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Back Off Boogaloo

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1972 song by Ringo Starr

"Back Off Boogaloo"
UK picture sleeve
Single byRingo Starr
B-side"Blindman"
Released17 March 1972 (1972-03-17)
RecordedSeptember 1971
StudioApple, London
GenreRock,glam rock
Length3:16
LabelApple
SongwriterRichard Starkey
ProducerGeorge Harrison
Ringo Starr singles chronology
"It Don't Come Easy"
(1971)
"Back Off Boogaloo"
(1972)
"Photograph"
(1973)
Music video
"Back Off Boogaloo" onYouTube

"Back Off Boogaloo" is a song by the English rock musicianRingo Starr that was released as a non-album single in March 1972. Starr's formerBeatles bandmateGeorge Harrison produced the recording and helped Starr write the song, although he remained uncredited as a co-writer until 2017. Recording took place in London shortly after the pair had appeared together at Harrison'sConcert for Bangladesh shows in August 1971. The single was a follow-up to Starr's 1971 hit song "It Don't Come Easy" and continued his successful run as a solo artist. "Back Off Boogaloo" peaked at number 2 in Britain and Canada, and number 9 on America'sBillboard Hot 100. It remains Starr's highest-charting single in the United Kingdom.

The title for the song was inspired by English singer-songwriterMarc Bolan. Several commentators have interpreted the lyrics as an attack onPaul McCartney, reflecting Starr's disdain for the music McCartney had made as a solo artist over the previous two years. "Back Off Boogaloo" demonstrates the influence ofglam rock on Starr, who directed the documentary filmBorn to Boogie about Bolan's bandT. Rex around this time. Described by one biographer as a "high-energy in-your-face rocker",[1] the song features a prominentslide guitar part by Harrison and contributions from musiciansGary Wright andKlaus Voormann. Starr made a promotional film for the single in which he is followed around the grounds ofJohn Lennon'sTittenhurst Park property by aFrankenstein-like monster. The single'sB-side, "Blindman", was originally intended as the theme song to the1971 film of the same name, aSpaghetti Western in which Starr had a starring role.

Starr re-recorded "Back Off Boogaloo" for both his 1981 albumStop and Smell the Roses and his 2017 albumGive More Love. A collaboration with American singerHarry Nilsson, the 1981 version incorporates lyrics from Beatles songs such as "With a Little Help from My Friends", "Good Day Sunshine" and "Baby, You're a Rich Man". The original recording has appeared on Starr's compilation albumsBlast from Your Past andPhotograph: The Very Best of Ringo Starr, and as a bonus track on his remastered 1974 studio albumGoodnight Vienna. After his return to touring in 1989, Starr performed "Back Off Boogaloo" regularly in concert with the various incarnations of hisAll-Starr Band.

Background and inspiration

[edit]

Ringo Starr identified his initial inspiration for "Back Off Boogaloo" as having come fromMarc Bolan,[2] the singer and guitarist with the Englishglam rock bandT. Rex.[3] In a 2001 interview withMojo editorPaul Du Noyer, Starr described Bolan as "a dear friend who used to come into the office when I was runningApple Movies, a big office in town, and the hang-out for myself,Harry Nilsson andKeith Moon".[4] Over dinner one evening at Starr's home outside London, in 1971, Bolan had used the word "boogaloo" so often that it stuck in Starr's mind, after which the beat and melody for the song came to him overnight.[5] When discussing the composition onVH1 Storytellers in May 1998, Starr explained: "[Bolan] was an energised guy. He used to speak: 'Back off, boogaloo ... ooh you, boogaloo.' 'Do you want some potatoes?' 'Ooh you, boogaloo!'"[6] Starr also recalled having to take the batteries out of his children's toys that night, in order to power atape recorder and make a recording of the new song.[4][7]

The lyrics to themiddle eight of "Back Off Boogaloo" came to Starr while watchingLondon Weekend Television's football show,The Big Match.[6] The program's host,Jimmy Hill, often referred to a footballer's playing as "tasty",[6] a catchphrase that Starr incorporated into his song lyrics.[8]

According to Starr biographerAlan Clayson, "T Rex devotees" claimed that Bolan hadghost-written "Back Off Boogaloo".[9] Starr later acknowledged thatGeorge Harrison co-wrote the song[1][10] by adding some chords and finishing the melody.[5][11][nb 1] As on Starr's 1971 hit single "It Don't Come Easy", Harrison was not credited for his songwriting contribution.[13] Starr originally offered "Back Off Boogaloo" to his fellow LiverpudlianCilla Black to record, but she declined,[14] hoping instead to record another new Starr–Harrison composition, "Photograph".[15][nb 2]

Composition

[edit]

Commentators have regularly interpreted the song as an attack by Starr on his formerBeatles bandmatePaul McCartney.[8][19] Starr denied any such interpretation, instead "claiming that the song was inspired by Bolan and nothing more", Beatles biographer Robert Rodriguez writes.[20] The lyrics to the middle eight, especially, have been interpreted in this way:[3]

Get yourself together now
And give me something tasty
Everything you try to do
You know it sure sounds wasted.

In author Andrew Grant Jackson's interpretation, Starr, having composed few songs in the past, was goading himself to "finally write a 'tasty' song", yet "at the same time, he was probably castigating McCartney".[7] According to Jackson, this was reflective of the tensions between the pair since late in the Beatles' career, particularly after Starr visited McCartney in March 1970 to ask that he agree to delay the release of his debut solo album,McCartney, to avoid it clashing with that of the Beatles'Let It Be album.[21] Starr had publicly criticisedMcCartney and its 1971 follow-up,Ram,[5] and authorBruce Spizer paraphrases the message of the middle eight as "a plea for Paul to produce better music".[1][nb 3] Rodriguez writes that the mention of "sound[ing] wasted" could also be a reference to McCartney's overindulgence withcannabis.[5]

A further example of Starr's allegedly anti-McCartney message exists in the song's first verse:[1][5]

Wake up, meathead
Don't pretend that you are dead
Get yourself up off the cart.

I was great at writing two verses and a chorus – I'm still pretty good at that. Finishing songs is not my forte … I started writing "Back Off Boogaloo," then took it to George to help finish off. Same with "Photograph" and "It Don't Come Easy."[24]

– Starr toTime Out New York, July 2003, acknowledging Harrison's contribution to the song

The same commentators suggest that here Starr could be referring to the 1969 "Paul is dead" rumour.[1][5] This rumour circulated during September and October of that year while McCartney hid away on his Scottish farm,[25] disconsolate afterJohn Lennon had told him and Starr that he wanted a "divorce" from the Beatles.[26]

In addition to these supposed messages in "Back Off Boogaloo", observers have viewed the song title as Starr's rebuke to McCartney to abandon his legal stand against the Beatles andApple Corps,[5] which was placed inreceivership in March 1971 after aHigh Court judge found in McCartney's favour.[27] Author Keith Badman writes that "Boogaloo" had "long been cited as Paul's nickname" from his former bandmates Starr, Harrison and Lennon.[6] While acknowledging that in subsequent years Starr might have chosen to minimise any ill-feeling towards McCartney, Rodriguez remarks that the lyrics "just happened to fit perfectly into the 'us vs. Paul' mindset" followingthe Beatles' break-up, to the extent that "Back Off Boogaloo" was "as damning as 'Early 1970' had been conciliatory".[20] When tailoring his 1970 composition "I'm the Greatest" for Starr to record on the 1973 albumRingo,[28] Lennon referenced the song title with the lines "Now I'm only thirty-two / And all I want to do is boogaloo".[29]

Recording

[edit]
Photos of Apple Studio, taken in 1971

Having earmarked the song as his next single,[5] Starr recorded "Back Off Boogaloo" in September 1971, following his appearance at the Harrison-organisedConcert for Bangladesh in New York.[30] The sessions took place atApple Studio in central London, with Harrison producing, as he had on "It Don't Come Easy".[31] The recording reflects the influence of glam rock on Starr through what authors Chip Madinger and Mark Easter term "its big drum sound and repetitious nature".[10] The line-up comprised Starr (vocals, drums, percussion), Harrison (guitars),Gary Wright (piano) andKlaus Voormann (bass, saxophone).[32][33]

A colour photograph of Starr playing a dark coloured drum kit on a stage. The background is yellow.
Starr performing with hisAll-Starr Band in 2011

Rodriguez describes Starr's "martial-sounding opening" as a rare "showcase for his own drumming",[5] while Harrison biographer Simon Leng writes of "a roaring series of Harrisonslide breaks that brought to mindDuane Allman".[34][nb 4] Starr later said that he incorporated ahook he had come up with for the Beatles song "Get Back" into his drum part on "Back Off Boogaloo".[36] Furtheroverdubs on the track included contributions from three backing vocalists,[32] led by Americansoul singerMadeline Bell.[33]

"Blindman"

[edit]

For the single'sB-side, Starr had already written and recorded "Blindman".[8] It was intended to be the theme song for theFerdinando Baldi-directedSpaghetti WesternBlindman,[37] filming for which Starr had interrupted in order to perform at the Concert for Bangladesh.[38] The song was passed over for inclusion in the film,[8] since producerTony Anthony favoured an original score byStelvio Cipriani.[39]

Starr produced the track with Voormann.[40] The recording sessions took place at Apple on 18–19 August,[37] withBadfinger guitaristPete Ham assisting Starr and Voormann.[41][42] Like the film, "Blindman" was not held in high regard by critics.[37] Spizer describes it as "a muddy-sounding dirge with little to recommend".[42] By contrast, director and authorAlex Cox believes that the song "works well, in the context of the film" compared to Cipriani's score, which he considers "lazy".[39]

Release

[edit]

Apple Records issued the single on 17 March 1972 in Britain, as Apple R 5944, with a US release taking place three days later, as Apple 1849.[43] It was Starr's first release since "It Don't Come Easy", a year before.[1] During this period, his priority had been to develop a career as an actor[44][45] in films such as200 Motels andBlindman.[46] Further aligning himself with Britain's glam rock movement, Starr made his directorial debut withBorn to Boogie,[47] a film starring Bolan that included Starr's footage of a T. Rex concert held atWembley on 18 March 1972.[6][nb 5]

The song was a hit in the US, peaked at number 9 on theBillboard Hot 100,[51] and achieved Starr's best position on theUK Singles Chart,[52] where it reached number 2.[53] Apromotional film for "Back Off Boogaloo" was shot on 20 March[54] at Lennon'sTittenhurst Park residence while Starr was looking after the property.[10] The clip shows Starr walking around an outdoor structure and followed by aFrankenstein-like monster; it was directed by Tom Taylor and financed by Caravel Films.[6] A similar-looking monster appeared on the single's picture sleeve, holding a cigarette.[10][nb 6] Referring to the film clip, Jackson writes: "the Frankenstein monster stalks Starr but in the end the two hug and dance together, as thankfully, he and McCartney eventually did, leading to many more collaborations over the next forty years."[56]

Re-releases for "Back Off Boogaloo" include Starr's 1975 greatest hits album,Blast from Your Past,[57] and, along with "Blindman", as a bonus track on the 1992 reissue of hisGoodnight Vienna album.[58] "Back Off Boogaloo" also appeared on his 2007 compilationPhotograph: The Very Best of Ringo Starr, the collector's edition of which included the 1972 promotional film.[59]

Critical reception

[edit]

On release,Chris Welch wrote inMelody Maker: "A Number One hit could easily be in store for the maestro of rock drums. There's a touch of the Marc Bolans in this highly playable rhythmic excursion ... It's hypnotic and effective, ideal forjukeboxes and liable to send us all mad by the end of the week."[60] Alan Clayson writes of reviewers criticising "Back Off Boogaloo" for being repetitious, leading Starr to respond in a 1973 interview: "Play me a pop song that isn't."[8]Record World listed the song first in its "Hits of the Week" predictions and said: "It's taken Ringo a long time to follow up 'It Don't Come Easy,' but he's come up with one here that should do at least as well, and that means top three."[61]

Writing in 1981,NME criticBob Woffinden commented on Starr's success in establishing himself in the first two years after the Beatles' break-up, and said that the single "confirmed that he and Harrison, dark horses both, were the ones who had managed their solo careers more purposefully and intelligently" compared with McCartney and Lennon.[62] Woffinden described "Back Off Boogaloo" as "every bit as ebullient" as "It Don't Come Easy", although "slightly inferior",[62] while Mike DeGagne ofAllMusic views it as a song where "[t]he jovial spirit of Ringo Starr shines through".[63] In a 1974 article for theNME,Charles Shaar Murray highlighted "Back Off Boogaloo" as a "great radio and juke-box tune".[29]

Among Beatle biographers, Simon Leng terms it "a rocking, soccer crowd chant that suited Starr's talents well",[34] and Bruce Spizer praises the track as a "high-energy in-your-face rocker propelled by Ringo's thundering drums and George's stinging slide guitar".[1] In the 2005 publicationNME Originals: Beatles – The Solo Years 1970–1980, Paul Moody listed "Back Off Boogaloo" first among Starr's "ten solo gems" and described it as "Good time rock'n'droll to matchthe Faces".[64]Guitar World editor Damian Fanelli includes the song on his list of Harrison's ten best post-Beatles "Guitar Moments", saying of the recording: "the main event is clearly Harrison's slightly wild, wacky – and very bouncy – slide guitar solo, which includes an alternate melody line that's even catchier than the melody Ringo is singing."[65]

Andrew Grant Jackson features "Back Off Boogaloo" in his bookStill the Greatest: The Essential Solo Beatles Songs.[66] He says that Starr's mood on the track, while short of the rage that American rapperTupac Shakur vented against his rivalBiggie Smalls in "Hit 'Em Up", "no doubt helped make the tune a staple of football and soccer matches". He comments that the song has "been appropriated" by several artists, including theglam-metal bandWarrant, in their hit single "Cherry Pie", andFranz Ferdinand, in "Take Me Out".[56]

Subsequent recordings

[edit]

Stop and Smell the Roses version

[edit]
"Back Off Boogaloo"
Song byRingo Starr
from the albumStop and Smell the Roses
PublishedStartling Music
Released27 October 1981
GenreRock,funk
Length3:28
LabelBoardwalk
SongwriterRichard Starkey
ProducerHarry Nilsson

Starr recorded a new version of "Back Off Boogaloo" for his 1981 album onBoardwalk Records,Stop and Smell the Roses.[67] The song was produced by Starr's friend, singer Harry Nilsson, and features a musical arrangement byVan Dyke Parks.[68] Similar to Nilsson's 1968 cover of the Beatles' "You Can't Do That",[69] the remake incorporates lyrics from a number of the band's songs – in this case, "With a Little Help from My Friends", "Help!", "Lady Madonna", "Good Day Sunshine" and "Baby, You're a Rich Man", as well as Starr's "It Don't Come Easy".[68] In a further reference to his past, the 1981 version of "Back Off Boogaloo" opens with the same guitar riff that Harrison had played on "It Don't Come Easy" ten years before.[70][nb 7]

Starr taped the basic track at Evergreen Recording Studios in Los Angeles on 4 November 1980, with additional recording taking place on 1–5 December at Nassau'sCompass Point Studios.[74] Among the large cast of musicians supporting Starr were Nilsson (vocals),Jim Keltner (drums),Jane Getz (piano),Dennis Budimir andRichie Zito (guitars), and a four-piece horn section led by saxophonistJerry Jumonville.[75]

Starr overdubbed his vocals on 4 December, four days before themurder of John Lennon,[76] who had been due to record his contributions toStop and Smell the Roses in January 1981.[77] Contrasting with his success as a solo artist in 1971–73, the album continued Starr's run of commercial and critical failures since 1976.[78][79] Rodriguez writes that "[m]ost people either love or hate the revamping" of "Back Off Boogaloo".[70]

Give More Love version

[edit]

Starr released another re-recording of "Back Off Boogaloo" as one of the four bonus tracks on the CD and digital versions of his 2017 albumGive More Love.[80][81] Produced by Starr,[81] the recording is based on his original 1971 demo of the song,[82] which he rediscovered when he and his wife,Barbara Bach, were moving house.[83][84] Starr recalled his surprise at hearing the tape again: "It's me singing 'Back Off Boogaloo' with this great guitar. I'm thinking who the hell is that playing? Then I realise, I'm on guitar! ... the reel-to-reel captures the song coming [through]."[83] The track includes guitar overdubs byJeff Lynne andJoe Walsh.[81] On this album, the song's authorship is credited to Richard Starkey and George Harrison.[85][86]

Live performance

[edit]

Starr has performed "Back Off Boogaloo" in concert with hisAll-Starr Band,[19][87] beginning with the band's debut tour of North America in July–September 1989.[88] The song was dropped from the concert setlist early in that tour, however, in favour of the 1963Lennon–McCartney composition "I Wanna Be Your Man".[89] Live versions of "Back Off Boogaloo" have appeared on the multi-disc compilationThe Anthology... So Far (2001)[90] andKing Biscuit Flower Hour Presents Ringo & His New All-Starr Band (2002).[91] The latter version was recorded during a US tour in August 2001, at which point the All-Starr line-up was Starr (vocals),Mark Rivera (saxophone),Ian Hunter (guitar),Roger Hodgson andHoward Jones (keyboards),Greg Lake (bass) andSheila E. (drums).[92]

Starr also played the song live with "Ringo and the Roundheads",[93] a band he formed to promote his 1998 studio albumVertical Man.[94] A version recorded on 13 May that year atSony Music Studios, New York,[94] appeared on Starr'sVH1 Storytellers live album and video, released in October 1998.[95] The personnel on this performance included Starr (vocals), Walsh andMark Hudson (guitars),Jack Blades (bass) andSimon Kirke (drums).[96] Another live version with the Roundheads, recorded forPBS Television'sSoundstage in August 2005, was issued on the albumRingo Starr: Live at Soundstage (2007)[97] and on DVD in 2009.[98]

Personnel

[edit]

The following musicians played on the original version of "Back Off Boogaloo":[1][32]

Chart performance

[edit]

Weekly singles charts

[edit]
Chart (1972)Peak
position
AustralianGo-Set National Top 40[99]11
AustralianKent Music Report[100]14
BelgianUltratop Singles[101]23
CanadianRPM 100[102]2
DutchMegaChart Singles[103]7
Irish Singles Chart[104]12
JapaneseOricon Singles Chart[105]58
New ZealandListener Chart[106]19
Swiss Singles Chart[107]8
UK Singles Chart[53]2
USBillboard Hot 100[51]9
USCash Box Top 100[108]10
West GermanMedia Control Singles[109]12

Year-end charts

[edit]
Chart (1972)Rank
USCash Box Singles[110]88

Notes

[edit]
  1. ^In a mid-1971 interview withMelody Maker, Starr described himself as "the king of the first verses". He said he typically took his song ideas to Harrison, "who puts in five more chords and you all say, 'God, look at that, see the way he [Starr] wrote that song with all those chords?' Ha, ha, ha."[12]
  2. ^Harrison subsequently offered Black "When Every Song Is Sung" and produced her recording of the song in August 1972,[16] with Starr playing drums on the session.[17] Intended as a single, Black's version was never released, and Starr recorded the song, as "I'll Still Love You", for his 1976 albumRingo's Rotogravure.[18]
  3. ^Speaking toMelody Maker in July 1971,[22] Starr said of McCartney's songwriting: "He disappoints me on his albums. I don't think there's one [good] tune on the last one ... It's like he's not admitting that he can write great tunes."[23]
  4. ^Jackson also recognises the slide guitar playing as Harrison "inAllman Brothers mode" and comments that the guitarist had added a similar contribution to Lennon's "anti-McCartney diatribe", "How Do You Sleep?", recorded earlier in 1971.[35]
  5. ^Starr continued to pursue his acting career through to the end of 1972,[48][49] with starring roles inCount Downe, released in 1974 asSon of Dracula, andThat'll Be the Day.[50]
  6. ^Spizer writes that Apple "couldn't resist making a pun" out of this image and took out a back-cover advertisement inBillboard magazine headed by the tagline "Another Monster from Apple".[55]
  7. ^Starr had similarly combined "Back Off Boogaloo" in a medley for his 1978 TV specialRingo, which featured Harrison in the role of narrator.[71][72] Arranged in theeasy listening style byJimmy Webb, the show's musical director, this instrumental piece also included "Oh My My" and "It Don't Come Easy".[73]

References

[edit]
  1. ^abcdefghSpizer, p. 297.
  2. ^Rodriguez, p. 93.
  3. ^abDoggett, p. 192.
  4. ^abDu Noyer, p. 51.
  5. ^abcdefghiRodriguez, p. 32.
  6. ^abcdefBadman, p. 69.
  7. ^abJackson, p. 60.
  8. ^abcdeClayson, p. 223.
  9. ^Clayson, p. 224.
  10. ^abcdMadinger & Easter, p. 500.
  11. ^Du Noyer, pp. 50, 51.
  12. ^Watts, Michael (31 July 1971). "Ringo".Melody Maker. p. 15.
  13. ^Spizer, pp. 293, 297.
  14. ^Harry, p. 87.
  15. ^Clayson, p. 216.
  16. ^Badman, p. 79.
  17. ^Madinger & Easter, p. 440.
  18. ^Clayson, p. 266.
  19. ^abIngham, p. 143.
  20. ^abRodriguez, pp. 32, 34.
  21. ^Jackson, pp. 60–61.
  22. ^Badman, p. 39.
  23. ^Doggett, pp. 176–77.
  24. ^Ruttenberg, Jay (24 July 2003)."R-I-N-G-O".Time Out New York.Archived from the original on 31 December 2014. Retrieved31 December 2014.
  25. ^Schaffner, pp. 127–28.
  26. ^Sounes, pp. 261–63.
  27. ^Doggett, pp. 162–63.
  28. ^Doggett, pp. 155, 199, 207.
  29. ^abShaar Murray, Charles (19 January 1974). "Paul McCartney:Band on the Run / Ringo Starr:Ringo".NME. Available atRock's Backpages (subscription required).
  30. ^Badman, pp. 43–44, 47.
  31. ^Rodriguez, pp. 29, 32, 93.
  32. ^abcCastleman & Podrazik, p. 209.
  33. ^abSpizer, pp. 297–98.
  34. ^abLeng, p. 123.
  35. ^Jackson, pp. 61, 72, 78.
  36. ^The Beatles, p. 318.
  37. ^abcMadinger & Easter, p. 499.
  38. ^Tillery, p. 97.
  39. ^abCox, p. 360.
  40. ^Castleman & Podrazik, p. 112.
  41. ^Matovina, p. 143.
  42. ^abSpizer, p. 298.
  43. ^Harry, pp. 14, 182, 183.
  44. ^Woffinden, pp. 47, 68.
  45. ^Ingham, p. 139.
  46. ^Rodriguez, p. 42.
  47. ^Clayson, p. 225.
  48. ^Badman, pp. 79, 84, 85.
  49. ^Ingham, pp. 139–40.
  50. ^Schaffner, p. 163.
  51. ^ab"Ringo Starr: Awards".AllMusic.Archived from the original on 10 January 2013. Retrieved27 May 2013.
  52. ^Rodriguez, p. 33.
  53. ^ab"Ringo Starr".Official Charts Company.Archived from the original on 2 February 2014. Retrieved21 January 2014.
  54. ^Harry, p. 116.
  55. ^Spizer, pp. 298, 301.
  56. ^abJackson, p. 61.
  57. ^Rodriguez, p. 123.
  58. ^Madinger & Easter, p. 646.
  59. ^Erlewine, Stephen Thomas."Ringo StarrPhotograph: The Very Best of Ringo Starr".AllMusic.Archived from the original on 7 January 2013. Retrieved21 January 2014.
  60. ^Hunt, p. 69.
  61. ^Record World staff (25 March 1972)."Hits of the Week"(PDF).Record World. p. 1. Retrieved2 April 2023.
  62. ^abWoffinden, p. 68.
  63. ^DeGagne, Mike."Ringo StarrBlast from Your Past".AllMusic.Archived from the original on 17 July 2013. Retrieved21 January 2014.
  64. ^Hunt, p. 24.
  65. ^Fanelli, Damian (24 February 2016)."George Harrison's 10 Greatest Guitar Moments After the Beatles".guitarworld.com.Archived from the original on 24 June 2016. Retrieved28 May 2016.
  66. ^Jackson, p. vi.
  67. ^Badman, pp. 255, 289.
  68. ^abHarry, p. 14.
  69. ^Clayson, p. 310.
  70. ^abRodriguez, p. 34.
  71. ^Badman, p. 221.
  72. ^Rodriguez, pp. 333–34.
  73. ^Madinger & Easter, pp. 515–16.
  74. ^Madinger & Easter, p. 518.
  75. ^Musician credits,Stop and Smell the Roses LP (Boardwalk Records, 1981; produced by Harry Nilsson, Paul McCartney, George Harrison, Ringo Starr, Stephen Stills & Ronnie Wood).
  76. ^Badman, pp. 270, 272–73.
  77. ^Doggett, p. 268.
  78. ^Clayson, pp. 269, 279, 287, 309–10.
  79. ^Doggett, p. 277.
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  86. ^Song credits,Give More Love CD booklet (UMe, 2017; produced by Ringo Starr), p. 3.
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  88. ^Badman, pp. 426–27.
  89. ^Madinger & Easter, p. 529.
  90. ^Madinger & Easter, p. 572.
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  92. ^Musician credits,King Biscuit Flower Hour Presents Ringo & His New All-Starr Band CD (King Biscuit, 2002; produced by Ringo Starr & David Fishof).
  93. ^Madinger & Easter, pp. 559, 564.
  94. ^abClayson, p. 374.
  95. ^Badman, pp. 604–05.
  96. ^Madinger & Easter, p. 559.
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  105. ^"Ringo Starr Chart Trajectories on the Oricon Singles (1968–2005)". Archived fromthe original on 24 September 2012. Retrieved16 January 2014.
  106. ^"NZ Listener chart statistics for Back Off Boogaloo(search by song title)". Flavour of New Zealand.Archived from the original on 5 February 2015. Retrieved22 September 2014.
  107. ^"Ringo Starr – Back Off Boogaloo". hitparade.ch. Retrieved8 July 2013.
  108. ^"Cash Box Top 100 5/27/72".Cashbox Archives. Retrieved21 May 2015.
  109. ^"Single – Ringo Starr, Back Off Boogaloo". charts.de. Archived fromthe original on 4 April 2014. Retrieved14 February 2019.
  110. ^"The Cash Box Year-End Charts: 1972".Cashbox Archives. Archived fromthe original on 14 August 2012. Retrieved21 May 2015.

Sources

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External links

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Studio albums
Live albums
Compilations
Singles
Other songs
EPs
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