Ideas for aBlade Runner sequel were first proposed in the 1990s, but licensing issues stalled their development.Andrew Kosove andBroderick Johnson obtained the film rights fromBud Yorkin.Ridley Scott stepped down as the film's initial director and worked as an executive producer, while Villeneuve was later appointed to direct.Blade Runner 2049 was financed through a partnership betweenAlcon Entertainment andSony Pictures, as well as a Hungarian government-funded tax rebate.Warner Bros., which had distributed its predecessor, released the film on behalf of Alcon in North America, while Sony handled distribution in international markets.Principal photography took place mostly at two soundstages inBudapest over four months from July to November 2016.
Blade Runner 2049 premiered at theDolby Theatre in Los Angeles, California on October 3, 2017, and was released in the United States on October 6. The film received acclaim from critics, who praised multiple aspects including cast performances, directing, cinematography, and faithfulness to the previous film. However, it was abox office flop, grossing $276.6million worldwide against a production budget of $150–185million and failing to reach its estimatedbreak-even point of $400 million. Among itsnumerous accolades,Blade Runner 2049 receivedAcademy Awards forBest Cinematography andBest Visual Effects out of five nominations, and eightBritish Academy Film Awards nominations, winning forBest Cinematography andBest Special Visual Effects. A sequel television series,Blade Runner 2099, is in development atAmazon Studios, with Scott set to return as executive producer.
In 2049 Los Angeles,bioengineered humans known asreplicants are still used for slave labor.K (short for serial number, KD6-3.7), a Nexus-9 replicant, works for theLos Angeles Police Department as a "blade runner," an officer who hunts and "retires" (kills) rogue replicant models.
After "retiring" replicantSapper Morton, K finds a box buried under a tree at Morton's farm. It contained the remains of a female replicant who died during acaesarean section. This demonstrates that replicants could reproduce biologically, previously thought impossible. K's superior,Lt. Joshi, or "Madam," fears this knowledge will lead to war between humans and replicants, so she orders K to retire the replicant child and destroy all related evidence.
K visits the Wallace Corporation, successor to the defunct Tyrell Corporation in the manufacture of replicants. DNA archives identify the deceased female as an experimental Nexus 7 replicant. K learns of her romantic ties with former blade runnerRick Deckard.[a] CEONiander Wallace wants the secret to replicant reproduction to expand interstellar colonization. He sends his replicant enforcer,Luv, to monitor K. An unidentified figure engages several prostitutes in the city, including one named Mariette, to keep eyes on K.
At Morton's farm, K finds the date 6.10.21 carved into the tree trunk and recognizes it from a childhood memory of a wooden toy horse. Because replicant memories are artificial, K's holographic A.I. girlfriendJoi suggests that this is evidence that K was born, not created. K discovers in LAPD records that two children born on that date have identical DNA, but are inexplicably registered as being opposite genders, and that the girl died from a genetic disorder. K's search for the boy leads him to an orphanage, but the records from the year in question are missing. K recognizes the orphanage from his memories and finds the toy horse in the furnace where he remembers hiding it. He then visits replicant-memory-makerDr. Ana Stelline, who confirms that his memory of the orphanage is a real memory that someone lived, leading K to conclude he is the deceased replicant woman's son. K then fails a baseline test, marking him as rogue. When he implies to Joshi that he killed the replicant child, she gives him 48 hours to pass the test, or he will be retired himself.
Joi hires prostitute replicant Mariette to sync with to be able to have physical intimacy with K. The following morning, Mariette places a tracker in K's jacket prior to leaving. K then takes the wooden toy horse to be analyzed for its origin, which leads him to the ruins of a now radioactive Las Vegas. There he finds Deckard, who informs him that the deceased replicant woman was named Rachael, and that he is the father of Rachael's child. Deckard had helped the Replicant Freedom Movement scramble the birth records to protect the child's identity. Deckard then left the child with the Replicant Freedom Movement to ensure the hunted child would not be found through him. Luv, who has killed Joshi, tracks K to Las Vegas. She kidnaps Deckard, destroys Joi, and leaves an injured K behind. Using Mariette's tracker, the Replicant Freedom Movement rescues K. Their leader,Freysa, reveals that Rachael's child was actually a girl. Fearing that Deckard may give up the freedom movement to Wallace and endanger the child, Freysa urges K to kill him. K deduces that the memory of the toy horse actually belongs to Dr. Stelline, who is Rachael's daughter.
Luv takes Deckard to meet Wallace, who offers Deckard a duplicate Rachael in exchange for information about the child's whereabouts. Deckard refuses the offer, so Wallace has Luv kill the duplicate. As Luv transports Deckard to be tortured off-world, K intercedes. He fights and drowns Luv but is severely wounded in the process.
K tells Deckard that he will be presumed dead, and is now free to go to his daughter, and then takes him to Dr. Stelline's facility. Standing outside the facility, he hands Deckard the toy horse. Deckard enters the building and meets Dr. Stelline, while K lies down on the front steps.[b]
Archival footage, audio, and stills ofSean Young from the original film are used to represent both her original character of Rachael and a duplicate of the character created by Niander Wallace.[13] Young's likeness wasdigitally superimposed onto Loren Peta, who was coached by Young on how to recreate her performance from the first film. The voice of the replicant was created with the use of asound-alike actress to Young.[14] Young was credited for her work.
Nearly three decades after the film's release,Alcon Entertainment co-foundersAndrew Kosove andBroderick Johnson purchased the intellectual property from producerBud Yorkin. The terms of Alcon's acquisition prohibited the remake of the originalBlade Runner film, but entitled the company rights to syndication, franchising, and derivative media such as prequels and sequels.[18] No longer satisfied with the profits of their smaller-budget features, and with investor funding scarce, Kosove and Johnson sought to increase Alcon's output ofblockbuster films: "If you don't have repetitive cash flow, which is a fancy way of saying being in the sequel business, you are going to be in trouble eventually".[19] Progress on a newBlade Runner feature soon accelerated when Kosove namedChristopher Nolan one of his ideal choices to direct.[20] However, Nolan said he never planned to direct, despite being anadmirer of theBlade Runner franchise.[21]
By August 2011, Alcon had announced Ridley Scott's signing as the film's director to the press.[22] The British filmmaker had long desired a sequel to expand upon the subject matter.[23] After securing Scott's services, the studio assignedMichael Green and a returningHampton Fancher the responsibility for writing the script.[24][25] Alcon producers provided some insight into their vision but were unsure of how to approach theBlade Runner story,[26][27] hence they and the normally candid Scott were tight-lipped when questioned further about the sequel's artistic direction in interviews conducted during pre-production.[28][29][30] Ultimately, Scott resigned from his duties once his existing commitment toAlien: Covenant (2017) took precedence, but retained partial oversight as an executive producer.[23][31] He also made significant contributions to the screenplay, albeit in an uncredited role.[32]
Blade Runner 2049 was Alcon's second collaboration with directorDenis Villeneuve, whom they called for a meeting at a cafe in rural New Mexico to negotiate an offer. They had an existing professional relationship fromPrisoners (2013).[33] Villeneuve creditsBlade Runner for inspiring his passion for filmmaking,[23] but hesitated to accept the assignment at first as he feared tarnishing the franchise's legacy.[33] Nevertheless, he liked the screenplay and was assured by Fancher's investment in the project.[33][34] Villeneuve preserved elements of the original film by modernizingBlade Runner'sretrofuturistic onscreen world, which he saw as imperative for an authentic story.[23]
A scene fromSteven Spielberg'sReady Player One (2018) set in theBlade Runner universe was excluded from the film's finished cut. Spielberg had sought copyright approval during the filming ofBlade Runner 2049, which Alcon producers refused as they feared the explicit reference would affect their commercial prospects, even thoughReady Player One was released months later. Consequently, Spielberg opted to replace the scene for one based onThe Shining (1980) owing to his friendship withStanley Kubrick.[35]
Ryan Gosling and Harrison Ford promoting the film at the 2017San Diego Comic-Con
Harrison Ford andRyan Gosling wereBlade Runner 2049's first significant casting choices.[36][37] Gossip about Ford's participation had been circulating in the media since the project's conception, claims which the producers initially denied,[29][30] having only approached the actor for a part in 2014.[38] Alcon did not publicly announce their signing until the following year.[36] Ford had expressed interest in reprising his role in past interviews and was enthusiastic about theBlade Runner 2049 script.[38][39] The working conditions on set was another aspect of the production Ford was pleased with,[40] in contrast to the stressful shooting environment endured onBlade Runner.[23][41] Ford stated the thirty five-year passage of time, plus the synthesis of a new story with Deckard's already-established backstory, lent context necessary to playing his aged character.[41]Edward James Olmos, the only other returningBlade Runner actor, appears in a supporting part which pivots the main story.[42]
The screenwriters tailored K specifically for Gosling,[43] but it was the opportunity to work with Villeneuve and experienced cinematographerRoger Deakins, paired with his faith in the script, that convinced the actor to joinBlade Runner 2049 in his first leading role in a blockbuster production.[44][45] Gosling had developed a reputation for his discriminating film choices; the prospect of working on big-budget franchise sets never enticed him,[45] yet he trusted the filmmakers' instincts, and the thematic complexity of the script further reassured his decision.[46] A longtimeBlade Runner fan, the actor remarked that his first viewing experience of the film as a young teenager was profound: "It was one of the first films I had seen where it wasn't clear how I was supposed to feel when it was over. It really makes you question your idea of the hero and the villain, the idea of what it means to be human."[23]Blade Runner 2049 proved challenging for Gosling because of the production's scope.[47] Gosling also helped rewrite the dialog for the "baseline test" scene, which Villeneuve felt wasn't "aggressive" enough; Gosling suggested using a variation of the "dropping in"-technique developed byShakespeare & Company.[48]
An actress of national renown in Spain who aspired to break into English-speaking roles,Ana de Armas auditioned several times before landing the film's female lead.[49] After shooting for her first Hollywood filmHands of Stone (2016), de Armas settled in Los Angeles in pursuit of a role that did nottypecast her ethnicity. She underwent four months of rigorous speech training to master her English before auditioning. Once the studio commenced production ofBlade Runner 2049, the actress said her fitness training provided the necessary mental space to prepare for the intense shooting schedule.[49]
Villeneuve consideredDavid Bowie, one of the franchise's core influences, for the part of Niander Wallace until the musiciandied months prior to filming.[43] He and the producers subsequently looked atJared Leto, fresh off filming theDC Extended Universe (DCEU) filmSuicide Squad (2016), as they felt he exuded Bowie's rockstar sensibility.[43][50] Leto refrains from naming specific sources that shaped certain aspects of his character's persona; rather the actor cites real-life friends who work intech as a general influence.[51] Notorious for his unorthodox preparation for roles, Leto continued his unusual practices inBlade Runner 2049 by wearing custom opaque contact lenses to work the set completely blind.[52] Villeneuve recalled his first day shooting with the actor: "He entered the room, and he could not see at all. He was walking with an assistant very slowly. It was like seeing Jesus walking into a temple. Everybody became super silent, and there was a kind of sacred moment. Everyone was in awe. It was so beautiful and powerful—I was moved to tears."[52]
A raft of mostly young actors compriseBlade Runner 2049's supporting cast;David Dastmalchian,Sylvia Hoeks,Carla Juri,Mackenzie Davis andBarkhad Abdi were lesser-known stars with years of expertise in independent cinema.[53] Among the few exceptions areDave Bautista,Hiam Abbass, andLennie James, whose castings were revealed between April and July 2016;[54][55][56] andRobin Wright, assigned to one of three major female roles inBlade Runner 2049.[57] Wright's involvement had been rumored for weeks, but was not immediately confirmed by the filmmakers as her commitments to theNetflix seriesHouse of Cards (2013–2018) momentarily stalled negotiations.[57]
The filmmakers embarked on location scouting in April 2016,[58] and principal photography ofBlade Runner 2049 commenced that July, lasting four months until November.[59][60] They first toured London but found no soundstage available for the needs of the production. As a result, Deakins and Villeneuve flew to Hungary for location scouting partly due to Scott's familiarity with the country's network of facilities. They also touredSlovakia to source architectural ideas.[61]Blade Runner 2049's production crew were mostly Hungarian, with some American staff hired to supervise the set.[61]Inserts with Wright and Hoeks were the first scenes filmed on set.[62] Shooting took place mainly atKorda Studios and theOrigo Studiosbacklot in suburbanBudapest,[63] where the shoot qualified for a 25% tax rebate on in-state costs from the Hungarian government.[64]
The Alcon–Sony partnership allocated $180million ($90million each) for the budget, rebates notwithstanding.[19] Interior shots of theBudapest Stock Exchange'sLiberty Square palace doubled for Las Vegas in casino-set scenes,[61][65] and abandoned Soviet industrial sites such as the abandoned Inota and Kelenföld power plants were importantfilming locations that emphasizedBlade Runner 2049's dystopian ethos.[15][58] The Budapest palace was the film's largest set, occupying at least three floors of the building.[61] Filmmakers revised Deckard's capture by Luv into a simple conversational scene after Ford conveyed to Kosove and Johnson his disapproval of the dialogue.[62]
Pitfalls occasionally beset the production. The filmmakers frequently fell behind schedule, and an Origo Studios-employed subcontractor was killed by falling debris when dismantling one of the sets.[62][66] Gosling's obligation to fulfill a New York City press junket forLa La Land (2016) exacerbated the unusual circumstances of the shoot; however, his scenes were able to be filmed in time for the Thanksgiving holiday.[62]
Blade Runner 2049 is the third Deakins–Villeneuve collaboration afterPrisoners andSicario (2015).[67] Together with production designerDennis Gassner, the men brainstormed ideas for the film's visual palette as Villeneuve was editing his science fiction dramaArrival (2016).[61] The sequences were then storyboarded and left for Deakins and Villeneuve to execute.[61] The two were inspired by the architecture of several global cities to develop a hostile, imposingbrutalist style for their fictionalized Los Angeles, among them the appearance of Beijing's cityscape in dense smog, the foothills of southern Spain, Bangladeshi shipyards, and certain mid-twentieth-century landmarks in London (such as theBarbican Estate andTrellick Tower).[68] For Las Vegas-set scenes, the filmmakers researched intense dust storms in the Sahara, Saudi Arabia andSydney to replicate the sandy desert ruins Villeneuve sought.[68][69][70]
It became apparent to Deakins thatBlade Runner 2049 would be one of his biggest undertakings because of the technical demands involved in realizing the onscreen universe.[68] Deakins exercises full artistic control of his shoots, and the extent of his oversight meant asingle-camera setup for the set—the British cinematographer rejected a studioline producer's request for anine unit-camera setup because he firmly believed said technique would yield sloppy camerawork.[71] Rather, he and Villeneuve reprised the practical approach of their previous collaborations to capture theBlade Runner 2049 scenes.[15][61] They shot the project in 1.55:1aspect ratio from a singleArri Alexa XT Studio camera withZeiss Master Prime lenses, assisted with an attachedcrane arm or adolly.[61][72] The filmmakers conducted tests with an Alexa 65 camera but preferred the XT Studio's somewhat grainy image quality, and the choice of lenses corresponded to the scale and lighting specifications of the scenes. For example, close-up character scenes were captured in 32mm lenses, but filmmakers captured sweeping cityscape shots with 14mm and 16mm lenses.[15] Occasionally, Arri Alexa Mini cameras were used to represent views from thespinners, the vehicles used in the film.[61]
When Gassner was first approached forBlade Runner 2049, he was called with a request from Villeneuve to observe the shape of passingstreet sweepers. The designer had known Scott since 1982, when they first collaborated for theFrancis Ford Coppola-directed musicalOne From the Heart (1982).[73] Redesigning the spinners then became one of his initial responsibilities. He and the filmmakers envisioned a harsh, angular design for the spinners, one intended to evoke the sense of technological innovation.[73] It was also up to Gassner to complete most of theBlade Runner 2049 sets so producers could exercise full artistic control of the shoot. Gassner described the process as especially difficult as design elements had to be distinct but lore-faithful, with everything executed under a tight shooting schedule.[73]
Costume designerRenée April produced costumes featuring fake fur, painted cotton disguised asshearling, and breathing masks.[74] April initially researched the fashion styles of the 1960s and 1970s, but elected to research various decades for influence as well as bothEastern andWestern culture. When discussing the film, she stated she did not consider it a fashionable one. "I made costumes for the dark, wet, polluted, miserable world that Denis [Villeneuve] created. I had to hold myself back and remove anything too avant-garde or outré because it did not help the story. There were no superhero suits because the world needed to be realistic, and the characters relatable."[75] When April discussed the film with Villeneuve about what direction she should take the costumes, Villeneuve told her "brutal", a similar description he gave to Gassner. "So I took it from there and made it tougher. Also, we did not want to do something science-fiction. We wanted to do it realistic. I did not want costumes with [lots of] zippers and plastic. So my job was to make the characters believable."[76]
Warner Bros. announced in early October 2016 that the film would be titledBlade Runner 2049.[77] Editing commenced in December in Los Angeles, with the intention of having the film berated R.[78] At the 2017San Diego Comic-Con, Villeneuve said the film would run for two hours and 32 minutes.[79] An early cut of the film was four hours long, and Villeneuve described this version as "quite strong", but also at times "too self-indulgent". He said he prefers the shorter final version, which is "more elegant", though Ridley Scott has voiced the opinion that it is still too long. Villeneuve said he will not show the four-hour cut to anyone.[80][81] As withSkyfall (2012), cinematographer Roger Deakins created his own IMAX master of the film, rather than using the proprietary "DMR" process that IMAX usually uses with films not shot with IMAX cameras.[82]
Rapper-producerEl-P said he was asked to compose music for the firstBlade Runner 2049 trailer, but his score was "rejected (or ignored)".[83]Jóhann Jóhannsson, who had worked with Villeneuve onPrisoners,Sicario andArrival, was initially announced as composer for the film.[84] Villeneuve and Jóhannsson decided to end the collaboration, however, because Villeneuve thought the film "needed something different", and also that he "needed to go back to something closer toVangelis'ssoundtrack" of the first film.[85] ComposersHans Zimmer andBenjamin Wallfisch joined the project in July 2017.[86] In September, Jóhannsson's agent confirmed that he was no longer involved and was contractually forbidden from commenting.[87] The musical cue during the final scene, "Tears in the Rain", is a call-back to the "Tears in rain" scene fromBlade Runner which saw the death of the film's central antagonistRoy Batty. The track is a reimagined version of the originalVangelis work.[12][88] Additionally, a segment fromSergei Prokofiev's musical composition "Peter and the Wolf" (Russian: Петя и волк) plays whenever the emanator is activated or deactivated.[89][90]
Blade Runner 2049 premiered on October 3, 2017, at theDolby Theatre in Los Angeles, although following the2017 Las Vegas Strip shooting, the red carpet events were canceled prior to the screening.[91] It was the opening feature at theFestival du nouveau cinéma inMontreal the following day.[92] It also was premiered in Switzerland at theZurich Film Festival on October 4, 2017.[93][94] Sony Pictures Releasing, which had obtained rights to release the film in overseas territories,[95] was the first to releaseBlade Runner 2049 in theaters, first in France and Belgium on October 4, 2017,[94] then in other countries on the two following days.[94] The film was released by Warner Bros. in North America on October 6, 2017.[94] Alcon Entertainment partnered withOculus VR to create and distribute content for the film exclusively for itsvirtual reality format and launched it alongside the theatrical release of October 6, 2017.[96] That content would later be referred to asBlade Runner: Revelations.[97] Due to the popularity and preference of IMAX in 2D (as opposed to 3D) among filmgoers in North America, the film was shown in IMAX theaters in only 2D domestically, but was screened in 3D formats internationally.[98] Just likeSkyfall, the movie was specially formatted forIMAX at the expanded aspect ratio of 1.9:1.[99] The film is rated R by theMotion Picture Association of America for "violence, some sexuality, nudity, and language".[100]
Some scenes in the film that featured nudity were censored in Turkey. This decision received criticism from the country's film critics.[101]
Warner Bros. and Columbia Pictures jointly released an announcement teaser on December 19, 2016.[102][103] A selection of excerpts (lasting 15 seconds) were released as a trailer tease on May 5, 2017, in the lead-up to the full trailer, which was released on May 8, 2017.[104] A second trailer was released on July 17, 2017.[105]
Three short films were made to explore events that occur in the 30 years betweenBlade Runner, which is set in 2019, andBlade Runner 2049:
2036: Nexus Dawn is directed byLuke Scott, and follows Niander Wallace as he presents a new Nexus-9 replicant to lawmakers in an attempt to have a prohibition on replicants lifted. The short film also starsBenedict Wong as one of the lawmakers.[106][107]
2048: Nowhere to Run, also directed by Scott, follows Sapper Morton as he protects a mother and daughter from thugs, outing himself as a replicant in the process.[108]
Blade Runner 2049 grossed $92.1million in the United States and Canada, and $175.4million in other territories, for a worldwide total of $267.5million, against a production budget between $150–185million.[6][7][9][113] The projected worldwide total the film needed to gross in order tobreak even was estimated to be around $400million, and in November 2017,The Hollywood Reporter wrote that the film was expected to lose Alcon as much as $80million.[114] Ridley Scott attributed the film's underperformance to the runtime, saying: "It's slow. Long. Too long. I would have taken out half an hour."[115]
In the United States and Canada, the film was initially projected to gross $43–47million in its opening weekend.[116] In September 2017, a survey fromFandango indicated that the film was one of the most anticipated releases of the season.[116] It made $4million from Thursday night previews, including $800,000 from IMAX theaters, but just $12.6million on its first day, lowering weekend estimates to $32million.[117] It made $11.3million on Saturday and went on to debut to $31.5million, performing below both projections but still finishing first at the box office and marking the biggest openings of Villeneuve and Gosling's careers.[117] The film would hold Gosling's opening weekend record for six years until 2023 when it was overtaken byBarbie.[118] Regarding the opening weekend, director Villeneuve said, "It's a mystery. All the indexes and marketing tools they were using predicted that it would be a success. The film was acclaimed by critics. So everyone expected the first weekend's results to be impressive, and they were shocked. They still don't understand."[119]
Deadline Hollywood attributed the film's performance to the 163-minute runtime limiting the number of showtimes theaters could have, lack of appeal to mainstream audiences, and the marketing being vague and relying on nostalgia and established fanbase to carry it.[120] In its second weekend, the film dropped 52.7% to $15.5million, finishing second behind newcomerHappy Death Day ($26million)[121] and dropped another 54% in its third weekend to $7.2million, finishing in 4th behindBoo 2! A Madea Halloween,Geostorm, andHappy Death Day.[122]
Overseas, the film was expected to debut to an additional $60million, for a worldwide opening of around $100million.[113] It actually made $50.2million internationally, finishing number one in 45 markets, for a global opening of $81.7million. The film made $8million in the United Kingdom, $4.9million in Russia, $1.8million in Brazil, and $3.6million in Australia.[123] It debuted in China on October 27, where it made $7.7million opening weekend, which was considered a disappointment.[124][125]
Blade Runner 2049 was well received by the American press, and various US publications included the film in their end-of-2017 lists.[126] Critics who saw the film before its release were asked by Villeneuve not to reveal certain characters and plot points in those early reviews.[127]
On thereview aggregator websiteRotten Tomatoes, 88% of 440 critics' reviews are positive, with an average rating of 8.3/10. The website's consensus reads: "Visually stunning and narratively satisfying,Blade Runner 2049 deepens and expands its predecessor's story while standing as an impressive filmmaking achievement in its own right."[128]Metacritic, which uses aweighted average, assigned the film a score of 81 out of 100, based on 54 critics, indicating "universal acclaim".[129] Audiences polled byCinemaScore gave the film an average grade of "A−" on an A+ to F scale.[117]
Critical reviews compared the sequel favorably toBlade Runner as a worthy successor advancing the franchise mythos,[130][131][132] though some were conflicted over the pacing and tonal shifts of the story,[133][134] and the film drew occasional disapproval from reviewers who felt it lacked the spectacle and dramatic depth of its predecessor.[134][135][136] The film's craftsmanship was the main source of praise from journalists, who routinely singled out Villeneuve for his expertise:A. O. Scott ofThe New York Times viewedBlade Runner 2049 as an introspection of Villeneuve's own sensibilities, the product of a director exuding an "unnerving calm",[135] whileMick LaSalle of theSan Francisco Chronicle said the film seemed to employ a similar narrative tone to the director's late period films such asArrival.[137]
The Villeneuve–Deakins collaboration was noted for the creation of cinematography displaying "the kind of complex artistry one would expect from the profession's top veteran",[138] with Deakins' work described as "bleakly beautiful".[139] Other aspects ofBlade Runner 2049, such as the set design, writing, and scoring, were cited among the strengths of the film.[139][140]
The actors' performances were a principal topic of discussion among critics. Critiques of the dynamic of the cast were positive in the media,[141] and reviewers often distinguished Gosling, Ford, and Wright for further praise.[140][142][143] Gosling's work was described as "superb, soulful",[144] and he was considered physically convincing as a replicant in his expression and appearance.[142] Meanwhile, critics fromThe Hollywood Reporter and fromEmpire magazine were among those who believed Ford worked a career-best performance.[143][1] Other journalists, such asPeter Travers ofRolling Stone, viewed the two men as "double dynamite" in conversational scenes, in which the film assumes "a resonance that is both tragic and hopeful".[144]
One particular point of contention in reviews ofBlade Runner 2049 was characterization: some critics, for example, saw K's romance with Joi as an idea of unrealized potential because the film explores their relationship only superficially, so Joi never seems to develop into a fleshed-out character.[145] Some criticized the film's depiction of its female characters as being too submissive.[146]
The fate of K in the closing scenes of the film has been a matter of debate; some critics have suggested that his demise is open to interpretation, as it is not explicitly stated in the film that K has died.[147] In an interview withEntertainment Weekly, screenwriter Michael Green expressed surprise that K's death had been called into question, referring to the use of the "Tears in rain" musical motif in the final scene.[12]
The question of whether Deckard is a human or a replicant has been an ongoing controversy since the original release ofBlade Runner.[148] Ridley Scott has stated that Deckard was a replicant.[149] Others, however, including Harrison Ford, disagree, and feel preserving the ambiguity of Deckard's status important to the film.[150][151][152]Blade Runner 2049 does not settle this debate.[153] During various physical struggles, Deckard showed no sign of artificial replicant strength; however, Gaff described Deckard to K as "retired"; and replicant maker Niander Wallace tells Deckard that "You are a wonder to me, Mr. Deckard", and that he might have been "designed" to fall in love with Rachael.[151]
Rutger Hauer, who playedRoy Batty in the original film, was critical of the sequel, saying, "In many ways,Blade Runner wasn't about the replicants, it was about what does it mean to be human? It's likeE.T. But I'm not certain what the question was in the secondBlade Runner. It's not a character-driven movie and there's no humor, there's no love, there's no soul. You can see the homage to the original. But that's not enough to me."[154]
In 2025, the film ranked number 63 on the "Readers' Choice" edition ofThe New York Times' list of "The 100 Best Movies of the 21st Century."[155]
Reviewing the film forVice, Charlotte Gush was critical of its portrayal of women, who she said were "either prostitutes, holographic housewives" or victims dying brutal deaths. While acknowledging that "misogyny was part of thedystopia" in Scott's 1982 original, she stated that the sequel was "eye-gouginglysexist".[156] Writing forThe Guardian, Anna Smith expressed similar concerns, stating that "sexualised images of women dominate the stunning futuristic cityscapes".[146] Sara Stewart of theNew York Post entitled her review "You'll love the new Blade Runner—unless you're a woman".[157]
Rachael Kaines ofMoviepilot countered that "the gender politics inBlade Runner 2049 are intentional": "The movie is about secondary citizens. Replicants. Orphans. Women. Slaves. Just by depicting these secondary citizens in subjugation doesn't mean that it is supportive of these depictions – they are a condemnation."[158]
Helen Lewis of theNew Statesman suggested that the film is "an uneasy feminist parable about controlling the means of reproduction" and that "its villain, Niander Wallace, is consumed by rage that women can do something he cannot":
Fertility is the perfect theme for the dystopia ofBlade Runner 2049 because of the western elite anxiety that over-educated, over-liberated women are having fewer children or choosing to opt-out of childbearing altogether. (One in five women is now childless by the age of 45; the rates are higher among women who have been to university.) Feminism is one potential solution to this problem: removing the barriers which make women feel that motherhood is a closing of doors. Another is to take flight and find another exploitable class to replace human females.... Maybe androids don't dream of electric sheep, but some human men certainly dream of electric wombs.[159]
In an interview withVanity Fair, Denis Villeneuve responded that he is very sensitive about his portrayal of women: "Blade Runner is not about tomorrow; it's about today. And I'm sorry, but the world is not kind on women."[160][161]
Quoting from viewer demographics for the film byVariety, Donald Clarke ofThe Irish Times indicated that female audiences seemed alienated from it, as just 35% of its audience was female.[162]
Esquire magazine commented on the controversial aspects of the sex scene—involving K, the holographic Joi and replicant Mariette—calling it a "robo-ménage à trois", and contrasted it with the sex scene betweenJoaquin Phoenix andScarlett Johansson inHer (2013).[163]
Mackenzie Davis, who portrayed Mariette, argued for the self-awareness of the film's social commentary in an interview with the websiteRefinery29. Asked how she believedBlade Runner 2049 "differs [fromBlade Runner] in its portrayal of women", Davis responded:
I think it's pretty self-aware about a pornographic economy that has reduced the roles of women to sheer consumption. The normalization of women's roles as things to be consumed, there's products that are made, just like there are now, the idea of the semi-sentient sex doll is really in line with what's going on in this Blade Runner universe, about having a thing that fulfills everything you want, but doesn't talk back and can't argue with you, but can be a loving, supporting companion and also fulfill all your sexual needs feels like something that's very contemporary and something the movie is very self-aware about. And then I think that there are female roles in different castes of this society that are able to be more embodied and powerful in conventional ways, and also have cracks in their facade where you see their vulnerabilities. But it seems like this world is so dependent on this caste system of humans perform these roles; replicants perform these roles, human superiors, creators, and those are the ways that women sort of travel between. But there isn't a lot of upward mobility.[164]
During the promotional tour for the 2015 filmThe Martian, Scott expressed interest in making additionalBlade Runner films.[173] In October 2017, Villeneuve said he expected a third film would be made if2049 was successful.[174] Fancher, who wrote both films, said he was considering reviving an old story idea involving Deckard traveling to another country.[174] Ford has said he would be open to returning if he liked the script.[174] In January 2018, Scott stated that he had "another [story] ready to evolve and be developed, [that] there is certainly one to be done for sure", referring to a thirdBlade Runner film.[175]
In January 2020, Villeneuve expressed interest in "revisit[ing] this universe in a different way", making "something disconnected from both other movies", as opposed to a direct sequel.[176]
In November 2021, Scott announced that aBlade Runner television series was in the works.[177] In February 2022, it was announced that the series,Blade Runner 2099, was in development atAlcon Entertainment,Sony Pictures Television andAmazon Studios. It will be set fifty years after the events of2049. Scott will serve as executive producer and potentially direct the series, while Silka Luisa will serve as showrunner.[178] On October 12, 2022, it was reported that the series was officially approved and ready to move into production.[179]
In April 2023, Joe Roberts writing forSlash Film announced progress for the planned filming and 2024 release of the limited series, stating, "We then learned, via BBC, that the show would film in Ireland, with Northern Ireland Screen chief executive Richard Williams confirming a spring 2023 start date. If that turns out to be the case, don't expect the series to make it to Prime Video in 2023. Filming will no doubt take months and if post-production is anything like you might expect on a big-budget sci-fi outing, we should prepare for "Blade Runner 2099" to debut sometime in 2024."[180]
The series was getting ready to begin shooting inBelfast, when the production was postponed to 2024 due to the2023 WGA strike.[181] After the strike was over, the production ended up leavingNorthern Ireland entirely. Roughly £1.5 million had been spent of £4.1 million awarded by the Northern Ireland Screen fund, but all money would be returned to the NI Screen fund upon the production's exit from the country. However, this left "a gap in Northern Ireland's production schedule" according to NI Screen fund's Chief Executive Richard Williams.[182]
Blade Runner 2099 is scheduled to premiere on Amazon Prime Video in 2026.[183]
^Adam White (October 2, 2017)."What is a Blade Runner? And other questions you may have before seeing the sequel".The Daily Telegraph.Archived from the original on March 29, 2019. RetrievedMarch 11, 2019.[RIDLEY SCOTT] Gaff, at the very end, leaves an origami, which is a piece of silver paper you might find in a cigarette packet, and it's a unicorn. Now, the unicorn in Deckard's daydream tells me that Deckard wouldn't normally talk about such a thing to anyone. If Gaff knew about that, it's Gaff's message to say, 'I've read your file, mate.
^Adam Chitwood (October 9, 2017)."'Blade Runner 2049' Writers on Whether Deckard Is a Replicant".Collider.Archived from the original on February 19, 2019. RetrievedMarch 12, 2019.So when Collider's own Steve Weintraub spoke with Blade Runner 2049 writers Hampton Fancher and Michael Green, he asked them what they personally believe—is Deckard a replicant? Fancher was quick to answer absolutely not. [...] Green followed up by saying it's important that the question remains unanswered in the context of the films:
^abRichard Trenholm (October 11, 2017)."So, 'Blade Runner 2049', is Deckard a replicant or not?".CNET.Archived from the original on July 3, 2018. RetrievedMarch 12, 2019."You are a wonder to me, Mr Deckard", Wallace says. Wallace then asks if it occurred to Deckard he might have been "designed" specifically to fall for the replicant named Rachael to create "a perfect specimen".
^Paul Tassi (October 17, 2017)."Answering The Three Burning Questions Of 'Blade Runner 2049'".Forbes.Archived from the original on March 21, 2019. RetrievedMarch 12, 2019.That old question, back again. One of the longest-running fan theories from the original Blade Runner was that Rick Deckard was a replicant himself. This is implied in a few ways but never stated outright, and Blade Runner 2049 does an expert job of dancing around the question as well. By the end, there is still not a definitive answer given.
^Valls Oyarzun, Eduardo; Gualberto Valverde, Rebeca; Malla García, Noelia; Colom Jiménez, María; Cordero Sánchez, Rebeca, eds. (2020). "Chapter 13: Ecocritical Archaeologies of Global Ecocide in Twenty-First-Century Post-Apocalyptic Films".Avenging nature: the role of nature in modern and contemporary art and literature. Ecocritical theory and practice. Lanham Boulder New York London: Lexington Books.ISBN978-1-7936-2144-3.
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