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Broadcloth

From Wikipedia, the free encyclopedia
Dense, woven cloth, historically of wool
This article is about the traditionally milled woolen fabric. For the fabric known asbroadcloth in the US, seePoplin.
Not to be confused withBroadwoven cloth.
Look up broadcloth in Wiktionary, the free dictionary.
Wool broadcloth jacket,c. 1830.LACMA M.65.8a-d
The dark purple broadcloth and gold outfit ofGustav II Adolf, King of Sweden from 1611 to 1632
Littoinen broadcloth factory, Finland

Broadcloth is a dense,plain wovencloth, historically made ofwool. The defining characteristic of broadcloth is not its finished width but the fact that it was woven much wider (typically 50 to 75% wider than its finished width) and then heavilymilled (traditionally the cloth was worked by heavy woodentrip hammers in hot soapy water) in order to shrink it to the required width. The milling process draws the yarns much closer together than could be achieved in the loom and allows the individual fibres of the wool to bind together in a felting process, which results in a dense, blind-face[i] cloth with a stiffdrape: highly weather-resistant, hard-wearing and capable of taking a cut edge without the need for being hemmed.

The manufacturing process originated fromFlanders; the type of cloth was also made inLeiden and in several parts ofEngland at the end of themedieval period.[1] The raw material was shortstaple wool,carded andspun intoyarn and then woven on a broadloom to produce cloth 1.75 yards wide. Afterfulling, usually in afulling mill, the fibres of the resultant cloth wouldfelt together, resulting in a smooth surface.[2]

Etymology

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See also:Narrow cloth

The word "broadcloth" was originally used just as anantonym to "narrow cloth", but later came to mean a particular type of cloth.[3] The1909 Webster's dictionary (as reprinted in 1913) defines broadcloth as "A fine smooth-faced woolen cloth for men's garments, usually of double width (i.e., a yard and a half [140 cm]);—so called in distinction from woolens three quarters of a yard wide. [69 cm]",[4] thus giving both the old breadth-based distinction and the newer definition based on the type of cloth.

Since the early 1920s, the American market has used the term "broadcloth" to describe a plain-woven, usuallymercerised fabric woven with a rib and a slightly heavier filling yarn, used for shirt-making, made from cotton or a polyester-and-cotton blend.[5] This fabric was introduced in the early 1920s as an import from the United Kingdom, where it was calledpoplin, but it was arbitrarily renamed "broadcloth" as it was thought that "poplin" had connotations of heaviness.[5] Another version of this fabric, woven in rayon or polyester-and-rayon, is called fuji.[5]

TheHarmonized Tariff Schedule of the United States uses the unambiguous terms "broadwoven" and "narrow woven", with a breadth cutoff of 30 centimeters (about 12 inches). By this definition, the US government estimates that 70–75% of all cloth production globally, by weight, is broadwoven.[6]

Historical manufacture

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The broadcloth market at’s-Hertogenbosch, near the historicDuchy of Brabant, circa 1530
1743 coat in green broadcloth, probably Swedish

Broadcloth (FlemishLaken) was produced in theDuchy of Brabant (nowFlanders) from the 11th century and throughout the medieval period.[7]

After 1400Leiden inHolland (nowThe Netherlands) became the most important place for broadcloth industry in Europe. There for the first time the production became industrialised. This means that the production process didn't take place entirely in one single factory anymore but according to a precise task allocation, where in several stagesintermediate goods were produced. The entire process was strictly supervised, resulting in a constantly high quality, making Leiden broadcloth very popular. In 1417 theHanseatic League decided that only approved broadcloth from Leiden was to be sold. From 1,500 competition from other parts of Europe, especially England, grew and Leiden lost its leading role. In ItalyFlorence became an important center of broadcloth industry.

Around 1500, broadcloth was made in a number of districts of England, includingEssex andSuffolk in southernEast Anglia, theWest Country Clothing District (Gloucestershire,Wiltshire, eastSomerset—sometimes with adjacent areas), atWorcester,Coventry,Cranbrook in Kent and some other places.

This was the best English cloth, and large quantities were exported by the merchants of theCompany of Merchant Adventurers of London, principally toAntwerp as white (i.e. undyed) cloth. It was finished anddyed inFlanders, and then marketed throughout northernEurope. The cloths might be short (24 yards long) or long (30 yards long).

The raw material for broadcloth from Worcester was wool from theWelsh border counties ofHerefordshire andShropshire, known as Lemster (i.e.Leominster) wool. That for theWest Country came from theCotswolds. In both cases, the high quality was the result of the comparatively poor pasture, which (probably aided byselective breeding) led the sheep to grow wool with the desired qualities.

English exports of broadcloth reached their highest level in the mid 16th century, after which some regions began producing other kinds of cloth. Difficulties were encountered in export markets in the mid-1610s, partly due to currency difficulties in eastern Europe, and partly to the ill-conceivedCockayne Project. Broadcloth production, thus declined in the 17th century.

Worcester remained a centre for the production of white broadcloth. Other areas, such asLudlow and parts of the Cotswolds started to produce similar cloth, known as 'Worcesters'. The market suffered major setback in the 18th century, when the trade of theLevant Company withTurkey was obstructed byFrench competition. From this time, the production of broadcloth lost its importance.[8][9]

Types of broadcloth

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1878 woman's riding habit/hunting dress in dark green habit cloth. Scotland.LACMA M.2007.211.779.1a-b
Drape of the cloth in the above riding habit
  • Banat—Wool broadcloth made in India.[10]
  • Bridgwater (1450–1500)—A lighter weight broadcloth made in England, Scotland and Wales.[11][12]
  • Castor—Overcoat-weight woolen broadcloth.[13]
  • Cealtar (Irish Gaelic)—thick grey broadcloth[14]
  • Dunster (early 14th century)—broadcloth specifically made inSomerset[15]
  • Georgian cloth (c.1806)[16][17]
  • Haberjet (Middle Ages)—A coarse wool broadcloth, made in England during the Medieval period, and associated withmonks.[18]
  • Habit cloth—British-made fine wool broadcloth typically used for women'sriding habits.[18]
  • Lady's cloth—lighter weight broadcloth,[19] originally made in light shades.[20]
  • Poole cloth (19th century onwards)—A broadcloth with a clear finish, named after the tailoring establishmentHenry Poole & Co (founded 1806).[21]
  • Suclat—A European-made cotton broadcloth popular in the East Indian market.[22]
  • Superfine (18th century onwards)—merino broadcloth used for men's tailoring.[23]
  • Tami—Chinese-made broadcloth.[24]
  • Taunton (16th century)—Originally made inTaunton, and available in medium or coarse grade, with a weight of 11oz. per yard, which was fixed by law.[25]
  • Tavestock (c. 1200–1350[26])
  • Western dozen (16th century)—Alternative name for tavestock.[25]

Modern uses

[edit]
  • Broadcloth coat, 2009
    Broadcloth coat, 2009
  • Close-up of broadcloth surface, with corner of pocket and end of drawstring for scale, photographed at 6× magnification
    Close-up of broadcloth surface, with corner of pocket and end of drawstring for scale, photographed at 6× magnification

Wool broadcloth with its felted, velvet-like feel, has been used to upholster furniture and car interiors.[27]

Notes

[edit]
  1. ^A 'blind face' cloth is one in which, unlike twill or worsted, the underlying weave pattern cannot be seen on the surface.

References

[edit]
  1. ^"Een kleine dekengeschiedenis" (in Dutch). Retrieved10 September 2022.
  2. ^Thursfield 2001, p. 63.
  3. ^Chisholm, Hugh, ed. (1911). "Alnage" (free fulltext), from theEncyclopædia Britannica. Vol. 01 (11th ed.). Cambridge University Press. p. 719; lines two and three from end.
  4. ^"Webster's 1913".www.websters1913.com.
  5. ^abcTortora, Phyllis G.; Johnson, Ingrid (17 September 2013).The Fairchild Books Dictionary of Textiles. A&C Black.ISBN 9781609015350.
  6. ^Freund, Kimberlie and Norton, Marjorie J.T.,Broadwoven Fabrics, USITC Publication 3410: 4ISBN 1-4289-5826-6. Freepublic-domain fulltext.
  7. ^Pedersen & Nosch 2009, p. ix.
  8. ^Ponting 1971, pp. 3–34.
  9. ^B. Supple,Commercial crisis and change in England 1602–1642: a study in the instability of a mercantile economy (1959); J. de L. Mann,The cloth industry in the West of England (Oxford 1971).
  10. ^Tortora, Phyllis G.; Johnson, Ingrid (17 September 2013).The Fairchild Books Dictionary of Textiles. A&C Black. p. 41.ISBN 9781609015350.
  11. ^Lewandowski 2011, p. 39.
  12. ^Tortora, Phyllis G.; Johnson, Ingrid (17 September 2013).The Fairchild Books Dictionary of Textiles. A&C Black. p. 75.ISBN 9781609015350.
  13. ^Tortora, Phyllis G.; Johnson, Ingrid (17 September 2013).The Fairchild Books Dictionary of Textiles. A&C Black. p. 105.ISBN 9781609015350.
  14. ^Lewandowski 2011, p. 56.
  15. ^Lewandowski 2011, p. 93.
  16. ^Lewandowski 2011, p. 119.
  17. ^Tortora, Phyllis G.; Johnson, Ingrid (17 September 2013).The Fairchild Books Dictionary of Textiles. A&C Black. p. 259.ISBN 9781609015350.
  18. ^abTortora, Phyllis G.; Johnson, Ingrid (17 September 2013).The Fairchild Books Dictionary of Textiles. A&C Black. p. 277.ISBN 9781609015350.
  19. ^Lewandowski 2011, p. 170.
  20. ^Tortora, Phyllis G.; Johnson, Ingrid (17 September 2013).The Fairchild Books Dictionary of Textiles. A&C Black. p. 339.ISBN 9781609015350.
  21. ^Tortora, Phyllis G.; Johnson, Ingrid (17 September 2013).The Fairchild Books Dictionary of Textiles. A&C Black. p. 475.ISBN 9781609015350.
  22. ^Tortora, Phyllis G.; Johnson, Ingrid (17 September 2013).The Fairchild Books Dictionary of Textiles. A&C Black. p. 596.ISBN 9781609015350.
  23. ^Lewandowski 2011, p. 282.
  24. ^Tortora, Phyllis G.; Johnson, Ingrid (17 September 2013).The Fairchild Books Dictionary of Textiles. A&C Black. p. 608.ISBN 9781609015350.
  25. ^abTortora, Phyllis G.; Johnson, Ingrid (17 September 2013).The Fairchild Books Dictionary of Textiles. A&C Black. p. 612.ISBN 9781609015350.
  26. ^Lewandowski 2011, p. 289.
  27. ^Mattson, Fred (2017).Automotive Upholstery and Interior Restoration. CarTech. p. 20.ISBN 9781613253311.

Bibliography

[edit]
Types
Woven
Figured
woven
Pile woven
Nonwoven
Knitted
Netted
Technical
Patterns
Textile fibers
Fabric mills
Manufacturing
industry
Related
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