
Biopunk (aportmanteau of "biotechnology" or "biology" and "punk") is asubgenre ofscience fiction that focuses on biotechnology. It is derived fromcyberpunk, but focuses on the implications of biotechnology rather thanmechanicalcyberware andinformation technology.[1] Biopunk is concerned withsynthetic biology. It is derived from cyberpunk and often involvesbio-hackers, biotechmegacorporations, and oppressive organizations thatengineerDNA. Most often keeping with the dark atmosphere of cyberpunk, biopunk generally examines risks and downsides ofgenetic engineering and illustrates potential perils of biotechnologies.
Biopunk is a subgenre of science fiction closely related to cyberpunk that focuses on the near-future (most oftenunintended) consequences of thebiotechnology revolution following the invention ofrecombinant DNA. Biopunk stories explore the struggles of individuals or groups, often the product ofhuman experimentation, against a typicallydystopian backdrop oftotalitarian governments or megacorporations which misuse biotechnologies as means ofsocial control andprofiteering. Often, the fruits of biotechnology, such as human enhancement andextended longevity, are not evenly distributed and are controlled by corporations.[2] Unlike cyberpunk, it builds not oninformation technology, but on synthetic biology. Like inpostcyberpunk fiction, individuals are oftenmodified andenhanced not withcyberware, butby genetic manipulation.[1] A common feature of biopunk fiction is the "black clinic", which is a laboratory, clinic, or hospital that performs illegal, unregulated, or ethically dubious biological modification and genetic engineering procedures.[3]
Many features of biopunk fiction have their roots inWilliam Gibson'sNeuromancer, one of the first cyberpunk novels.[4] One of the prominent writers in this field isPaul Di Filippo, though he called his collection of such storiesribofunk, a blend of "ribosome" and "funk".[5][6] Di Filippo suggests that precursors of biopunk fiction includeH. G. Wells'The Island of Doctor Moreau;Julian Huxley'sThe Tissue-Culture King; some ofDavid H. Keller's stories,Damon Knight'sNatural State and Other Stories;Frederik Pohl andCyril M. Kornbluth'sGravy Planet; novels ofT. J. Bass andJohn Varley;Greg Bear'sBlood Music;Bruce Sterling'sSchismatrix andAutonomous byAnnalee Newitz.[6] The stories ofCordwainer Smith, including his first and most famousScanners Live in Vain, also foreshadow biopunk themes.[7][8] Another example is theNew Jedi Order series published from 1999 to 2003, which prominently feature the Yuuzhan Vong who exclusively use biotechnology.