9] Shelton had to threaten to quit before the studio backed off.[4]
ProducerThom Mount (who is part-owner of the real Durham Bulls) hired Pete Bock, a former semi-pro baseball player, as a consultant on the film. Bock recruited more than a dozen minor-league players, ran a tryout camp to recruit an additional 40 to 50 players from lesser ranks, hired several minor-league umpires, and conducted two-a-day workouts and practice games with Tim Robbins pitching and Kevin Costner catching.[2] Bock made sure the actors looked and acted like ballplayers and that the real players acted convincingly in front of the cameras. He said, "The director would say, 'This is the shot we want. What we need is the left fielder throwing a one-hopper to the plate. Then we need a good collision at the plate.' I would select the players I know could do the job, and then we would go out and get it done."[10]
Bull Durham debuted on June 15, 1988, and grossed $5 million in 1,238 theaters on its opening weekend. It went on to gross a total of $50.8 million in North America, well above its estimated $9 million budget.[1]
"A few months after it came out, I was having dinner at a restaurant called The Imperial Gardens. A man came up and asked if I was Ron Shelton. I said yes, and he said, 'Somebody would like to meet you.' So I followed him—I didn't realize at the time it wasStanley Donen, the director—and he brought me over to his best friend,Billy Wilder. Wilder looked up and said, 'Great fuckin' picture, kid!' I said, 'Mr. Wilder, that's the best review I've ever had!'"
The film was well-received critically. OnRotten Tomatoes, the film has an approval rating of 97%, based on 72 reviews, with an average rating of 8.00/10. The website's critical consensus reads, "Kevin Costner is at his funniest and most charismatic inBull Durham, a film that's as wise about relationships as it is about minor league baseball."[11] OnMetacritic, the film has a weighted average score of 73 out of 100, based on 16 critics, indicating "generally favorable reviews".[12] Audiences polled byCinemaScore gave the film an average grade of "B+" on an A+ to F scale.[13]
According to aLos Angeles Times poll of 100 film critics,Bull Durham was the second most acclaimed film of 1988, second to only to the documentaryThe Thin Blue Line.[14]
InDavid Ansen's review forNewsweek, he wrote that the film "works equally as a love story, a baseball fable and a comedy, while ignoring the clichés of each genre".[2]Vincent Canby praised Shelton's direction in his review forThe New York Times: "He demonstrates the sort of expert comic timing and control that allow him to get in and out of situations so quickly that they're over before one has time to question them. Part of the fun in watchingBull Durham is in the awareness that a clearly seen vision is being realized. This is one first-rate debut".[15]
Roger Ebert praised Sarandon's performance in his review for theChicago Sun-Times: "I don't know who else they could have hired to play Annie Savoy, the Sarandon character who pledges her heart and her body to one player a season, but I doubt if the character would have worked without Sarandon's wonderful performance".[16] In his review forSports Illustrated, Steve Wulf wrote, "It's a good movie and a damn good baseball movie".[17] Hal Hinson, in his review forThe Washington Post, wrote, "The people associated withBull Durham know the game ... and the firsthand experience shows in their easy command of the ballplayer's vernacular, in their feel for what goes through a batter's head when he digs in at the plate and in their knowledge of the secret ceremonies that take place on the mound".[18] Richard Corliss, in his review forTime, wrote, "Costner's surly sexiness finally pays off here; abrading against Sarandon's earth-mama geniality and Robbins' rube egocentricity, Costner strikes sparks".[19]
Bull Durham was namedBest Screenplay of 1988 byNew York Film Critics' Circle.[20] The film became a minor hit when released, and is now considered one of the best sports movies of all time.[21] In 2003,Sports Illustrated rankedBull Durham as the "Greatest Sports Movie".[22] In addition, the film is ranked number 55 onBravo's "100 Funniest Movies."[23] It is also ranked #97 on theAmerican Film Institute's "100 Years...100 Laughs" list, and #1 onRotten Tomatoes' Top Sports Movies[24] list of the 53 best reviewed sports movies of all time.Entertainment Weekly rankedBull Durham as the fifth best DVD of their Top 30 Sports Movies on DVD.[25] The magazine also ranked the film as the fifth best sports film since 1983 in their "Sports 25: The Best Thrill-of-Victory, Agony-of-Defeat Films Since 1983" poll[26] and #5 on their "50 Sexiest Movies Ever" poll.[27] In June 2008, AFI revealed its "Ten top Ten"—the best ten films in ten "classic" American film genres—after polling over 1,500 people from the creative community.Bull Durham was acknowledged as the fifth best film in the sports genre.[28][29][30] The real life Durham Bulls, playing in the single-ACarolina League at the time of the film's release, would later see the team open a new ballpark (Durham Bulls Athletic Park) in 1995, and would be promoted to the triple-AInternational League in 1998.
In 2003, a 15th anniversary celebration ofBull Durham at theNational Baseball Hall of Fame was canceled by Hall of Fame presidentDale Petroskey. Petroskey, who was on the White House staff during theReagan administration, told Robbins that the actor's public opposition to the US-led war in Iraq helped to "undermine the U.S. position, which could put our troops in even more danger."[31] Costner, a self-describedlibertarian, defended Robbins and Sarandon, saying, "I think Tim and Susan's courage is the type of courage that makes our democracy work. Pulling back this invite is against the whole principle about what we fight for and profess to be about."[31]
For years, Ron Shelton has contemplated making a sequel and remarked, "I couldn't figure out in the few years right after it came out, what do you do? Nuke's in the big leagues, Crash is managing in Visalia. Is Annie going to go to Visalia? I've been to Visalia. That will test a relationship ... It was not a simple fable to continue with – not that we don't talk about continuing it, now that everyone's in their 60s".[5]
ActorTrey Wilson, who played Durham manager Joe Riggins, died of a cerebral hemorrhage at age 40, seven months after this film's release.
Writers Guild of America Award
Boston Society of Film Critics
Los Angeles Film Critics Association
National Society of Film Critics
1988 New York Film Critics Circle Awards
In 2000, theAmerican Film Institute placed the film on its100 Years...100 Laughs list, where it was ranked #97.[32] And in 2008, AFI includedBull Durham on itsTop 10 Sports Films list as the #5 sports film.[33]
Bull Durham was originally released on DVD on October 27, 1998, and included an audio commentary by writer/director Ron Shelton.[34] A Special Edition DVD was released on April 2, 2002, and included the Shelton commentary track from the previous edition, a new commentary by Kevin Costner and Tim Robbins, aBetween the Lines: The Making of Bull Durham featurette, aSports Wrap featurette, and a Costner profile.[35] A "Collector's Edition" DVD celebrating the film's 20th anniversary was released on March 18, 2008, and features the two commentaries from the previous edition, aGreatest Show on Dirt featurette, aDiamonds in the Rough featurette that explores minor league baseball,The Making of Bull Durham featurette, and Costner profile from the previous edition. TheCriterion Collection also released blu-ray and DVD editions of the film which included a new conversation between Shelton and film criticMichael Sragow.[36]
