| Blooded | |
|---|---|
 DVD cover | |
| Directed by | Edward Boase |
| Written by | James Walker |
| Produced by | Nick Ashdon |
| Starring | Nick Ashdon Adam Best Oliver Boot Isabella Calthorpe Mark Dexter Sharon Duncan Brewster Tracy Ifeachor Joseph Kloska Neil McDermott Cicely Tennant |
| Cinematography | Kate Reid |
| Edited by | Edward Boase |
| Music by | Ilan Eshkeri Jeff Toyne |
Production companies | |
| Distributed by | Revolver Entertainment |
Release dates |
|
Running time | 76 minutes |
| Country | England |
| Language | English |
Blooded is a 2011 Britishindependenthorror/thriller film written byJames Walker, produced byMagma Pictures and Ptarmigan ACP and directed by Edward Boase, his first feature.[3][4][5][6] The film premiered at theBradford International Film Festival on 18 March 2011.
The plot involves an animal rights action group calling themselves the "Real Animal League", which kidnaps five young deer hunters and then hunts them. It is filmed in amockumentary style. As part of the promotion, distributor Revolver Entertainment created a website, realanimalleague.com, for the fictional Real Animal League (RAL), which mentions the film.[7] An email statement to the real animal rights group,Animal Liberation Front (ALF), supposedly from the RAL claiming that the film misrepresented them, was reprinted on the ALF website. TheEvening Standard reported that the film "caused outrage after graphic scenes showing activists attacking five deer-stalkers were posted on the internet, in a viral publicity campaign,"[4] and the film's topic has provoked reactions from parties on both side of the hunting debate in the UK.[8]
Filming was completed in 2009,[6] shot in amockumentary style,[7] using interviews and internet footage.[3] The plot involves a group of five young deer hunters on a hunt inScotland. Eve Jourdan (Tracy Ifeachor) bags a deer and is "blooded", a hunting ritual where the blood of a first kill is smeared on a hunter's face. The following morning, an extremist animal rights action group calling themselves the "Real Animal League", kidnaps the five, strips them to their underwear, and leaves each alone in different locations across the hills, setting them as prey of other hunters. The league films the events infirst person style as the five become the "game" in a hunt, with the intention of using the footage as a warning to other hunters. It is their "documentary" footage that is the basis of the film.[5][7][8][9]
As part of thefilm promotion, Revolver Entertainment created a website for the fictional Real Animal League (RAL),[8][10] and a YouTube channel for the RAL, which both mentioned the film. According to director Edward Boase, the production company created the appearance of a "fully-fledged animal rights website",[7] with links to real organisations in order to make the fake organisation appear authentic, but "not to the point where you couldn't find out that it wasn't real."[7] As reported inFirst Post, the hunting incident in the film was fictional, there was no kidnapping, and there is no organisation called the "Real Animal League".[7] Revolver Entertainment's marketing department sent an email statement to the real animal rights group,Animal Liberation Front (ALF), supposedly from the Real Animal League, claiming that the film misrepresented the RAL. The email was reprinted in its entirety on the ALF website.[7][8] When the event and RAL were revealed as fictional, and after thousands of complaints,[4] YouTube deemed the videos as inappropriate and removed the footage that had been posted under the guise of the Real Animal League of the film's protagonists being chased and forced into confessions, and subsequently deactivated the YouTube channel of the fictional RAL.[7]
Blooded premiered at theBradford International Film Festival on 18 March 2011.[9] It will have limited release in select theatres andon-demand services on 1 April 2011.[11][12] A DVD release is planned for 4 April 2011,[11] which will include extras such as commentary by film makers, extended interviews, the "making ofBlooded", and the short filmHome Video by Ed Boase.[12]
The film's topic has provoked reactions from parties on both side of the hunting debate in the UK.[7] In promoting the film, its makers originally asserted that it was a re-creation of an actual event that occurred after the enactment of the 2005 hunting ban in England,[3] maintaining that the film, rather than trying to make any political points, only investigates "the nature ofextremism" in any form,[6] and "encourages debate".[4]
TheEvening Standard wrote that the film "caused outrage after graphic scenes showing activists attacking five deer-stalkers were posted on the internet, in a viral publicity campaign."[4]
The Independent noted the film's controversial stance, and that as the film's asserted protagonists were a group of extreme animal activists, it generated "much chatter on the interweb" after clips appeared on Youtube. They wrote however, "it all has the whiff of a clever publicity stunt".[3] This is a stance echoed in many other online reviews with suggestions that it is amockumentary that leaves the viewer with [sic] "no doubt that it is fabricated".[7] A website calledFilm Pilgrim. for example, noted that the project first began as an online viral video, but was expanded into a feature film, writing that the expanded footage "has many people debating about the authenticity of the footage." They praised the film's score, writing "The soundtrack forBlooded is one of its most rewarding elements", being "the bulk of the glue that holds the film together." They offered that the "idea of turning an internet viral video into a feature film/documentary is a pretty interesting concept", but that the film fell flat stylistically in that the "reconstructed footage feels like an actual film which detracts from the realism that the original virals created". They speculated in their review that there was in fact no such organization as theReal Animal League at all, and that the film was created as a hoax in theBlair Witch tradition.[13]
The List classed it as an example of a "fantastic piece of filmmaking that shows what is achievable if you get creative within your budget".[14]
The film's soundtrack was created by award-winning andIvor Novello-nominated composerIlan Eshkeri andJeff Toyne. The score was recorded by theLondon Metropolitan Orchestra atBritish Grove Studios and produced by Steve McLaughlin.[15]