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Donn Byrne (bornBrian Oswald Patrick Donn-Byrne; 20 November 1889 – 18 June 1928) was anIrish writer.
He was born inNew York City in theUnited States where, he claimed, his Irish parents were on a business trip at the time, and soon after returned with them toIreland. He grew up inCamlough,County Armagh, and was equally fluent in Irish and English.
In 1906, when he was 14, Donn-Byrne went to an Irish Volunteer Movement meeting with Bulmer Hobson and Robert Lynd of the London Daily News, where Lynd noticed him, a fair-haired boy, and wrote of his singing. It was through Hobson that Byrne acquired his taste for Irish history and nationalism. (The "taste for nationalism" cited, is contested by Bradley. Many may confuse widespread interest in Irish Language and Byrne's excellence in the language, his prizes at feiseanna (festivals) with a more revolutionary political movement engaged in by Hobson and other associates). He attendedTrinity College Dublin, beginning in 1907, where he studied Romance languages and saw his own writing published inThe National Student, the student magazine. After graduation he continued his studies in Europe, hoping to join the British Foreign Office. It is related that he "turned down his PhD" when he learned that he would have to wear evening clothes to his early morning examinations, which he apparently felt that no true Irish gentleman would ever do. (The latter claim is shown by Bradley to be just one of Byrne's impossible, if entertaining, fantasies.)
He returned to New York in 1911, where he began working first for the publishers of theCatholic Encyclopedia, theNew Standard Dictionary, and then the Century Dictionary. In February 1912 his poem "The Piper" appeared inHarper's magazine. His first short story, "Battle," sold soon after toSmart Set magazine for $50, appearing in the February 1914 issue. He sold more stories; some of these were anthologised in his first book,Stories Without Women, 1915. He then began working on his first novel,The Stranger's Banquet (1919). He was a prolific novelist and short story writer from that point on. His novelField of Honor was published posthumously in 1929. His poems were collected into an anthology and published as Poems (1934).
Despite both his wife Dorothea's success as a playwright, and his own increasing popularity as an author, Byrne's financial straits forced his family to sell their house in Riverside, Connecticut, and return to Ireland. They later purchased Coolmain Castle, near Bandon in County Cork, where Byrne lived until his death in a car accident due to defective steering,[1] in June 1928. A Kilbrittain man, Cornelius O'Sullivan, pulled him from the water and tried to revive him, but to no avail. He is buried in Rathclarin churchyard, near Coolmain Castle. His headstone reads, in Irish and English: "I am in my sleeping and don't waken me."[2]
The early novels have been said to be quite mediocre, noted as "potboilers" by Thurston Macauley, Byrne's earliest biographer.Messer Marco Polo tells the story of the Italian adventurer as told by an Irishman, andThe Wind Bloweth is a romantic novel of the sea. Both show some highly lyrical passages intermixed with the plain language of real life. WithBlind Raftery, however, the author seems to reinvent the saga style, as the prose breaks off into musical verse now and then as it tells the story of a blind poet wandering Ireland and avenging his wife's dishonor. Atelevision opera byJoan Trimble based on the novel was commissioned and broadcast by theBBC in 1957.[3]
His later novels invited comparison with Irish novelistGeorge Moore, especially in their romance and historical themes. It was withHangman's House, though, that he began to identify himself with the traditional Irish storytellers, noting in his preface ("A Foreword to Foreigner's") that: "I have written a book of Ireland for Irishmen. Some phrase, some name in it may conjure up the world they knew as children." It is also in this novel that Byrne returns to his Irish nationalist ideas by alluding to the ongoing strife of theIrish Civil War and fight for Independence.
Byrne was firmly of the neo-romantic view of the mythical and pastoral beauty of Irish history. His writing evokes these images, sometimes seeming to want to preserve them. "It seemed to me," he says inWind, "that I was capturing for an instant a beauty that was dying slowly, imperceptibly, but would soon be gone." His simple narrative style recalls the atmosphere of ancient oral epics such asTáin Bó Cúailnge and theEpic of Gilgamesh.
Some of the works were published in the United Kingdom under different titles. These are noted after the American title.
Doherty, 1997,[5] provides a complete index of the short stories.
