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Boris Aleksandrovich Uspensky | |
|---|---|
| Борис Александрович Успенский | |
| Born | (1927-07-12)July 12, 1927 Moscow, Soviet Union |
| Died | September 28, 2005(2005-09-28) (aged 78) Moscow, Russian Federation |
| Nationality | Soviet, Russian |
| Alma mater | Surikov Moscow Art Institute |
| Style | Graphics painter |
| Spouse | Marina Uspenskaya |
Boris Aleksandrovich Uspensky (Russian:Борис Александрович Успенский; 12 July 1927 – 28 September 2005), was a Soviet and Russian poster and graphics painter.
Boris Uspensky was born in Moscow. He studied in theSurikov Moscow Art Institute 1947–1953. In 1953 he became a member of theUnion of Artists of the USSR. From 1985 he was Professor and Head of the Graphical Dep., Surikov Institute. In 1986 he becamePeople's Artist of the USSR. From 1992 he was a full member ofRussian Academy of Arts.
After graduation in 1953, he started a working partnership with fellow student Oleg Savostyuk. Their friendship and collaboration lasted for many years and proved to be a brilliant success, when they made a complete breakthrough in the poster genre by creating a new style inspired by the Russian folk artLubok – brightly coloured stories, sometimes in a primitive style. "... The innovative feat of these two artists was that they returned the poster to life as a Work of Art after its death in the 1930s" (M. Lazarev). The artists worked mainly with the publishing houses Izogiz, Plakat, Sovietskaya Rossiya, and Sovietskii Khudozhnik, and in the famous creative workshop Agitplakat.
From the mid-1960s Uspensky and Savostyuk often traveled toKarelia, where they created several series of works:The Loggers of Karelia,Border Guards, andKarelia.
In the 1960s Uspensky started working with theBolshoi Theatre in Moscow, where he was acquainted with the ballet choreographer Yuri Grigorovich and the dancerVladimir Vasiliev. For the Ballet, Uspensky painted posters and drew illustrations for programmes andlibretti, his first poster beingSwan Lake for the ballet's tour of France in 1958. Over the next decades he worked on many ballets, includingPetrushka,Spartacus,Angara,Ivan the Terrible,Leniniana (after Mayakovsky),Paganini,Chopeniana (les Sylphides), andRomeo and Juliet.
This opportunity to see the life of the theatre from the inside, drawing sketches and recording impressions, was decisive in creating a lifelong passion for the artist – the ballet. With great enthusiasm he drew and painted ballerinas, danseurs and choreographers in a variety of situations - during and after rehearsals, at the barre, or resting, tired. Uspensky would always return to this theme, working in different media – oil,tempera,gouache, pencil, and silk screen prints.
The artist also loved the town ofTarusa, his father's birthplace, located on the banks of the river Oka. Forhours he would admire the scenery, the vast expanses, the river in fog and rain, and the ancient trees.
Uspensky's first wife was prominent Moscow children's book illustratorMarina Uspenskaya.
