| Billy Elliot | |
|---|---|
| The Musical | |
 West End promotional poster | |
| Music | Elton John |
| Lyrics | Lee Hall |
| Book | Lee Hall |
| Basis | FilmBilly Elliot by Lee Hall |
| Premiere | 31 March 2005:Victoria Palace Theatre,London |
| Productions | 2005West End 2008Broadway 2010North America tour 2010US tour 2011 North America tour 2016UK tour |
| Awards | Laurence Olivier Award for Best New Musical Tony Award for Best Musical Tony Award for Best Book of a Musical Drama Desk Award for Outstanding Musical Drama Desk Award for Outstanding Book of a Musical Drama Desk Award for Outstanding Music |
Billy Elliot: The Musical is a Britishcoming-of-agestage musical based on the2000 film of the same name. The music is byElton John, and the book and lyrics are byLee Hall, who wrote the film's screenplay. The plot revolves around Billy Elliot, a motherless British boy who begins takingballet lessons. The story of his personal struggle and fulfillment is balanced against a counter-story of family and community strife caused by the1984–1985 miners' strike inCounty Durham, inNorth East England. Hall's screenplay was inspired in part byA. J. Cronin's 1935 novel about a miners' strike,The Stars Look Down, to which the musical's opening song payshomage.[1]
The musical premiered at theVictoria Palace Theatre inLondon'sWest End in 2005 and ran through April 2016. The production was nominated for nineLaurence Olivier Awards and won four, includingBest New Musical.[2] Its success led to productions—onBroadway, in Australia, and in numerous other countries. The New York production won tenTony Awards and tenDrama Desk Awards, including, in each case, Best Musical. The production in Australia also won numerous awards, including a record-tying sevenHelpmann Awards.
Alive recording of the musical was released onDVD andBlu-ray in the UK on 24 November 2014.
The premiere of the musical was planned at theTyne Theatre inNewcastle upon Tyne, England, but this was abandoned due to financial problems of the Tyne Theatre's operator, and the production's growing budget.[3]
The musical premiered in theWest End at theVictoria Palace Theatre, opening in previews on 31 March 2005 and officially on 11 May 2005. It closed on 9 April 2016, when the theatre closed for refurbishment, after 4,600 performances.[2][4] The show reportedly cost £5.5 million to produce (theoriginal film version cost $5 million).[5] The producers wereWorking Title Films, Old Vic Productions Plc andDavid Furnish. It was directed byStephen Daldry and choreographed byPeter Darling, as was the original film.Liam Mower,James Lomas andGeorge Maguire were the original actors who alternated in the title role, and the supporting cast includedHaydn Gwynne as Mrs. Wilkinson,Tim Healy as Billy's father, andStephanie Putson as Billy's mother.[6] The sets were designed byIan MacNeil, the costumes byNicky Gillibrand, lighting was byRick Fisher, and sound byPaul Arditti.
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The musical received favourable reviews:The Daily Telegraph'sCharles Spencer called it "the greatest British musical I have ever seen".[7] It won fourLaurence Olivier Awards in2006:Best New Musical,Best Actor in a Leading Role in a Musical (awarded jointly to James Lomas, George Maguire and Liam Mower, the boys who played Billy),Best Theatre Choreographer andBest Sound Design. It also won theEvening Standard Theatre Award, theCritics' Circle Theatre Award, and theTheatregoers' Choice Award, all for Best Musical.[8]
Theoriginal cast album was released on 10 January 2006. On 12 May 2006, the three original Billys appeared together in a performance of the musical to celebrate its first anniversary. The three rotated the role during the performance and were joined at the end byElton John.[9] At the2013 Laurence Olivier Awards, the show won another Olivier Award, theBBC Radio 2Audience Award for Most Popular Show (voted for by theatre goers), after many years of being finalists for the award.[10] AfterMargaret Thatcherdied in 2013, according to director Stephen Daldry, the audience were given the choice to decide whether the song "Merry Christmas, Maggie Thatcher" would be included in the performance that day, since the lyrics include the sentence: "We all celebrate today 'cause it's one day closer to your death". As only three audience members voted against it, the performance went ahead as usual.[11][12] On 3 July 2015, 12-year-old Nat Sweeney fromBirmingham became the 41st actor to play the role of Billy in London, making him the 100th to play the role worldwide.[13] Elton John appeared on stage at the final West End performance in April 2016.[14]
In June 2014, it was announced that the musical would be screened and broadcast live to cinemas around the UK and the world.[15] On 28 September, the matinee of the musical was broadcast as it was being filmed at the Victoria Palace Theatre to cinemas around the UK and other countries, with further encore screenings of that same performance on other dates. Billy was played by Elliott Hanna. Liam Mower, one of the three actors who originated the title role, returned to play the role of Older Billy.[16] In addition, 25 past and present actors to have played the title role on the West End performed a specially-choreographed dance number at the finale. The live broadcast topped the UK and Ireland box office the weekend it was broadcast, a first for an event cinema release, beatingThe Equalizer with £1.9m.[17] This performance was released on DVD and Blu-ray on 24 November 2014 in the United Kingdom. This cast includes Elliott Hanna in the title role withRuthie Henshall as Mrs. Wilkinson, Deka Walmsley as Billy's dad, Chris Grahamson as Tony andAnn Emery as Grandma.[18] Further cast included Claudia Bradley as Dead Mam, Howard Crossley as George, David Muscatt as Mr. Braithwaite,Alan Mehdizadeh as Big Davey, Liam Mower as Older Billy and David Stoller as Posh Dad.
Billy Youth Theatre[19] was a countrywide scheme as part of which participating schools and youth groups were given the opportunity to stage their own production of the musical.Billy Elliot writerLee Hall, together withMartin Koch (musical supervision and orchestrations), adapted their original script and orchestrations to produce a shortened version of the show exclusively for groups staging local productions as part of Billy Youth Theatre.
The musical opened atSydney'sCapitol Theatre on 13 November 2007, directed by Daldry in association with Julian Webber, and choreographed by Darling.[20] Rhys Kosakowski, Lochlan Denholm,Rarmian Newton, and Nick Twiney alternated in the title role. The production earned good notices, and in January 2008 it won Best Musical at the 2008Sydney Theatre Awards.[21] The show also won sevenHelpmann Awards, including the awards forBest Musical,Best Direction,Best Choreography,Best Female Actor (Genevieve Lemon as Mrs. Wilkinson) andBest Male Actor, awarded jointly to the four boys who played Billy Elliot at the8th Helpmann Awards.[22] The production concluded in Sydney on 9 November 2008 with all eight Sydney Billys in the finale.
The Sydney production transferred toMelbourne'sHer Majesty's Theatre, opening on 13 December 2008.[23] The Melbourne production closed on 14 June 2009 after a successful run.[24]
On 10 April 2017 it was announced thatBilly Elliot would open at Sydney'sLyric Theatre in October 2019. The production transferred toAdelaide, followed by Melbourne where it was scheduled to close in April 2020.[25] The adult cast featuredKelley Abbey as Mrs. Wilkinson,Justin Smith as Billy's dad, Vivien Davis as Grandma and Drew Livingston as Troy. Mid-way through the run, Abbey withdrew from the show and was replaced by her understudy Lisa Sontag as Mrs. Wilkinson. On 28 November, Elton John watched the show from a private box and surprised the cast and audience by participating in the final bows.[26] The show closed just over a month early in Melbourne, on 16 March 2020, due to audience restrictions due to theCOVID-19 pandemic.[27]
TheBroadway production opened at theImperial Theatre on 1 October 2008 in previews, and officially on 13 November 2008. The London production's creative team directed and designed the Broadway production.[8] The title role was rotated among three young actors,David Alvarez,Kiril Kulish,Trent Kowalik, the last of whom had previously played the role in London.[28] The supporting cast included Haydn Gwynne, reprising her role of Mrs. Wilkinson from the London production, andGregory Jbara as Billy's father.
The production received rave reviews:[29]Time called it a "triumph"; criticLiz Smith termed it "breathtakingly brilliant" and "absolutely, unequivocally awesome"; theDaily News said it was "so exhilarating that at times you feel like leaping";[30] theNew York Post said it was "almost like being in love" and termed it "amusing, perfect and passionate" and "the best show you will ever see"; and theLos Angeles Times called it a "global theatrical phenomenon".[31] It has also been very financially successful, with $20 million taken in advance ticket sales.[29] In2009, the production received fifteenTony Award nominations, tying withThe Producers for the most nominations ever received by a Broadway show,[32] and winning ten at the63rd Tony Awards, includingBest Musical. The original three boys in the lead role, Alvarez, Kulish and Kowalik, jointly won aTony Award for Best Actor in a Leading Role in a Musical. The production sold strongly and recouped its original investment of $18 million in 14 months.[33] The Broadway production closed on 8 January 2012 following 40 previews and 1,312 regular performances.[34]
The first Spanish language production opened on 14 February 2017 at Centro Cultural Teatro 2 inMexico City. The role of Billy was played by Mauricio Arriaga, Demián Ferráez, Ian González and Aaron Márquez. The role of Mrs. Wilkinson was played by Anahí Allué. The cast also included Hernán Mendoza, Carlos Fonseca, first actressNorma Lazareno and Concepción Márquez as Billy's father, Tony and Billy's grandmother respectively. Tony Award winner David Alvarez, from the original Broadway production, reprised his character in its adult version for this production.Billy Elliot closed on 30 December 2017 and from January through August 2018 it embarked on a national tour.[citation needed]
The second Spanish language production began previews on 22 September 2017 at the Nuevo Teatro Alcalá inMadrid, and officially opened on 5 October 2017. The role of Billy was originally played by Pablo Bravo, Pau Gimeno, Cristian López, Miguel Millán, Oscar Pérez, and Diego Rey, withCarlos Hipólito as Billy's father andNatalia Millán as Mrs. Wilkinson.[35]
Billy Elliot closed in Madrid on 10 March 2020, when performances were suspended due to theCOVID-19 pandemic. The production reopened on 9 October 2021 at theTeatre Victòria inBarcelona, where it ran until 22 May 2022. With 1,166 performances played, this is the 3rd longest running production ofBilly Elliot worldwide, only after London and Broadway.[36]
TheStratford Festival inStratford, Ontario announced thatBilly Elliot would be part of its 2019 season. Previews began on 16 April 2019, and the official opening performance was held on 28 May. The production was scheduled to run until 3 November, but was extended due to popular demand until 24 November. There were a total of 119 performances throughout the season.[37]
The production was staged in theFestival Theatre,[38] making this the first time the show has been performed on athrust stage. Because the audience would be seated on 3 sides of the stage, the blocking and staging needed to be designed so that all members of the audience could see the performance. The production was directed and choreographed byDonna Feore, with set design by Michael Gianfrancesco, costuming by Dana Osborne, and music direction by Franklin Brasz.
Nolen Dubuc was announced for the lead role of Billy. While there was an understudy, Dubuc ended up performing in all 119 performances. The rest of the cast included Emerson Gamble as Michael,Blythe Wilson as Mrs. Wilkinson, andDan Chameroy as Dad.[39]
The first German-language production ofBilly Elliot premiered in November 2024 at the Maag Music Hall inZurich. The title role of Billy was played by Moritz Fischli (alternated with Leo Lemmerich, Nevio Reymond). The main cast also includedPasquale Aleardi as the father (alternating with Frank Logemann), Isabelle Flachsmann (alternating with Gabriela Ryffel) as Mrs. Wilkinson, Sabine Martin (alternating with Kaatje Dierks) as the grandmother and Justin Périer (alternating with Elias Meier, Charlie Bänziger) as Michael. Roman Riklin (lyrics) and Eric Hättenschwiler (dialogues) were responsible for the German-language adaptation.[40]
Although considered the first US tour, the show did not tour as a usual touring production would, with longer engagements inChicago andToronto.
The musical opened in Chicago on 18 March 2010 in previews, officially on 11 April, at theFord Center for the Performing Arts Oriental Theatre for an extended run. This is the start of the North American multi-city tour.[41] According to producerEric Fellner, however, the musical "will be here until such time as Chicago says 'go away'. ... We can only do one production at once," and other North American cities will have to wait until the Chicago production runs its course.[42]Emily Skinner played Mrs. Wilkinson, and the cast featuredTommy Batchelor,Giuseppe Bausilio,Cesar Corrales and J.P. Viernes alternating as Billy, with Armand Schultz as Billy's Dad,Cynthia Darlow as Grandma, Patrick Mulvey as Tony andJim Ortlieb as George.[43] The production closed early on 28 November 2010 and transferred to Toronto. The show ran for 37 weeks and 288 performances.[44]
The production had been slated to run through July 2010 but was extended to the middle of January 2011, by popular demand. By September, however, ticket sales were growing bleak. According to theChicago Tribune, "Weekday attendance had been especially poor in recent weeks, despite heavily discounted tickets. Audience members at the Oriental Theatre in the Loop had reported an almost-empty balcony at some shows, and weekday attendance had been as low as 900 or so people. December sales are typically strong, so the decision to close then indicated that things were not expected to pick up." The show closed "early" in November 2010.[45]
The Canadian premiere of the show opened on 1 February 2011 at theCanon Theatre in Toronto. The cast included:Kate Hennig as Mrs. Wilkinson; Cesar Corrales, J.P. Viernes, Marcus Pei and Myles Erlick as Billy; Armand Schultz as Billy's dad; Cynthia Darlow as Grandma; Patrick Mulvey as Tony; Jim Ortlieb as George; and cast members from the Chicago company. It was originally scheduled for 28 January 2011.[46][47][48]
The show received mostly glowing reviews. The most critical review was one published in theNational Post: "The signal achievement ofBilly Elliot the Musical is to be even phonier than the movie it's based on."[49] The show was extended, due to packed audiences for an additional three months.
A second tour opened at theDurham Performing Arts Center inDurham, North Carolina, on 30 October 2010. Although this is the first production of the musical to tour the United States in a "touring" manner, this is still considered to be the second national tour.[50]
The title role was shared by Giuseppe Bausilio,Michael Dameski, Kylend Hetherington, Lex Ishimoto, andDaniel Patrick Russell. The cast also includedFaith Prince as Mrs. Wilkinson, Rich Hebert as Billy's father, Griffin Birney and Jacob Zelonky alternating the role of Michael, Patti Perkins as Grandma,Jeff Kready as Tony, andJoel Blum as George. The tour closed on 21 August 2011 atSan Francisco'sOrpheum Theatre.[51]
As a promotion for the tour, Daniel Patrick Russell and Griffin Birney performed a special showcase on the television game showThe Price Is Right.[52]
A third tour opened on 31 October 2011 at theFox Theatre inSt. Louis under a new production company, Networks, and with previous cast members from the second tour as well as the Toronto cast. Notable cast replacement includedBen Cook as Billy. The tour went on hiatus after playing its final performance in North America atHartford, Connecticut on 23 June 2013, before transferring to Brazil for a limited engagement at theCredicard Hall inSão Paulo from 2 to 18 August 2013. It was the first time the tour played in a Latin American country and was the first musical to take its international tour to Brazil sinceCats in 2006.[53] The tour played its final performance with Ty Forhan, Drew Minard and Mitchell Tobin as the last to share the title role.[54]
The first non-English language production of the musical opened inSeoul on 10 August 2010 in previews and officially on 14 August at theLG Arts Center. It originally starred Jin-Ho Jung, Ji-Myeong Lee, Sunu Lim, and Se-Yong Kim in the title role of Billy with Junhyung Kim later joining the cast in January 2011.[55][56] Supporting cast included Young-joo Chung as Mrs. Wilkinson, Won-hee Cho as Billy's father, and Jae-hyung Lim as Tony. This production closed on 27 February 2011.[57]
The first US regional production of the show opened on 16 June 2014 atThe Muny in St. Louis, Missouri, for a week-long run.[58] Included among the cast were Tade Biesinger as Billy, Emily Skinner as Mrs. Wilkinson,Daniel Oreskes as Dad, and Patti Perkins as Grandma, all reprising their roles from the original Broadway production.[59] On 25 October 2013, theOgunquit Playhouse announced that it would stage their own production which ran from 25 June through 26 July 2014. Included among the cast wereAnastasia Barzee as Mrs. Wilkinson, Sam Faulkner and Noah Parets as Billy, Armand Schultz as Billy's dad,Dale Soules as Grandma, Anthony Festa as Tony and Joel Blum as George.[60] Other regional productions have also been announced.
In December 2013 the Norwegian production company SceneKvelder announced that it would stage their own production of the show at theFolketeatret inOslo. This production opened on 18 September 2014 for a limited run and was the first internationalnon-replica production to open.[61][62] Kevin Haugan played the title role withHilde Lyrån as Mrs. Wilkinson,Nils Ole Oftebro as Billy's dad andBenjamin Helstad as Tony.
On 30 November 2014Billy Elliot premiered in the Netherlands at theAFAS Circustheater inThe Hague (Scheveningen) after previews starting on 6 November. Billy was alternately played by Tydo Korver, Stijn van der Plas, Svenno van Kleij, Carlos Puts, Jillis Roshanali and Roan Pronk. Among the cast were Dutch musical actressPia Douwes as Mrs. Wilkinson, Bas Heerkens as Billy's father, and Reinier Demeijer as Tony. This production was produced by the original English producers (Universal Stage Productions, Working Title Films, Old Vic Productions) and byJoop van den Ende Theaterproducties/Stage Entertainment.
On 22 January 2015Billy Elliot premiered in Denmark atDet Ny Teater inCopenhagen. Billy was alternately played by Oscar Dietz,Carl-Emil Lohmann and Nicolas Stefan Anker Markovic. The cast included actress Julie Steincke as Mrs. Wilkinson, Kristian Boland as Billy's father, and Sebastian Harris as Tony.
In March 2015Billy Elliot premiered inEstonia,Tallinn, at the Nordea Concert Hall. Among the cast wereKaire Vilgats as Mrs. Wilkinson and Mait Malmsten as Billy's father.
On 5 May 2015Billy Elliot premiered in Italy atIl Sistina inRome. Billy was alternately played by Alessandro Frola and Simone Romualdi. Among the cast were Sabrina Marciano as Mrs. Wilkinson, Christian Roberto as Michael, Luca Biagini as Billy's father, Cristina Noci as Grandma, Donato Altomare as Tony, Elisabetta Tulli as Mum, Jacopo Pelliccia as George and Maurizio Semeraro as Mr. Braithwaite.
Billy Elliot premiered inMalmö, Sweden on 13 February 2016 atMalmö Opera. Billy was alternately played by Grim Lohman, Oliver Lohk and Jacob Hermansson and Michael by David Fridholm, Carl Sjögren and Uno Elger. Among the cast were Åsa Fång as Mrs. Wilkinson, Lars Väringer as Dad, Rasmus Mononen as Tony,Paul James Rooney and Robert Thomsen playing the role of Older Billy. The production moved toStockholm in March 2017.
In May 2016, theGrandstreet Theatre inHelena, Montana, became the first American, non-professional theatre company to stage this musical.[63]
On 1 June 2016Billy Elliot premiered in Israel at City Hall Theater in Cinema City Gelilot Complex. Billy was alternately played by Arnon Herring and Shon Granot-Zilbershtein. The main cast included Daphna Dekel as Mrs. Wilkinson,Avi Kushnir as Billy's father,Oshri Cohen as Tony andDina Doron as Billy's grandmother. The role of Michael was alternately played by Sahar Lev-Shomer, TimoTi Sannikov and Amit Brenner. The role of Debbie was alternately played by Naya Federman, Sasha Bezrukov and Maya Mintz. Eldar Groisman directed and choreographed the show, which was translated into Hebrew by Eli Bijaoui.
The first Hungarian language production of the musical—anon-replica staging—debuted on 29 July 2016 at theHungarian State Opera House inBudapest, directed by Tamás Szirtes and choreographed by Ákos Tihanyi. The production was originally intended for theErkel Theatre which has more seats but was relocated after the ticket sales started. Hungarian translation is by István Puller and Ferenc Bárány.[64] It was the first musical ever to be performed at the Opera House.[65] The production was later moved to Erkel Theatre where it was originally intended. In this production, the role of Michael—the only identifiably homosexual character in the original—is significantly reduced, and his homosexuality is not made explicit.[66] Despite this, on 1 June 2018, ahead of the production's third summer season, conservative Hungarian newspaperMagyar Idők published an article calling the musical "gay propaganda", and accused it of corrupting children and turning them gay. Ticket sales fell in response to the article, and 15 performances had to be cancelled (29 other performances went ahead as planned).[67][68][69] It was announced shortly after that the cancelled performances would be made up for during the final season of production in 2019.[70][71]
In July and August 2022 a completely new UK production was presented at theCurve,Leicester. The revival, by the theatre's artistic director Nikolai Foster, was the first full-scale staging ofBilly Elliot in the UK since the original. It was a completely new staging, with a new set design by Michael Taylor and choreography by Lucy Hind.[72] It was the biggest in-house production that the Curve Theatre has ever mounted.[73][74]
The production is notable in its empowering promotion of the subversion of traditional gender roles, promoting acceptance and open-mindedness; both implicitly in the show's decision to representdrag and the challenging of traditional masculinity in a positive light, and explicitly, in the shows lyrics and repeated core message of the value of 'expressing yourself' and embracing one's 'individuality.' Billy's subversion of traditional masculine "gender performativity"[75] is highlighted against the contrast ofDurham's extremely masculine working-class society. With this focus,Billy Elliot has the position of being "the first mainstream British entertainment to directly interrogate homophobic prejudice as a function of patriarchal society."[76] With the impact of its empowering message of acceptance entering public discourse and education campaigns[19] thanks to the prominence and financial success of the show.
Within the social context of the1984–85 miner's strike, Billy Elliot's personal struggle to continue dancing is contrasted powerfully to choreographed violence due to the strike. The repetition of 'solidarity forever' is an empowering musical motif to represent the perceived power of the miners union.[77] The message of strength in unity is assisted by emotive and colloquial lyrics, producing audience affect as the empowered everyday working men fight ardently against the British government. However the eventual fall of the worker's strike suggests that class differences are inevitable, yet there remains an allusion to strength despite this loss of power. Ultimately Billy's passion for dance remains empowering enough to allow his movement to a middle class education.[citation needed]
InCounty Durham, the1984–85 coal miners' strike is just beginning ("The Stars Look Down"). Motherless eleven-year-old Billy Elliot stays behind after his boxing class to give keys to Sandra Wilkinson, who runs aballet class. The class is all girls, but Billy is attracted to the grace of the dance ("Shine"). At first, Billy's interest in dance is easily concealed from his family, as the only person home at the time is his grandmother. She reveals to Billy the abuse she suffered at the hands of her late husband, but that she found great joy in dance ("Grandma's Song").
While his father Jackie Elliot, brother Tony Elliot and neighbours are on strike and clash with riot police, Billy secretly takes dance lessons ("Solidarity"). During the number, the violent reality of the strike is contrasted with the peaceful practise of ballet.
Eventually, Jackie discovers Billy in the ballet class and forbids him from attending the lessons. Mrs. Wilkinson, who recognizes Billy's potential, privately suggests that he should audition for theRoyal Ballet School inLondon, offering free private lessons to prepare him for the audition. Billy is not sure what he wants to do, so he visits his best friend Michael Caffrey for advice. He finds Michael wearing a dress. Michael persuades Billy to have fun with him by dressing up in woman's clothing, rejecting the restrictive inhibitions of their working class community ("Expressing Yourself").
For his first private ballet lesson, Billy brings things to inspire a special dance for the audition, including a letter from his mother ("Dear Billy (Mum's Letter)"). Through his lessons, he develops an impressive routine for his audition ("Born to Boogie"), as he forms a close bond with Mrs. Wilkinson. Her daughter, Debbie Wilkinson, tries to discourage Billy from auditioning because she has a crush on him. Meanwhile, Jackie and Tony are engaged in daily battles with riot police that often turn bloody. They struggle to support the family with very little in strike and union pay, a difficult task as the strike goes on for nearly a year.
When the day of the Royal Ballet School audition comes, the police come through the village, injuring Tony. Billy's family and some members of the community are gathered at the Elliot home, where Mrs. Wilkinson arrives when Billy fails to meet her to leave for the audition. She reveals that she has been teaching Billy in preparation for this audition, which upsets and angers Jackie and Tony. Tony tries to force Billy to dance on the table in front of everyone. Suddenly, the police approach and, as everyone escapes, Billy calls out to his father saying that his mother would have let him dance, to which Jackie says, "Your Mam's dead!". Billy goes into a rage ("Angry Dance"), and from that moment on, he stays away from anything related to ballet.
Six months later at the miner's annual Christmas show, the children put on a show disparaging Prime MinisterMargaret Thatcher, who is seen as the antagonist by the coal miners ("Merry Christmas, Maggie Thatcher"). Billy's father gets drunk and sings an old folk song that elicits memories of his deceased wife and the usually stoic man leaves in tears ("Deep Into the Ground"). Left alone with Billy in the Community Centre, Michael reveals he has feelings for him, but Billy says that the fact that he likes ballet does not mean that he is gay. Michael gives him a kiss on the cheek. Michael tries to get Billy to show him some dancing, but Billy is sad and tells him to leave.
Michael departs, but leaves a music player running. Billy feels like dancing for the first time since the day of the aborted audition and dances while dreaming of being a grown-up dancer ("Swan Lake"). Unknown to Billy, his father arrives and watches him dance. Overcome with emotion, Jackie goes to Mrs. Wilkinson's house to discuss Billy's prospects as a dancer. She confirms Billy's talent, but is not sure whether or not he would get into the Royal Ballet School after missing the audition. Mrs. Wilkinson offers to help pay for the trip to London for the next audition, but Jackie refuses and leaves, questioning his working-class pride and the future mining has for his boys.
Jackie decides the only way to help Billy is to return to work. When Tony sees his father cross the picket line, he becomes infuriated and the two argue over what is more important: unity of the miners or helping Billy achieve his dream ("He Could Be A Star"). The argument comes to blows and Billy is hit accidentally. A miner chastises them for fighting and says that the important thing is looking after the child. One by one, the miners give money to help pay for the trip to the audition, but Billy still does not have enough for the bus fare to London. A strike-breaker arrives and offers him hundreds of pounds. An enraged Tony attempts to shun his donation, but no one else speaks up in his support. Now drained of hope, Tony dismally ponders whether there's a point for anything anymore, and runs off.
Billy and his father arrive at the Royal Ballet School for the audition. While Jackie waits outside, an upper-crust Londoner highlights the contrast between the Elliots and the families of the other applicants. Jackie meets a dancer with a thick Northern accent, who confesses that his father does not support his ballet career, but sharply advises Jackie to "get behind" his boy. Billy nervously finishes the audition with a feeling that he did not do well. As he packs his gear, he becomes overwhelmed and punches another dancer. The audition committee reminds Billy of the strict standards of the school and their zero-tolerance on violence. They have received an enthusiastic letter from Mrs. Wilkinson explaining Billy's background, situation and talent/potential; then ask him to describe what it feels like when he dances. Billy responds with a heartfelt declaration of his passion ("Electricity").
Back in Durham, the Elliots resume life, but times are tough and the miners are running a soup kitchen to ensure everyone is fed. Eventually, Billy receives a letter from the school and, overwhelmed and fearful, knowing that it heralds the end of the life he has known, informs his family that he was not accepted. Tony retrieves the letter from the waste bin and discovers that Billy had lied and actually was accepted – the family rejoice. At the same time, the miners' union has caved in; they lost the strike. Tony laments that miners are "dinosaurs", that by the time Billy returns home, all surrounding village's men will be jobless. Billy visits Mrs. Wilkinson at the dance class to thank her for everything she did to help him. Debbie is sad that Billy will be leaving.
Billy packs his things for the trip to the school and says goodbye to the soon-to-be-unemployed miners who are returning unhappily to work ("Once We Were Kings"). Billy says goodbye to his dead mother, who often visits him in his imagination ("Dear Billy (Billy's Reply)"). Billy breaks the fourth wall and begins to walk down the center aisle before Michael stops him to say goodbye. Billy drops his suitcase and runs onto the stage to give Michael a kiss on the cheek. Billy then walks back off stage, retrieves his suitcase and walks out toward his future alone.
The entire cast comes out on stage and calls Billy back to celebrate the bright future ahead of him ("Finale").
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The original London cast recording was released on CD in 2005. This 75-minute CD features all the musical numbers listed above, excluding the instrumental Swan Lake track. A two disc 'Special Edition' version was later released, however the second CD only totals 9 minutes and contains versions of "The Letter", "Electricity" and "Merry Christmas, Maggie Thatcher" performed byElton John.
The principal original cast of the West End, Broadway, Australian and UK tour productions:
| Character | West End[78] | Australia | Broadway | Billy Elliot: Live[79] | UK Tour |
|---|---|---|---|---|---|
| 2005 | 2007 | 2008 | 2014 | 2016 | |
| Billy Elliot | Liam Mower James Lomas George Maguire | Rhys Kosakowski Lochlan Denholm Rarmian Newton Nick Twiney | Kiril Kulish David Alvarez Trent Kowalik | Elliott Hanna | Adam Abbou Matthew Lyons Haydn May Lewis Smallman |
| Mrs. Wilkinson | Haydn Gwynne | Genevieve Lemon | Haydn Gwynne | Ruthie Henshall | Annette McLaughlin |
| Dad | Tim Healy | Richard Piper | Gregory Jbara | Deka Walmsley | Martin Walsh |
| Tony | Joe Caffrey | Justin Smith | Santino Fontana | Chris Grahamson | Scott Garnham |
| Grandma | Ann Emery | Lola Nixon | Carole Shelley | Ann Emery | Andrea Miller |
| Mr. Braithwaite | Steve Elias | John Xintavelonis | Thommie Retter | David Muscat | Daniel Page |
| George | Trevor Fox | Linal Haft | Joel Hatch | Howard Crossley | Leo Atkin |
| Mum | Stephanie Putson | Samantha Morley | Leah Hocking | Claudia Bradley | Nikki Gerrard |
| Older Billy | Issac James | Joshua Horner | Stephen Hanna | Liam Mower | Luke Cinque-White |
| Michael | Ryan Longbottom Ashley Luke Lloyd Brad Kavanagh | Thomas Doherty Landen Hale-Brown Scott Eveleigh Joel Slater | David Bologna Frank Dolce | Zach Atkinson | Henry Farmer Elliot Stiff Samuel Torpey Taylor Graham |
| Debbie | Lucy Stephenson Emma Hudson Brooke Havana Bailey | Shannon Joliff Fiona Booker Kelsi Boyden Taylor-Rose Campanella | Erin Whyland | Demi Lee | Lilly Cadwallender Evie Martin Italia Ross |
The West End production was nominated for nine 2006Laurence Olivier Awards and won four, includingBest New Musical. At age thirteen, Liam Mower was the youngest actor to win the award, and the actors playing Billy were the first to win the award in a shared capacity. James Lomas, George Maguire, and Mower also jointly received theTheatre Goers' Choice Award in 2006 for Newcomer of the Year. The production also won Best Musical at theEvening Standard Theatre Awards in 2006, among others.[96] The Sydney production was nominated for eleven2008 Helpmann Awards and won seven, includingBest Musical.The Sydney production was nominated for three 2007Sydney Theatre Awards and won all three including Best Production of a Musical.[97] The Melbourne production was nominated for twelve 2008Green Room Awards and won six, including Best Production Music Theatre.[98] The Broadway production received 15Tony Award nominations in 2009, tied withThe Producers for the most nominations ever received by a single show, although this was surpassed in 2016 byHamilton with 16 nominations.[32] It won ten Tony Awards, including theBest Musical at the63rd Tony Awards. The lead actor award was shared by David Alvarez, Trent Kowalik and Kiril Kulish, the three boys who opened in the title role, marking the first time in Tony history the award has been shared by three actors.[99] The production also won in all ten of itsDrama Desk Awards nominations, includingOutstanding Musical.[100] It garnered ten 2008–09Outer Critics Circle Awards nominations, winning seven, including Outstanding New Broadway Musical, as well as receiving an honorary Special Achievement Award for Alvarez, Kowalik and Kulish.[101] The six juvenile principals (Alvarez, Kowalik, Kulish,David Bologna, Frank Dolce and Erin Whyland) were recognized with an honoraryYoung Artist Award for Outstanding Broadway Musical Ensemble at the30th Young Artist Awards.[102]
| Year | Award Ceremony | Category | Nominee | Result |
|---|---|---|---|---|
| 2005 | Evening Standard Theatre Awards | Best Musical | Won | |
| 2006 | Critics' Circle Theatre Awards | Best Musical | Won | |
| Laurence Olivier Awards | Best New Musical | Won | ||
| Best Actor in a Musical | James Lomas,George Maguire andLiam Mower | Won | ||
| Best Actress in a Musical | Haydn Gwynne | Nominated | ||
| Best Performance in a Supporting Role in a Musical | Tim Healy | Nominated | ||
| Best Director | Stephen Daldry | Nominated | ||
| Best Theatre Choreographer | Peter Darling | Won | ||
| Best Set Design | Ian MacNeil | Nominated | ||
| Best Lighting Design | Rick Fisher | Nominated | ||
| Best Sound Design | Paul Arditti | Won | ||
| Year | Award Ceremony | Category | Nominee | Result |
|---|---|---|---|---|
| 2008 | Helpmann Awards | Best Musical | Won | |
| Best Male Actor in a Musical | Rhys Kowsakowski, Rarmian Newton, Nick Twiney and Lochlan Denholm | Won | ||
| Best Female Actor in a Musical | Genevieve Lemon | Won | ||
| Best Male Actor in a Supporting Role in a Musical | Linal Haft | Nominated | ||
| Best Female Actor in a Supporting Role in a Musical | Lola Nixon | Nominated | ||
| Best Direction of a Musical | Stephen Daldry | Won | ||
| Best Choreography in a Musical | Peter Darling | Won | ||
| Best Scenic Design | Ian MacNeil | Nominated | ||
| Best Lighting Design | Rick Fisher | Won | ||
| Best Music Direction | Stephen Amos | Won | ||
| Best Sound Design | Paul Arditti | Nominated | ||
| Sydney Theatre Awards | Best Production of a Musical | Won | ||
| Best Performance by an Actor in a Musical | Rhys Kowsakowski, Rarmian Newton, Nick Twiney and Lochlan Denholm | Won | ||
| Best Performance by an Actress in a Musical | Genevieve Lemon | Won | ||
| Green Room Awards | Best Production Music Theatre | Won | ||
| Best Male Actor in a Leading Role | Rhys Kowsakowski, Dayton Tavares, Michael Dameski, Joshua Denyer and Joshua Weiss Gates | Won | ||
| Richard Piper | Nominated | |||
| Best Female Actor in a Leading Role | Genevieve Lemon | Won | ||
| Best Male Actor in a Featured Role | Thomas Doherty, Landen Hale-Brown, Joel Slater and Liam Dodds | Won | ||
| Mike Smith | Nominated | |||
| Best Direction Music Theatre | Stephen Daldry | Won | ||
| Best Choreography in a Musical | Peter Darling | Won | ||
| Best Lighting and/or Sound | Rick Fisher | Nominated | ||
| Best Music Direction | Stephen Amos | Nominated | ||
| Best Costume and/or Set Design | Nicky Gillibrand | Nominated | ||
| Ian MacNeil | Nominated | |||
| Year | Award Ceremony | Category | Nominee | Result |
|---|---|---|---|---|
| 2010 | Korea Musical Awards | Best Foreign Musical | Won | |
| Best New Actor | Se-Yong Kim, Ji-Myung Lee, Jin-ho Jung and Sunu Lim | Won | ||
| Best Supporting Actress | Young-Joo Chung | Won | ||
| Year | Award Ceremony | Category | Nominee | Result |
|---|---|---|---|---|
| 2015 | John Kraaijkamp Musical Award[104] | Best Big Musical Production | Won | |
| Best Actor in Leading Role | Bas Heerkens | Nominated | ||
| Best Actress in Leading Role | Pia Douwes | Nominated | ||
| Best Actor in Supporting Role | Dennis Willekens | Nominated | ||
| Outstanding Performance by a Young Performer | Carlos Puts | Won | ||
| Noah de Vos | Nominated | |||
| Best Book | Martine Bijl (translation) | Won | ||
| Best Orchestrations | Martin Koch | Nominated | ||
| Best Choreography | Peter Darling | Nominated | ||
| Best Set Design | Ian MacNeil | Nominated | ||
