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Bernadette Wegenstein | |
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| Born | 1969 (age 55–56) |
| Occupation | Research Professor and Director,Center for Advanced Media Studies,Johns Hopkins University |
| Nationality | Austrian |
| Alma mater | University of Vienna |
| Genre | Nonfiction |
| Subject | Media theory |
Bernadette Wegenstein (born 1969)[1] is a Research Professor and director of theCenter for Advanced Media Studies atJohns Hopkins University. She has written books on media theory includingGetting Under the Skin: Body and Media Theory,The Cosmetic Gaze: Body Modification and the Construction of Beauty.[2]
She received a doctorate fromUniversity of Vienna in 1998 with a thesis "Die Darstellung von Aids in den Medien : semio-linguistische Analyse und Interpretation" ("The portrayal of AIDS in the media: linguistic semiotic analysis and interpretation") Copies of the thesis are held in WorldCat libraries.[3] she subsequently became an Assistant Professor at theUniversity of Buffalo.[4] She is currently a Research Professor at theJohns Hopkins University, where she also directs the Center for Advanced Media Studies.
Bernadette produced and directed her first documentary Made Over in America (Icarusfilms) about the television makeover showThe Swan (TV series) in 2007. Her second film, See You Soon Again, which she co-directed with the Austrian director and producerLukas Stepanik (The Cinema Guild, 2012) is a portrait of Viennese Holocaust survivorLeo Bretholz in his efforts to pass on his story of survival to the Baltimore youth. She is currently in post-production with two feature documentaries: The Good Breast (working title), a feature documentary that interweaves the intimate stories of three breast cancer patients with the history and mythology of the breast. The film brings together her expertise on the history of the body and makeover culture with her passion for the character-driven cinéma vérité genre; and the documentary short, Devoti Tutti, is a neo-realist exploration of the little known breast cancer patronSaint Agatha of Sicily who was martyrized by her breast sacrifice in 251 AD. The film is an immersion into the devotional culture around the yearly celebration of Saint Agatha in Catania, Sicily.
In her bookThe Cosmetic Gaze she analyzes the body as a medium of the gaze. This medium is best exemplified in Reality TV makeover shows, such asThe Swan where contestants are made over and revealed with drastic changes.[5]
(Bernadette Wegenstein) p. 78 (b. 1969; since 2008 assoc. prof. at Johns Hopkins Univ.)
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