This articlerelies largely or entirely on asingle source. Relevant discussion may be found on thetalk page. Please helpimprove this article byintroducing citations to additional sources. Find sources: "British Museum Department of Asia" – news ·newspapers ·books ·scholar ·JSTOR(November 2018) |
TheDepartment of Asia in theBritish Museum holds one of the largest collections of historical objects fromAsia. These collections comprise over 75,000 objects covering the material culture of the Asian continent (including East Asia, South and Central Asia, and Southeast Asia), and dating from theNeolithic age up to the present day.[1]
The department's collection began with a donation from SirHans Sloane, which contained a small number of objects from the Asian continent, including a collection of Japanese material acquired from the family of the German traveller and physicianEngelbert Kaempfer (who had led an expedition toJapan).[2] Only a few objects were acquired from Asia between 1753 and the 1820s, but the collection expanded in the late 19th century to become one of the world's largest. This was mainly through a donation of a number of South Asian objects, such as the gilded bronze figure of Tara fromSri Lanka in 1830, the Bridge Collection of East and Central Indian sculpture in 1872, and the Amaravati Collection in 1880. The collection of Asian material was greatly expanded during the tenure of SirAugustus Wollaston Franks as Keeper of the Department of Antiquities from 1866 to 1896, and in 1921 the Sub-Department of Oriental Antiquities was established. In 1933, the Asian collections of the Prints and Drawings Sub-Department were united with the Department of Oriental Antiquities, forming one of the most significant collections of art and antiquities of Asia in the northern hemisphere. In 2003, the Department of Oriental Antiquities and the Department of Japanese Antiquities merged to become the current Department of Asia.[3] The Keepers of the Department of Asia include:Jessica Rawson, Robert Knox (1994–2006),Jan Stuart (2006–2014) and Jane Portal (2014–).
Highlights include:
Most of the Department of Asia is located in the King Edward's Building, which forms the northern section of the museum. It is split into several rooms and four main geographic areas:[5]
The China collection is one of the largest collections of Chinese historical artefacts in the Western world. It focuses on porcelain, paintings, scripts and basic tools, with items ranging in date from theNeolithic era to the 20th century. One of the most important items is a collection of rareBuddhist paintings fromDunhuang. China was one of the first countries to use coins, and the museum also has a large collection of Chinese coins (housed in theDepartment of Coins and Medals).
Objects in the South Asian collections of the Department date from some of the earliest civilisations in theIndus valley, about 7000 years ago. It includes an important collection of prehistoric material from theNilgiri mountains in southern India .[8] As well as ancient artefacts, the Indian collections include excellent examples of pottery, art (including many rareMughal paintings), traditional scriptwork, and a large display of sculpture, including carvings from the GreatStupa atAmaravati. South Asia is also represented in the money collections, with a large number of coins dating back to the 4th century BC. The collection previously included some objects from the Islamic world, but these were merged with the collections of the Department of the Ancient Near East to form the Department of the Middle East.
TheJohn Addis gallery (room 34) houses the museum's collection of Islamic art, which now officially forms part of the Department of Middle East. This includes objects from the earliest centuries of Islam to the 20th century, and geographically fromEgypt toSpain toIndia. The gallery's arrangement is mainly chronological, with western Islam – Egypt,Syria,Iraq andTurkey — on the left of the descending staircase, and eastern Islam —Iran,Afghanistan and India – on the right. Highlights of the collection are a ceramic lamp from theDome of the Rock in Jerusalem, the uniqueJade Terrapin from Allahabad, aMughal work of art from northern India, and a group of foundation inscriptions fromGaur, West Bengal in eastern India. At the end of the gallery are cases on Islamic Spain, science, arms and armour, coinage and a changing exhibition of contemporary graphics. The British Museum is actively collecting 20th-century material from the Islamic world, including calligraphy, popular religious prints, political posters, studio pottery and a rare 11th-centuryQur'an.
The Japanese section of the Asian department holds one of the most comprehensive collections of Japanese material culture in Europe. The Japanese galleries, Rooms 92–94 (theKonica-Minolta, Main andUrasenke galleries), were opened on 6 April 1990,[9] and includeprints, printed books, paintings,ceramics,swords, decorative arts, and early archaeological material. Part of the collection includes atea house, sponsored and built by the Urasenke Foundation, which exhibits both modern tea utensils and historictea ceremony wares.
TheKorea Foundation Gallery houses the museum's collection ofKorean art andarchaeology. Objects from pre-history to the present day include stone sculpture, paintings, printed books, screens and folk art, as well as ceramics,lacquerware, gold and bronze. Highlights of the exhibition include a reconstruction of a traditional Koreansarangbang (a study in a Korean home) and fine examples of 15th-century Korean script.
51°31′13″N0°07′41″W / 51.52032°N 0.12800°W /51.52032; -0.12800