Ben Burtt | |
|---|---|
Burtt atStar Wars Celebration Europe II in Essen, Germany in 2013 | |
| Born | Benjamin Burtt Jr. (1948-07-12)July 12, 1948 (age 77) Jamesville, New York, U.S. |
| Education | Allegheny College |
| Alma mater | University of Southern California |
| Occupations | |
| Years active | 1975–present |
| Children | Benjamin A. Burtt |
| Awards |
|
Benjamin Burtt Jr. (born July 12, 1948) is an Americansound designer,film director,film editor,screenwriter, andvoice actor. As a sound designer, his credits include theStar Wars andIndiana Jones film series,Invasion of the Body Snatchers (1978),E.T. the Extra-Terrestrial (1982),WALL-E (2008), andStar Trek (2009).
Burtt is notable for popularizing theWilhelm scream in-joke and creating many of the iconic sound effects heard in theStar Warsfilm franchise, including the 'voice' ofR2-D2, thelightsaber hum, the sound of the blaster guns, the heavy-breathing sound ofDarth Vader, and creating the Ewoks’ language, Ewokese. Burtt was also the sound editor forWALL-E and performed the vocalizations ofthe titular character as well as other robots in the film.
Burtt has won fourAcademy Awards, two of which areSpecial Achievement Academy Awards. He has also directed numerous documentary films forIMAX and most notably the television seriesYoung Indiana Jones on the episode "Attack of the Hawkmen." He also served as the editor on multiple episodes of the show and theStar Wars prequel trilogy.
Burtt was born inJamesville, New York, on July 12, 1948.[1] The son of a chemistry professor atSyracuse University and a child psychologist, Burtt made films as a child, and later studiedphysics atAllegheny College, Pennsylvania, graduating in 1970.[2]
Burtt made films during his time in college, and in 1970 won a National Student Film Festival for hiswar film entitledYankee Squadron,[2] reputedly after following exposure to classic aviation drama.[citation needed] He had previously made an amateur film at theOld Rhinebeck Aerodrome, a living aviation museum inRed Hook, New York, under guidance from its founder,Cole Palen.[citation needed]
For his work on the special-effects filmGenesis, Burtt won a scholarship to theUniversity of Southern California,[2] where he earned amaster's degree infilm production.
Burtt pioneered many aspects of modern sound design, especially in thescience-fiction andfantasy-film genres.[3] Before his work in the firstStar Wars (now known asStar Wars Episode IV: A New Hope) in 1977, science-fiction films tended to use electronic-sounding effects for futuristic devices. Burtt sought a more natural sound, blending in "found sounds" to create the effects. Thelightsaber hum, for instance, was derived from a film projector idling combined with feedback from a broken television set, and the blaster effect started with the sound acquired from hitting aguy-wire on aradio tower with ahammer.[4]
In theStar Wars series, part of R2-D2's beeps and whistles are Burtt's vocalizations, also made using anARP 2600synthesizer, as are some of the squawks made by the tinyholographic monsters on theMillennium Falconspacecraft. InStar Wars: Episode III – Revenge of the Sith (2005), Burtt's provided the voice forLushros Dofine, captain of theInvisible Hand cruiser. The heavy breathing of Darth Vader was created by recording Burtt's own breathing in an oldDacorscuba regulator.[citation needed]
Burtt used the voice of an elderly lady that he had met in a photography shop for the voice ofE.T. the Extra-Terrestrial. The woman's low pitch was the result of very heavy smoking, specifically Kool cigarettes. Burtt created the "voice" of the title character and many other robots inPixar's filmWALL-E (2008), about a lonely garbage-compactingrobot. Additionally, Burtt is responsible for the sound effects inIndiana Jones and the Kingdom of the Crystal Skull (2008).[5]
Burtt has a reputation for including a sound effect dubbed "theWilhelm scream" in many of the movies he has worked on. Taken from a character named "Wilhelm" in the filmThe Charge at Feather River, the sound can be heard in a large number of films, including inStar Wars Episode IV: A New Hope when astormtrooper falls into a chasm and inRaiders of the Lost Ark when aNazi soldier falls off the back of a moving car.
One of Burtt's more subtle sound effects is the "audio black hole". InAttack of the Clones, Burtt's use of the audio black hole involved the insertion of a short interval of absolute silence in the audio track, just prior to the detonation of "seismic charges" fired at the escaping Jedi spaceship. The effect of this short (less than one second) of silence is to accentuate the resulting explosion in the mind of the listener. Burtt has recalled the source of this idea as follows: "I think back to where that idea might have come to me...I remember in film school a talk I had with an old retired sound editor who said they used to leave a few frames of silence in the track just before a big explosion. In those days they would 'paint' out the optical sound with ink. Then I thought of the airlock entry sequence in2001. I guess the seeds were there for me to nourish when it came to the seismic charges."
Burtt was among thegolden ears that critically reviewed the variousaudio compression systems that were proposed for theATSC 1.0digital television system.
A tongue-in-cheek homage to Burtt appears in the 1997Activision PC gameZork: Grand Inquisitor - thespell 'Beburtt', which 'creates the illusion of inclement weather', plays dramatic thunderclap and rainfall sounds when cast.
Burtt has directed severalIMAXdocumentary films, includingBlue Planet,Destiny in Space, and theOscar-nominatedSpecial Effects: Anything Can Happen.[6] He edited the entireStar Warsprequel trilogy, and several episodes ofThe Young Indiana Jones Chronicles. Burtt also wrote several episodes of the 1980sStar Wars cartoonDroids.[7]
Burtt makes a cameo appearance in two of theStar Wars films as an extra. InReturn of the Jedi, he appeared as Colonel Dyer, the Imperial officer who yells "Freeze!" beforeHan Solo knocks him off a balcony. The scream as Burtt falls is his own imitation of theWilhelm scream that he popularized. InEpisode I – The Phantom Menace, Burtt appears in the background of the scene where Palpatine arrives on Naboo;[8] his character is named Ebenn Q3 Baobab, a reference to aDroids character.
| Title | Year | Credited as | Notes | ||||
|---|---|---|---|---|---|---|---|
| Director | Writer | Editor | Sound designer | Other | |||
| Death Race 2000 | 1975 | Yes | Uncredited | ||||
| The Milpitas Monster | 1976 | Yes | Special effects artist | ||||
| Star Wars | 1977 | Yes | Yes | 1997 & 2004 versions Special dialogue and sound effects | |||
| Invasion of the Body Snatchers | 1978 | Yes | Special sound effects creator | ||||
| More American Graffiti | 1979 | Yes | Yes | Supervising sound editor | |||
| The Empire Strikes Back | 1980 | Yes | Yes | 1997 & 2004 versions Supervising sound editor | |||
| Raiders of the Lost Ark | 1981 | Yes | |||||
| E.T. the Extra-Terrestrial | 1982 | Yes | E.T. voice designer | ||||
| The Dark Crystal | Yes | Special sound effects creator | |||||
| Return of the Jedi | 1983 | Yes | Appeared as Commander Dyer and voice of Tortured Power Droid | ||||
| Indiana Jones and the Temple of Doom | 1984 | Yes | Yes | ||||
| The Adventures of André and Wally B. | Yes | Short film | |||||
| The Dream Is Alive | 1985 | Yes | Short film Supervising sound designer | ||||
| Howard the Duck | 1986 | Yes | Sound effects editor | ||||
| Nutcracker: The Motion Picture | Yes | ||||||
| Niagara: Miracles, Myths and Magic | Yes | Yes | Yes | Short film | |||
| Willow | 1988 | Yes | |||||
| Indiana Jones and the Last Crusade | 1989 | Yes | |||||
| Always | Yes | ||||||
| Blue Planet | 1990 | Yes | Yes | ||||
| The True Story of Glory Continues | Yes | Yes | Yes | ||||
| The American Gangster | 1992 | Yes | |||||
| Destiny in Space | 1994 | Yes | Co-director | ||||
| Special Effects: Anything Can Happen | 1996 | Yes | Yes | Yes | |||
| Star Wars: Episode I – The Phantom Menace | 1999 | Yes | Yes | Yes | Supervising sound editor Appeared as Naboo Courier | ||
| Star Wars: Episode II – Attack of the Clones | 2002 | Yes | Yes | Yes | Supervising sound editor | ||
| Star Wars: Episode III – Revenge of the Sith | 2005 | Yes | Yes | Yes | Supervising sound editor Provided voice for Lushros Dofine | ||
| Munich | Yes | Yes | Supervising sound editor | ||||
| Indiana Jones and the Kingdom of the Crystal Skull | 2008 | Yes | Yes | Supervising sound editor | |||
| WALL-E | 2008 | Yes | Yes | Provided voice forWALL-E / M-O / Robots Supervising sound editor | |||
| BURN-E | Yes | Yes | Short film Provided voice for WALL-E | ||||
| Up | 2009 | Yes | Uncredited Special sound effects recordist | ||||
| Star Trek | Yes | Yes | Sound editor | ||||
| Super 8 | 2011 | Yes | Yes | Supervising sound editor | |||
| Red Tails | 2012 | Yes | Yes | Yes | Supervising sound editor | ||
| John Carter | Yes | Sound consultation | |||||
| Lincoln | Yes | ||||||
| Star Trek Into Darkness | 2013 | Yes | Yes | Supervising sound editor | |||
| Escape from Planet Earth | Yes | Additional sound design | |||||
| The Signal | 2014 | Yes | |||||
| Star Wars: The Force Awakens | 2015 | Yes | |||||
| Making Waves: The Art of Cinematic Sound | 2019 | Yes | As himself | ||||
| Title | Year | Credited as | Notes | ||||
|---|---|---|---|---|---|---|---|
| Director | Writer | Editor | Sound designer | Other | |||
| Star Wars Holiday Special | 1978 | Yes | Television film | ||||
| Star Wars: Droids | 1985–1986 | Yes | Yes | Yes | Associate producer Story editor Stories for 4 episodes Teleplay for episode "The Great Heep" | ||
| Chip 'n Dale: Rescue Rangers | 1988–1990 | Yes | Uncredited Sound effects editor (65 episodes) | ||||
| The Young Indiana Jones Chronicles | 1992–1996 | Yes | Yes | Yes | Yes | Yes | Second unit director (2 episodes) Directed and teleplay episode "Attack of the Hawkmen" |
| Star Wars: Forces of Destiny | 2017–2018 | Yes | |||||
Burtt was awarded theDoctor of Arts,honoris causa, byAllegheny College on May 9, 2004.
TheHollywood Post Alliance awarded him with TheCharles S. Swartz Award for outstanding contributions to the field of post production.
In 2024, Burtt was recognized with theVision Award Ticinomoda at the77th Locarno Film Festival.[12]