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Bengali science fiction (Bengali:বাংলা বিজ্ঞান কল্পকাহিনীBangla Bigyan Kalpakahini) is a part ofBengali literature containingscience fiction elements.[1] It is calledKalpabigyan (কল্পবিজ্ঞানlit. 'fictional science'),[2][3][4][5] or stories of imaginative science, in Bengali literature.[6][7][8][9][10][11][12][2][13][14][4][15][16] The term was first coined byAdrish Bardhan[17][18][19][20] during his editorship years.
Bengali writers authored variousscience fiction works in the 19th and early 20th centuries during theBritish Raj, before thepartition of India.Isaac Asimov's assertion that "true science fiction could not really exist until people understood therationalism of science and began to use it with respect in their stories" is true for the earliest science fiction written in theBengali language.[21]
The earliest notable Bengali science fiction wasJagadananda Roy's "Shukra Bhraman" ("Travels to Venus"). This story is of particular interest toliterary historians, as it describes a journey to another planet; its description of thealien creatures onVenus used anevolutionary theory similar to theorigins of man: "They resembled our apes to a large extent. Their bodies were covered with dense black fur. Their heads were larger in comparison with their bodies, limbs sported long nails and they were completely naked."
Some specialists credit Hemlal Dutta as one of the earliest Bengali science fiction writers for his "Rohosso" ("The Mystery"). This story was published in two installments in 1882 in the pictorial magazineBigyan Darpan. The story is notable for mentioningsecurity alarm as a science-fiction element.[22]
In 1896,Jagadish Chandra Bose, known as the father of Bengali science fiction, wrote "Niruddesher Kahini". This tale ofweather control, one of the first Bengali science fiction works, features getting rid of acyclone using a little bottle ofhair oil ("Kuntol Keshori"). Later, he included the story with changes in the collection of essays titledAbyakto (1921) as "Palatak Tufan" ("Runaway Cyclone"). Both versions of the story have been translated into English by Bodhisattva Chattopadhyay.[23]
Roquia Sakhawat Hussain (Begum Rokeya), an earlyIslamic feminist, wrote "Sultana's Dream," one of the earliest examples offeminist science fiction in any language. It depicts a feministutopia ofrole reversal, in which men are locked away in seclusion in a manner corresponding to the traditional Muslim practice ofpurdah for women. The short story written in English was first published in the Madras-basedIndian Ladies Magazine in 1905, and three years later, it appeared as a book.
Hemendra Kumar Ray'sMeghduter Morte Agomon ("The Ascension of God's Messengers on Earth"), a work inspired by Wells' "The War of The Worlds", describes the first contact between two sentient species. Ray'sMartians, instead of invading a metropolis likeCalcutta or London, descend to a rural Bengal village called Bilaspur. Though the superstitious villagers call the new arrivals creatures ofsupernatural chaos, theprotagonist, Binoy-babu, a person ofscientific temper, says, "This is neither the work of a ghost nor human. This is the work of an unknown force that you will not find on this Earth. That power that scientists all over the world have been seeking has made its very first appearance here, in this Bengal! Oh, Kamal, you cannot imagine how happy I am!"[24] As the father of Bengaliadventure fiction, Ray puts the reader through Binoy's narrative. It is divided into two parts, the first is a futuristic, Indianized take onFermi paradox, and the second is a prehistoric adventure inspired by Wells'The Time Machine. In his later novels, Roy also Indianized Doyle'sThe Lost World asMaynamatir Mayakanon ("The Surreal Garden of Maynamati"). His "Nobojuger Mohadanob" is considered the first piece of Bengali literature onrobots.[2]
Several writers from West Bengal, India, have written science fiction.[14]Adrish Bardhan, one of the most notable ofWest Bengal's sci-fi writers, is considered the curator of Bengali science fiction/Kalpavigyan. Under the pen name Akash Sen, he helped with the editorship ofAshchorjo (1963–72), the first Bengali science fiction magazine in theIndian Subcontinent.[25][26][27] While having a very short run, this magazine gave birth to a slew of new literary voices such as Ranen Ghosh,[9][28] Khitindranarayan Bhattacharya,[29] Sujit Dhar, Gurnick Singh,[30] Dilip Raychaudhuri,[31] Enakkhi Chattopadhyay,Premendra Mitra andSatyajit Ray. Ashchorjo also published translated works of Golden Age Western sci-fi, likeAsimov,Clarke, andHeinlein.[6][7][32][33][34]
At its peak, Bardhan, along with Satyajit Ray, Premendra Mitra and Dilip Raychaudhari, presented a radio program onAll India Radio, two broadcasts based on the idea ofshared universes, calledMohakashjatri Bangali ("The Bengali Astronauts"), andSobuj Manush ("The Saga of The Green Men").[35][36]
The first science fictioncine club in India, possibly in Southeast Asia as well, was Bardhan's brainchild.[33][37]
Bardhan also createdProf. Nutboltu Chokro,[38] a science fiction series based on a character of the same name.
Following Bardhan's family trauma, which led to the cessation of Ashchorjo's publication, he relaunched the magazine under the title Fantastic in 1975, with Ranen Ghosh serving as coeditor. The term "Kalpavigyan" made its first appearance in this magazine. Unlike Ashchorjo, Fantastic was not exclusively a science fiction publication; it also included other speculative genres such as fantasy and horror. Despite an erratic publication schedule and a heavy reliance on reprints, Fantastic continued for over a decade before ceasing publication in 2007.[33] In the in-between years, another sci-fi magazine,Vismoy, was edited by Sujit Dhar and Ranen Ghosh but was only published for two years.[33] Magazines like Anish Deb'sKishor Vismoy,Samarjit Kar, and Rabin Ball'sKishor Gyan Biggan are honorable mentions.[33]
Eminent filmmaker and writerSatyajit Ray also enriched Bengali science fiction by writing many short stories ("Bonkubabur Bondhu", "Moyurkonthi Jelly", "Brihachanchu", etc.) as well as ascience fantasy series about scientist and inventorProfessor Shonku. These stories were created keeping the MG and young adult audience of Bengal in mind, particularly the subscribers ofSandesh, of which Ray was an editor. The last two Shonku stories were completed by Sudip Deb.[39] Ray translatedBradbury'sMars Is Heaven! and Clarke'sThe Nine Billion Names of God as well. Ray's short story "The Alien" is about an extraterrestrial called "Mr. Ang" who gained popularity among Bengalis in the early 1960s. It is alleged that the script forSteven Spielberg's filmE.T. was based on a script forThe Alien that Ray had sent to the film's producers in the late 1960s.[40][41][42]
Sumit Bardhan'sArthatrisna is the firststeampunk detective novel in Bengali.
Other notable science fiction writers includeLeela Majumdar,Premendra Mitra, Ranen Ghosh,Sunil Gangopadhyay,Shirshendu Mukhopadhyay,Syed Mustafa Siraj, Samarjit Kar, Anish Deb,[10] Biswajit Ganguly, Siddhartha Ghosh,[43][44] Suman Sen,[45] Rajesh Basu, Abhijnan Roychowdhury, Krishnendu Bandyopadhyay, Debojyoti Bhattacharya, Saikat Mukhopadhyay, Sumit Bardhan, Rebanta Goswami, Soham Guha,[46] Sandipan Chattopadhyay and Mallika Dhar.
After Qazi Abdul Halim'sMohasunner Kanna ("Tears of the Cosmos") was the first modern East Bengali science fiction novel.[clarification needed] Afterindependence,Humayun Ahmed wrote the Bengali science fiction novelTomader Jonno Valobasa (Love For You All),[citation needed] published in 1973. This book is treated as the first full-fledged Bangladeshi science fiction novel.[citation needed] He also wroteTara Tinjon ("They were Three"),Irina,Anonto Nakshatra Bithi ("Endless Galaxy"),Fiha Somikoron ("Fiha Equation"), and other works.[citation needed]
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Bengali science fiction is considered to have reached a new level of literary sophistication with the contributions ofMuhammed Zafar Iqbal.[citation needed] Iqbal wrote the story "Copotronic Sukh Dukho" when he was a student ofDhaka University.[citation needed] This was later included in a compilation of Iqbal's work in a book by the same name.Muktodhara, a famous publishing house ofDhaka, was the publisher of this book. This collection gained huge popularity and a new trend of science fiction emerged among Bengali writers and readers. After this first collection, Iqbal transformed his science fiction cartoon strip,Mohakashe Mohatrash ("Terror in the Cosmos") into a novel. All told, Muhammed Zafar Iqbal has written the greatest number of science fiction works in Bengali science fiction.[citation needed]
In 1997,Moulik, the first and longest-running Bangladeshi science fiction magazine, was first published, with famous cartoonistAhsan Habib as editor. This monthly magazine played an important role in the development of Bengali science fiction in Bangladesh. A number of new and promising science fiction writers including Rabiul Hasan Avi, Anik Khan, Asrar Masud, Sajjad Kabir, Russel Ahmed, and Mizanur Rahman Kallol came of age while working with the magazine.
Other notable writers in the genre include Vobdesh Ray, Rakib Hasan, Nipun Alam,Ali Imam,Qazi Anwar Hussain, Abdul Ahad, Anirudha Alam, Ahsanul Habib, Kamal Arsalan, Dr. Ahmed Mujibar Rahman,Moinul Ahsan Saber, Swapan Kumar Gayen, Mohammad Zaidul Alam, Mostafa Tanim, Jubaida Gulshan Ara Hena, Amirul Islam, Touhidur Rahman, Zakaria Swapan, Qazi Shahnur Hussain and Milton Hossain. Muhammad Anwarul Hoque Khan writes science fiction about parallel worlds and mysteries of science and mathematics.[citation needed] Altamas Pasha is a science fiction writer, whose recent book isValcaner Shopno, published by Utthan Porbo.
Following the footsteps of the pioneers, more and more writers, especially young writers, have started writing science fiction, and a new era of writing has started in Bengali literature.[citation needed]
After the ceasing ofFantastic, there was a void in science fiction in the Bengali literary space. While popular magazines for young adult readers, such asShuktara,Kishore Bharati, andAnandamela, have published special issues dedicated to science fiction, new platforms promoting science fiction in Bengali through online web magazines have emerged. Popular web-magazines likeJoydhakweb have published science fiction stories.[47]
In 2016, a significant development occurred with the publication ofKalpabiswa (কল্পবিশ্ব),[1][48][49] the first science fiction and fantasy-themed Bengali web-magazine for adult readers. In its themed issues,Kalpabiswa has addressed many themes of Kalpavigyan, as well as of global science fiction, such as feminism in sci-fi, climate fiction, the Golden Age of world science fiction, various punk subgenres, and sci-fi in Japanese literature (i.e. manga and anime). Under the guidance ofJadavpur University,Kalpabiswa held the first Science Fiction Conference of Eastern India in 2018.[50][51][52]
Most Bengali science fiction authors use different characters for different stories, building them up in different forms according to the theme of the story.
The stories byMuhammed Zafar Iqbal sometimes repeat names but have never used the same character in more than one story.[citation needed]
Qazi Shahnur Hussain, the eldest son ofQazi Anwar Hussain and grandson ofQazi Motahar Hussain, wrote the sci-fiChotomama Series. These are the adventures of a young Bangladeshi scientist Rumi Chotomama and his nephew.[citation needed]
Satyajit Ray'sProfessor Shonku is portrayed as an aged man, proficient in 72 different languages, who has created many innovative inventions. He is regularly accompanied by other characters including scientists Jeremy Saunders and Wilhelm Krol, his neighbour Mr. Abinash, his servant Prahlad and his beloved cat, Newton.[citation needed]
In his paper "Hemendra Kumar Ray and the birth of adventure Kalpabigyan",[53] Bodhisattva Chattopadhyay said, "Amaanushik Maanush becomes science fiction by incorporating both science and science fiction, particularly lost race narratives and subverting their positions internally.Amaanushik Maanush can be recognised as science fiction not only because of what it claims as science within the text, but more specifically because it is framed within a cluster of science fiction tales that allows us to identify it as part of a genre. It is in its handling of myth thatAmanushik Maanush can be identified more distinctly as kalpabigyan."
Premendra Mitra created the immensely popular fictional characterGhanada,[3] a teller of tell tales with a scientific basis. In an interview with the magazineSPAN in 1974, Mitra said that he tried to keep the stories "as factually correct and as authentic as possible."
In the July 1974 issue of the monthly magazine SPAN, AK Ganguly discusses Premendra Mitra's novel "Manu Dwadash" (The Twelfth Manu), which transports readers to a distant future following near-total devastation from nuclear holocausts. In this post-apocalyptic world, only three small tribes remain, each on the brink of extinction due to radiation-induced loss of procreative ability. The author adeptly navigates the scientific and philosophical complexities arising from this apocalyptic scenario.
Mitra remarks, "IfHuxley's "Brave New World" can be regarded as science fiction and it is indeed science fiction par excellence, my "Manu Dwadash" can advance some claim to this title."
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