Breaking Badpremiered on AMC on January 20, 2008, andconcluded on September 29, 2013, afterfive seasons and 62 episodes.Breaking Bad'sfirst season received generally positive reviews, while the subsequent seasons (especially the fifth and final season) received universal critical acclaim, with praise for the performances, direction, cinematography, writing, story, and character development. The show had fair viewership in its first three seasons, but thefourth andfifth seasons saw a moderate rise in viewership when it was made available onNetflix just before the fourth season premiere. Viewership increased significantly upon the premiere of the second half of the fifth season in 2013. By the time that the series finale aired, it was among the most-watched cable shows on American television.
The series gave rise to the largerBreaking Bad franchise.Better Call Saul, a prequel series featuring Odenkirk, Banks, and Esposito reprising theirBreaking Bad roles, as well as many others in guest and recurring appearances, debuted on AMC on February 8, 2015, and concluded on August 15, 2022.El Camino: A Breaking Bad Movie, a sequel film starring Paul, was released on Netflix and in theaters on October 11, 2019.
Breaking Bad followsWalter White, a struggling, frustrated high school chemistry teacher fromAlbuquerque, New Mexico, who becomes a crime lord in the localmethamphetamine drug trade, driven to provide for his family financially after being diagnosed with inoperable lung cancer. Initially making only small batches of meth with his former studentJesse Pinkman in arolling meth lab, Walter and Jesse eventually expand to make larger batches of an extremely pure, blue meth which creates high demand. Walter takes on the name "Heisenberg" to mask his identity. Because of his new business, Walter finds himself at odds with his family, theDrug Enforcement Administration (DEA) through his brother-in-lawHank Schrader, the local gangs and theMexican drug cartels (including their regional distributors), putting him and his family's lives at risk. The events of the series take place between 2008 and 2010.[7]
Bryan Cranston asWalter White, a high-school chemistry teacher who, shortly after his 50th birthday, is diagnosed withStage IIIlung cancer and turns to makingmeth to secure his family's finances. As his shady business progresses, Walter gains a notorious reputation under the alias of "Heisenberg". Cranston stated that, though he enjoyed doing comedy, he decided he
... should really focus on doing something else. But I think any good drama worth its weight always has a sprinkling of comedy in it, because you can ease the tension to an audience when it's necessary, and then build it back up again. Walt White has no clue he's occasionally funny, but as an actor, I recognize when there are comedic moments and opportunities.[8]
Anna Gunn asSkyler White, Walter's wife who was pregnant with their second child before his diagnosis and who becomes increasingly suspicious of her husband after he begins behaving in unfamiliar ways. Gunn sees Skyler as "grounded, tough, smart and driven". Gunn sees Skyler's stalled writing career as her biggest dream, saying, "I think she really deep down yearns to be an artist and to be creative and productive."[9]
Aaron Paul asJesse Pinkman, Walter's cooking partner and former student. Paul sees Jesse as a funny kid. "He's just this lost soul – I don't think he's a bad kid, he just got mixed in the wrong crowd." Paul elaborated on the character's background, saying, "He doesn't come from an abusive, alcoholic background. But maybe he just didn't relate to his father, maybe his father was too strict and too proper for Jesse." Paul compared the character's relationship with Walt toThe Odd Couple.[10]
Dean Norris asHank Schrader, Walter and Skyler's brother-in-law via his marriage to Skyler's sister, Marie. Hank is aDEA agent. At the beginning of the series, this character was intended to be the "comic relief".[11]
Betsy Brandt asMarie Schrader, Skyler's sister and Hank's kleptomaniac wife. Brandt described Marie as "an unpleasant bitch", but also stated that there was more to her than that. "I think we're seeing more of it now that she would be there for her family. But it's all about her."[12]
RJ Mitte asWalter White Jr., Walter and Skyler's son, who hascerebral palsy. He begins lashing out after Walter's cancer announcement. Mitte himself has cerebral palsy, although his is a milder form.[13] Mitte stated that he had to regress from his therapy to portray the character, staying up late into the night to slur his speech and learning to walk on crutches so that his walking would not look fake.[14]
Giancarlo Esposito asGustavo "Gus" Fring (seasons 3–4; guest season 2), a Chilean high-level drug distributor who has a cover as an owner of the fast-food chainLos Pollos Hermanos. Esposito stated that for the third season, he incorporated hisyoga training in his performance.
Gus is the coolest cucumber that ever walked the Earth. I think aboutEddie Olmos way back inMiami Vice. He was like dead – he was hardly breathing. I thought, how is this guy just standing in this fire and doing nothing? Gus has totally allowed me that level of flexibility and relaxation – not because he has ultimate power and he knows he can take someone's life. He's just confident.[15]
Bob Odenkirk asSaul Goodman (seasons 3–5; recurring season 2), a crooked strip mall lawyer who represents Walt and Jesse. Odenkirk drew inspiration for Goodman from film producerRobert Evans.
I thought about Robert Evans because I've listened toThe Kid Stays in the Picture on CD. He's constantly switching up his cadence and his delivery. He emphasizes interesting words. He has loads of attitude in almost every line that he says. So when I rehearse the scenes alone I do my impersonation of Robert Evans to find those moments and turns. Then I go out and I do Saul.[16]
Jonathan Banks asMike Ehrmantraut (seasons 3–5; guest season 2), works for Gus as an all-purposecleaner and hitman, and also works for Saul as a private investigator. The character of Mike has been compared toHarvey Keitel's Winston Wolfe character inPulp Fiction, which Banks says he is not trying to emulate: "I immediately tried to put it out of my mind, quite honestly. His cleaner ain't my cleaner. But throughout this world, you would suspect there had been a great many cleaners, whether government-run or individual contractors."[17]
Laura Fraser asLydia Rodarte-Quayle (season 5), a high-ranking employee of Madrigal Electromotive and a former associate of Gus Fring. She reluctantly begins supplying Walt and Jesse withmethylamine and helps Walt expand his operation overseas.
Jesse Plemons asTodd Alquist (season 5), an employee of Vamonos Pest Control who becomes an associate of Walt and Jesse.
Steven Michael Quezada asSteven "Gomey" Gomez (seasons 1–5) – Hank's DEA partner and best friend, who assists in tracking down and learning the identity of Heisenberg. In comical situations between him and Hank, Gomez serves as the "straight man".
Charles Baker asSkinny Pete (seasons 1–5) – A loyal friend of Jesse's and a fellow pusher who worked with Jesse.
Rodney Rush asChristian "Combo" Ortega (season 2, minor appearance in seasons 1 and 3) – Also a friend of Jesse and a fellow pusher.
Jessica Hecht andAdam Godley asGretchen and Elliott Schwartz (seasons 1, 2 and 5) – Co-owners of Gray Matter, a company that they co-founded alongside Walter, who left the business prior to its major success. Gretchen was a former flame of Walt's and partially the reason he left.
Raymond Cruz asTuco Salamanca (seasons 1–2) – A sociopathic Mexican drug kingpin who becomes Walt and Jesse's meth distributor.
Mark Margolis asHector Salamanca (seasons 2–4) – A former high-ranking member of the Juarez Cartel who is now unable to walk or speak because of a stroke, communicating with the help of a bell. He is the uncle of Tuco, Marco, and Leonel Salamanca.
Christopher Cousins asTed Beneke (seasons 2–4, minor appearance in season 5) – Skyler's boss and president of Beneke Fabricators who begins developing financial problems, resulting in an intervention from Skyler.
Michael Shamus Wiles asGeorge Merkert (seasons 2–4, minor appearance in season 5) – The head of the Albuquerque DEA office and Hank and Steve's boss.
Krysten Ritter asJane Margolis (season 2, minor appearance in season 3) – Jesse's apartment manager and girlfriend, who is a recovering addict.
Javier Grajeda asJuan Bolsa (season 3, minor appearance in season 4) – A high-ranking member of the Juarez Cartel who acts as the mediator between the Salamancas and Gus Fring.
Emily Rios asAndrea Cantillo (seasons 3–5) – Jesse's second girlfriend, who is also a recovering addict. She has a young son named Brock.
Ray Campbell asTyrus Kitt (season 4) – Gus's enforcer along with Mike during season 4.
Bill Burr asPatrick Kuby (seasons 4–5) – A hiredcon man of Saul's who handles various sensitive tasks involving verbal intimidation, coercion, and misdirection.
Breaking Bad was created byVince Gilligan, who had spent several years writing theFox seriesThe X-Files. Gilligan wanted to create a series in which theprotagonist became theantagonist. "Television is historically good at keeping its characters in a self-imposed stasis so that shows can go on for years or even decades", he said. "When I realized this, the logical next step was to think, how can I do a show in which the fundamental drive is toward change?"[18] He added that his goal with Walter White was to turn him fromMr. Chips intoScarface.[19][20][21] Gilligan believed the concept of showing the full drastic transformation of a character across the run of a television show was a risky concept and would be difficult to pitch without other powerful factors to support it, such as strong cinematography and acting.[22]
The show's title is aSouthern colloquialism meaning, among other things, "raising hell", and was chosen by Gilligan to describe Walter's transformation.[23] According toTime entertainment editor Lily Rothman, the term has a broader meaning and is an old phrase which "connotes more violence than 'raising hell' does ... [T]he words possess a wide variety of nuances: to 'break bad' can mean to 'go wild', to 'defy authority', and break the law, to be verbally 'combative, belligerent, or threatening' or, followed by the preposition 'on', 'to dominate or humiliate'."[24]
The concept emerged as Gilligan talked with his fellowX-Files writerThomas Schnauz regarding their current unemployment and joked that the solution was for them to put a "meth lab in the back of an RV and [drive] around the country cooking meth and making money".[25]
After writing the concept for the show and pilot, Gilligan pitched it toSony Pictures Television, who became very interested in supporting it. Sony arranged for meetings with the various cable networks.Showtime passed on this, as they had already started broadcastingWeeds, a show with similarities to the premise ofBreaking Bad.[26] While his producers convinced him that the show was different enough to still be successful, Gilligan later stated that he would not have gone forward with the idea had he known aboutWeeds earlier.[27] Other networks likeHBO andTNT also passed on the idea, but eventuallyFX took interest and began initial discussions on producing the pilot.[26] At the same time, FX had also started development ofDirt, a female-centric crime-based drama series, and with three existing male-centric shows already on the network, FX passed upBreaking Bad forDirt.[26]
One of Gilligan's agents spoke to Jeremy Elice, the director of original programming forAMC who was looking for more original shows to add alongside their upcomingMad Men. Elice was intrigued, and soon a meeting was set up between Gilligan, Elice, and two programming executives. Gilligan was not optimistic about this meeting, fearing they would just put him off, but instead all three showed great interest, and the meeting ended up establishing how AMC would acquire the rights from FX and set the pilot into production. It took about a year following this meeting before Sony had set up the rights with AMC and production could start.[26]
Breaking Bad was filmed at various locations across Albuquerque. Clockwise from top left: the house used for the Whites' home; the fast food restaurant that was used forLos Pollos Hermanos; the Crossroads Motels used in-show for various drug deals; a rental home used for Jane's and Jesse's apartment; the car wash where Walter works part-time; and the Doghouse, a functioning drive-in restaurant.
The network ordered nine episodes for the first season (including the pilot), but the2007–08 Writers Guild of America strike limited the production to seven episodes, as well as delayed the start of production for the second season.[28] Within the original nine-episode arc, Gilligan had planned to kill off Jesse or Hank, as a "ballsy" moment to end the season on.[22] This death was eliminated with the limited episode count, which Gilligan found to be a net positive given the strength of acting that both Paul and Norris brought to these roles through the seasons.[22] The strike also helped to slow down production long enough for Gilligan and his writing team to readjust the pacing of the show, which in the original arc had been moving too quickly.[22] Gould stated that the writer's strike "saved the show", as had they produced the two additional episodes in the first season, they would have gone down a different creative path that he believes would have led to the show's cancellation by its third season.[29]
The initial versions of the script were set inRiverside, California, but at the suggestion of Sony,Albuquerque was chosen for the production's location due to the favorable financial conditions offered by the state ofNew Mexico. Once Gilligan recognized that this would mean "we'd always have to be avoiding theSandia Mountains" in shots directed toward the east, the story setting was changed to the actual production location.[30][31] It was shot primarily on35 mm film,[32] withdigital cameras employed as needed for additional angles,point of view shots andtime-lapse photography.[33]Breaking Bad cost $3 million per episode to produce, higher than the average cost for a basic cable program.[34]
Around 2010, AMC had expressed to Sony Pictures Television and Gilligan that they felt that the third season would be the last forBreaking Bad. Sony started to shop the show around, having gained quick interest from the FX network for two more seasons, upon which AMC changed its mind and allowed the show to continue.[35] At the same time,Netflix was starting to shop for content to add to its service and arranged a deal with Sony forBreaking Bad to be available after the airing of the fourth season. Knowing that AMC had placedBreaking Bad on a potential cancellation route, Sony pushed to have the show added to the service in time for the fourth season.Breaking Bad's viewership grew greatly as viewersbinged the series on Netflix, helping to assure that a fifth season could be made. The fifth-season premiere had more than double the viewership compared to the fourth season premiere, attributed to the Netflix availability.[35] Gilligan thanked Netflix at the Emmy Awards in September 2013 after the series's conclusion for the popularity of the series, saying that Netflix "kept us on the air".[36]
As the series progressed, Gilligan and the writing staff ofBreaking Bad made Walter increasingly unsympathetic.[19] Gilligan said during the run of the series, "He's going from being a protagonist to an antagonist. We want to make people question who they're pulling for, and why."[20] Cranston said by thefourth season, "I think Walt's figured out it's better to be a pursuer than the pursued. He's well on his way to badass."[21]
In July 2011, Vince Gilligan indicated that he intended to concludeBreaking Bad at the end of its fifth season.[37] In early August 2011, negotiations began over a deal regarding the fifth and possible final season between the networkAMC andSony Pictures Television, the production company of the series. AMC proposed a shortened fifth season (six to eight episodes, instead of 13) to cut costs, but the producers declined. Sony then approached other cable networks about possibly picking up the show if a deal could not be made.[38] On August 14, 2011, AMC renewed the series for a fifth and final season consisting of 16 episodes.[39] In April 2012, Bryan Cranston revealed that the fifth season would be split into two halves, with the first eight episodes airing in 2012, and the final eight in 2013.[40]
Before the series finale, Gilligan said that it was difficult to write for Walter White because the character was so dark and morally questionable: "I'm going to miss the show when it's over, but on some level, it'll be a relief to not have Walt in my head anymore."[41] Gilligan later said the idea for Walter's character intrigued him so much that he "didn't really give much thought on how well it would sell", stating that he would have given up on the premise since it was "such an odd, dark story" that could have difficulties being pitched to studios.[25] Ultimately, Gilligan chose to endBreaking Bad with Walter's death, occurring in-story two years after he had first been diagnosed with cancer and given two years to live. Gilligan said by the end of the series, "it feels as if we should adhere to our promise that we explicitly made to our audience" from the first episode.[42]
You're going to see that underlying humanity, even when he's making the most devious, terrible decisions, and you need someone who has that humanity – deep down, bedrock humanity – so you say, watching this show, "All right, I'll go for this ride. I don't like what he's doing, but I understand, and I'll go with it for as far as it goes." If you don't have a guy who gives you that, despite the greatest acting chops in the world, the show is not going to succeed.
Breaking Bad creatorVince Gilligan cast Bryan Cranston for the role of Walter White based on having worked with him in the "Drive" episode of the science fiction television seriesThe X-Files, on which Gilligan worked as a writer. Cranston played an anti-Semite with a terminal illness who took series co-protagonistFox Mulder (David Duchovny) hostage. Gilligan said the character had to be simultaneously loathsome and sympathetic, and that "Bryan alone was the only actor who could do that, who could pull off that trick. And it is a trick. I have no idea how he does it."[41][43] AMC officials, who were initially reluctant with the casting choice, having known Cranston only as the over-the-top characterHal on the comedy seriesMalcolm in the Middle, approached actorsJohn Cusack andMatthew Broderick about the role.[44] When both actors declined, the executives were persuaded to cast Cranston after seeing hisX-Files episode.[45]
Cranston contributed significantly to the formation and development of the Walter White persona. When Gilligan left much of Walter's past unexplained during the development of the series, the actor wrote his ownbackstory for the character.[41] At the start of the show, Cranston gained 10 pounds to reflect the character's personal decline, and had the natural red highlights of his hair dyed brown. He collaborated with costume designerKathleen Detoro on a wardrobe of mostly neutral green and brown colors to make the character bland and unremarkable, and worked with makeup artist Frieda Valenzuela to create a mustache he described as "impotent" and like a "dead caterpillar".[46] Cranston repeatedly identified elements in certain scripts where he disagreed with how the character was handled,[47] and went so far as to call Gilligan directly when he could not work out disagreements with the episode's screenwriters. Cranston has said he was inspired partially by his elderly father for how Walter carries himself physically, which he described as "a little hunched over, never erect, [as if] the weight of the world is on this man's shoulders". In contrast to his character, Cranston has been described as extremely playful on set, with Aaron Paul describing him as "a kid trapped in a man's body".[41]
Aaron Paul's casting was also initially questioned by production, as Paul looked too old and too much of a "pretty boy" to be associated with meth cooking. Gilligan reconsidered Paul's skills after seeing his audition and recalling he had also had guest starred onThe X-Files episode "Lord of the Flies".[26] Gilligan originally intended for Pinkman to be killed at the end ofBreaking Bad'sfirst season in a botched drug deal as a plot device to plague Walter White with guilt. However, Gilligan said by the second episode of the season, he was so impressed with Paul's performance that "it became pretty clear early on that that would be a huge, colossal mistake, to kill off Jesse".[48] Similarly,Dean Norris had shown his ability to be a law enforcement official inThe X-Files episode "F. Emasculata", and was brought on to be Hank Schrader, Walter's brother-in-law and DEA agent.[49]
Dr. Donna Nelson from the University of Oklahoma approached us several seasons back and said, "I really like this show, and if you ever need help with the chemistry, I'd love to lend a hand." She's been a wonderful advisor. We get help wherever we need it, whether it's chemistry,electrical engineering, orphysics. We try to get everything correct. There's no full-time [advisor] on set, but we run certain scenes by these experts first.[50]
"Because Walter White was talking to his students, I was able to dumb down certain moments of description and dialogue in the early episodes which held me until we had some help from some honest-to-God chemists", says Gilligan. According to Gilligan, Nelson "vets our scripts to make sure our chemistry dialogue is accurate and up to date. We also have a chemist with theDrug Enforcement Administration based out of Dallas who has just been hugely helpful to us."[51] Nelson spoke of Gilligan's interest in having the science right, saying that Gilligan "said it made a difference to him".[52]
The gas mask worn when characters would cook meth inBreaking Bad is on display at theMob Museum in Las Vegas.
Several episodes ofMythBusters featured attempts to validate or disprove scenes fromBreaking Bad, often with Gilligan guest-starring in the episode to participate. In 2013, two scenes from the first season ofBreaking Bad were put under scrutiny in aMythbusters Breaking Bad special. Despite several modifications to what was seen in the show, both the scenes depicted in the show were shown to be physically impossible.[53] It was shown impossible to usehydrofluoric acid to fully dissolve metal, flesh, or ceramic as shown in the episode "Cat's in the Bag...", and that while it was possible to throwfulminated mercury against the floor to cause an explosion, as in the episode "Crazy Handful of Nothin'", Walter would have needed a much larger quantity of the compound and thrown at a much faster speed, and likely would have killed all in the room.[54][55] A laterMythbusters episode, "Blow It Out of the Water", tested the possibility of mounting an automated machine gun in a car as in the series finale "Felina", and found it plausible.[56] An episode ofMythBusters Jr. proved that it was impossible for an electromagnet to draw metallic objects from across a room as in the episode "Live Free or Die".[57]
Jason Wallach ofVice magazine commended the accuracy of the cooking methods presented in the series. In early episodes, a once-common clandestine method, the Nagaired phosphorus/iodine method, is depicted, which usespseudoephedrine as aprecursor tod-(+)-methamphetamine.[58] By theseason 1 finale, Walt chooses to use a different synthetic route based on the difficulty of acquiring enough pseudoephedrine to produce on the larger scale required. The new method Walt chooses is areductive amination reaction, relying on phenyl-2-propanone andmethylamine. On the show, the phenyl-2-propanone (otherwise known asphenylacetone or P2P) is produced fromphenylacetic acid andacetic acid using atube furnace andthorium dioxide (ThO2) as acatalyst, as mentioned in episodes "A No Rough-Stuff-Type Deal" and "Más". P2P and methylamine form animine intermediate;reduction of this P2P-methylamine imine intermediate is performed usingmercury aluminum amalgam, as shown in several episodes, including "Hazard Pay".[59]
The meth in each episode was blue candy created by the employees at "The Candy Lady".
One of the important plot points in the series is that the crystal meth Walter "cooks" has very long crystals, is very pure, and (despite its purity) has a strong cyan blue color. Pure crystal meth would be colorless or white.[60]
In their article"Die Chemie bei Breaking Bad" onChemie in unserer Zeit (translated into English onChemistryViews as "The Chemistry ofBreaking Bad"), Tunga Salthammer and Falk Harnisch discuss the plausibility of the chemistry portrayed in certain scenes. According to the two, chemistry is clearly depicted as a manufacturing science without much explanation of analytical methods being provided. They also note that serious scientific subjects are mixed into the dialogue in order to show a world where chemistry plays a key role.[60]
Breaking Bad was shot on35 mm film because of the robustness of the equipment and to keep a focus on shooting scenes economically. It also allowed for a later digital transfer to4K Ultra HD resolution.[63] By the end of the fifth season, episodes had cost upwards ofUS$6 million to produce.[35]
Kelley Dixon was one of the few editors ofBreaking Bad and edited many of the series' "meth montages". For the montages, she would use techniques such asjump cuts and alternating the speed of the film, either faster or slower.[64] For her work, she received sixPrimetime Emmy Award nominations forOutstanding Single-Camera Picture Editing for a Drama Series and won the award in 2013.[62]
The first season was originally intended to be nine episodes, but due to the 2007–2008 Writers Guild of America strike only seven episodes were filmed.[28] It ran from January 20 to March 9, 2008.
Walter, diagnosed with inoperablelung cancer, conspires with Jesse to cookcrystal meth to pay for his treatment and provide financial security for his family. Jesse secures anR.V. to cook in, while Walter devises a revolutionary formula using unregulated chemicals, creating a highly pure product tinted blue. After a run-in with the Mexican cartel, Walter adopts the pseudonym "Heisenberg" and trades his "blue sky" meth with psychotic drug lord Tuco Salamanca. TheDEA and Hank, Walt's brother-in-law, become aware of Heisenberg's presence in the drug trade and begin investigating.
Tuco and Walter become hostile and Tuco is killed by Hank. After a failed attempt by Walter and Jesse to start their own distribution network leaves one of their dealers arrested and one murdered, Walter hires corrupt lawyer Saul Goodman, who later connects them to high-profile drug distributor Gus Fring and fixer Mike Ehrmantraut. Jesse dates his apartment manager Jane, who introduces him toheroin, making him unreliable. After selling a shipment to Gus, Walt refuses to pay Jesse his half of the money, but Jane blackmails him. Walt returns to Jesse to apologize but instead finds him and Jane passed out on heroin. Although he is capable of intervening and saving her life, Walter allows an unconscious Jane to choke to death on her own vomit. Jesse wakes up the next morning and finds Jane beside him, dead. Traumatized, he enters rehab. Walt seems content until, days after Jane's death, he witnesses a mid-air collision of two planes; a result of Jane's father, an air-traffic controller, becoming distraught over her death while working.
On April 2, 2009, AMC announced thatBreaking Bad was renewed for a third, 13-episode season. It premiered on March 21, 2010, and concluded on June 13, 2010.[65]
Skyler learns of Walt's crimes and seeks a divorce from him. Walt briefly retires from the drug trade, but Gus offers him a job cooking meth at a hidden lab with an assistant, Gale. Hank's investigation leads him to Jesse. He finds no evidence, but assaults Jesse and is suspended from the DEA. Walt, in order to keep Jesse from suing Hank, coerces Gus into replacing Gale with Jesse as his lab assistant. Hank is attacked by Tuco's vengeful cousins and kills them, becoming paralyzed in the aftermath. Jesse's behavior becomes erratic, and Walt is forced to kill two of Gus's drug dealers to protect Jesse. After an enraged Gus orders for them to be killed, Walt convinces Jesse to kill Gale so that Gus cannot replace them.
On June 14, 2010, AMC announcedBreaking Bad was renewed for a fourth, 13-episode season.[66] Production began in January 2011,[67] the season premiered on July 17, 2011, and concluded on October 9, 2011.[68] Originally, mini episodes of four minutes in length were to be produced before the premiere of the fourth season,[69] but these did not come to fruition.[70]
Gus tightens security at the lab after Gale's death. Gus and Mike drive a wedge between Walt and Jesse, coercing Jesse to be their solitary cook while at the same time eliminating the Mexican cartel. Skyler accepts Walt's meth cooking and conspires with Saul to launder the earnings. Hank, in recovery, tracks Gale's death to Gus and the drug trade. Walt tricks Jesse into turning against Gus, and convinces Hector Salamanca, the last living member of the cartel, to detonate a bomb while meeting with Gus, killing them both.
On August 14, 2011, AMC announced thatBreaking Bad was renewed for a fifth and final season consisting of 16 episodes.[39] Season five is split into two parts, each consisting of 8 episodes. The first half premiered on July 15, 2012, while the second half premiered on August 11, 2013.[71] In August 2013, AMC released a trailer promoting the premiere of final season with Bryan Cranston reading the poem "Ozymandias" byPercy Bysshe Shelley, over timelapse shots ofBreaking Bad locations.[72]
After Gus's death, Walt, Jesse, and Mike start a new meth business. When their accomplice Todd kills a child witness during a methylamine theft, Jesse and Mike sell their share of the methylamine to Declan, another distributor. Walter produces meth for Declan, and Gus's former associate Lydia starts distribution in Europe, which is so successful that Walter amassesUS$80 million, which he buries on theTohajiilee Indian Reservation. After Walter kills Mike during an argument, he is given names of Mike's imprisoned men from Lydia. Walt hires Todd's uncle, Jack, and his gang to kill Mike's associates; they also kill Declan.
Hank discovers Walt is Heisenberg and begins gathering evidence. He turns to Jesse, who helps track Walt's money to the reservation. When Walt is arrested, Jack's gang arrives. They kill Hank, capture Jesse, and take most of Walt's money. Walt is forced to flee alone with the remaining money. After months in hiding, Walt plans to surrender but changes course after Elliott and Gretchen publicly minimize his involvement in starting Gray Matter. Walt manipulates Elliott and Gretchen to give his earnings to Walter Jr. After poisoning Lydia, Walt makes amends with Skyler over his criminality. Todd, Jack and his men are killed during a shootout orchestrated by Walt. Jesse is freed and Walt succumbs to his wounds.
In an interview withThe New York Times, Gilligan said the larger lesson of the series is that "actions have consequences".[41] He elaborated on the show's philosophy:
If religion is a reaction of man, and nothing more, it seems to me that it represents a human desire for wrongdoers to be punished. I hate the idea ofIdi Amin living in Saudi Arabia for the last 25 years of his life. That galls me to no end. I feel some sort of need for Biblical atonement, or justice, or something. I like to believe there is some comeuppance, thatkarma kicks in at some point, even if it takes years or decades to happen. My girlfriend says this great thing that's become my philosophy as well. "I want to believe there's a heaven. But I can't not believe there's a hell."
In a piece comparing the show toThe Sopranos,Mad Men andThe Wire, authorChuck Klosterman said thatBreaking Bad is "built on the uncomfortable premise that there's an irrefutable difference between what's right and what's wrong, and it's the only one where the characters have real control over how they choose to live". Klosterman added that the central question ofBreaking Bad is: "What makes a man 'bad' – his actions, his motives, or his conscious decision to be a bad person?" Klosterman concluded that in the world ofBreaking Bad, "goodness and badness are simply complicated choices, no different than anything else".[18]
Ross Douthat ofThe New York Times, in a response to Klosterman's piece, comparedBreaking Bad andThe Sopranos, stating that both series are "morality plays" that are "both interested inmoral agency". Douthat went on to say that Walter White andTony Soprano "represent mirror-image takes on the problem of evil, damnation, and free will". Walter is a man who "deliberately abandons the light for the darkness" while Tony is "someone born and raised in darkness" who turns down "opportunity after opportunity to claw his way upward to the light".[73]
The show explores most of the main characters' connections to their families in great detail. Walt justifies his decision to cook crystal meth and become a criminal because of his desire to provide for his family.[74] In thethird season he tries to exit the business because it has driven Skyler to leave him. Gus convinces him to stay, telling him it is a man's job to provide for his family, even if he is unloved.[75] In thefinal episode of the series, Walt finally admits to Skyler that the main motivation for his endeavors in the meth business was his own interest, in spite of secretly securing the $9.72 million he had managed to salvage for her and the children. Jesse's loneliness in the early seasons of the show can be partly explained by his parents' decision to kick him out of their home due to his drug-related activities. This parental disconnect brings him closer to Jane, whose father berates her for her drug use. When Walt crosses paths with Jane's father, Walt refers to Jesse as his nephew and laments the fact that he cannot get through to him. Jane's father responds by telling him to keep trying, saying, "Family. You can't give up on them, ever. What else is there?"[76] Jane's subsequent death, which Walt purposefully did not prevent, is a major factor in her father accidentally causing the airliner crash at the end of the second season.
Even the show's more hardened characters maintain ties to family. In thesecond season, Tuco Salamanca spends time caring for his physically disabled uncle, Hector. When Tuco is killed by Hank, his cousins vow revenge. Their actions are further explained in a flashback, where Hector explains to the brothers that "La familia es todo" ("Family is everything"). Gustavo Fring's franchiseLos Pollos Hermanos translates to "The Chicken Brothers". This refers to the fact that the company was co-founded by Gus and a man named Max. When Max is killed by Hector Salamanca, Gus vows to destroy the Salamanca family and in particular to humiliate Hector and prolong and draw out his suffering.[74] In the first part of thefifth season, it is explained that Mike Ehrmantraut's intentions for being in this business were to provide for his granddaughter's future, and by his final episode he is conflicted when having to leave her in a park by herself once he has been warned that the police are onto him. During the second part of the fifth season, white supremacist Jack Welker says "don't skimp on family", and he lets Walt live after capturing him in the desert because of love for his nephew Todd Alquist, who has great respect for Walt.Lydia Rodarte-Quayle repeatedly demands that if Mike insists on killing her, that he leave her in her apartment so her daughter can find her, fearful she will think Lydia abandoned her. Much like Walt and Mike, Lydia seems to engage in the meth business in order to provide for her daughter, with actress Laura Fraser stating in an interview that Lydia's daughter is important to how "Lydia justified what she did to herself".[77]
They offer [Walter White] everything he needs. At the end of that hour he says, "Thank you, no," and he goes back to Jesse Pinkman and says, "Let's cook." And that was where the character truly got interesting for me. This guy's got some serious pride issues.[78]
The critically acclaimed episode "Ozymandias" references thePercy Bysshe Shelley'sonnet of the same name, which depicts the remnants of an ancient king's prideful legacy lying broken in the desert.[79][80] The episode draws parallels to the poem, as both antiheroes are left with little to show for their empire-building efforts. Austin Gill of Xavier University stated the episode "evokes the tyrannical aspirations of invincibility and arrogance of Ozymandias himself as represented in Shelley's poem".[81] Douglas Eric Rasmussen of theUniversity of Saskatchewan argued that the "concept of hubris and being punished for grandiose projects that serve an individual's egotism are central aspects of each work".[82] Hank's death marks the beginning of a shift where it becomes increasingly difficult for Walt to continue to insist that he cooks meth for the sake of his family's well-being. By the series finale, Walt finally admits to Skyler that he became Heisenberg for his own ego: "I did it for me. I liked it. I was good at it. And I was really — I was alive."[83]
Amotif within thesecond season is the image of a damaged teddy bear and its missing eye. The teddy bear first appears at the end of themusic video "Fallacies" for Jesse's band "TwaüghtHammër", which was released as awebisode in February 2009 leading to the second season.[84] The teddy bear can also be spotted on the mural on Jane's bedroom wall during the final episode of the second season, further connecting the crash to Jane. It is seen inflashforwards during four episodes, the titles of which, when put together in order, form the sentence "Seven Thirty-Seven Down OverABQ".[85][86][87] The flashforwards are shot in black and white (a practice that is continued inBetter Call Saul), with the sole exception of the pink teddy bear, which is an homage to the filmSchindler's List, where the color red is used to distinguish the coat of a very young girl.[88] Atthe end of the season, Walt indirectly causes the midair collision of two airplanes via Jane's father, a grieving air traffic controller;[89][90] the pink teddy bear is then revealed to have fallen out of one of the planes and into the Whites' backyard swimming pool. Vince Gilligan called the plane accident an attempt to visualize "all the terrible grief that Walt has wrought upon his loved ones" and "the judgment of God".[91]
Inthe first episode of the third season, Walt finds the teddy bear's missing eye in the pool skimmer. Television critic Myles McNutt has called it "a symbol of the damage [Walter] feels responsible for",[92] andThe A.V. Club commented that "the pink teddy bear continues to accuse".[93] Fans and critics have compared the appearance of the teddy bear's face to an image ofGus Fring's face in the fourth-season finale.[94]
The teddy bear prop was auctioned off, among other memorabilia, on September 29, 2013, the air date ofthe show finale.[95][96]
A recurring symbol withinBreaking Bad is the use of color, particularly the characters' color for wardrobe, being used to represent a character's state of mind or a relationship between characters or to foreshadow an event.[97] In an interview withVulture, Vince Gilligan says "Color is important onBreaking Bad; we always try to think in terms of it. We always try to think of the color that a character is dressed in, in the sense that it represents on some level their state of mind."[98]
The name "Walter White" is heavily reminiscent of the American poetWalt Whitman.[86] During the series,Gale Boetticher gives Walt a copy of Whitman'sLeaves of Grass.[99] Prior to giving this gift, Boetticher recites "When I Heard the Learn'd Astronomer".[100] In the episode "Bullet Points", Hank finds the initials W.W. written in Boetticher's notes, and jokes with Walt that they are his initials, although Walt indicates that they must refer to Whitman.
In the episode "Hazard Pay", Walt finds the copy ofLeaves of Grass as he is packing up his bedroom, briefly smiles, and leaves it out to read. This occurs at an especially high point in his life, when he feels that things are coming together and he is succeeding in all his ventures. A poem in the book, "Song of Myself", is based on many of these same feelings, furthering the connection between Walt's life and Whitman's poetry.[101] The mid-season finale of season five, "Gliding Over All", is titled after poem 271 ofLeaves of Grass.[102] In the episode, Hank findsLeaves of Grass in Walt's bathroom and opens it to the cover page, where he reads the hand-written inscription: "To myother favorite W.W. It's an honour working with you. Fondly G.B." Upon reading this, Hank becomes visibly shocked, realizing the truth about Walter for the first time, which provides the opening premise for the second half of the final season.
Breaking Bad received universal acclaim and has been praised by many critics as one of thegreatest television shows of all time.[113] The series has also developed acult following.[114] The series has an overall rating of 87 of out 100 onMetacritic.[115] TheAmerican Film Institute listedBreaking Bad as one of the top ten television series of 2008, 2010, 2011, 2012 and 2013.[116][117][118][119][120] In 2013,TV Guide ranked it as the ninth greatest TV series of all time.[121] By its end, the series was among the most-watchedcable shows onAmerican television, with audience numbers doubling from thefourth season to thefifth.[122] A 2015 survey byThe Hollywood Reporter of 2,800 actors, producers, directors, and other industry people namedBreaking Bad as their #2 favorite show.[123] In 2016 and 2022,Rolling Stone ranked it third on its list of 100 Greatest TV Shows of All Time.[124][125] In September 2019,The Guardian ranked the show fifth on its list of the 100 best TV shows of the 21st century, describing it as "[t]he show that arguably killed off the antihero drama: nothing since has been able to top the depraved descent made by Walter White (a never-better Bryan Cranston), from milquetoast chemistry teacher to meth overlord, and few have dared to try".[126] In 2021,Empire rankedBreaking Bad at number two on their list of The 100 Greatest TV Shows of All Time.[127] Allen St. John ofForbes called it "The best TV show ever".[128] In 2021, it was voted thethird-best TV series of the 21st century by theBBC, as picked by 206 TV experts from around the world.[129] In 2023,Variety rankedBreaking Bad as the fifth-greatest TV show of all time.[130] In 2023,Breaking Bad was ranked as the best TV series in the last 25 years by critics in a poll conveyed byRotten Tomatoes.[131]
For the first season, the series saw a generally positive reception. Robert Bianco ofUSA Today praised Cranston and Paul, exclaiming, "There is humor in the show, mostly in Walt's efforts to impose scholarly logic on the business and on his idiot apprentice, a role Paul plays very well. But even their scenes lean toward the suspenseful, as the duo learns that killing someone, even in self-defense, is ugly, messy work."[132]
The second season saw critical acclaim.Entertainment Weekly criticKen Tucker stated "Bad is a superlatively fresh metaphor for a middle-age crisis: It took cancer and lawbreaking to jolt Walt out of his suburban stupor, to experience life again—to take chances, risk danger, do things he didn't think himself capable of doing. None of this would work, of course, without Emmy winner Cranston's ferocious, funny selflessness as an actor. For all its bleakness and darkness, there's a glowing exhilaration about this series: It's a feel-good show about feeling really bad."[133]San Francisco Chronicle's Tim Goodman claimed, "The first three episodes of Season 2 that AMC sent out continue that level of achievement with no evident missteps. In fact, it looks as if Gilligan's bold vision forBreaking Bad, now duly rewarded against all odds, has invigorated everyone involved in the project. You can sense its maturity and rising ambition in each episode."[134] Horror novelistStephen King lauded the series, comparing it to the likes ofTwin Peaks andBlue Velvet.[135]
The third season also saw critical acclaim.Time proclaimed, "It's a drama that has chosen the slow burn over the flashy explosion, and it's all the hotter for that choice."[136]Newsday statedBreaking Bad was still TV's best series and it stayed true to itself.[137] Tim Goodman praised the writing, acting, and cinematography, pointing out the "visual adventurousness" of the series. Goodman went on to call the show's visuals "a combination of staggering beauty – the directors make use of numerous wide-angle landscape portraits – and transfixing weirdness".[138] After the finale aired,The A.V. Club said that season three was "one of television's finest dramatic accomplishments. And what makes it so exciting – what makes the recognition of the current golden age so pressing – is that the season has not been, as [another reviewer] put it in another context, 'television good.' The heart-in-the-throat quality of this season comes as much from the writers' exhilarating disregard for television conventions as from the events portrayed."[139]
Season four won near-universal critical acclaim.The Boston Globe referred to the show as a "taut exercise in withheld disaster" and declared the show "riveting".[140] ThePittsburgh Post-Gazette labeled the series "smart and thought provoking that elevates the artistic achievements of the medium".[141] Season four was listed by many critics as one of the best seasons of television in 2011.[142]Time listed Walter White's "I am the one who knocks" line as one of the best television lines of 2011.[143]The Pittsburgh Post-Gazette listed it as the best series of 2011 while noting that "Breaking Bad is that rare TV series that has never made a seriously damaging storytelling misstep".[144]The A.V. Club's review of the finale summed it up as a "fantastically fitting end for a season that ran in slow motion, starting and continuing with so many crises begging for resolution week after week. Now the decks are cleared, but that doesn't mean anybody is home free. Nothing's ever easy onBreaking Bad." The reviewer continued to exalt the season, and proclaimed, "What a season of television – truly something none of us could ever have expected, or claimed we deserved."[145]
Both halves of the fifth season received overwhelming critical acclaim. Following the end of the series, critic Nick Harley summarized his commendation of the show: "Expertly written, virtuosic with its direction, and flawlessly performed,Breaking Bad is everything you could want in a drama. Critics will spend the next decade dissecting and arguing about what made it great, but the reasons are endless and already well documented."[146] During the final season, the show also received praise fromGeorge R. R. Martin, author of theA Song of Ice and Fire novels, particularly the episode "Ozymandias"; Martin commented that "Walter White is a bigger monster than anyone inWesteros".[147] In his review of the second half of season 5, Seth Amitin ofIGN stated, "This final batch ofBreaking Bad is one of the best run of episodes TV has ever offered", and praised "Ozymandias" in particular, referring to it as "maybe the best episode of TV [he's] ever seen".[148]Jonah Goldberg ofNational Review called it "the best show currently on television, and perhaps even the best ever".[149] The veteran actorSirAnthony Hopkins wrote a letter of praise to Bryan Cranston, telling him that his "performance as Walter White was the best acting I have seen – ever". He lauded the rest of the cast and crew as well.[150][151] The letter first appeared onSteven Michael Quezada's (who portrayed DEA AgentSteven Gomez)Facebook page, and in spite of it being taken down, the letter soon wentviral.[152] In 2013,Guinness World Records namedBreaking Bad the highest-rated TV series of all time, citing its season 5Metacritic score of 99 out of 100.[153][154]
In 2018, Paul MacInnes ofThe Guardian wrote: "Breaking Bad became a classic drama for many reasons: some to do with craft, some to do with creativity. But above all else it stood out because, however surreal the surroundings, in its conflicted, complicated characters it was true to reality."[155]
Breaking Bad has been accused by some members of the law enforcement and legal communities of normalizing or glorifying methamphetamine creation and usage. In 2013, a local prosecutor and self-proclaimedBreaking Bad fan wrote onTime's website:
"WhileBreaking Bad may not glorify meth in the sense of making it attractive to the average viewer, it doesnormalize the idea of meth for a broad segment of society that might otherwise have no knowledge of that dark and dangerous world. [...] I’ll continue to wonder about the long-term effects of mainstreaming such a dangerous drug into popular culture. I’ll be mindful that there are others for whom the consequences of drug addiction are a miserable and persistent reality, not merely the stuff of a TV drama, no matter how “gritty” and artful and captivating."[156]
ATelegraph article published in 2014 stated that a "leading academic" blamed the series for a "shocking" increase in crystal meth use.[157] Some have speculated that the show's realistic depiction of methamphetamine use may have deterred potential users, resulting in lower rates of meth use since 2006.DEA spokesperson Barbara Carreno has dismissed this notion, instead attributing the drop in use to theCombat Methamphetamine Epidemic Act of 2005, which resulted inpseudoephedrine being listed as acontrolled substance. She was quoted saying:
"The numbers go up and down and up and down over the years, but generally speaking, it’s never reached the 2006 levels. [...] We’ve gotten many, many, many calls aboutBreaking Bad. We’re not commenting onBreaking Bad.Breaking Bad is fiction."[158]
In 2014, American toy retailerToys "R" Us pulled four collectable action figures from its stores after complaints from a concerned parent out ofFlorida, due to the inclusion of toy drug money and toy meth.[159][160]Bryan Cranston took toTwitter, joking: "I’m so mad, I’m burning my Florida Mom action figure in protest."[161]
In 2022, the erection of statues of Walter White and Jesse Pinkman in New Mexico drew criticism from someRepublican figures.Variety reported that conservative talk radio hostEddy Aragon said: "It’s not the type of recognition we want for the city of Albuquerque, or for our state. What you saw onBreaking Bad should be a documentary, honestly. I think, really, that is the reality in New Mexico. We try to say it’s fictional, but that is the reality... we’ve joked that [Breaking Bad] should be on PBS. That is, unfortunately, the reality."Vince Gilligan said: "In all seriousness, no doubt some folks are going to say, ‘Wow, just what our city needed.’ And I get that. I see two of the finest actors America has ever produced. I see them, in character, as two larger-than-life tragic figures, cautionary tales." Highlighting the revenue and economic activity that the series had brought to the area, Albuquerque MayorTim Keller defended the erection of the statues, saying: "While the stories might be fictional... jobs are real every single day. The city is also a character... We see ourselves in so many ways, good and bad."[162]
Breaking Bad premiered on the same night as both theNFC andAFC Championships in the2008 NFL playoffs, an intentional decision by AMC hoping to capture the adult male viewership immediately following the planned end of the NFC game.[22] The game ran over its time slot, cutting intoBreaking Bad's timeslot in most of America. As a result, the pilot had only about 1.4 million viewers. Coupled with the ongoing writers strike, the first season did not draw as large of a viewership as they expected.[26] However, with subsequent seasons, viewership increased, avoiding the usual trend of downward viewership that most serialized shows had.[22] Ratings further increased by the fourth season as, prior to airing, the previous seasons had been added toNetflix, boosting interest in the show.[22]Breaking Bad is considered the first show to have had such a renewed burst of interest due to the show being made available on Netflix.[35] The second half of the final season saw record viewership, with the series finale reaching over 10.3 million viewers.[163]
There was a hive mind with these wonderful writers, where I don't remember who said what, and it doesn't even matter whose idea was whose. But I remember one afternoon, somebody said – and I was kind of into it for a while – "Wouldn't it be really ironic if Walt is the only one to survive this?" Because it does seem so obvious that Walt should expire at the end of the final episode – but maybe he's the only one left alive. Maybe he still does have a death sentence, but we go out on him alive, and maybe his whole family's been wiped out. That would have been really f—ing dark.
Variety held a Q&A with most of the original writing staff to reflect on the show's run, the final season, the writing process, and alternative endings. Along with creator Vince Gilligan, fellow writers and producersPeter Gould,Thomas Schnauz,Gennifer Hutchison,Moira Walley-Beckett,Sam Catlin andGeorge Mastras joined to discuss memories from the show's humble beginnings, character transformations that concluded in the final season as well as surprising developments along the way. For instance, Jesse's character was originally supposed to die halfway through season one in a tragic drug deal gone horribly wrong. The reasoning behind this decision was that Jesse served his purpose "in a meat-and-potatoes, logistical sense. The character would give Walt his entrée into the business" before meeting his demise. However, this was eventually done away with as the story progressed beyond Gilligan's early scripts.[196]
The writers also opened up on their collaborative process and how their form ofstorytelling evolved with the show. According to writer George Mastras,
Screen time was precious, and infusing every moment with the emotion [was the point], not just forming the pieces of the puzzle to tell the story, which is hard enough. If you're going to take five seconds of screen time, you'd better damn well be sure that there's an emotion there. It may be very, very subtle, but trust the audiences to pick up on that, because audiences do.[196]
The development of certain characters posed challenges. Skyler became unsympathetic to some viewers in earlier seasons as she was often presented as an obstacle to Walt's ultimate agenda. The writers struggled to change the dynamic and realized that "the only way people were going to like Skyler was if she started going along with what Walt was doing". It was a tricky shift to alter on screen; the writers did not want to betray her character. This led them to justify the change by using her past job as abookkeeper to segue into her helping Waltlaunder his money. Breaking the individual episodes was another form of problem-solving for the writers. They stressed the importance of not letting the "master plan" stop them from staying true to the world they created. There came a point where tracking the characters on a moment-by-moment basis proved to be more useful rather than the general direction of the story. Gould said they would always start with the last thought in a character's head. "Where's Jesse's head at? That was always the prelude to the breakthrough moment, because when you said that, it's usually because we had gotten attached to some big plan or some big set-piece that we thought had to be there, but the characters didn't want to do what we wanted them to do."[196]
Particular backlash was directed towards the character ofSkyler White. It has sparked an ongoing dialog about a number of topics, including society's attitude towards women, feminism, sexism, and double standards.[197][198]
In August 2013 (whileBreaking Bad was in its original run)Anna Gunn published an op-ed inThe New York Times titled "I Have a Character Issue" in which she discussed her experience playing Skyler, with particular focus on the vitriol that audience members directed towards her character. She compared Skyler to similar television wives who seemed to inspire venom from audience members that their respective husbands did not, in particularCarmela Soprano fromThe Sopranos andBetty Draper fromMad Men. In Gunn's words, "Vince Gilligan, the creator ofBreaking Bad, wanted Skyler to be a woman with a backbone of steel who would stand up to whatever came her way, who wouldn't just collapse in the corner or wring her hands in despair. He and the show's writers made Skyler multilayered and, in her own way, morally compromised. But at the end of the day, she hasn't been judged by the same set of standards as Walter".[199]
In a 2018 cast reunion, Aaron Paul commented "Why did our audience not sympathize with this poor woman? I really felt for Anna, because she's just such a beautiful human inside and out, and she played Skyler in such a fierce way, and people just dragged her character the most."[200]
Vince Gilligan has defended both Skyler and Anna Gunn, saying at the same 2018 reunion "I figured Walt would be the one that'd be hard for people to sympathize with. Suddenly, lo and behold, we're hearing this animus toward Skyler White. To this day, it confounds me. Anna Gunn gave such a brilliant performance. We never tried for sympathy or lack of sympathy, we let the chips fall where they may. I would change that if I had a magic wand."[200] He later buttressed these sentiments in a 2022 interview, adding "I realize in hindsight that the show was rigged in the sense that the storytelling was solely through Walt's eyes, even in scenes he wasn't present for. Even Gus, his archenemy, didn't suffer the animosity Skyler received. It's a weird thing. I'm still thinking about it all these years later."[201]
Bryan Cranston has also defended Gunn and Skyler, saying "If you look at the elements that were involved in this—husband she finds out is lying, husband she finds out is doing something illegal, is doing something that puts her family in lethal danger, and she's being chastised—it's like, 'Wait a minute.' It baffled me from an objective standpoint."[200]
In 2018, Gunn reflected on her experiences on the show, saying "This is not about me, Anna Gunn, and it's really not about Skyler. It's about the way people are connecting to him (Walter). It's also about the way that people still hold on to, perhaps, older ideas of what a woman or a wife should be or how she should act, or how she should behave. In the end, change isn't always comfortable and isn't always pleasant, but it's good that it was brought to people's attention and consciousness."[200]
Reflecting more than a decade after the show ended, Gunn remarked that she saw an improvement as to how the character of Skyler White was received, as well as in the state of television actresses and female characters in general. She said "when people come up to me, it's incredibly different ... There's still a long way to go, but we have made seismic changes since then. So people come up to me now and say, 'You were the linchpin for me. You were the conscience of the show. You were what pulled me into the show.' Or they say, 'The first time I watched it, I hated that character. But the second time I watched it, I realized, 'Oh my God, that poor woman.''"[202]
DirectorRian Johnson worked on three episodes ("Fly", "Fifty-One" and "Ozymandias") and, in a 2018 interview withIGN, shared his memories from behind the camera. He shed some light on the process including the fact that he sat through "tone meetings" with Gilligan. The two of them talked about every dramatic beat in a script, the distinct visual look of the show, and how the tonal shift of each scene had to feel natural while serving the main storyline of the particular episode. Johnson also revealed that he learned so much about working with actors because of his directing of Cranston and Paul, describing the experience as a "free masterclass".[203]
When asked about the show's lasting legacy, Johnson said:
I think the seriousness and depth with which it took its characters is the thing that really makes it stand apart for me. And that's where the power of it comes from. Obviously, starting with Walter White, there's just very few stories that are told on that scale, that have a character who is that deeply considered at the center of it. And I've heard people describe it asShakespearean, and I know that word gets tossed around a lot, but I think in this case it really does apply. And that speaks, not so much to the fact that he goes to a dark place, but the fact that his entire journey is so deeply resonant, because it's so deeply considered.[203]
Several attempts to create a real restaurant concept afterLos Pollos Hermanos have occurred, most notably in 2019, Family Style, Inc., a chain of restaurants in California, Nevada, and Illinois, which secured rights from Sony and with Gilligan's blessing to sell chicken dinners throughUber Eats under the name and branding "Los Pollos Hermanos" in a three-year deal.[209]
Law enforcement authorities have reported occasional instances of seizing blue crystal methamphetamine in drug-related arrests and raids. The appearance of "blue meth" in real-world drug use has been attributed toBreaking Bad's popularity.[210]
In 2015, series creator Vince Gilligan publicly requested fans of the series to stop re-enacting a scene from "Caballo sin Nombre" in which Walter angrily throws a pizza onto his own roof after Skyler refuses to let him inside the house; this came after complaints from the home's real-life owner.[211]
In late 2025, 92,000 pounds ofkratom-derived substances were seized by authorities in Florida in a drug raid that was described as "Breaking Bad on steroids" by Brevard County Sheriff Wayne Ivey.[212][213]
Beyond appearances inBetter Call Saul andEl Camino, Cranston reprised his role as Walter in a commercial forEsurance which aired duringSuper Bowl XLIX, one week before the premiere ofBreaking Bad spin-offBetter Call Saul.[214] Another ad forPopCorners, featuring Cranston, Paul, and Cruz reprising their roles and directed by Gilligan, aired forSuper Bowl LVII.[215]
ABreaking Bad fan group placed a paid obituary for Walter White in theAlbuquerque Journal, October 4, 2013.[216] On October 19, 2013, a mockfuneral procession (including a hearse and a replica of Walter'smeth lab RV) andservice for the character was held atAlbuquerque's Sunset Memorial Park cemetery. Aheadstone was placed with a photo of Cranston as Walter. While some residents were unhappy with the makeshift gravesite for closure with the show, tickets for the event raised nearly $17,000 for a local charity called Healthcare for the Homeless.[217][218]
Gilligan and Sony Pictures Television commissioned and donated a bronze statue of Walter and Jesse to the city of Albuquerque in July 2022, which is on display at theAlbuquerque Convention Center.[219]
In May 2015, theNew Mexico Law Review published a collection of eight articles by legal scholars, each dedicated to dissecting legal issues presented byBreaking Bad.[220][221] The articles discussed issues such as whether the attorney–client privilege would protect communications with Saul Goodman,[222] and whether Walter White could have filed a lawsuit to force his way back into Gray Matter Technologies.[223]
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