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Boogie rock

From Wikipedia, the free encyclopedia
Musical style which came out of the hard heavy blues rock of the late 1960s
Boogie rock
Stylistic originsBlues rock,boogie-woogie,rock and roll
Cultural originsU.S. late 1960s

Boogie rock is a style ofblues rock music that developed in the late 1960s.[1] Its key feature is a repetitive driving rhythm, which emphasizes thegroove.[1] Although inspired by earlier musical styles such as piano-basedboogie-woogie, boogie rock has been described as "heavier" or "harder-edged" in its instrumental approach.[1][2]

The term has been applied to two styles:

Boogie rock has also been used to generally describe blues rock performers who emphasize "a back-to-basics approach typified by more simple chord structures and straightforward lyrics" rather than showmanship and instrumental virtuosity.[4][1]

John Lee Hooker-style

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In 1948, Americanblues artistJohn Lee Hooker recorded "Boogie Chillen'", an urban electric blues tune derived from early North MississippiHill country blues.[5] MusicologistRobert Palmer notes "Hooker wasn't copying piano boogie. He was playing something else—a rocking one-chordostinato with accents that fell fractionally ahead of the beat."[6] Hooker's "repeated monochord riff" on guitar was adapted by the American rock groupCanned Heat for "Fried Hockey Boogie", first released in 1968 on theirBoogie with Canned Heat album.[7]

Other artists soon followed, withNorman Greenbaum's "Spirit in the Sky" (1969,Spirit in the Sky) andZZ Top's "La Grange" (1973,Tres Hombres) being two of the earlier popular songs in the style.[7] The English groupFoghat reworked Hooker's boogie for their popular "Slow Ride" (1975,Fool for the City): "they help interject some breath into the riff and help give it more rhythmic propulsion".[8] In the 1980s, it was updated further byVan Halen for "Hot for Teacher" (1984,1984) and byJoe Satriani in "Satch Boogie" (1987,Surfing with the Alien): "John Lee Hooker may not have recognized the roots of his [Satriani's] pioneering efforts, but it still contains the spirit of the genre, albeit in an exceptionally contemporary vein".[9]

Early rock and roll-style

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Earlyrock and roll incorporated some elements of piano-drivenboogie-woogie, which was popular during the 1920s to 1940s.[10] It used a simplified version of the repeating bass patterns, variously termed a boogie shuffle, boogie bass pattern, or boogie riff.[2] The pattern is typically played on two of the bass strings of a rhythm guitar and alternates between the fifth and sixthdegrees of amajor scale while simultaneously playing theroot note of the chord.[2]Chuck Berry's "Johnny B. Goode" and "Roll Over Beethoven" are examples that use such a pattern.[2]

When it follows a typicalI—IV—V chord progression, the pattern has been called a "12-bar riff".[2] In the 1970s, the English groupStatus Quo recorded several songs that "incorporat[e] a boogie/swing/shuffle to contrast with the straighteighths [notes] of rock 'n' roll, and a harder-edged, more serious blues-rock element".[2] These include "Mean Girl" (1971) and "Break the Rules" (1974).[2]

Malcolm Young explained boogie's influence onAC/DC:

The pub scene ... It was like, "Give us a boogie! Give us a boogie!" So everybody played a boogie ... [W]e were always into the blues and the rock 'n' roll stuff. We grew up on it. We had older brothers who were into Chuck Berry andLittle Richard andJerry Lee Lewis, and we grew up as kids hearing that. You know, it's in us. And we just tried to emulate that, these guys, with their feels, and we'd try to get it really rockin' and then keep it going.[11]

See also

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Category:Boogie rock albums

References

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  1. ^abcdErlewine, Bogdanov & Woodstra 2001, p. 2.
  2. ^abcdefghCope 2019, eBook.
  3. ^Palmer 1982, p. 244.
  4. ^Bennett 2020, pp. 37–38.
  5. ^Palmer 1982, pp. 243–244.
  6. ^Palmer 1982, p. 243.
  7. ^abKoda, Cub."John Lee Hooker: Boogie Chillen' – Review".AllMusic. RetrievedDecember 12, 2020.
  8. ^Johnson 2014, eBook.
  9. ^Rubin 2015, eBook.
  10. ^Birnbaum 2012, p. 13.
  11. ^Popoff 2004, p. 150.

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