| Bittertown | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | May 11, 2004 | |||
| Studio | Signature Sounds | |||
| Genre | Folk • Country | |||
| Label | Signature Sounds,Warner Bros. | |||
| Producer | Lorne Entress[1] | |||
| Lori McKenna chronology | ||||
| ||||
| Review scores | |
|---|---|
| Source | Rating |
| Allmusic |   link |
Bittertown is the fourth studio album by American singer-songwriterLori McKenna. The album was first released May 11, 2004 bySignature Sounds, and re-released in 2005 onWarner Bros. Records following strong positive responses from musicians and critics.Bittertown propelled McKenna to music industry prominence as a singer and songwriter whose honest songs aboutparenting andmarriage were acclaimed by country singerFaith Hill, and whose lyrics aboutworking class town life drew comparisons toBruce Springsteen.
PrecedingBittertown, the 2003 albumThe Kitchen Tapes was recorded by McKenna on aMiniDisc device while sitting at her kitchen table.[2] McKenna later recalled her lack of recording experience, saying in 2007: "We went in to makeBittertown withLorne (Entress), who produced it, and he played drums and a zillion other instruments, and Kevin Barry who played bass and guitar, and it was sort of just the three of us. It was sort of a long studio experience, but it was necessary for it to take that long because I was just learning."[3] The album was recorded at a smallNorthampton, Massachusetts studio,Signature Sounds Recordings. Signature co-founder Jim Olson was eager to record McKenna, who he recognized as a singular talent after listening to her first albums. Olson remarked about recordingBittertown:
This was more hard-edged, more honest. She was almost the female Springsteen -- and it was very exciting to hear, because there she was sitting at her kitchen table with the songs just pouring out of her. This was something different....She was looking back at this full life from the perspective of a mature person. The songs were really, really good, and the demos were just as moving: just Lori and her guitar and that voice. You'd be an idiot not to hear it.[3]
An initial review in the weeklyMiami New Times found McKenna onBittertown "using riveting melodies to etch an indelible impression" as writer Lee Zimmerman raved about the album: "Insightful and compelling,Bittertown is home to dashed fortunes and troubled memories. McKenna’s tangled tales provide a postcard from the edge."[4] Also impressed by her work,Boston folk music veteranMary Gauthier began touting McKenna to music executives, eventually visiting the office of Melanie Howard, who had taken over the business of her husbandNashville songwriter and publisherHarlan Howard after his death in 2002. After listening to a few tracks fromBittertown provided by Gauthier and speaking with McKenna on the phone, Howard passed the songs to music executive Missi Gallimore.[5] Gallimore and husband producerByron Gallimore had dinner withTim McGraw and his wife Faith Hill that evening, and Hill was moved enough by the songs to immediately change plans for her upcoming albumFireflies so she could record some of the songs onBittertown for her own album.[5][6]
ForFireflies, Hill recorded the title song "Fireflies", found on McKenna's 2001 albumPieces of Me, along with "Stealing Kisses", "If You Ask", and the digital bonus track "Lone Star", all fromBittertown.[7][8] Hill wrote comments about each song onFireflies on her website, saying about "If You Ask"
That’s the first one of Lori McKenna’s songs that I heard. I said, 'I’ve never heard writing like this.' It was like a dagger in my heart -- the pain and anguish and the power of her storytelling. That song hit me right in my soul. It was so honest. It’s a peek into a very serious subject matter and I’d never heard the subject of living with an alcoholic written about in that way.[9]
Hill further explained her reasons for recording four of McKenna's songs: "For a woman who never really left her hometown, McKenna's songwriting transcends regionalism. Her songs find the common ground in contemporary America's post-industrial landscape."[9] Hill took McKenna under her guidance, and invited her to a planned appearance onThe Oprah Winfrey Show in October 2005, as well as having McKenna appear as opening act on the upcomingSoul2Soul II Tour with Tim McGraw, which eventually broke the record for highest grossing country tour.[10][11] After working with McGraw and Hill, Warner Bros. subsequently signed McKenna to a recording contract and reissuedBittertown on theirmajor label, and McGraw was hired to produce McKenna's 2007 effort,Unglamorous.
In addition to the songs fromBittertown recorded by Faith Hill, "Bible Song" was covered bycountry singerSara Evans for her albumReal Fine Place.[12] Writing prior to a charity concert for an adoption agency in 2013 which McKenna headlined onMartha's Vineyard, criticHolly Gleason saidBittertown "put the lower middle-class housewife in the company of the nation’s best songwriters as she drew comparisons to Springsteen for her close-to-the-bone narratives, all small details and broken hearts."[13]
In July 2019, McKenna released a 7-inch single album namedReturn to Bittertown, consisting of “Stealing Kisses” and “Bible Song” which she had re-recorded to commemorate the 15th Anniversary of the release ofBittertown. McKenna also embarked on a tour (Return to Bittertown Tour) to promote this album. In a press release issued prior to the tour, McKenna definedBittertown as the album release that “changed my life”.[14][15]
All songs written by Lori McKenna
| No. | Title | Length |
|---|---|---|
| 1. | "Bible Song" | 3:48 |
| 2. | "Mr. Sunshine" | 4:03 |
| 3. | "One Man" | 4:17 |
| 4. | "Pour" | 3:50 |
| 5. | "Lone Star" | 4:10 |
| 6. | "Stealing Kisses" | 4:24 |
| 7. | "If You Ask" | 4:29 |
| 8. | "Monday Afternoon" | 3:04 |
| 9. | "The Ledge" | 3:40 |
| 10. | "My Sweetheart" | 4:05 |
| 11. | "Cowardly Lion" | 3:34 |
| 12. | "Silver Bus" | 4:00 |
| 13. | "One Kiss Goodnight" | 4:19 |
| Total length: | 53:43 | |
As listed in the CD booklet:[1]
Musicians
Production
