Brabantine Gothic, in a Low Countries context also referred to as High Gothic, differs from the earlier introducedScheldt Gothic, which typically had the main tower above thecrossing of a church, maintainedRomanesque horizontal lines, and applied blue-gray stonequarried from the vicinity ofTournai at the riverScheldt that allowed its transportation in particular in the oldCounty of Flanders.[10][11]
Mosan Gothic (Meuse Gothic) refers to the riverMaas (or Meuse, borrowed fromFrench), mainly in the south-eastern parts of the Low Countries: the modern provinces ofLimburg in theNetherlands,Limburg, andLiège inBelgium. Though of a later origin than Scheldt Gothic, it also still showed more Romanesque features, including smaller windows.Marlstone was used, and around thecapitals onlimestone columns are sculptured leaves ofirises.[12]
Surface conditions and available materials varied. Larger churches could take centuries of building during which expertise and fashions caused successive architects to evolve further from the original plans. Or, Romanesque churches became rebuilt in phases of dismantling and replacing, as (apart from itscrypt)St. Bavo's Cathedral inGhent: the early 14th-centurychancel is influenced by northern French and Scheldt Gothic, a century later aradiating chapel appeared, and between 1462 and 1538 the mature Brabantine Gothic west tower was erected; thenave was then still to be finished.[13]Though few buildings are of an entirely consistent style, the ingenuity and craftsmanship of architects could realize a harmonious blend. The ultimate concepts were drawn centuries after the earliest designs. It follows that Brabantine Gothic style is neither homogeneous, nor strictly defined.[Note 3][14][15]
The structure of the church buildings in Brabant was largely the same: a large-scalecruciformfloor plan with three-tier elevation along the nave and sideaisles (pier arches,triforium,clerestory) and achoir backed by a half-roundambulatory. The slender tallness of the French naves however, was never surpassed, and the size tended to be slightly more modest.
Brabantine round columns with cabbage leaf capitals, Hollandic use of wood for vaults in theGrote Kerk inHaarlem
It is characterized by using light-colouredsandstone or limestone, which allowed rich detailing but is erosion-prone. The churches typically have round columns withcabbage foliage sculpted capitals. From there half-pillarbuttresses continue often without interruption into thevaultribs. The triforium and the windows of the clerestory generally continue into one another, with the windows taking the entire space of thepointed arch. An ambulatory with radiating chapels (chevet) is part of the design (though at the 15th-century choir inBreda added later on). Whereas the cathedrals inBrussels andAntwerp are notable exceptions, the mainporch is straight under the single west tower, in French calledclocher-porche.
An alternative type originated with the cathedral of Antwerp: instead of round columns with a capitalimpost, bundledpillars profiled in the columns continue without interruption through the ribs of vaults and arches – a style followed for churches in's-Hertogenbosch andLeuven. In addition, the pier arches between nave and aisles are exceptionally wide, and the triforium is omitted. Instead, atransom oftracery is placed above the pier arches. This type was followed by other major churches in Antwerp, St. Martin Church inAalst, andSt. Michael's Church in Ghent.
Demer Gothic in theHageland andCampine Gothic are regional variants of Brabantine Gothic in the south-eastern part of the former duchy.[Note 4]Those styles can be distinguished merely by the use of local rust-brown bricks.[Note 5][16]
Brabantine Gothiccity halls are built in the shape of giganticbox reliquaries with cornerturrets and usually abelfry. The exterior is often profusely decorated.
Many churches in the former Counties ofHolland andZeeland are built in a style sometimes inaccurately separated as Hollandic and as Zeelandic Gothic. These are in fact Brabantine Gothic style buildings with concessions necessitated by local conditions. Thus (except forDordrecht), because of the soggy ground, weight was saved by woodenbarrel vaults instead of stone vaults and the flying buttresses required for those. In most cases, the walls were made of bricks but cut natural stone was not unusual.
Everaert Spoorwater played an important role in spreading Brabantine Gothic into Holland and Zeeland. He perfected a method by which the drawings for large constructions allowed ordering virtually all natural stone elements from quarries on laterBelgian territory, then at the destination needing merely their cementing in place. This eliminated storage near the construction site, and the work could be done without the permanent presence of the architect.
Renowned examples of Brabantine Gothic architecture
In order of the year mentioned for their earliest Brabantine Gothic style characteristics
St. Rumbold's Cathedral inMechelen, early Gothic building started around 1200 andconsecrated 1312, its first clearly Brabantine Gothic features: ambulatory and 7 radiant chapels from 1335, possibly by Jean d'Oisy[1]
St. Sulpicius and St. DenisCollegiate Church (colloq. St. Sulpicius Church) inDiest, from before 1402 start for a radiating chapel by the Frenchman Pierre de Savoye - Demer Gothic[18]
Mechelen's Town Hall, north wing (in 1526 designed and partially built, 1900-1911 partially rebuilt and fully completed)[Note 3]
Oirschot's former Town Hall[19] (Brick building that also housed theVierschaar, in a minor town: characteristic shrine shape but extremely sober)
Round Table (Dutch:Tafelrond) in Leuven, 1479 by Matheus de Layens,guildhall built 1480-1487 internally comprising 3 houses, demolished 1817, reconstructed following original plans 1921[20][21]
St. Lambert's Church inNederweert, until 1703 in the Prince-bishopric of Liège (though during a part of the 16th centuryCounty of Horn), currently in theProvince of Limburg in the Netherlands
^About Gothic architecture in the Low Countries, the Dutch-language termkustgotiek ('Coastal Gothic') occurs. Apparently, that literature describes its present-day national coastal areas: in the Netherlands mainly the subject found in this WP article underCounties of Holland and of Zeeland; in Belgium (including topics about Zeelandic Flanders) mainly (a variant of)Scheldt Gothic. Mostly fifteenth-century constructions, Gothic churches in the formerDuchy of Guelders areLower Rhine Gothic, following a style from the area along the LowerRhine in present-day Germany.
^ab Because in many cases, a building shows characteristics of several styles, it may be more accurate to use predicates like 'Gothic' for elements instead of for the entire building. Nevertheless, it is customary to categorize a building by its mainly perceived style, or occasionally by its most noteworthy features. A Gothic building may have been constructed or rebuilt well after the typical period. E.g., apart from one gallery and the ground floor byRombout II Keldermans, the edifice designed as seat of theGreat Council of the Netherlands at Mechelen finally got built following his drawings in the early 20th century, and became a 'new' wing of the City Hall.
^The Duchy of Brabant included the area around the city ofHalen, a western tip of the present-day circumscription of theProvince of Limburg of theFlemish Region.
^Sources mention the west tower's sturdiness as a typical Campine Gothic characteristic. Other sources however, note this feature for Brabantine Gothic as a whole.
^abBuildings within a named area's outer boundaries are listed, regardless whether the ruler of that area controlled a particular city therein.
^The 'Old Church' in Amsterdam is built with bricks. It shares clear Gothic features with its oldhall church character.
^In Mechelen, the very heavy St.Rumbold's tower (now 97 metres high but designed to reach 167, which is 5 metres more than any church tower attains) was being built on earlier wetlands. After a few years, in 1454, its chief architectAndries I Keldermans construed the tower at Zierikzee, where dreaded leaning or sagging of the tower (now 62 metres but designed for ca. 130) could wreck the church. This concern led to fully separated edifices, a solution as applied in Mechelen. At both places, in the early 16th century the upper part of the tower became forsaken, not for technical but for financial reasons. The gap with the cathedral was closed upon finishing the construction. That deliberately weak connection had not been made in Zierikzee when the collegiate church burned down, in 1832.
^ab"Sint-Romboutskerk (ID: 74569)".De Inventaris van het Bouwkundig Erfgoed (in Dutch). Vlaams Instituut voor het Onroerend Erfgoed (VIOE). Retrieved15 July 2011.
^"Gotische kerken in de oude steden".Thuis in Brabant – Geschiedenis – Stenen landschap – Religie in steen – Gotische kerkgebouwen (in Dutch). Thuis in Brabant (Erfgoed Brabant), 's Hertogenbosch, Netherlands. Retrieved18 July 2011.
^"Mechelen binnenstad (ID: 26655)".De Inventaris van het Bouwkundig Erfgoed (in Dutch). Vlaams Instituut voor het Onroerend Erfgoed (VIOE). 1984. Retrieved19 July 2011.
^Stevens Curl, James."Waghemakere Family".A Dictionary of Architecture and Landscape Architecture. Oxford University Press, 2000 - Republished online at Encyclopedia.com. Retrieved13 July 2011.
^Fockema Andreae, S. J.; Hekker, R. C.; ter Kuile, E. H. "I Renaissance en Manierisme in de 16e eeuw".De architektuur door Prof. dr. E.H. ter Kuile (in Dutch). Vol. 1. Allert de Lange, Amsterdam (1957-1958), the Netherlands. pp. 77–105. Retrieved19 July 2011.{{cite book}}:|work= ignored (help)
^Dohmen, Joep; Bosch, Gert; Heetvelt, Angela (2005).Vlaanderen. ANWB reisgidsen (in Dutch). p. 43.ISBN978-90-18-01946-4. Retrieved14 July 2011.
^Cammaerts, Emile.Belgium, From the Roman Invasion to the Present Day(Txt). T. Fisher Unwin Ltd, London, 1921 (republished by The Project Gutenberg eBook, 2008). p. 92. Retrieved19 July 2011.As the Gothic style develops in its secondary period (late thirteenth and beginning of fourteenth century) the windows increase in size, the pillars are fluted and the tracery of the windows becomes more and more complicated. The best examples of this particular Gothic still in existence are the choir of St. Paul atLiege and Notre Dame ofHuy.
^At Diest, between 1312 and 1321 the building project for the choir started by the Frenchman Pierre de Savoye, but no source indicates anything then to have been (the very earliest anywhere) Brabantine Gothic style. One source specifies that 2 columns became erected by (some time between) 1330 and 1340, and that the first of the radiating chapels (a Brabantine characteristic) also 'dates from this first period' (without specifying its end date); it starts the next phase in 1402. Another source states that around 1400 Hendrik van Thienen became de Savoye's successor and then built the first of the southern radiating chapels, and that in 1432 Sulpitus van Vorst completed the (earlier) begun northern radiating chapel:
^"700 jaar Inwijding" (in Dutch). Stichting de Oude Kerk, Amsterdam, the Netherlands. 2006. Archived fromthe original on 9 October 2006. Retrieved17 July 2011.
^Stenvert, Ronald; van Ginkel-Meester, Saskia; Stades-Vischer, Elisabeth; Kolman, Chris; van Cruyningen, Piet."Monumenten in Nederland. Zeeland"(PDF) (in Dutch). Rijksdienst voor de Monumentenzorg, Zeist / Waanders Uitgevers, Zwolle, the Netherlands (2003), the Netherlands). p. 276. Retrieved16 July 2011.[permanent dead link]
Cammaerts, Emile.Belgium, From the Roman Invasion to the Present Day. T. Fisher Unwin Ltd, London, 1921 (republished by The Project Gutenberg eBook, 2008). p. 359. (Note: Several construction dates have become contradicted by more recent sources)
"History & styles: Gothic (1254-ca. 1600)".The virtual museum of religious architecture in The Netherlands. www.archimon.nl. Retrieved13 July 2011. (On a specialized blog explicitly focusing on the present-day Netherlands, though a few of those described variant styles are prevalent in Belgium.)
"Steen: materialen, technieken en toepassingen"(PDF) (in Dutch). Heemkring Opwijk-Mazenzele, Belgium. Archived fromthe original(PDF) on 2011-06-26. Retrieved14 July 2011. (Stone: materials, techniques, and applications - focused on Belgium and south-eastern Netherlands)
"Geschiedenis van de bouwkunst – Hoofdstuk 2 Gotische bouwkunst"(PDF) (in Dutch). Sint Lukas Kunsthumaniora, Belgium (Online tool for 5th and 6th year students of Architectural and Interior Arts). Retrieved14 July 2011. (History of Gothic architecture - international, and specific attention for Belgium)
Defoort, Herman."Gotische kunst".Websthetica, Tekststek voor kunst en esthetica sinds 2001 (in Dutch). Retrieved15 July 2011. (Gothic - international, and specific attention for Brabantine Gothic)
Savenije, Marjan; Smelt, Susan."Wat zijn de kenmerken van de gotische architectuur?"(PDF) (in Dutch). Rooms-Katholieke Scholengemeenschappen Pius X College en St.-Canisius, Almelo, Netherlands. Archived fromthe original(PDF) on 27 March 2012. Retrieved18 July 2011. (Sober description of Gothic styles in the Low Counties)
Fockema Andreae, S. J.; Hekker, R. C.; ter Kuile, E. H.Duizend jaar bouwen in Nederland (in Dutch). Vol. 2. Allert de Lange, Amsterdam (1957-1958) the Netherlands. Retrieved19 July 2011. (1000 years of architectural history in the Netherlands)
"Het stenen landschap".Thuis in Brabant – Geschiedenis (in Dutch). Thuis in Brabant (Erfgoed Brabant), 's Hertogenbosch, Netherlands. Retrieved18 July 2011. (Site about historical architecture in Brabant, focused on the Netherlands)
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