Thecantatas composed byJohann Sebastian Bach, known asBach cantatas (German:Bachkantaten), are a body of work consisting ofover 200 surviving independent works, and at least several dozen that are considered lost. As far as known,Bach's earliest cantatas date from 1707, the year he moved toMühlhausen, although he may have begun composing them at his previous post inArnstadt. Most ofBach's church cantatas date from his first years asThomaskantor and director of church music inLeipzig, a position which he took up in 1723.
Working for Leipzig'sThomaskirche andNikolaikirche, it was part of Bach's job to perform achurch cantata every Sunday andholiday, conducting soloists, theThomanerchor and orchestra as part of the church service. In his first years in Leipzig, starting afterTrinity of 1723, Bachregularly composed a new cantata every week, although some of these cantatas were adapted (at least in part) from work he had composed before his Leipzig era.[1] Works fromthree annual cycles of cantatas for the liturgical calendar have survived. These relate to the readings prescribed by theLutheran liturgy for the specific occasion. The last known cantata was composedin 1745.
In addition to thechurch cantatas composed for occasions of the liturgical year, Bach wrote sacred cantatas for functions like weddings orRatswahl (the inauguration of a new town council).His secular cantatas, around 50 known works, less than half of which surviving with both text and music, were written for academic functions of theUniversity of Leipzig, or anniversaries and entertainment among the nobility and in society, some of themGlückwunschkantaten (congratulatory cantatas) andHuldigungskantaten (homage cantatas).
Bach's cantatas usually require four soloists and a four-part choir, but he also wrote solo cantatas (i.e. for one soloist singer) and dialogue cantatas for two singers. The words of Bach's cantatas, almost always entirely in German, consist mostly of 18th-century poetry,Lutheran hymns anddicta. Hymns were mostly set to theirLutheran chorale tune.His chorale cantata cycle contains at least 40chorale cantatas, each of these entirely based on text and tune of such hymn.
Although the German termBachkantate (Bach cantata) became very familiar, Bach himself rarely used the titleCantata in his manuscripts. InIch will den Kreuzstab gerne tragen, BWV 56, he wroteCantata à Voce Sola e Stromenti (Cantata for solo voice and instruments). Another cantata in which Bach used that term isIch bin vergnügt mit meinem Glücke, BWV 84. Typically, he began a heading with the abbreviationJ.J. (Jesu juva, "Jesus, help"), followed by the name of the celebration, the beginning of the words and the instrumentation, for example inGloria in excelsis Deo, BWV 191. Bach often signed his cantatas with SDG, short forSoli Deo Gloria ("glory to the only God" / "glory to God alone").[2]
Bach often wrote a title page for theautograph score and copies of the original parts. For example, he titled the parts ofAus tiefer Not schrei ich zu dir, BWV 38, using a mix of languages to describe the occasion, theincipit, the precise scoring and his name: "Dominica 21. post Trinit / Aus tieffer Noth schrey ich zu dir. / â / 4. Voc. / 2. Hautbois. / 2. Violini. / Viola. / 4. Tromboni / e / Continuo. / di / Signore / J.S.Bach".[3] The occasion for which the piece was performed is given first, in Latin: "Dominica 21. post Trinit" (21st Sunday afterTrinity Sunday, with Trinit short for Trinitatem). The title follows, given in German in the orthography of Bach's time. The scoring and finally his name appear in a mix of French and Italian, the common languages among musicians at the time, partly abbreviated.
Bach wrote more than 200 cantatas, of which many have survived. In theBach-Werke-Verzeichnis (BWV),Wolfgang Schmieder assigned them each a number within groups: 1–200 (sacred cantatas), 201–216 (secular cantatas), and 217–224 (cantatas of doubtful authorship). Since Schmieder's designation, several of the cantatas he thought authentic have been redesignated as "spurious." However, the spurious cantatas retain their BWV numbers. TheList of Bach cantatas is organized by BWV number but sortable by other criteria.
 | This sectionneeds additional citations forverification. Please helpimprove this article byadding citations to reliable sources in this section. Unsourced material may be challenged and removed. Find sources: "Bach cantata" – news ·newspapers ·books ·scholar ·JSTOR(August 2020) (Learn how and when to remove this message) |
A typical Bach cantata of his first year in Leipzig follows the scheme:
The opening chorus (Eingangschor) is usually apolyphonic setting, with the orchestra presenting the themes or contrasting material first. Most arias follow the form of ada capo aria, repeating the first part after a middle section. The final chorale is typically ahomophonic setting of a traditional melody.
Bach used an expanded structure to take up his position in Leipzig with the cantatasDie Elenden sollen essen, BWV 75, andDie Himmel erzählen die Ehre Gottes, BWV 76, both in two parts, to be performed before and after the sermon (post orationem) and during communion (sub communione). Each part is a sequence of an opening movement, five movements with alternating recitatives and arias, and a chorale. In an exemplary way both cantatas cover the prescribed readings: starting with a related psalm from theOld Testament, Part I reflects theGospel and Part II theEpistle.[4]
Bach did not follow any strict scheme but composed as he wanted to express the words. A few cantatas are opened by an instrumental piece before the first chorus, such as the Sinfonia ofWir danken dir, Gott, wir danken dir, BWV 29. A solo movement beginsGott, man lobet dich in der Stille, BWV 120, because its first words speak of silence. Many cantatas composed in Weimar are set like chamber music, mostly for soloists, with a four-part setting only in the closing chorale, which may have been sung by the soloists. In an early cantata,Erschallet, ihr Lieder, erklinget, ihr Saiten! BWV 172, Bach marked a repeat of the opening chorus after the chorale.
The chorale can be as simple as a traditional four-part setting, or be accompanied by anobbligato instrument, or be accompanied by the instruments of the opening chorus or even expanded by interludes based on its themes, or have the homophonic vocal parts embedded in an instrumental concerto as in the familiarHerz und Mund und Tat und Leben, BWV 147, or have complex vocal parts embedded in the concerto as inÄrgre dich, o Seele, nicht, BWV 186, in a form calledChoralphantasie (chorale fantasia). InNun komm, der Heiden Heiland, BWV 61, for the first Sunday inAdvent, the beginning of a new liturgical year, he rendered the opening chorus as aFrench overture.
 | This section has multiple issues. Please helpimprove it or discuss these issues on thetalk page.(Learn how and when to remove these messages) (Learn how and when to remove this message)
|
Typically Bach employssoprano,alto,tenor andbass soloists and a four-part choir, alsoSATB. He sometimes assigns the voice parts to the dramatic situation, for example soprano for innocence or alto for motherly feelings. The bass is often thevox Christi, the voice of Jesus, when Jesus is quoted directly, as inEs wartet alles auf dich, BWV 187, or indirectly, as inO Ewigkeit, du Donnerwort, BWV 60.
In the absence of clear documentary evidence, there are different options as to how many singers to deploy per part in choral sections. This is reflected in the recordings discussed below.Ton Koopman, for example, is a conductor who hasrecorded a complete set of the cantatas and who favours a choir with four singers per part. On the other hand, some modern performances and recordings useone voice per part.Joshua Rifkin is well known is an advocate of this approach, although it has yet to be followed through in a complete set of cantatas. Nonetheless, Bach would have had more singers available atLeipzig, for example, while the space in thecourt chapel in Weimar was limited. One size of choir probably does not fit all the cantatas.
Theorchestra that Bach used is based on string instruments (violin,viola) andbasso continuo, typically played bycello,violone (at the same octave)[5] andorgan. Acontinuo bass is the rule in Baroque music; its absence is noteworthy and often has a special reason, such as describing fragility.[example needed]
The specific character of a cantata or a single movement is rather defined by wind instruments, such asoboe,oboe da caccia,oboe d'amore,flauto traverso,recorder,trumpet,horn,trombone, andtimpani. In movements with winds, abassoon usually joins the continuo group.
Festive occasions call for richer instrumentation. Some instruments also carry symbolic meaning, such as a trumpet, the royal instrument of theBaroque, for divine majesty and three trumpets for theTrinity. In an aria of BWV 172, addressing theHeiligste Dreifaltigkeit (Most holy Trinity), the bass is accompanied only by three trumpets and timpani.
In many arias Bach usesobbligato instruments, which accompany the singer as an equal partner. These instrumental parts are frequently set in virtuoso repetitive patterns calledfiguration. Instruments include, in addition to the ones mentioned,organ,flauto piccolo (sopranino recorder),violino piccolo,viola d'amore,violoncello piccolo (a smaller cello),tromba da tirarsi (slide trumpet) andcorno da tirarsi.
In his early compositions Bach also used instruments that had become old-fashioned, such asviola da gamba. Alto recorders (flauti dolci) are sometimes used in connection with death and mourning as inGottes Zeit ist die allerbeste Zeit, BWV 106.
Some cantatas are composed for a solo singer (Solokantate), asJauchzet Gott in allen Landen, BWV 51, for soprano, sometimes concluded by a chorale, as inIch will den Kreuzstab gerne tragen, BWV 56, for bass.
Some cantatas are structured as a dialogue, mostly for Jesus and the Soul (bass and soprano), set like miniature operas. Bach titled them for exampleConcerto in Dialogo, concerto in dialogue. An early example isTritt auf die Glaubensbahn, BWV 152 (1714). He composed four such works in his third annual cycle,Selig ist der Mann, BWV 57 (1725),Liebster Jesu, mein Verlangen, BWV 32,Ich geh und suche mit Verlangen, BWV 49 (both 1726), andAch Gott, wie manches Herzeleid, BWV 58 (1727).[6]
Within theLutheran liturgy, certain readings from theBible were prescribed for every event during thechurch year; specifically, it was expected that anEpistel from anEpistle andEvangelium from aGospel would be read. Music was expected for all Sundays and holidays except the quiet times (tempus clausum) ofAdvent andLent; the cantatas were supposed to reflect the readings. Many opening movements are based on quotations from the Bible, such asSie werden aus Saba alle kommen, BWV 65, fromIsaiah 60:6. Ideally, a cantata text started with anOld Testament quotation related to the readings, and reflected both the Epistle and the Gospel, as in the exemplaryDie Himmel erzählen die Ehre Gottes, BWV 76. Most of the solo movements are based on poetry of contemporary writers, such as court poetSalomon Franck in Weimar orGeorg Christian Lehms orPicander in Leipzig, with whom Bach collaborated. The final words were usually a stanza from achorale. Bach'sChorale cantatas are based exclusively on one chorale, for example the earlyChrist lag in Todes Banden, BWV 4, and most cantatas of his second annual cycle in Leipzig.[citation needed]
The German text may pose difficulties in translation and comprehension. Sometimes caused by archaic language, these issues are also a result of the different social context of modern artists and listeners, who do not share the same biblical and theological knowledge and perspectives as Bach or his audience.[7]
The following lists of works (some marked as questioned) rely mainly onAlfred Dürr'sDie Kantaten von Johann Sebastian Bach. Usually the cantatas appear in the year of their first performance, sometimes also for later performances and then in brackets.
Bach moved toMühlhausen in 1707 when he was 22 to take up an appointment as the organist ofSt. Blasius church (Divi Blasii). There is evidence suggesting that he composed a cantata as an audition piece for Mühlhausen, and this may have beenChrist lag in Todes Banden, BWV 4. One or two more surviving cantatas may have been composed while Bach was at his previous post in Arnstadt, for example,Nach dir, Herr, verlanget mich, BWV 150.
A couple of the surviving cantatas can be firmly dated to his time in Mühlhausen. For example,Gott ist mein König, BWV 71, was composed for the inauguration of the town council in 1708. By Bach's own account,Aus der Tiefen rufe ich, Herr, zu dir, BWV 131, was also composed at Mühlhausen. Other cantatas are assumed to date from this period:
Bach worked inWeimar from 1708. He composed a secular cantata,Was mir behagt, ist nur die muntre Jagd, BWV 208, in 1713. The composition of cantatas for theSchlosskirche (court chapel) on a regular monthly basis started with his promotion toKonzertmeister in March 1714.[8] His goal was to compose a complete set of cantatas for the liturgical year within four years. The cantatas54 and199 were performed within the cycle but possibly composed earlier.
Bach worked inKöthen from 1717 to 1723, where he composed for example theBrandenburg Concertos. He had no responsibility for church music, but his employerPrince Leopold did commission secular cantatas. Later in Leipzig, he derived several church cantatas from congratulatory cantatas, such asErfreut euch, ihr Herzen, BWV 66, for Easter from the birthday cantataDer Himmel dacht auf Anhalts Ruhm und Glück, BWV 66a.[9][10]
Even after he moved to Leipzig he retained his title ofFürstlich Köthenischer Kapellmeister (that is director of music to the court at Köthen). He continued to compose for the court until Leopold's funeral in 1729. There is evidence that he reused musical material from works that he premiered in Leipzig in the 1720s, for example the secular cantataSchwingt freudig euch empor, BWV 36.1, believed to have been composed to honour one of the Bach's academic colleagues in Leipzig, was the basis of a secular cantata with a text in honour of Leopold's second wife.[11]
InLeipzig Bach was responsible for the town's church music in theThomaskirche andNikolaikirche and was head of theThomasschule. Church cantata performances alternated in the two churches for ordinary Sundays and took place in both churches on high holidays such asChristmas, then one in the morning, one in the afternoon, and again alternating for the three days such an occasion was celebrated. Academic functions took place at theUniversitätskirche St. Pauli. There is debate whether Bach performedWer mich liebet, der wird mein Wort halten, BWV 59, there a week before he began his cantorate. Bach started it on the first Sunday after Trinity of 1723 and wrote a first annual cycle. Bach's major works such as thePassions and theMass in B minor are inserted in the listing for comparison.
After Trinity of 1724 he started a second annual cycle of mainlychorale cantatas. The chorale was typically the chorale prescribed for that week (Hauptlied orWochenlied). These cantatas were performed even after his death, according toChristoph Wolff probably because the well-known hymns were appealing to the audience.[12]
The new cantatas Bach composed for Easter of 1725 and afterwards were not chorale cantatas:
Two of these, BWV 128 and BWV 68, both starting with a chorale fantasia, are sometimes seen as included in the chorale cantata cycle.
Other cantatas by Bach that are usually seen as belonging to the chorale cantata cycle:
For four further chorale cantatas it is unclear for which occasion they were composed, and whether they were intended to be added to the cycle:
After Trinity of 1725 Bach began a third annual cycle, but with less consistency. The first cantata is written for the ninth Sunday after Trinity, but the following year he added a substantial work for the first Sunday after Trinity. The cycle extends over several years, although the cantatas from 1727 have been termed as "between the third and fourth cycles".[13] Cantatas for some occasions are not extant.
There is some circumstantial evidence that a complete fourth cycle of Bach cantatas, in scholarship indicated as thePicander cycle, may have existed.[13][31][32]
Extant cantatas of the fourth cycle:
Not belonging to the foregoing:
Bach sometimes reused an earlier composition, typically revising and improving it in a process calledparody. For example, a movement from a partita for violin, in ceaseless motion, was arranged as an orchestral sinfonia with the organ as solo instrument for the wedding cantata120a and again in Cantata29, for which the organ was accompanied by a full orchestra dominated by trumpets. Not only a single movement but a complete cantata was reworked from the Shepherd cantataEntfliehet, verschwindet, entweichet, ihr Sorgen, BWV 249a, to become theEaster Oratorio. Bach used parody to be able to deliver cantatas for Christmas, Easter and Pentecost, which were each celebrated for a period of three days. His Easter cantataEin Herz, das seinen Jesum lebend weiß, BWV 134, is a parody of six of eight movements of the cantata forNew Year's Day,Die Zeit, die Tag und Jahre macht, BWV 134a. Six movements of his congratulatory cantataDurchlauchtster Leopold, BWV 173a, form the cantata forPentecost Monday of 1724,Erhöhtes Fleisch und Blut, BWV 173, while a seventh movement was made part of the cantata forPentecost Tuesday of 1725,Er rufet seinen Schafen mit Namen, BWV 175.
Bach's fourshort masses are parodies of cantata movements; he used several movements ofSiehe zu, daß deine Gottesfurcht nicht Heuchelei sei, BWV 179, for two of them. When he compiled hisMass in B minor, he again used many cantata movements, such as a part ofWeinen, Klagen, Sorgen, Zagen, BWV 12, for theCrucifixus of theCredo.
Bach's oratorios can be considered as expanded cantatas. They were also meant to be performed during church services. Distinct from the cantatas, a narrator, theEvangelist, tells a story in the exact Bible wording, while soloists and the choir have "roles" such as Mary or "the shepherds", in addition to reflective chorales or arias commenting on the story. TheSt Matthew Passion and theSt John Passion were intended to be performed onGood Friday, before and after the sermon. The six parts of theChristmas Oratorio were intended to be performed on six feast days of the Christmas season, each part composed as a cantata with an opening chorus (except in Part 2) and a closing chorale.
Bach composed the cantatas and performed them, conducting from the keyboard. The choir was theThomanerchor, which also served the other main churches of Leipzig for which Bach was responsible. Cantatas, under his personal direction, were performed in the Nikolaikirche and in the Thomaskirche, alternating on ordinary Sundays. On high feast days, the same cantata was performed in the morning in one of these churches, in a vespers service in the other.[33]
| This sectionneeds additional citations forverification. Please helpimprove this article byadding citations to reliable sources in this section. Unsourced material may be challenged and removed. Find sources: "Bach cantata" – news ·newspapers ·books ·scholar ·JSTOR(August 2020) (Learn how and when to remove this message) |
After Bach's death the cantatas fell into obscurity even more than his oratorios. There is some evidence for the chorale cantatas being performed at Leipzig after Bach's death, but the cantatas were little known until a society called theBach-Gesellschaft began to publish the composer's complete works starting in 1851. Only one of the cantatas,Gott ist mein König, BWV 71, had been published during Bach's lifetime. The cantataWie schön leuchtet der Morgenstern, BWV1, was selected as the first work to appear in theBach-Gesellschaft-Ausgabe, the first complete edition.[34]
In 1928,The New York Times reported the presentation in Paris of two secular Bach cantatas by opera sopranoMarguerite Bériza and her company in staged productions,The Peasant Cantata andThe Coffee Cantata.[35] In 1931 a recording was made of a performance ofChrist lag in Todes Banden, in Barcelona.
The number of performances and recordings increased in the decades after the Second World War. In the early 1950sFritz Lehmann recorded several cantatas with the Berliner Motettenchor and theBerlin Philharmonic. From 1953,Max Thurn conducted for the broadcasterNDR a series of Bach cantatas, with members of theNDR Chor and members of theNDR Sinfonieorchester.[36][37]Karl Richter called his choir programmaticallyMünchener Bach-Chor in 1954 and recorded about a third of the cantatas.
Between 1958 and 1987, theLondon Bach Society, conducted byPaul Steinitz performed all the extant church and secular cantatas, 208 separate works, in various venues, mostly in the Church ofSt Bartholomew-the-Great, London.Diethard Hellmann called theKantorei (chorale) of theChristuskirche,Bachchor Mainz, in 1965 and produced more than 100 cantatas on a weekly basis with theSüdwestrundfunk.Fritz Werner started recording with the Heinrich-Schütz-Chor Heilbronn and thePforzheim Chamber Orchestra a series that they calledLes Grandes Cantates de J.S. Bach.
TheThomanerchor has sung a weekly cantata during the evening serviceMotette on Saturday.[38]The cantatas are also regularly performed on Sundays atHoly Trinity Lutheran Church, New York City, under the direction of the Cantor (currently Donald R. Meineke).[39]
While individual cantatas were recorded as early as the 1930s, a complete set was not attempted until the 1970s.
In 1929 the Swedish bishopNathan Söderblom, a recipient of theNobel Peace Prize, called Bach's cantatas the Fifth Gospel.[42][43]
| column | content | |
|---|---|---|
| 1 | BWV | Bach-Werke-Verzeichnis (lit. 'Bach-works-catalogue'; BWV) numbers.Anhang (Annex; Anh.) numbers are indicated as follows: |
| 2 | 2a | Section in which the composition appears in BWV2a:
|
| 3 | Date | Date associated with the completion of the listed version of the composition. Exact dates (e.g. for most cantatas) usually indicate the assumed date of first (public) performance. When the date is followed by an abbreviation in brackets (e.g. JSB for Johann Sebastian Bach) it indicates the date of that person's involvement with the composition as composer, scribe or publisher. |
| 4 | Name | Name of the composition: if the composition is known by a Germanincipit, that German name is preceded by the composition type (e.g. cantata, chorale prelude, motet, ...) |
| 5 | Key | Key of the composition |
| 6 | Scoring | Seescoring table below for the abbreviations used in this column |
| 7 | BG | Bach Gesellschaft-Ausgabe (BG edition; BGA): numbers before the colon indicate the volume in that edition. After the colon an Arabic numeral indicates the page number where the score of the composition begins, while a Roman numeral indicates a description of the composition in theVorwort (Preface) of the volume.[44] |
| 8 | NBE | New Bach Edition (German:Neue Bach-Ausgabe, NBA): Roman numerals for the series, followed by a slash, and the volume number in Arabic numerals. A page number, after a colon, refers to the "Score" part of the volume. Without such page number, the composition is only described in the "Critical Commentary" part of the volume. The volumes group Bach's compositions by genre:[45]
|
| 9 | Additional info | may include:
Provenance of standard texts and tunes, such asLutheran hymns andtheir chorale melodies, Latin liturgical texts (e.g.Magnificat) and common tunes (e.g.Folia), are not usually indicated in this column. For an overview of such resources used by Bach, see individual composition articles, and overviews in, e.g.,Chorale cantata (Bach)#Bach's chorale cantatas,List of chorale harmonisations by Johann Sebastian Bach#Chorale harmonisations in various collections andList of organ compositions by Johann Sebastian Bach#Chorale Preludes. |
| 10 | BD | Bach Digital Work page |
| Voices (see alsoSATB) | ||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| a | A | b | B | s | S | t | T | v | V | |||
| alto (solo part) | alto (choir part) | bass (solo part) | bass (choir part) | soprano (solo part) | soprano (choir part) | tenor (solo part) | tenor (choir part) | voice (includesparts for unspecified voices or instruments as in some canons) | vocal music for unspecifiedvoice type | |||
| Winds and battery (bold = soloist) | ||||||||||||
| Bas | Bel | Cnt | Fl | Hn | Ob | Oba | Odc | Tai | Tbn | Tdt | Tmp | Tr |
| bassoon (can be part of Bc, see below) | bell(s) (musical bells) | cornett,cornettino | flute (traverso,flauto dolce,piccolo,flauto basso) | natural horn,corno da caccia,corno da tirarsi,lituo | oboe | oboe d'amore | oboe da caccia | taille | trombone | tromba da tirarsi | timpani | tromba (natural trumpet,clarino trumpet) |
| Strings and keyboard (bold = soloist) | ||||||||||||
| Bc | Hc | Kb | Lu | Lw | Org | Str | Va | Vc | Vdg | Vl | Vne | |
| basso continuo: Vdg, Hc, Vc, Bas, Org, Vne and/or Lu | harpsichord | keyboard (Hc, Lw, Org orclavichord) | lute,theorbo | Lautenwerck (lute-harpsichord) | organ (/man. = manualiter, withoutpedals) | strings: Vl I, Vl II and Va | viola(s),viola d'amore,violetta | violoncello,violoncello piccolo | viola da gamba | violin(s),violino piccolo | violone, violone grosso | |
| Colour | Meaning |
|---|---|
| green | extant or clearly documented partial or complete manuscript (copy) by Bach and/or first edition under Bach's supervision |
| yellow | extant or clearly documented manuscript (copy) or print edition, in whole or in part, by close relative, i.e. brother (J. Christoph), wife (A. M.), son (W. F. /C. P. E. /J. C. F. /J. Christian) or son-in-law (Altnickol) |
| orange-brown | extant or clearly documented manuscript (copy) by close friend and/orpupil (Kellner, Krebs, Kirnberger,Walther, ...), or distant family member |
| BWV | 2a | Date | Name | Key | Scoring | BG | NBE | Additional info | BD |
|---|---|---|---|---|---|---|---|---|---|
| 1 | 1. | 1725-03-25 | CantataWie schön leuchtet der Morgenstern (Annunciation) | F maj. | stbSATB 2Hn 2Odc 2Vl Str Bc | 1: 1 | I/28.2: 3 | afterZ 8359; text afterNicolai | 00001 |
| 2 | 1. | 1724-06-18 | CantataAch Gott, vom Himmel sieh darein (Trinity II) | G min. | atbSATB 4Tbn 2Ob Str Bc | 1: 53 | I/16: 81 | afterZ 4431; text afterLuther | 00002 |
| 2/6 | chorale setting "Ach Gott, vom Himmel sieh darein" (s. 6) | G Dor. | SATB | 1: 72 | III/2.1: 25 III/2.2: 156 | afterZ 4431; text byLuther | 11189 | ||
| 3 | 1. | 1725-01-14 | CantataAch Gott, wie manches Herzeleid (Epiphany II) | A maj. | satbSATB Hn Tbn 2Oba Str Bc | 1: 73 | I/5: 189 | afterZ 533a; text afterMoller | 00003 |
| 3/6 | chorale setting "Ach Gott, wie manches Herzeleid" (s. 18) | SATB | 1: 94 | III/2.1: 26 III/2.2: 90 | afterZ 533a; text byMoller | 11191 | |||
| 4.2 | 1. | 1724-04-09 | CantataChrist lag in Todes Banden (Easter) | E min. | satbSATB Cnt 3Tbn Str Bc | 1: 95 | I/9: 1 | afterBWV 4.1; text byLuther | 00004 |
| 4/8 | chorale setting "Christ lag in Todes Banden" (s. 7) | E min. D min. | SATB | 1: 124 | III/2.2: 104 | afterZ 7012a; text byLuther | 11295 | ||
| 4.1 | 1. | 1707-04-24 | CantataChrist lag in Todes Banden (Easter; early version, lost) | satbSATB 2Vl 2Va Bc | I/9 | afterZ 7012a; →BWV 4.2; text byLuther | 00005 | ||
| 5 | 1. | 1724-10-15 | CantataWo soll ich fliehen hin (Trinity XIX) | G min. | satbSATB Tdt 2Ob Str Bc | 1: 125 | I/24: 133 | afterZ 2164; text afterHeermann | 00006 |
| 5/7 | chorale setting "Wo soll ich fliehen hin" (s. 11) | SATB | 1: 150 | III/2.1: 66 III/2.2: 180 | afterZ 2164; text byHeermann | 11232 | |||
| chorale setting "Auf meinen lieben Gott" | afterZ 2164 | ||||||||
| 6 | 1. | 1725-04-02 | CantataBleib bei uns, denn es will Abend werden (Easter 2) | C min. | satbSATB 2Ob Odc Str Vc Bc | 1: 151 | I/10: 43 | afterZ 439 (/3: →BWV 649),Z 350a (/6); text afterLk 24:29 (/1), byMelanchthon &Selnecker (/3),Luther (/6) | 00007 |
| 6/6 | chorale setting "Erhalt uns, Herr, bei deinem Wort" (s. 2) | G min. | SATB | 1: 176 | III/2.2: 40 | afterZ 350a; text byLuther | 11338 | ||
| 7 | 1. | 1724-06-24 | CantataChrist unser Herr zum Jordan kam (24 June: feast of John the Baptist) | E min. | atbSATB 2Oba 2Vl Str Bc | 1: 177 | I/29: 25 | afterZ 7246; text afterLuther | 00008 |
| 8.1 | 1. | 1724-09-24 | CantataLiebster Gott, wenn werd ich sterben? (Trinity XVI; 1st version) | E maj. | satbSATB Hn Fl 2Oba Str Bc | 1: 211 | I/23: 105 | afterZ 6634; byVetter, D. (/6); text afterNeumann; →BWV 8.2 | 00009 |
| 8.2 | 1. | 1747-09-17 | CantataLiebster Gott, wenn werd ich sterben? (Trinity XVI; 2nd version) | D maj. | satbSATB Fl 2Oba Tai 2Vl Str Bc | I/23: 163 | afterBWV 8.1 | 00010 | |
| 9 | 1. | 1734-08-01 | CantataEs ist das Heil uns kommen her (Trinity VI) | E maj. | satbSATB Fl Oba Str Bc | 1: 243 | I/17.2: 83 | afterZ 4430; text afterSperatus | 00011 |
| 9/7 | chorale setting "Es ist das Heil uns kommen her" (s. 12) | SATB | 1: 274 | III/2.1: 52 III/2.2: 172 | afterZ 4430; text bySperatus | 11213 | |||
| 10 | 1. | 1724-07-02 | CantataMeine Seel erhebt den Herren a.k.a.German Magnificat (Visitation) | G min. | satbSATB Tr 2Ob Str Bc | 1: 275 | I/28.2: 131 | afterMagnificat peregrini toni; text afterMagnificat; →BWV 648 | 00012 |
| 10/7 | chorale setting "Meine Seel erhebt den Herren" (doxology, ss. 10–11) | SATB | 1: 303 | III/2.1: 82 III/2.2: 205 | afterMagnificat peregrini toni; text:German Magnificat | 11248 | |||
| 12 | 1. | 1714-04-22 | CantataWeinen, Klagen, Sorgen, Zagen (Jubilate; two versions) | F Dor. | atbSATB Tr Ob 2Vl 2Va Bas Bc | 2: 59 | I/11.2: 1 | afterZ 5629 (/7: →BWV 69.1/6); text byFranck, S.?; text afterActs 14:22 (/3); text byRodigast (/7); /2 →BWV 232/14 | 00014 |
| 1724-04-30 | G min. | ||||||||
| 13 | 1. | 1726-01-20 | CantataMeine Seufzer, meine Tränen (Epiphany II) | D min. | satbSATB 2Fl Odc Str Bc | 2: 79 | I/5: 229 | afterZ 6543 (/3),Z 2293b (/6); text byLehms,Heermann (/3),Fleming (/6) | 00015 |
| 13/6 | chorale setting "In allen meinen Taten" (s. 9) | B♭ maj. | SATB | 2: 98 | III/2.2: 58 | afterZ 2293b; text byFleming | 11347 | ||
| chorale setting "Nun ruhen alle Wälder" | G maj. | III/2.2: 216 | |||||||
| 14 | 1. | 1735-01-30 | CantataWär Gott nicht mit uns diese Zeit (Epiphany IV) | G min. | stbSATB Hn 2Ob Str Bc | 2: 99 | I/6: 139 | afterZ 4434; text afterLuther | 00016 |
| 14/5 | chorale setting "Wär Gott nicht mit uns diese Zeit" (s. 3) | SATB | 2: 132 | III/2.1: 88 III/2.2: 103 | afterZ 4434; text byLuther | 11250 | |||
| 16 | 1. | 1726-01-01 | CantataHerr Gott, dich loben wir (New Year/Circumcision) | A min. | atbSATB Hn 2Ob Odc Str Bc | 2: 173 | I/4: 103 | afterZ 8652 (/1),5267 (/6; →BWV 419); text byLehms,Luther (/1),Eber (/6) | 00018 |
| 1731-01-01 | atbSATB Hn 2Ob Va Str Bc | ||||||||
| 16/6 | 1726-01-01 | chorale setting "Helft mir Gotts Güte preisen" (s. 6) | SATB | 2: 198 | III/2.2: 56 | afterZ 5267; text byEber | 11324 | ||
| 17 | 1. | 1726-09-22 | CantataWer Dank opfert, der preiset mich (Trinity XIV) | A maj. | satbSATB 2Ob Str Bc | 2: 199 | I/21: 147 | afterZ 8244 (/7); text:Meiningen, afterPs 50:23 (/1; →BWV 236/6),Lk 17:15–16 (/4), byGramann (/7) | 00019 |
| 17/7 | chorale setting "Nun lob, mein Seel, den Herren" (s. 3) | SATB | 2: 225 | III/2.2: 4 | afterZ 8244; text byGramann | 11330 | |||
| 18.2 | 1. | 1724-02-13 | CantataGleichwie der Regen und Schnee vom Himmel fällt (Sexagesima) | A min. | stbSATB 2Fl Bas 4Va Vc Bc | 2: 227 (ing) | I/7: 107 | afterBWV 18.1; text byNeumeister, afterIs 55:10–11 (/2),Luther (/3), bySpengler (/5) | 00020 |
| 18/5 | chorale setting "Durch Adams Fall ist ganz verderbt" (s. 8) | SATB | 2: 252 (ing) | III/2.2: 71 | afterZ 7549; text bySpengler | 11301 | |||
| 1. | 1715-02-24 | chorale setting "Ich ruf zu dir, Herr Jesu Christ" | G min. | III/2.2: 56 | afterZ 7549; text byAgricola | ||||
| 18.1 | CantataGleichwie der Regen und Schnee vom Himmel fällt (Sexagesima) | stbSATB Bas 4Va Vc Bc | I/7: 81 | afterZ 7549 (/5); text byNeumeister, afterIs 55:10–11 (/2),Luther (/3), bySpengler (/5); →BWV 18.2 | 00021 | ||||
| 19 | 1. | 1726-09-29 | CantataEs erhub sich ein Streit (Michaelmas) | C maj. | stbSATB 3Tr Tmp 2Ob 2Oba Tai Str Bc | 2: 253 | I/30: 55 | afterZ 6543 (/7); text afterPicander | 00022 |
| 19/7 | chorale setting "Freu dich sehr, o meine Seele" (s. 9) | SATB | 2: 288 | III/2.1: 62 III/2.2: 177 | afterZ 6543 | 11227 | |||
| chorale setting "Weg, mein Herz, mit den Gedanken" | afterZ 6543; text byGerhardt | ||||||||
| 20 | 1. | 1724-06-11 | CantataO Ewigkeit, du Donnerwort (Trinity I) | F maj. | atbSATB Tdt Tmp 3Ob Str Bc | 2: 291 | I/15: 133 | afterZ 5820; text afterRist | 00023 |
| 20/7 20/11 | chorale setting "O Ewigkeit, du Donnerwort" (ss. 11, 16) | SATB | 2: 317, 327 | III/2.2: 17 | afterZ 5820; text byRist | 11332 | |||
| 21.1 | 1. | before Dec. 1713 | CantataIch hatte viel Bekümmernis (1st version:in ogni tempore; 1714-06-17: Trinity III) | C min. | satbSATB 3Tr Tmp Ob Str Bc | I/16: 109 | afterZ 2778 (/9); text byFranck, S.?; text afterPs 94:19 (/2),42:12 (/6),116:7 (/9),Rv 5:12–13 (/11), byNeumark (/9); →BWV 21.2 | 00024 | |
| 21.2 | 1. | c. autumn 1720 | CantataIch hatte viel Bekümmernis (2nd version:in ogni tempore) | D min. | satbSATB 3Tr Tmp Ob Str Bas Bc | I/16 | afterBWV 21.1 (same text); →BWV 21.3 | 00025 | |
| 21.3 | 1. | 1723-06-13 | CantataIch hatte viel Bekümmernis (3rd version: Trinity III) | C min. | satbSATB 3Tr Tmp 4Tne Ob Str Bas Bc | 51: 1 | I/16 | afterBWV 21.2 (same text) | 00026 |
| 22 | 1. | 1723-02-07 | CantataJesus nahm zu sich die Zwölfe (Estomihi) | satbSATB Ob Str Bc | 51: 65 | I/8: 1 | afterZ 4297a (/5); text afterLuke 18:31, 34 (/1), byCruciger (/5) | 00027 | |
| 23.1 | 1. | 1723 | CantataDu wahrer Gott und Davids Sohn (1st version, 3 movements: Estomihi) | C min. | satbSATB 2Ob Str Bc | 51: 93 | I/8: 33 | →BWV 23.2, .3 | 00028 |
| 23.2 | 1. | 1723-02-07 | CantataDu wahrer Gott und Davids Sohn (2nd version, 4 movements: Estomihi) | B min. | satbSATB Cnt 3Tbn 2Oba Str Bc | I/8: 69 | afterBWV 23.1,Z 58 (/4); text byLuther afterAgnus Dei (/4); →BWV 23.3,245.2/40 | 00029 | |
| 23.3 | 1. | 1728–1731 | CantataDu wahrer Gott und Davids Sohn (3rd version, 4 movements: Estomihi) | C min. | satbSATB 2Ob Str Bc | 51: 93 | I/8: 33 | afterBWV 23.1, .2; text byLuther afterAgnus Dei (/4) | 00030 |
| 24 | 1. | 1723-06-20 | CantataEin ungefärbt Gemüte (Trinity IV) | F maj. | satbSATB Tr 2Ob 2Oba Str Bc | 51: 125 | I/17.1: 47 | afterZ 5148 (/6); text byNeumeister,Heermann (/6), afterMt 7:12 (/3) | 00031 |
| 24/6 | chorale setting "O Gott, du frommer Gott" (s. 1) | SATB | 51: 150 | III/2.2: 195 | afterZ 5148; text byHeermann | 11333 | |||
| chorale setting "Was frag ich nach der Welt" | afterZ 5148; text byKindermann | ||||||||
| 25 | 1. | 1723-08-29 | CantataEs ist nichts Gesundes an meinem Leibe (Trinity XIV) | E min. | stbSATB Cnt 3Tbn 3Fl 2Ob Str Bc | 51: 153 | I/21: 79 | afterZ 6543 (/6); text afterRambach,Ps 38:4 (/1), byHeermann (/6) | 00032 |
| 25/6 | chorale setting "Treuer Gott, ich muss dir klagen" (s. 12) | C maj. | SATB | 51: 188 | III/2.1: 15 III/2.2: 150 | afterZ 6543; text byHeermann | 11177 | ||
| chorale setting "Weg, mein Herz, mit den Gedenken" | afterZ 6543; text byGerhardt | ||||||||
| chorale setting "Freu dich sehr, o meine Seele" | III/2.2: 168 | afterZ 6543 | |||||||
| 26 | 1. | 1724-11-19 | CantataAch wie flüchtig, ach wie nichtig (Trinity XXIV) | A min. | satbSATB Hn Fl 3Ob Str Bc | 51: 189 | I/27: 29 | afterZ 1887b; text afterFranck, M. | 00033 |
| 26/6 | chorale setting "Ach wie flüchtig, ach wie nichtig" (s. 8) | SATB | 51: 216 | III/2.2: 28 | afterZ 1887b; text byFranck, M. | 11289 | |||
| 27 | 1. | 1726-10-06 | CantataWer weiß, wie nahe mir mein Ende? (Trinity XVI) | C min. | satbSSATB Hn 2Ob Odc Str Org Bc | 51: 217 | I/23: 221 | afterZ 2778 (/1); byRosenmüller (/6 =BWV Anh. 170); text byE. J. of Schwarzburg-Rudolstadt (/1),Albinus (/6), afterNeumeister (/3) | 00034 |
| 28 | 1. | 1725-12-30 | CantataGottlob! nun geht das Jahr zu Ende (Christmas I) | A min. | satbSATB Cnt 3Tbn 2Ob Tai Str Bc | 51: 245 | I/3.2: 75 | afterZ 8244 (/2),5267 (/6); text byNeumeister,Gramann (/2),Eber (/6), afterJer 32:41 (/3); →BWV 28/2a,Anh. 160/2 | 00035 |
| 28/6 | chorale setting "Helft mir Gotts Güte preisen" (s. 12) | SATB | 51: 272 | III/2.1: 13 III/2.2: 49 | afterZ 5267; text byEber | 11175 | |||
| chorale setting "Zeuch ein zu deinen Toren" | III/2.2: 15 | afterZ 5267; text byGerhardt | |||||||
| 28/2a | 1. | 1725? | MotetSei Lob und Preis mit Ehren | C maj. | SATB | 39: 167 | III/3: 15 | afterBWV 28/2; ↔Anh. 160/2; wasBWV 231 | 00036 |
| 29 | 1. | 1731-08-27 | CantataWir danken dir, Gott, wir danken dir (council election) | D maj. | satbSATB 3Tr Tmp 2Ob Str Org Bc | 51: 273 | I/32.2: 1 | afterBWV 120.2/4 (/1),Z 8244 (/8); text afterPs 75:2 (/2; →BWV 232/7, /23), byGramann (/8) | 00037 |
| 29/8 | chorale setting "Nun lob, mein Seel, den Herren" (s. 5) | SATB | 51: 316 | III/2.2: 65 | afterZ 8244; text byGramann | 11331 | |||
| 30.2 | 1. | 1738-06-24 | CantataFreue dich, erlöste Schar (24 June: feast of John the Baptist) | D maj. | satbSATB 2Fl 2Ob ObaVl Str Bc | 51: 321 | I/29: 59 | afterBWV 30.1,Z 6543 (/6); text byPicander?,Olearius, J. (/6) | 00038 |
| 30.2/6 | chorale setting "Tröstet, tröstet, meine Lieben" (s. 3) | A maj. | SATB | 51: 360 | III/2.2: 42 | afterZ 6543; text byOlearius, J. | 11318 | ||
| chorale setting "Freu dich sehr, o meine Seele" | G maj. | afterZ 6543 | |||||||
| 30.1 | 1. | 1737-09-28 | Secular cantataAngenehmes Wiederau (forHennicke [de] atWiederau [de] manor) | D maj. | satbSATB 3Tr Tmp 2Fl 2Ob Oba Str Bc | 51: 399 34: 325 | I/39: 51 | text byPicander; →BWV 30.2,195.2/6, /8 | 00039 |
| 31.2 | 1. | 1724-04-09 | CantataDer Himmel lacht! Die Erde jubilieret (Leipzig version: Easter) | C maj. | stbSSATB 3Tr Tmp Ob 2Oba Bas 2Vl 2Va Bc | 7: 1 | I/9: 41 | afterBWV 31.1 (same text) | 00040 |
| 31/9 | chorale setting "Wenn mein Stündlein vorhanden ist" (s. 5) | SATB | 7: 50 | III/2.1: 56 | afterZ 4482a; text byHerman | 11221 | |||
| 31.1 | 1. | 1715-04-21 | CantataDer Himmel lacht! Die Erde jubilieret (Weimar version: Easter) | C maj. | stbSSATB 3Tr Tmp 3Ob Tai Bas 2Vl 2Va Bc | I/9 rev 2: 37 | afterZ 4482a (/9); text byFranck, S,Herman (/9); →BWV 31.2 | 00041 | |
| 32 | 1. | 1726-01-13 | CantataLiebster Jesu, mein Verlangen (Epiphany I) | E min. | sbSATB Ob Str Bc | 7: 53 | I/5: 143 | afterZ 6543 (/6); text byLehms,Gerhardt (/6) | 00042 |
| 32/6 | chorale setting "Weg, mein Herz, mit den Gedenken" (s. 12) | G maj. | SATB | 7: 80 | III/2.2: 18 | afterZ 6543; text byGerhardt | 11317 | ||
| chorale setting "Freu dich sehr, o meine Seele" | afterZ 6543 | ||||||||
| 33 | 1. | 1724-09-03 | CantataAllein zu dir, Herr Jesu Christ (Trinity XIII) | A min. | atbSATB 2Ob Str Bc | 7: 81 | I/21: 23 | afterZ 7292b; text afterHubert | 00043 |
| 33/6 | chorale setting "Allein zu dir, Herr Jesu Christ" (s. 4) | SATB | 7: 114 | III/2.1: 58 III/2.2: 10 | afterZ 7292b; text byHubert | 11223 | |||
| 34.1 | 1. | 1727-06-01 | CantataO ewiges Feuer, o Ursprung der Liebe (Pentecost) | D maj. | atbSATB 3Tr Tmp 2Fl 2Ob Str Bc | 7: 115 | I/13: 129 | text afterPs 128:6 (/5); →BWV 34.2 | 00044 |
| 34.2 | 1. | after 1727 | CantataO ewiges Feuer, o Ursprung der Liebe (wedding; incomplete) | D maj. | satbSATB Vl Va Bc | 41: 117 | I/33: 27 | afterBWV 34.1; text afterPs 128:4–6 (/3–/4),Nm 6:24–26 (/7) | 00045 |
| 35 | 1. | 1726-09-08 | CantataGeist und Seele wird verwirret (Trinity XII) | D min. | a 2Ob Tai Str Org Bc | 7: 171 | I/20: 215 | text byLehms; →BWV 1059 | 00046 |
| 36.4 | 1. | c. 1726–1730 | CantataSchwingt freudig euch empor (Advent I; early version) | D maj. | stbSATB Oba Str Bc | 7: 395 | I/1: 17 | afterBWV 36.1,Z 8359 (/5); text byPicander?, byNicolai (/5); →BWV 36.5 | 00048 |
| 36.4/5 | chorale setting "Wie schön leuchtet der Morgenstern" (s. 7) | SATB | 7: 399 | III/2.1: 28 | afterZ 8359; text byNicolai | 11193 | |||
| 36.5 | 1. | 1731-12-02 | CantataSchwingt freudig euch empor (Advent I) | D maj. | satbSATB 2Oba Str Bc | 7: 221 | I/1: 41 | afterBWV 36.4,Z 1174 (/2, /6, /8),Z 8359 (/4); text byPicander?, byLuther (/2, /6, /8),Nicolai (/4) | 00047 |
| 36.5/4 | chorale setting "Wie schön leuchtet der Morgenstern" (s. 6) | SATB | 7: 243 | III/2.2: 48, 109, 180 | afterZ 8359; text byNicolai | 11346 | |||
| 36.5/8 | chorale setting "Nun komm, der Heiden Heiland" (s. 8) | B min. | SATB | 7: 258 | III/2.2: 18 | afterZ 1174; text byLuther | 11329 | ||
| 36.2 | 1. | 1726-11-30 or 1725-11-30 | Secular cantataSteigt freudig in die Luft (birthday of Charlotte Friederike Wilhelmine of Anhalt-Köthen; music lost) | stbSATB Oba Va Str Bc (?) | I/35 | text byPicander; afterBWV 36.1/1, /3, /5, /7, /9 | 00049 | ||
| 36.3 | 1. | 1735-07-27 | Secular cantataDie Freude reget sich (birthday ofRivinius, J. F. [de]?) | D maj. | satSATB Fl Oba Str Bc | 34: 39 | I/38: 255 | afterBWV 36.1/1, /3, /5, /7, /8 | 00050 |
| 36.1 | 1. | April–May 1725 | Secular cantataSchwingt freudig euch empor (birthday ofMencke, J. B. [de]?) | D maj. | stbSATB Oba Str Va Bc | 34: 39 | I/39: 1 | →BWV 36.2–.4 | 00051 |
| 37 | 1. | 1724-05-18 | CantataWer da gläubet und getauft wird (Ascension) | A maj. | satbSATB 2Oba Str Bc | 7: 259 | I/12: 79 | afterZ 8359 (/3),5354 (/6); text afterMk 16: 16, byNicolai (/3),Kolross (/6) | 00052 |
| 37/6 | chorale setting "Ich dank dir, lieber Herre" (s. 4) | SATB | 7: 282 | III/2.2: 197 | afterZ 5354; text byKolross | 11304 | |||
| 38 | 1. | 1724-10-29 | CantataAus tiefer Not schrei ich zu dir (Trinity XXI) | E min. | satbSATB 2Ob 4Tbn Str Bc | 7: 283 | I/25: 217 | afterZ 4437; text afterLuther | 00053 |
| 38/6 | chorale setting "Aus tiefer Not schrei ich zu dir" (s. 5) | SATB | 7: 300 | III/2.1: 67 III/2.2: 8 | afterZ 4437; text byLuther | 11233 | |||
| 39 | 1. | 1726-06-23 | CantataBrich dem Hungrigen dein Brot (Trinity I) | G min. | sabSATB 2Fl 2Ob Str Bc | 7: 336 | I/15 179 | afterZ 6543 (/7); text:Meiningen, afterIs 58:7–8 (/1),Hb 13:16 (/4), byDenicke (/7) | 00054 |
| 39/7 | chorale setting "Kommt, lasst euch den Herren lehren" (s. 6) | B♭ maj. | SATB | 7: 348 | III/2.1: 81 III/2.2: 37 | afterZ 6543; text byDenicke | 11247 | ||
| chorale setting "Freu dich sehr, o meine Seele" | afterZ 6543 | ||||||||
| 40 | 1. | 1723-12-26 | CantataDarzu ist erschienen der Sohn Gottes (Christmas 2) | F maj. | atbSATB 2Hn 2Ob Str Bc | 7: 349 | I/3.1: 3 | afterZ 2072 (/3), 4870 (/6), 7880a (/8); text after1Jh 3:8 (/1; →BWV 233/6), byFüger (/3),Gerhardt (/6),Keymann (/8) | 00055 |
| 40/3 | chorale setting "Wir Christenleut" (s. 3) | G min. | SATB | 7: 377 | III/2.2: 186 | afterZ 2072; text byFüger | 11315 | ||
| 40/6 | chorale setting "Schwing dich auf zu deinem Gott" (s. 2) | D min. | SATB | 7: 387 | III/2.2: 82 | afterZ 4870; text byGerhardt | 11343 | ||
| 40/8 | chorale setting "Freuet euch, ihr Christen alle" (s. 4) | F min. | SATB | 7: 394 | III/2.2: 6 | afterZ 7880a; text byKeymann | 11339 | ||
| 41 | 1. | 1725-01-01 | CantataJesu, nun sei gepreiset (New Year) | C maj. | satbSATB 3Tr Tmp 3Ob Str Vc Bc | 10: 1 | I/4: 37 | afterZ 8477a; text afterHermann; /6 →BWV 171/6 | 00056 |
| 41/6 | chorale setting "Jesu, nun sei gepreiset" (s. 3) | SATB | 10: 58 | III/2.1: 90 III/2.2: 8 | afterZ 8477a; text byHermann | 11253 | |||
| 42 | 1. | 1725-04-08 | CantataAm Abend aber desselbigen Sabbats (Quasimodogeniti) | D maj. | satbSATB 2Ob Bas Str Bc | 10: 63 | I/11.1: 61 | afterZ 1945b (/7); text afterJh 20:19 (/2), byFabricius (/4),Luther afterDa pacem Domine &Walter after1Tm 2:2 (/7) | 00057 |
| 42/7 | chorale setting "Verleih uns Frieden gnädiglich" (ss. 1–2) | F♯ min. | SATB | 10: 91 | III/2.1: 21 III/2.2: 51, 154 | afterZ 1945b; text byLuther afterDa pacem Domine &Walter after1Tm 2:2 | 11186 | ||
| 43 | 1. | 1726-05-30 | CantataGott fähret auf mit Jauchzen (Ascension) | C maj. | satbSATB 3Tr Tmp 2Ob Str Bc | 10: 93 | I/12: 133 | afterZ 5741b (/11: byPeter [de]); text:Meiningen, afterPs 47:6–7 (/1),Mk 16:19 (/4), byRist (/11) | 00058 |
| 44 | 1. | 1724-05-21 | CantataSie werden euch in den Bann tun (Exaudi) | G min. | satbSATB 2Ob Str Bc | 10: 127 | I/12: 165 | afterZ 533a (/4),2293b (/7); text afterJh 16:2 (/1–2), byMoller (/4),Fleming (/7) | 00059 |
| 44/7 | chorale setting "In allen meinen Taten" (s. 7) | B♭ maj. | SATB | 10: 150 | III/2.1: 75 III/2.2: 203 | afterZ 2293b; text byFleming | 11242 | ||
| chorale setting "Nun ruhen alle Wälder" | afterZ 2293b; text byGerhardt | ||||||||
| 45 | 1. | 1726-08-11 | CantataEs ist dir gesagt, Mensch, was gut ist (Trinity VIII) | E maj. | atbSATB 2Fl Ob Oba Str Bc | 10: 151 | I/18: 197 | afterZ 5206b–c (/7); text:Meiningen, afterMh 6:8 (/1),Mt 7:22–23 (/4), byHeermann (/7) | 00060 |
| 45/7 | chorale setting "O Gott, du frommer Gott" (s. 7) | SATB | 10: 186 | III/2.2: 47 | afterZ 5206b–c; text byHeermann | 11297 | |||
| 46 | 1. | 1723-08-01 | CantataSchauet doch und sehet, ob irgend ein Schmerz sei (Trinity X) | D min. | atbSATB Tdt Hn 2Fl 2Odc Str Bc | 10: 187 | I/19: 109 | afterZ 5105a (/6); text afterLm 1:12 (/1), byMeyfart (/6) | 00061 |
| 46/6 | chorale setting "O großer Gott von Macht" (s. 9) | G min. | SATB | 10: 236 | III/2.2: 45 | afterZ 5105a; text byMeyfart | 11341 | ||
| 47 | 1. | 1726-10-13 | CantataWer sich selbst erhöhet, der soll erniedriget werden (Trinity XVII) | G min. | sbSATB 2Ob Str Org Bc | 10: 239 | I/23: 319 | afterZ 1689a (/5); text byHelbig, afterLk 14:11 (/1) | 00062 |
| 47/5 | chorale setting "Warum betrübst du dich, mein Herz" (s. 11) | SATB | 10: 274 | III/2.2: 52 | afterZ 1689a | 11336 | |||
| 48 | 1. | 1723-10-03 | CantataIch elender Mensch, wer wird mich erlösen (Trinity XIX) | G min. | atSATB Tr 2Ob Str Bc | 10: 275 | I/24: 105 | afterZ 2051 (/3),4486 (/7); text afterRm 7:24, byRutilius [de] (/3) | 00063 |
| 48/3 | chorale setting "Ach Gott und Herr" (s. 4) | B♭ maj. | SATB | 10: 288 | III/2.1: 30 III/2.2: 166 | afterZ 2051; text byRutilius [de] | 11197 | ||
| 48/7 | chorale setting "Herr Jesu Christ, ich schrei zu dir" (s. 12) | G min. | SATB | 10: 298 | III/2.1: 33 III/2.2: 158 | afterZ 4486 | 11320 | ||
| chorale setting "Herr Jesu Christ, du höchstes Gut" | afterZ 4486; text byRingwaldt | ||||||||
| 49 | 1. | 1726-11-03 | CantataIch geh und suche mit Verlangen (Trinity XX) | G min. | sb Oba Str Vl Org Bc | 10: 299 | I/25: 107 | afterZ 8359; text byBirkmann,Nicolai & afterJer 31:3,Rv 3:20 (/6); /1 →BWV 1053/3 | 00064 |
| 50 | 1. | CantataNun ist das Heil und die Kraft (single movement; arrangement or fragment of a cantata for Michaelmas?) | D maj. | 2SATB 3Tr Tmp 3Ob Str Bc | 10: 341 | I/30: 141 | text afterRv 12:10; in SBBP 136 | 00065 | |
| 51 | 1. | 1730-09-17 | CantataJauchzet Gott in allen Landen (Trinity XV) | C maj. | s (2)Tr (Tmp) Str Bc | 122: 1 | I/22: 77 | afterZ 8244 (/4); text afterPs 128:2 &26:2 (/2), byGramann (/4) | 00066 |
| 52 | 1. | 1726-11-24 | CantataFalsche Welt, dir trau ich nicht (Trinity XXIII) | F maj. | sSATB 2Hn 3Ob Bas Str Bc | 122: 25 | I/26: 131 | afterBWV 1046a/1 (/1),Z 2461 (/6); text byBirkmann,Reusner (/6) | 00067 |
| 54 | 1. | 1714–1717? | CantataWiderstehe doch der Sünde (Oculi) | E♭ maj. | a 2Vl 2Va Bc | 122: 59 | I/18: 3 | text byLehms; →BWV 247/53? | 00069 |
| 55 | 1. | 1726-11-17 | CantataIch armer Mensch, ich Sündenknecht (Trinity XXII) | G min. | tSATB Fl Oba Str Bc | 122: 73 | I/26: 55 | afterZ 6551 (/5); text byBirkmann,Rist (/5) | 00070 |
| 55/5 | chorale setting "Werde munter, mein Gemüte" (s. 6) | B♭ maj. | SATB | 122: 86 | III/2.2: 53 | afterZ 6551; text byRist | 11319 | ||
| 56 | 1. | 1726-10-27 | CantataIch will den Kreuzstab gerne tragen (Trinity XIX) | G min. | bSATB 2Ob Tai Str Vc Bc | 122: 87 | I/24: 173 | afterZ 6773 (/5); text byBirkmann,Franck, J. (/5) | 00071 |
| 56/5 | chorale setting "Du, o schönes Weltgebäude" (s. 6) | C Dor. | SATB | 122: 104 | III/2.2: 48 | afterZ 6773; text byFranck, J. | 11300 | ||
| 57 | 1. | 1725-12-26 | CantataSelig ist der Mann (Christmas 2) | G min. | sbSATB 2Ob Tai Str Bc | 122: 105 | I/3.1: 83 | afterZ 1912a–c (/8); text byLehms,Fritsch (/8), afterJm 1:12 (/1) | 00072 |
| 57/8 | chorale setting "Hast du denn, Jesu, dein Angesicht gänzlich verborgen" (s. 6) | B♭ maj. | SATB | 122: 132 | III/2.2: 50 | afterZ 1912a–c; text byFritsch | 11323 | ||
| 58.2 | 1. | 1733-01-04 or 1734-01-03 | CantataAch Gott, wie manches Herzeleid (New Year I) | C maj. | sb 2Ob Tai Vl Str Bc | 122: 133 | I/4: 217 | afterBWV 58.1; text byBirkmann,Moller (/1),Behm (/5) | 00073 |
| 58.1 | 1. | 1727-01-05 | CantataAch Gott, wie manches Herzeleid (New Year I; early version) | C maj. | sb Vl Str Bc | I/4: 241 | afterZ 533a (/1, /5); text byBirkmann,Moller (/1),Behm (/5); →BWV 58.2 | 00074 | |
| 59 | 1. | 1724-05-28 | CantataWer mich liebet, der wird mein Wort halten (Pentecost) | C maj. | sbSATB 2Tr Tmp Str Bc | 122: 151 | I/13: 65 | afterZ 7445a (/3); text byNeumeister,Luther (/3), afterJh 14:23 (/1); →BWV 74/1–/2,175/7 | 00075 |
| 60 | 1. | 1723-11-07 | CantataO Ewigkeit, du Donnerwort (Trinity XXIV) | D maj. | atbSATB Hn 2Oba Str Bc | 122: 169 | I/27: 1 | afterZ 5820 (/1),7173 (/5); text byRist (/1),Burmeister (/5), afterRv 14:13 (/4) | 00076 |
| 60/5 | chorale setting "Es ist genug, so nimm" (s. 5) | A maj. | SATB | 122: 190 | III/2.1: 37 III/2.2: 127 | afterZ 7173; text byBurmeister | 11203 | ||
| 61 | 1. | 1714-12-02 | CantataNun komm, der Heiden Heiland (Advent I – first setting) | A min. | stbSATB Fag 2Vl 2Va Bc | 16: 1 | I/1: 1 | afterZ 1174 (/1),8359 (/6); text byNeumeister,Luther (/1),Nicolai (/6), afterRv 3:20 (/4) | 00077 |
| 62 | 1. | 1724-12-03 | CantataNun komm, der Heiden Heiland (Advent I – second setting) | B min. | satbSATB Hn 2Ob Str Bc | 16: 19 | I/1: 75 | afterZ 1174; text afterLuther | 00078 |
| 62/6 | chorale setting "Nun komm, der Heiden Heiland" (s. 8) | SATB | 16: 50 | III/2.1: 68 | afterZ 1174; text byLuther | 11234 | |||
| A min. | III/2.2: 97 | ||||||||
| 63 | 1. | 1714-12-25 1723-12-25 | CantataChristen, ätzet diesen Tag (Christmas; two versions) | C maj. | satbSATB 4Tr Tmp 3Ob Bas Str Bc | 16: 51 | I/2: 1 | text byHeineccius? | 00079 |
| 64 | 1. | 1723-12-27 | CantataSehet, welch eine Liebe hat uns der Vater erzeiget (Christmas 3) | E min. | sabSATB Cnt 3Tbn Oba Str Bc | 16: 111, 371 | I/3.1: 113 | afterZ 1947 (/2),5206b–c (/4),8032 (/8); text afterKnauer [scores],1Jh 3:1 (/1), byLuther (/2),Kindermann (/4),Franck, J. (/8) | 00080 |
| 64/2 | chorale setting "Gelobet seist du, Jesu Christ" (s. 7) | G maj. | SATB | 16: 371 | III/2.1: 16 III/2.2: 92 | afterZ 1947; text byLuther | 11179 | ||
| 64/4 | chorale setting "Was frag ich nach der Welt" (s. 1) | D maj. | SATB | 16: 372 | III/2.1: 16 III/2.2: 151 | afterZ 5206b–c; text byKindermann | 11180 | ||
| 64/8 | chorale setting "Jesu, meine Freude" (s. 5) | E min. | SATB | 16: 132 | III/2.1: 15 III/2.2: 80 | afterZ 8032; text byFranck, J. | 11178 | ||
| 65 | 1. | 1724-01-06 | CantataSie werden aus Saba alle kommen (Epiphany) | C maj. | tbSATB 2Hn 2Fl 2Odc Str Bc | 16: 133 | I/5: 1 | afterZ 192b (/2),7568 (/7); text afterIs 60:6 (/1), bySpangenberg (/2),Gerhardt (/7) | 00081 |
| 65/2 | chorale setting "Ein Kind geboren zu Bethlehem" (s. 4) | A min. | SATB | 16: 152 | III/2.2: 9 | afterZ 192b; text bySpangenberg | 11342 | ||
| chorale setting "Puer natus in Bethlehem" | afterZ 192b | ||||||||
| 65/7 | chorale setting "Ich hab in Gottes Herz und Sinn" (s. 10) | A min. | SATB | 16: 166 | III/2.2: 24 | afterZ 7568; text byGerhardt | 11337 | ||
| chorale setting "Was mein Gott will, das gscheh allzeit" | afterZ 7568; text byAlbert of Prussia | ||||||||
| 66.2 | 1. | 1724-04-10 | CantataErfreut euch, ihr Herzen (Easter 2) | D maj. | atbSATB Tr 2Ob Str Bc | 16: 167 | I/10: 1 | afterBWV 66.1/8, /1–/4,Z 8584/3 | 00082 |
| 66.2/6 | chorale setting "Alleluja", s. 3 from "Christ ist erstanden" | F♯ min. | SATB | 16: 214 | III/2.1: 57 | afterZ 8584/3 | 11222 | ||
| 66.1 | 1. | 1718-12-10 | Secular cantataDer Himmel dacht auf Anhalts Ruhm und Glück (birthday ofLeopold of Anhalt-Köthen) | atbSATB 2Ob Bas Str Bc (?) | I/35 | text byHunold; →BWV 66.2/1–/5 | 00083 | ||
| 67 | 1. | 1724-04-16 | CantataHalt im Gedächtnis Jesum Christ (Quasimodogeniti) | A maj. | atbSATB Hn Fl 2Oba Str Bc | 16: 215 | I/11.1: 1 | afterZ 1743 (/4),4373 (/7); text after2Ti 2:8 (/1),Jh 20:19 (/6; →BWV 234/2), byHerman (/4),Ebert (/7) | 00084 |
| 67/7 | chorale setting "Du Friedefürst, Herr Jesu Christ" (s. 1) | SATB | 16: 246 | III/2.1: 10 III/2.2: 25 | afterZ 4373; text byEbert | 11174 | |||
| 68 | 1. | 1725-05-21 | CantataAlso hat Gott die Welt geliebt (Pentecost 2) | D min. | sbSATB Hn Cnt 3Tbn 2Ob Tai Str Vc Bc | 16: 247 | I/14: 31 | afterZ 5920 (/1),BWV 208/13 (/2) and /7 (/4); text byZiegler, C. M.,Liscow (/1), afterJh 3:18 (/5) | 00085 |
| 69.2 | 1. | 1748-08-26 | CantataLobe den Herrn, meine Seele (council election) | D maj. | satbSATB 3Tr Tmp 3Ob Oba Bas Str Bc | 16: 281 | I/32.2: 111 | afterBWV 69.1/1, /3, /5,Z 7247 (/6); text afterKnauer [scores],Ps 103:2 (/1), byLuther (/6) | 00086 |
| 69.2/6 | chorale setting "Es woll uns Gott genädig sein" (s. 3) | SATB | 16: 325 | III/2.2: 192 | afterZ 7247; text byLuther | 11303 | |||
| 69.1 | 1. | 1723-08-15 | CantataLobe den Herrn, meine Seele (Trinity XII) | D maj. | satbSATB 3Tr Tmp Fl 3Ob Oba Odc Bas Str Bc | 16: 373 | I/20: 117 | afterBWV 12/7 (/6); text afterKnauer [scores],Ps 103:2 (/1), byRodigast (/6); →BWV 69.2/1, /3, /5 | 00087 |
| 69.1/6 | chorale setting "Was Gott tut, das ist wohlgetan" (s. 6) | G maj. | SATB | 16: 379 | III/2.1: 55 III/2.2: 174 | afterBWV 12/7; text byRodigast | 11219 | ||
| 70.2 | 1. | 1723-11-21 | CantataWachet! Betet! Betet! Wachet! (Trinity XXVI) | C maj. | satbSATB Tr Ob Str Vc Bc | 16: 327 | I/27: 107 | afterBWV 70.1,Z 6543 (/7); text byFranck, S,Keymann (/11) | 00088 |
| 70.2/11 | 1716-12-06 | chorale setting "Meinen Jesum laß ich nicht, weil" (s. 5) | C maj. | SATB | 16: 368 | III/2.2: 200 | =BWV 70.1/6 | 11308 | |
| 70.1 | 1. | CantataWachet! Betet! Betet! Wachet! (Advent II) | satbSATB Tr Ob Str Vc Bc | 16: 327 | I/1 | afterZ 3449 (/6); text byFranck, S,Keymann (/6); →BWV 70.2/1, /3, /5, /8, /10, /11 | 00089 | ||
| 71 | 1. | 1708-02-04 | CantataGott ist mein König (council election) | D maj. | satbSATB 3Tr Tmp 2Fl Vc 2Ob Bas Str Vne Org | 18: 1 | I/32.1: 3 | afterZ 5148 (/2); text byEilmar?,Heermann & after2Sm 19:35 & 37 (/2),Ps 74:12 (/1), 16–17 (/4), 19 (/6),Dt 33:25 &Gn 21:22b (/3) | 00090 |
| 72 | 1. | 1726-01-27 | CantataAlles nur nach Gottes Willen (Epiphany III) | A min. | sabSATB 2Ob Str Bc | 18: 55 | I/6: 59 | afterZ 7568 (/6); text byFranck, S,Albert of Prussia (/6); /1 →BWV 235/2 | 00091 |
| 73 | 1. | 1724-01-23 | CantataHerr, wie du willt, so schicks mit mir (Epiphany III) | G min. | stbSATB Hn 2Ob Str Bc | 18: 85 | I/6: 3 | afterZ 4441a (/1),5264b (/5); text byBienemann [de] (/1),Helmbold (/5) | 00092 |
| 73/5 | chorale setting "Von Gott will ich nicht lassen" (s. 9) | C min. A min. | SATB | 18: 104 | III/2.2: 107 | afterZ 5264b; text byHelmbold | 11310 | ||
| 74 | 1. | 1725-05-20 | CantataWer mich liebet, der wird mein Wort halten (Pentecost) | C maj. | satbSATB 3Tr Tmp 2Ob Odc Str Bc | 18: 105 | I/13: 83 | afterBWV 59/1 & /4 (/1–/2),Z 2496 (/8); text byZiegler, C. M.,Gerhardt (/8), afterJh 14:23 (/1), 28 (/4),Rm 8:1 (/6) | 00093 |
| 74/8 | chorale setting "Gott Vater, sende deinen Geist" (s. 2) | A min. | SATB | 18: 146 | III/2.1: 78 III/2.2: 212 | afterZ 2496; text byGerhardt | 11245 | ||
| chorale setting "Kommt her zu mir, spricht Gottes Sohn" | afterZ 2496; text byGrünwald | ||||||||
| 75 | 1. | 1723-05-30 | CantataDie Elenden sollen essen (Trinity I) | E min. | satbSATB Tr 2Ob Oba Bas Str Bc | 18: 147 | I/15: 85 | afterZ 5629 (/7=/14: →BWV 100/6); text afterPs 22:27 (/1), byRodigast (/7, /14) | 00094 |
| 76 | 1. | 1723-06-06 | CantataDie Himmel erzählen die Ehre Gottes (Trinity II) | C maj. | satbSATB Tr 2Ob Oba Str Vdg Bc | 18: 189 | I/16: 1 | afterZ 7247 (/7=/14); text afterPs 12:2 & 4 (/1), byLuther (/7, /14); /8 ↔BWV 528/1 | 00095 |
| 77 | 1. | 1723-08-22 | CantataDu sollt Gott, deinen Herren, lieben (Trinity XIII) | C maj. | satbSATB Tdt 2Ob Str Bc | 18: 233 | I/21: 1 | afterZ 4431 (/6); text afterKnauer,Lk 10:27 (/1), byDenicke? (/6) | 00096 |
| 77/6 | chorale setting "Wenn einer alle Ding verstünd" (s. 8)? | G min. | SATB | 18: 254 | III/2.1: 14 III/2.2: 150 | afterZ 4431; text byDenicke | 11176 | ||
| chorale setting "Ach Gott, vom Himmel sieh darein" | afterZ 4431; text byLuther | ||||||||
| 78 | 1. | 1724-09-10 | CantataJesu, der du meine Seele (Trinity XIV) | G min. | satbSATB Hn Fl 2Ob Str Vne Bc | 18: 255 | I/21: 115 | afterZ 6804; text afterRist | 00097 |
| 78/7 | chorale setting "Jesu, der du meine Seele" (s. 12) | SATB | 18: 286 | III/2.1: 60 III/2.2: 150 | afterZ 6804; text byRist | 11225 | |||
| 79 | 1. | 1725-10-31 | CantataGott der Herr ist Sonn und Schild (Reformation Day; two versions: Fl associated with 2ndc.1730) | G maj. | sabSATB 2Hn Tmp (2Fl) 2Ob Str Bc | 18: 287 | I/31: 1 | afterZ 5142 (/3),159 (/6); text afterPs 84:12 (/1), byRinkart (/3),Helmbold (/6); →BWV 236/2, /4,234/5 | 00098 |
| 80.3 | 1. | c. 1735? | CantataEin feste Burg ist unser Gott (Reformation Day; 2nd Leipzig v.; Tr & Tmp in BGA likelyW. F. Bach's addition) | D maj. | satbSATB 3Ob 2Oba Odc Str Bc | 18: 317 | I/31: 71 | afterBWV 80.2 (same text) | 00099 |
| 80.1 | 1. | 1715-03-24 | CantataAlles, was von Gott geboren (Oculi; music lost) | satb(?)SATB Ob Str Bc | I/8.2: V | afterZ 7377 (/1, /6)?; text byFranck, S,Luther (/6); →BWV 80.2 | 00100 | ||
| 80.2 | 1. | c. 1729–1731 | CantataEin feste Burg ist unser Gott (Reformation Day; 1st Leipzig version) | D maj. | sbSATB Ob Str Bc | 18: 351 | I/31: 65 | afterZ 7377,BWV 80.1 (/2–/4, /6–/7); text byFranck, S,Luther (/1, /2, /5, /8); →BWV 80.3 | 00101 |
| 80/8 | chorale setting "Ein feste Burg ist unser Gott" (s. 4) | SATB | 18: 378 | III/2.1: 29 III/2.2: 162 | afterZ 7377; text byLuther | 11195 | |||
| 81 | 1. | 1724-01-30 | CantataJesus schläft, was soll ich hoffen? (Epiphany IV) | E min. | atbSATB 2Fl 2Oba Str Bc | 201: 1 | I/6: 111 | afterZ 8032 (/7); text afterPs 10:1 (/2),Mt 8:26 (/4), byFranck, J. (/7) | 00102 |
| 81/7 | chorale setting "Jesu, meine Freude" (s. 2) | SATB | 201: 24 | III/2.2: 188 | afterZ 8032; text byFranck, J. | 11305 | |||
| 82.1 | 1. | 1727-02-02 | CantataIch habe genug (Purification; 1st version) | C min. | b Ob Str Bc | 201: 25 | I/28.1: 77 | text byBirkmann; →BWV 82.2–.4 | 00103 |
| 82.2 | 1. | 1731-02-02 | CantataIch habe genug (Purification; 2nd version) | E min. | s Fl Str Bc | I/28.1: 155 | afterBWV 82.1 (same text); →82.3–.4 | 00104 | |
| 82.2/2–/3 | 1. | c.1731 (AMB) | Notebook A. M. Bach (1725) No. 34 Recitative "Ich habe genug"; Aria "Schlummert ein, ihr matten Augen" | E min. | s Bc | 432: 46 | V/4:122 | afterBWV 82.2; text byBirkmann | 00104 |
| 82.2/3 | 1. | c.1731 (AMB) | Notebook A. M. Bach (1725) No. 38 Aria "Schlummert ein, ihr matten Augen" (incomplete) | E min. | s Bc | 432: 49 | V/4:122 | afterBWV 82.2; text byBirkmann | 00104 |
| 82.3 | 1. | c.1735 | CantataIch habe genug (Purification; 3rd version) | C min. | b or mezzo Ob Str Bc | I/28.1: 109 | afterBWV 82.1–.2 (same text); →82.4 | 00105 | |
| 82.4 | 1. | 1746–1748 | CantataIch habe genug (Purification; 4th version) | C min. | b (or mezzo) Ob Odc Str Bc | I/28.1: 109 | afterBWV 82.1–.3 (same text) | 00106 | |
| 83 | 1. | 1724-02-02 | CantataErfreute Zeit im neuen Bunde (Purification) | F maj. | atbSATB 2Hn 2Ob Vl Str Bc | 201: 51 | I/28.1: 3 | afterZ 3986 (/5); text afterLk 2:29–31 (/2),Hb 4:16 (/3), byLuther (/5) | 00107 |
| 83/5 | chorale setting "Mit Fried und Freud ich fahr dahin" (s. 4) | D min. | SATB | 201: 76 | III/2.2: 188 | afterZ 3986; text byLuther | 11309 | ||
| 84 | 1. | 1727-02-09 | CantataIch bin vergnügt mit meinem Glücke (Septuagesimae) | E min. | sSATB Ob Str Bc | 201: 77 | I/7: 21 | afterZ 2778 (/5); text afterPicander, byE. J. of Schwarzburg-Rudolstadt (/5) | 00108 |
| 84/5 | chorale setting "Wer weiß, wie nahe mir mein Ende" (s. 12) | B min. | SATB | 201: 98 | III/2.1: 27 III/2.2: 63 | afterZ 2778; text byE. J. of Schwarzburg-Rudolstadt | 11192 | ||
| chorale setting "Wer nur den lieben Gott lässt walten" | afterZ 2778; text byNeumark | ||||||||
| 85 | 1. | 1725-04-15 | CantataIch bin ein guter Hirt (Misericordias Domini) | C min. | satbSATB 2Ob Str Vc Bc | 201: 99 | I/11.1: 157 | afterZ 4457 (/3),2542 (/6); text afterJh 10:12 (/1), byBecker (/3),Homburg [de] (/6) | 00109 |
| 85/6 | chorale setting "Ist Gott mein Schild und Helfersmann" (s. 4) | SATB | 201: 118 | III/2.1: 74 III/2.2: 69 | afterZ 2542; text byHomburg [de] | 11240 | |||
| 86 | 1. | 1724-05-14 | CantataWahrlich, wahrlich, ich sage euch (Rogate) | E maj. | satbSATB 2Oba Str Bc | 201: 119 | I/12: 45 | afterZ 2496c (/3),4430 (/6); text afterJh 16:23 (/1), byGrünwald (/3),Speratus (/6) | 00110 |
| 86/6 | chorale setting "Es ist das Heil uns kommen her" (s. 11) | SATB | 201: 134 | III/2.2: 3 | afterZ 4430; text bySperatus | 11322 | |||
| 87 | 1. | 1725-05-06 | CantataBisher habt ihr nichts gebeten in meinem Namen (Rogate) | D min. | atbSATB 2Ob 2Odc Str Bc | 201: 135 | I/12: 61 | afterZ 8032 (/7); text afterZiegler, C. M.,Jh 16:24 (/1), byMüller, H. (/7) | 00111 |
| 87/7 | chorale setting "Selig ist die Seele" (s. 9) | SATB | 201: 152 | III/2.1: 73 III/2.2: 54 | afterZ 8032; text byMüller, H. | 11239 | |||
| chorale setting "Jesu, meine Freude" | afterZ 8032; text byFranck, J. | ||||||||
| 88 | 1. | 1726-07-21 | CantataSiehe, ich will viel Fischer aussenden (Trinity V) | D maj. | satbSATB 2Hn 2Oba Tai Str Bc | 201: 153 | I/17.2: 33 | afterZ 2778 (/7); text:Meiningen, afterJer 16:16 (/1),Lk 5:10 (/4), byNeumark (/7) | 00112 |
| 88/7 | chorale setting "Wer nur den lieben Gott lässt walten" (s. 7) | B min. | SATB | 201: 178 | III/2.2: 58 | afterZ 2778; text byNeumark | 11312 | ||
| 89 | 1. | 1723-10-24 | CantataWas soll ich aus dir machen, Ephraim? (Trinity XXII) | C min. | sabSATB Hn 2Ob Str Bc | 201: 179 | I/26: 1 | afterZ 2164 (/6); text afterHs 11:8 (/1), byHeermann (/6) | 00113 |
| 89/6 | chorale setting "Wo soll ich fliehen hin" (s. 7) | G min. | SATB | 201: 194 | III/2.2: 167 | afterZ 2164; text byHeermann | 11292 | ||
| 90 | 1. | 1723-11-14 | CantataEs reißet euch ein schrecklich Ende (Trinity XXV) | D min. | atbSATB (Tr) Str Bc | 201: 195 | I/27: 59 | afterZ 2561 (/5); text byMoller (/5) | 00114 |
| 90/5 | chorale setting "Nimm von uns, Herr, du treuer Gott" (s. 7) | SATB | 201: 214 | III/2.1: 33 III/2.2: 158 | afterZ 2561; text byMoller | 11199 | |||
| chorale setting "Vater unser im Himmelreich" | afterZ 2561; text byLuther | ||||||||
| 91.2 | 1. | 1746–1747 | CantataGelobet seist du, Jesu Christ (Christmas; later version) | G maj. | satbSATB 2Hn Tmp 3Ob Str Bc | 22: 1 | I/2: 131 | afterBWV 91.1 (same text) | 00115 |
| 91.1 | 1. | 1724-12-25 | CantataGelobet seist du, Jesu Christ (Christmas; early version) | G maj. | satbSATB 2Hn Tmp 3Ob Str Bc | 22: 1, 333 | I/2: 164 | afterZ 1947; text afterLuther; →BWV 91.2 | 00116 |
| 91/6 | chorale setting "Gelobet seist du, Jesu Christ" (s. 7) | SATB | III/2.1: 89 III/2.2: 30 | afterZ 1947; text byLuther | 11252 | ||||
| 92 | 1. | 1725-01-28 | CantataIch hab in Gottes Herz und Sinn (Septuagesimae) | B min. | satbSATB 2Oba Str Bc | 22: 33 | I/7: 41 | afterZ 7568; text afterGerhardt | 00117 |
| 93 | 1. | 1724-07-09 | CantataWer nur den lieben Gott läßt walten (Trinity V) | C min. | satbSATB 2Ob Str Bc | 22: 69 | I/17.2: 3 | afterZ 2778; text afterNeumark; /4 →BWV 647 | 00118 |
| 94 | 1. | 1724-08-06 | CantataWas frag ich nach der Welt (Trinity IX) | D maj. | satbSATB Fl 2Ob 2Oba Str Bc | 22: 95 | I/19: 43 | afterZ 5206b–c; text afterKindermann | 00119 |
| 94/8 | chorale setting "Was frag ich nach der Welt" (s. 8) | SATB | 22: 127 | III/2.1: 53 III/2.2: 173 | afterZ 5206b–c; text byKindermann | 11215 | |||
| 95 | 1. | 1723-09-12 | CantataChristus, der ist mein Leben (Trinity XVI) | G maj. | stbSATB Hn or Cnt 2Ob 2Oba Str Bc | 22: 129 | I/23: 65 | afterZ 132 &3986 (/1: →BWV 282),5404a (/3),4482 (/7); text bySimon Graf [de] &Luther (/1),Herberger (/3),Herman (/7) | 00120 |
| 95/7 | chorale setting "Wenn mein Stündlein vorhanden ist" (s. 4) | SATB | 22: 153 | III/2.1: 64 | afterZ 4482; text byHerman | 11229 | |||
| 96 | 1. | 1724-10-08 | CantataHerr Christ, der einge Gottessohn (Trinity XVIII) | F maj. | satbSATB Hn or Tbn Fl/Fl or Vl 2Ob Str Bc | 22: 155 | I/24: 1 | afterZ 4297a; text afterCruciger | 00121 |
| 96/6 | chorale setting "Herr Christ, der einge Gottessohn" (s. 5) | SATB | 22: 184 | III/2.1: 66 III/2.2: 179 | afterZ 4297a; text byCruciger | 11231 | |||
| 97 | 1. | 1734-07-25? after 1735 | CantataIn allen meinen Taten (two versions; Trinity V?) | B♭ maj. | satbSATB 2Ob Str Bc | 22: 185, 336 | I/34: 197 | afterZ 2293b; text byFleming; /9 →BWV 392 | 00122 |
| 97/9 | chorale setting "In allen meinen Taten" (s. 9) | SATB | 22: 230 | III/2.1: 49 | afterZ 2293b; text byFleming; →BWV 392 | 11210 | |||
| chorale setting "Nun ruhen alle Wälder" | afterZ 2293b; text byGerhardt; →BWV 392 | ||||||||
| 98 | 1. | 1726-11-10 | CantataWas Gott tut, das ist wohlgetan (Trinity XXI) | B♭ maj. | satbSATB 2Ob Str Bc | 22: 231 | I/25: 241 | afterZ 5629 (/1); text byBirkmann,Rodigast (/1) | 00123 |
| 99 | 1. | 1724-09-17 | CantataWas Gott tut, das ist wohlgetan (Trinity XV) | G maj. | satbSATB Hn Fl Oba Str Bc | 22: 251 | I/22: 41 | afterZ 5629; text afterRodigast; /1 →BWV 100/1 | 00124 |
| 100 | 1. | 1734–1735 | CantataWas Gott tut, das ist wohlgetan | G maj. | satbSATB 2Hn Tmp Fl Oba Str Bc | 22: 277 | I/34: 239 | afterZ 5629,BWV 99/1 (/1),75/7 (/6); text byRodigast | 00125 |
| 100/6 | chorale setting "Was Gott tut, das ist wohlgetan" (s. 6) | SATB | 22: 323 | III/2.1: 72 | after75/7=/14; text byRodigast | 11238 | |||
| 101 | 1. | 1724-08-13 | CantataNimm von uns, Herr, du treuer Gott (Trinity X) | D min. | satbSATB 2Hn Tmp Fl Oba Str Bc | 23: 1 | I/19: 173 | afterZ 2561; text afterMoller | 00126 |
| 101/7 | chorale setting "Nimm von uns, Herr, du treuer Gott" (s. 7) | SATB | 23: 32 | III/2.1: 54 III/2.2: 174 | afterZ 2561; text byMoller | 11216 | |||
| 102 | 1. | 1726-08-25 | CantataHerr, deine Augen sehen nach dem Glauben (Trinity X) | G min. | atbSATB Fl Vl 2Ob Str Bc | 23: 33 | I/19: 229 | afterZ 2561 (/7); text:Meiningen, afterJer 5:3 (/1: →BWV 235/1),Rm 2:4–5 (/4), byHeermann (/7); /3 & /5 →BWV 233/4 & /5 | 00127 |
| 102/7 | chorale setting "So wahr ich lebe, spricht dein Gott" (ss. 6–7) | C min. | SATB | 23: 66 | III/2.2: 62 | afterZ 2561; text byHeermann | 11334 | ||
| chorale setting "Vater unser im Himmelreich" | afterZ 2561; text byLuther | ||||||||
| 103 | 1. | 1725-04-22 1731-04-15 | CantataIhr werdet weinen und heulen (Jubilate, 2 versions) | B min. | atSATB Tr Fl Fl (or) Vl 2Oba Str Bc | 23: 67 | I/11.2: 25 | afterZ 7568 (/6); text byZiegler, C. M.,Gerhardt (/6) | 00128 |
| 103/6 | chorale setting "Barmherzger Vater, höchster Gott" (s. 9) | SATB | 23: 94 | III/2.1: 72 III/2.2: 68 | afterZ 7568; text byGerhardt | 11237 | |||
| chorale setting "Ich hab in Gottes Herz und Sinn" | |||||||||
| chorale setting "Was mein Gott will, das gscheh allzeit" | afterZ 7568; text byAlbert of Prussia | ||||||||
| 104 | 1. | 1724-04-23 | CantataDu Hirte Israel, höre (Misericordias) | G maj. | tbSATB 2Ob 2Oba Tai Str Bc | 23: 95 | I/11.1: 113 | afterZ 4457 (/6); text afterPs 80:2 (/1), byBecker (/6) | 00129 |
| 104/6 | chorale setting "Der Herr ist mein getreuer Hirt" (s. 1) | A maj. | SATB | 23: 116 | III/2.2: 189 | afterZ 4457; text byBecker | 11283 | ||
| chorale setting "Allein Gott in der Höh sei Ehr" | afterZ 4457; text byDecius | ||||||||
| G maj. | III/2.2: 71 | 11290 | |||||||
| 105 | 1. | 1723-07-25 | CantataHerr, gehe nicht ins Gericht mit deinem Knecht (Trinity IX) | G min. | satbSATB Hn 2Ob Str Bc | 23: 117 | I/19: 1 | afterZ 6804 (/6); text afterPs 143:2 (/1), byRist (/6) | 00130 |
| 105/6 | chorale setting "Jesu, der du meine Seele" (s. 11) | SATB | 23: 146 | III/2.1: 52 | afterZ 6804; text byRist | 11214 | |||
| 106 | 1. | 1708-09-16? | CantataGottes Zeit ist die allerbeste Zeit (funeral; akaActus tragicus) | E♭ maj. | satbSATB 2Fl 2Vdg Bc | 23: 147 | I/34: 1 | afterZ 1680 (/2d),3986 (/3b),2461 (/4); text afterOlearius, J.,Acts 17:28 &Ps 90:12 &Is 38:1 &JS 14:18 &Rv 22:20 (/2),Ps 31:6 &Lk 23:43 & byLuther (/3),Reusner (/4) | 00131 |
| 107 | 1. | 1724-07-23 | CantataWas willst du dich betrüben (Trinity VII) | B min. | stbSATB Hn 2Fl 2Oba Str Bc | 23: 179 | I/18: 55 | afterZ 5264b; text byHeermann | 00132 |
| 108 | 1. | 1725-04-29 | CantataEs ist euch gut, daß ich hingehe (Cantate) | A maj. | atbSATB 2Oba Str Bc | 23: 203 | I/12: 17 | afterZ 2496 (/6); text byZiegler, C. M.,Gerhardt (/6), afterJh 16:7 (/1), 13 (/4) | 00133 |
| 108/6 | chorale setting "Gott Vater, sende deinen Geist" (s. 10) | B min. | SATB | 23: 230 | III/2.1: 69 III/2.2: 26 | afterZ 2496; text byGerhardt | 11235 | ||
| chorale setting "Kommt her zu mir, spricht Gottes Sohn" | afterZ 2496; text byGrünwald | ||||||||
| 109 | 1. | 1723-10-17 | CantataIch glaube, lieber Herr, hilf meinem Unglauben (Trinity XXI; 2 versions) | D min. | atSATB (Hn) 2Ob Str Bc | 23: 231 | I/25: 157 | afterZ 7549 (/6); text afterMk 9:24 (/1), bySpengler (/6) | 00134 |
| 110 | 1. | 1725-12-25 | CantataUnser Mund sei voll Lachens (Christmas) | D maj. | satbSATB 3Tr Tmp 2Fl 3Ob Oba Odc Bas Str Bc | 23: 263 | I/2: 71 | afterZ 2072 (/7); text byLehms,Füger (/7), afterPs 126:2–3 (/1),Jer 10:6 (/3),Lk 2:14 (/5) | 00135 |
| 110/7 | chorale setting "Wir Christenleut" (s. 5) | B min. | SATB | 23: 324 | III/2.2: 32 | afterZ 2072; text byFüger | 11316 | ||
| 111 | 1. | 1725-01-25 | CantataWas mein Gott will, das g'scheh allzeit (Epiphany III) | A min. | satbSATB 2Ob Str Bc | 24: 1 | I/6: 27 | afterZ 7568; text afterAlbert of Prussia | 00136 |
| 112 | 1. | 1731-04-08 | CantataDer Herr ist mein getreuer Hirt (Misericordias) | G maj. | satbSATB 2Hn 2Oba Str Bc | 24: 29 | I/11.1: 179 | afterZ 4457; text byMeuslin afterPs. 23 | 00137 |
| 112/5 | chorale setting "Der Herr ist mein getreuer Hirt" (s. 5) | SATB | 24: 48 | III/2.1: 71 III/2.2: 183, 202 | 11236 | ||||
| chorale setting "Allein Gott in der Höh sei Ehr" | afterZ 4457; text byDecius | ||||||||
| 113 | 1. | 1724-08-20 | CantataHerr Jesu Christ, du höchstes Gut (Trinity XI) | B min. | satbSATB Fl 2Oba Str Bc | 24: 49 | I/20: 79 | afterZ 4486; text afterRingwaldt | 00138 |
| 113/8 | chorale setting "Herr Jesu Christ, du höchstes Gut" (s. 8) | SATB | 24: 80 | III/2.1: 54 III/2.2: 175 | afterZ 4486; text byRingwaldt | 11217 | |||
| 114 | 1. | 1724-10-01 | CantataAch, lieben Christen, seid getrost (Trinity XVII) | G min. | satbSATB Hn Fl 2Ob Str Bc | 24: 81 | I/23: 287 | afterZ 4441a; text afterGigas | 00139 |
| 114/7 | chorale setting "Ach, lieben Christen, seid getrost" (s. 6) | SATB | 24: 108 | III/2.1: 65 III/2.2: 179 | afterZ 4441a; text byGigas | 11230 | |||
| 115 | 1. | 1724-11-05 | CantataMache dich, mein Geist, bereit (Trinity XXII) | G maj. | satbSATB Hn Fl Oba Str Vc Bc | 24: 109 | I/26: 21 | afterZ 6274a; text afterFreystein | 00140 |
| 115/6 | chorale setting "Mache dich, mein Geist, bereit" (s. 10) | SATB | 24: 132 | III/2.1: 25 III/2.2: 23 | afterZ 6274a; text byFreystein | 11190 | |||
| chorale setting "Straf mich nicht in deinem Zorn" | afterZ 6274a; text byAlbinus | ||||||||
| 116 | 1. | 1724-11-26 | CantataDu Friedefürst, Herr Jesu Christ (Trinity XXV) | A maj. | satbSATB Hn 2Oba Str Bc | 24: 133 | I/27: 79 | afterZ 4373; text afterEbert | 00141 |
| 117 | 1. | 1728–1731 | CantataSei Lob und Ehr dem höchsten Gut | G maj. | atbSATB 2Fl 2Ob 2Oba Str Bc | 24: 159 | I/34: 151 | afterZ 4430; text bySchütz, J. J. | 00142 |
| 117/4 117/9 | chorale setting "Sei Lob und Ehr dem höchsten Gut" (ss. 4, 9) | SATB | 24: 159 | III/2.1: 71 III/2.2: 203 | 11172 | ||||
| chorale setting "Sei Lob und Ehr dem höchsten Gut" | III/2.1: 9 III/2.2: 147 | 11173 | |||||||
| 119 | 1. | 1723-08-30 | CantataPreise, Jerusalem, den Herrn (council election) | C maj. | satbSATB 4Tr Tmp 2Fl 3Ob 2Odc Str Bc | 24: 193 | I/32.1: 129 | afterZ 8652 (/9); text afterPs 147:12–14 (/1), byLuther (/9) | 00144 |
| 120.1 | 1. | 1729 or earlier | CantataGott, man lobet dich in der Stille (council election) | A maj. | satbSATB 3Tr 2Ob 2ObaVl Str Bc | 24: 247 | I/32.2: 53 | afterZ 8652 (/6); text afterPs 65:2 (/1), byLuther (/6); ↔BWV 120.2/6 (/1 → .3/1), /1 (/2 → .3/2), /3 (/4 ↔1019a/3 → .3/4) | 00145 |
| 120.2 | 1. | 1729? | CantataHerr Gott, Beherrscher aller Dinge (wedding; incomplete) | D maj. | satbSATB 3Tr Tmp 2Ob 2Oba Str Org Bc | 41: 149 | I/33: 75 | afterBWV 1006/1 (/4 →29/1),137/5 (/8); text afterJS 50:24 (/2), byLuther (/5),Neander (/8); ↔BWV 120.1/2 (/1 → .3/2), /4 (/3 ↔1019a/3 → .3/4), /1 (/6 → .3/1) | 00146 |
| 120.3 | 1. | 1730-06-26 | CantataGott, man lobet dich in der Stille (200th anniversary of theAugsb. Confess.; music lost, partially reconstructable) | saSATB 3Tr Tmp 2Oba Vl Str Bc ? | I/34 I/32.2 | afterBWV 120.1/1 (=.2/6), /2 (=.2/1 →232II/9), /4 (=.2/3 ↔1019a/3); text byPicander | 00147 | ||
| 121 | 1. | 1724-12-26 | CantataChristum wir sollen loben schon (Christmas 2) | E min. | satbSATB Cnt 3Tbn Oba Str Bc | 26: 1 | I/3.1: 57 | afterZ 297c, text afterLuther | 00148 |
| 121/6 | chorale setting "Christum wir sollen loben schon" (s. 8) | SATB | 26: 20 | III/2.2: 31 | afterZ 297c, text byLuther | 11284 | |||
| 122 | 1. | 1724-12-31 | CantataDas neugeborne Kindelein (Christmas I) | G min. | satbSATB 3Fl 2Ob Tai Str Bc | 26: 21 | I/3.2: 53 | afterZ 491; text afterSchneegaß | 00149 |
| 122/6 | chorale setting "Das neugeborne Kindelein" (s. 5) | SATB | 26: 40 | III/2.1: 43 III/2.2: 30, 101 | afterZ 491; text bySchneegaß | 11207 | |||
| 123 | 1. | 1725-01-06 | CantataLiebster Immanuel, Herzog der Frommen (Epiphany) | B min. | atbSATB 2Fl 2Oba Str Bc | 26: 41 | I/5: 47 | afterZ 4932c; text afterFritsch | 00150 |
| 123/6 | chorale setting "Liebster Immanuel, Herzog der Frommen" (s. 6) | SATB | 26: 60 | III/2.2: 108 | afterZ 4932c; text byFritsch | 11340 | |||
| 124 | 1. | 1725-01-07 | CantataMeinen Jesum laß ich nicht (Epiphany I) | E maj. | satbSATB Hn Oba Str Bc | 26: 61 | I/5: 115 | afterZ 3449; text afterKeymann | 00151 |
| 125 | 1. | 1725-02-02 | CantataMit Fried und Freud ich fahr dahin (Purification) | E min. | atbSATB Hn Fl Ob Oba Str Bc | 26: 83 | I/28.1: 31 | afterZ 3986; text afterLuther | 00152 |
| 126 | 1. | 1725-02-04 | CantataErhalt uns, Herr, bei deinem Wort (Sexagesimae) | A min. | atbSATB Tr 2Ob Str Bc | 26: 111 | I/7: 155 | afterZ 350a,1945b (/6); text afterLuther,Jonas,Walter | 00153 |
| 126/6 | chorale setting "Verleih uns Frieden gnädiglich" (ss. 1–2) | SATB | 26: 131 | III/2.2: 126 (ing) | afterZ 1945b; text byLuther,Walter | 11335 | |||
| 127 | 1. | 1725-02-11 | CantataHerr Jesu Christ, wahr' Mensch und Gott (Estomihi) | F maj. | stbSATB Tr 2Fl 2Ob Str Bc | 26: 133 | I/8: 107 | afterZ 2570; text afterEber; /1 →BWV 127/1 (variant) | 00154 |
| 127/5 | chorale setting "Herr Jesu Christ, wahr' Mensch und Gott" (s. 8) | SATB | 26: 160 | III/2.1: 46 III/2.2: 169 | afterZ 2570; text byEber | 11209 | |||
| 127/1 (var.) | 1. | c.1750 | Chorus "Herr Jesu Christ, wahr' Mensch und Gott" (Passion oratorio movement) | E♭ maj. | SATB 2Fl 2Ob Str Bc | I/41: 95 | afterBWV 127/1; →BC D 10 | 00155 | |
| 128 | 1. | 1725-05-10 | CantataAuf Christi Himmelfahrt allein (Ascension) | G maj. | atbSATB Tr 2Hn 2Ob 2Oba Odc Str Bc | 26: 163 | I/12: 101 | afterZ 4457 (/1),5206b (/5); text byZiegler, C. M.,Sonnemann [de;fr;nl] (/1),Avenarius [scores] (/5) | 00156 |
| 129 | 1. | 1727-06-08 | CantataGelobet sei der Herr, mein Gott (Trinity) | D maj. | sabSATB 3Tr Tmp Fl 2Ob Oba Str Bc | 26: 185 | I/15: 37 | afterZ 5206b; text byOlearius, J. | 00157 |
| 129/5 | chorale setting "Gelobet sei der Herr, mein Gott" (s. 5) | SATB | 26: 224 | III/2.1: 80 | 11246 | ||||
| chorale setting "O Gott, du frommer Gott" | afterZ 5206b; text byHeermann | ||||||||
| 130.1 | 1. | 1724-09-29 | CantataHerr Gott, dich loben alle wir (Michaelmas; 1st version) | C maj. | satbSATB 3Tr Tmp Fl 3Ob Str Bc | 26: 231 | I/30: 1 | afterZ 368; text afterEber; →BWV 130.2 | 00158 |
| 130/6 | chorale setting "Herr Gott, dich loben alle wir" (s. 11) | SATB | 26: 268 | III/2.1: 61 III/2.2: 218 | afterZ 368; text byEber | 11226 | |||
| 130.2 | 1. | 1732–1735 | CantataHerr Gott, dich loben alle wir (Michaelmas; 2nd version) | C maj. | satbSATB 3Tr Tmp Fl 3Ob Str Bc | I/30: 48 | afterBWV 130.1 (same text) | 00159 | |
| 131 | 1. | 1707 | CantataAus der Tiefen rufe ich, Herr, zu dir | G min. | satbSATB Ob Bas Str Bc | 28: 1 | I/34: 67 | afterZ 4486 (/2, /4); text afterPs. 130, byRingwaldt (/2, /4); →BWV 131a | 00160 |
| 132 | 1. | 1715-12-22 | CantataBereitet die Wege, bereitet die Bahn (Advent IV) | A maj. | satbSATB Ob Bas Str Vc Bc | 28: 33 | I/1: 99 rev 2: 97 | text byFranck, S.,Cruciger (/6) | 00162 |
| 133 | 1. | 1724-12-27 | CantataIch freue mich in dir (Christmas 3) | A maj. | satbSATB Cnt 2Oba Str Bc | 28: 51 | I/3.1: 135 | ↔Z 5187; text afterZiegler, C. | 00163 |
| 133/6 | chorale setting "Ich freue mich in dir" (s. 4) | D maj. | SATB | 28: 80 | III/2.1: 44 III/2.2: 34 | ↔Z 5187; text byZiegler, C. | 11208 | ||
| 134.3 | 1. | 1731-03-27 1735-04-12 | CantataEin Herz, das seinen Jesum lebend weiß (Easter 3; later version) | B♭ maj. | atSATB 2Ob Str Bc | 28: 81 | I/10: 69 | afterBWV 134.2 | 00164 |
| 134.2 | 1. | 1724-04-11 | CantataEin Herz, das seinen Jesum lebend weiß (Easter 3; early version) | B♭ maj. | atSATB 2Ob Str Bc | 28: 81, 287 | I/10: 106 | afterBWV 134.1; →BWV 134.3 | 00165 |
| 134.1 | 1. | 1719-01-01 | Secular cantataDie Zeit, die Tag und Jahre macht (congratulation for New Year) | B♭ maj. | atSATB 2Ob Str Bc | 29: 209 | I/35: 49 | text byHunold; →BWV 134.2 | 00166 |
| 135 | 1. | 1724-06-25 | CantataAch Herr, mich armen Sünder (Trinity III) | E min. | atbSATB Cnt Tbn 2Ob Str Bc | 28: 119 | I/16: 197 | afterZ 5385a; text afterSchneegaß | 00167 |
| 136 | 1. | 1723-07-18 | CantataErforsche mich, Gott, und erfahre mein Herz (Trinity VIII) | A min. | atbSATB Hn 2Ob 2Oba Str Bc | 28: 137 | I/18: 129 | afterZ 2164 (/6); text afterPs 139:23 (/1: →BWV 234/6), byHeermann (/6) | 00168 |
| 136/6 | chorale setting "Wo soll ich fliehen hin" (s. 9) | B min. | SATB | 28: 164 | III/2.2: 191 | afterZ 2164; text byHeermann | 11293 | ||
| 137 | 1. | 1725-08-19 | CantataLobe den Herren, den mächtigen König der Ehren (Trinity XII) | C maj. | satbSATB 3Tr Tmp 2Ob Str Bc | 28: 165 | I/20: 171 | afterZ 1912a–c; text byNeander; /2 →BWV 650; /5 →120.2/8 | 00169 |
| 137/5 | chorale setting "Lobe den Herren, den mächtigen König der Ehren" (s. 5) | SATB | 28: 196 | III/2.1: 56 | afterZ 1912a–c; text byNeander; →BWV 120.2/8 | 11220 | |||
| chorale setting "Hast du denn, Jesu, dein Angesicht gänzlich verborgen" | afterZ 1912a–c; text byFritsch | ||||||||
| 138 | 1. | 1723-09-05 | CantataWarum betrübst du dich, mein Herz (Trinity XV) | B min. | satbSATB 2Oba Str Bc | 28: 197 | I/22: 19 | afterZ 1689a; /4 →BWV 236/3 | 00170 |
| 139 | 1. | 1724-11-12 | CantataWohl dem, der sich auf seinen Gott (Trinity XXIII) | E maj. | satbSATB 2Oba Str Bc | 28: 223 | I/26: 97 | afterZ 2383; text afterRube [fr] | 00171 |
| 140 | 1. | 1731-11-25 | CantataWachet auf, ruft uns die Stimme (Trinity XXVII) | E♭ maj. | stbSATB Hn 2Ob Tai Vl Str Bc | 28: 249 | I/27: 149 | afterZ 8405a, text afterNicolai; /4 →BWV 645 | 00172 |
| 140/7 | chorale setting "Wachet auf, ruft uns die Stimme" (s. 3) | SATB | 28: 284 | III/2.1: 19 III/2.2: 101 | afterZ 8405a, text byNicolai | 11183 | |||
| 143 | 1. | c. 1709–1711? | CantataLobe den Herrn, meine Seele (New Year) | B♭ maj. | stbSATB 3Hn Tmp Bas Str Bc | 30: 43 | I/4: 165 rev 2: 3 | afterZ 4373; text afterPs 146, byEbert (/2, /7) | 00175 |
| C maj. | stbSATB 3Tr Tmp Bas Str Bc | rev 2: 119 | |||||||
| 144 | 1. | 1724-02-06 | CantataNimm, was dein ist, und gehe hin (Septuagesima) | B min. | satSATB 2Ob Oba Str Bc | 30: 75 | I/7: 1 | afterZ 5629 (/3),7568 (/6); text afterMt 20:14 (/1), byRodigast (/3),Albert of Prussia (/6) | 00176 |
| 144/3 | chorale setting "Was Gott tut, das ist wohlgetan" (s. 1) | G maj. | SATB | 30: 87 | III/2.1: 34 III/2.2: 36 | afterZ 5629; text byRodigast | 11204 | ||
| 144/6 | chorale setting "Was mein Gott will, das g'scheh allzeit" (s. 1) | B min. | 30: 92 | III/2.1: 35 III/2.2: 157 | afterZ 7568; text byAlbert of Prussia | 11205 | |||
| 145/1–5 | 1. | 1729-04-19 | CantataIch lebe, mein Herze, zu deinem Ergötzen (Easter 3) | D maj. | stbSATB Tr Fl 2Ob Str Bc | 30: 104 | I/10: 111 | byBach, C. P. E.?; afterZ 1743 (/5); text byPicander,Herman (/5) | 00177 |
| 145/5 | chorale setting "Erschienen ist der herrlich Tag" (s. 14) | F♯ min. | SATB | 30: 122 | III/2.2: 214 | byBach, C. P. E.?; afterZ 1743; text byHerman | 11321 | ||
| chorale setting "Erschienen ist der herrlich Tag" | E min. | III/2.2: 12 | |||||||
| 145/a | 1. | chorale setting "Auf, mein Herz, des Herren Tag" (s. 1) | D maj. | SATB (or) Org | 30: 93 | III/2.2: 195 | byBach, C. P. E.; afterZ 3432b; text byNeumann | 10584 | |
| chorale setting "Jesus, meine Zuversicht" | byBach, C. P. E.; afterZ 3432b; text byL. H. of Brandenb. | 09019 | |||||||
| 146 | 1. | 1726-05-12 or 1727-05-04 | CantataWir müssen durch viel Trübsal (Jubilate) | D min. | satbSATB Fl 2Ob 2Oba Tai StrOrg Bc | 30: 123 | I/11.2: 65 | afterZ 6551 (/8); text afterActs 14:22 (/2); /1 & /2 ↔BWV 1052/1 & /2 | 00179 |
| 147.2 | 1. | 1723-07-02 | CantataHerz und Mund und Tat und Leben (Visitation) | D maj. | satbSATB Tr 2Ob Oba 2Odc Str Bc | 30: 191 | I/28: 63 | afterBWV 147.1/1–5 (/1, /3, /7, /5, /9),Z 6551 (/6, /10); text byFranck, S. (/1, /3, /7, /5, /9),Janus (/6, /10) | 00180 |
| 147.1 | 1. | 1716-12-20 | CantataHerz und Mund und Tat und Leben (Advent IV) | D maj. | satbSATB Tr Ob Str Bc | I/1 | text byFranck, S.,Kolross (/6); /1–/5 →BWV 147.2/1, /3, /7, /5, /9 | 00181 | |
| 148 | 1. | 1723-09-19 | CantataBringet dem Herrn Ehre seines Namens (Trinity XVII) | D maj. | atSATB Tr 2Oba Odc Str Bc | 30: 235 | I/23: 253 | afterZ 2164 (/6); text afterPicander | 00182 |
| 148/6 | chorale setting "Wo soll ich fliehen hin" | F♯ min. F min. | SATB | 30: 260 | III/2.2: 16 | afterZ 2164; text byHeermann | 11291 | ||
| 149 | 1. | 1729-09-29 | CantataMan singet mit Freuden vom Sieg (Michaelmas) | D maj. | satbSATB 3Tr Tmp 3Ob Bas Str Vne Bc | 30: 261 | I/30: 97 | afterBWV 208/15 (/1),Z 8326 (/7); text byPicander,Schalling (/7) | 00183 |
| 149/1a | 1. | Fall 1729 | Cantata opening: "Concerto" (incomplete; abandoned alternative start ofBWV 149?) | D maj. | SATB 3Tr Tmp 2Ob Str Bc | I/40 I/30 | in SBBP 175; was BWV Anh. 198 | 01509 | |
| 150 | 1. | 1707-07-10 | CantataNach dir, Herr, verlanget mich (Trinity III) | B min. | satbSATB Bas 2Vl Bc | 30: 301 | I/41: 3 | text afterPs 25 (/2, /4, /6) | 00184 |
| 151 | 1. | 1725-12-27 | CantataSüßer Trost, mein Jesus kömmt (Christmas 3) | G maj. | satbSATB Fl Vl Oba Str Bc | 32: 1 | I/3.1: 169 | afterZ 198 (/5); text byLehms,Herman (/5) | 00185 |
| 151/5 | chorale setting "Lobt Gott, ihr Christen allzugleich" (s. 8) | SATB | 32: 16 | III/2.2: 30 | afterZ 198; text byHerman | 11307 | |||
| 152 | 1. | 1714-12-30 | CantataTritt auf die Glaubensbahn (Christmas I) | E min. | sb Fl Ob Va Vdg Bc | 32: 17 | I/3.2: 3 | text byFranck, S.; /1 ↔BWV 536/2, →536a/2 | 00186 |
| 153 | 1. | 1724-01-02 | CantataSchau, lieber Gott, wie meine Feind (Christmas II) | A min. | atbSATB Str Bc | 32: 41 | I/4: 199 | afterZ 4431 (/1),5385a (/5),533a (/9); text byDenicke (/1),Gerhardt (/5),Moller (/9), afterIs 14:10 (/3) | 00187 |
| 153/1 | chorale setting "Schau, lieber Gott, wie meine Feind" (s. 1) | A min. | SATB | 32: 43 | III/2.2: 3 | afterZ 4431; text byDenicke | 11288 | ||
| chorale setting "Ach Gott, vom Himmel sieh darein" | afterZ 4431; text byMartin Luther | ||||||||
| 153/5 | chorale setting "Befiehl du deine Wege" (s. 5) | A min. | SATB | 32: 46 | III/2.2: 14 | afterZ 5385a; text byGerhardt | 11326 | ||
| chorale setting "Herzlich tut mich verlangen" | afterZ 5385a; text byKnoll | ||||||||
| 153/9 | chorale setting "Ach Gott, wie manches Herzeleid" (ss. 16–18) | C maj. | SATB | 32: 58 | III/2.2: 128 | afterZ 533a; text byMoller | 11282 | ||
| 154 | 1. | 1724-01-09 | CantataMein liebster Jesus ist verloren (Epiphany I) | B min. | atbSATB 2Oba Str Hc Bc | 32: 59 | I/5: 89 | afterZ 6551 (/3),3449 (/8); text byJanus (/3),Keymann (/8), afterLk 2:49; /3 →BWV 359 | 00188 |
| 154/3 | chorale setting "Jesu, meiner Seelen Wonne" (s. 2) | A maj. | SATB | 32: 65 | III/2.1: 87 III/2.2: 137 | afterZ 6551; text byJanus; →BWV 359 | 11249 | ||
| chorale setting "Werde munter, mein Gemüte" | afterZ 6551; text byRist | ||||||||
| 154/8 | chorale setting "Meinen Jesum lass ich nicht, weil" (s. 6) | D maj. | SATB | 32: 82 | III/2.1: 88 III/2.2: 88 | afterZ 3449; text byKeymann | 11251 | ||
| 155 | 1. | 1716-01-19 1724-01-16 | CantataMein Gott, wie lang, ach lange? (Epiphany II) | D min. | satbSATB Bas Str Bc | 32: 83 | I/5: 173 | afterZ 4430 (/5); text byFranck, S.,Speratus (/5) | 00189 |
| 155/5 | chorale setting "Es ist das Heil uns kommen her" (s. 12) | F maj. | SATB | 32: 96 | III/2.2: 194 | afterZ 4430; text bySperatus | 11302 | ||
| 156 | 1. | 1727-01-26 or 1729-01-23 | CantataIch steh mit einem Fuß im Grabe (Epiphany III) | F maj. | satbSATB Ob Str Bc | 32: 97 | I/6: 91 | afterZ 2383 (/2),4438 (/6); text byPicander,Schein (/2),Bienemann [de] (/6); /1 ↔BWV 1056/2 | 00190 |
| 156/6 | chorale setting "Herr, wie du willt, so schicks mit mir" (s. 1) | C maj. | SATB | 32: 114 | III/2.2: 185 | afterZ 4438; text byBienemann [de] | 11294 | ||
| 157.2 | 1. | after 1727-02-06 | CantataIch lasse dich nicht, du segnest mich denn (funeral; later: Purification) | B min. | tbSATB Fl Ob Oba Va 2Vl Bc | 32: 115 | I/34: 41 | afterZ 3449 (/5),BWV 157.1 (same text) | 00191 |
| 157.1 | 1. | 1727-02-06 | CantataIch lasse dich nicht, du segnest mich denn (funeral) | tbSATB Fl Oba Va Bc | I/34 | text byPicander,Keymann (/5), afterGen 32:27 (/1); →BWV 157.2 | 11366 | ||
| 158 | 1. | c. 1725–1735 | CantataDer Friede sei mit dir (Purification; later: Easter 3) | D maj. | sbSATB Ob Vl Bc | 32: 141 | I/10: 129 | afterZ 6531 (/2),7012a (/4); text byAlbinus (/2),Luther (/4; ↔BWV 279) | 00192 |
| 158/4 | chorale setting "Christ lag in Todes Banden" (s. 5) | E min. | SATB | 32: 154 | III/2.1: 24 III/2.2: 155 | afterZ 7012a; text byLuther; ↔BWV 279 | 11187 | ||
| 159 | 1. | 1729-02-27 | CantataSehet, wir gehn hinauf gen Jerusalem (Estomihi) | C min. | satbSATB Ob Str Bc | 32: 155 | I/8: 153 | afterZ 5385a (/2),6288a–b (/5); text byPicander,Gerhardt (/2),Stockmann (/5), afterLk 18:31 (/1),Jh 19:30 (/4) | 00193 |
| 159/5 | chorale setting "Jesu Leiden, Pein und Tod" (s. 33) | E♭ maj. | SATB | 32: 168 | III/2.1: 41 III/2.2: 33 | after6288a–b; text byStockmann | 11206 | ||
| 161 | 1. | 1716-09-27 | CantataKomm, du süße Todesstunde (Trinity XVI; 1st version) | C maj. | atSATB 2Fl Str Org Bc | 33: 1 | I/23: 1, 33 | afterZ 5385a; text byFranck, S.,Knoll; →BWV 161, v2 | 00195 |
| 161/6 | chorale setting "Herzlich tut mich verlangen" (s. 4) | A min. | SATB | 33: 27 | III/2.1: 29 III/2.2: 160 | afterZ 5385a; text byKnoll | 11194 | ||
| chorale setting "Befiehl du deine Wege" | afterZ 5385a; text byGerhardt | ||||||||
| 161, v2 | 1. | 1723–1750? | CantataKomm, du süße Todesstunde (Trinity XVI; 2nd version) | C maj. | satSATB 2Fl Str Bc | I/23: 33 | afterBWV 161; text byFranck, S.,Knoll | 00196 | |
| 162.1 | 1. | 1716-10-25 | CantataAch! ich sehe, itzt, da ich zur Hochzeit gehe (Trinity XX) | A min. | satbSATB Str Bc | I/25: 1 | afterZ 6783 (/6); text byFranck, S.,Rosenmüller (/6); →BWV 162.2 | 00197 | |
| 162.2 | 1. | 1723-10-10 | CantataAch! ich sehe, itzt, da ich zur Hochzeit gehe (Trinity XX) | B min. | satbSATB Hn Str Bc | 33: 29 (ina) | I/25: 23 | afterBWV 162.1 (same text) | 11367 |
| 163 | 1. | 1715-11-24 | CantataNur jedem das Seine (Trinity XXIII) | B min. | satbSATB Str 2Vc Bc | 33: 47 | I/26: 77 | afterZ 3449 (/5),2177 (/6); text byFranck, S.,Heermann (/6) | 00198 |
| 164 | 1. | 1725-08-26 | CantataIhr, die ihr euch von Christo nennet (Trinity XIII) | G min. | satbSATB 2Fl 2Ob Str Bc | 33: 65 | I/21: 57 | afterZ 4297a (/6); text byFranck, S.,Cruciger (/6) | 00199 |
| 164/6 | chorale setting "Herr Christ, der einge Gottes Sohn" (s. 5) | B♭ maj. | SATB | 33: 88 | III/2.1: 59 III/2.2: 57 | afterZ 4297a; text byCruciger | 11224 | ||
| 165 | 1. | 1715-06-16 1724-06-04 | CantataO heilges Geist- und Wasserbad (Trinity) | G maj. | satbSATB Fag Str Bc | 33: 89 | I/15: 1 | afterZ 159 (/6); text byFranck, S.,Helmbold (/6) | 00200 |
| 166 | 1. | 1724-05-07 | CantataWo gehest du hin? (Cantate) | B♭ maj. | satbSATB Ob Str Bc | 33: 105 | I/12: 1 | afterZ 4486 (/3),2778 (/6); text byFranck, S.,Ringwaldt (/3),E. J. of Schwarzburg-Rudolstadt (/6), afterJh 16:5 (/1); /2 →BWV 584 | 00201 |
| 166/6 | chorale setting "Wer weiß, wie nahe mir mein Ende" (s. 1) | G min. | SATB | 33: 122 | III/2.2: 116 | after2778; text byE. J. of Schwarzburg-Rudolstadt | 11311 | ||
| 167 | 1. | 1723-06-24 | CantataIhr Menschen, rühmet Gottes Liebe (24 June: feast of John the Baptist) | G maj. | satbSATB Tr Ob Odc Str Bc | 33: 123 | I/29: 1 | afterZ 8244 (/5); text byGramann (/5) | 00202 |
| 168 | 1. | 1725-07-29 | CantataTue Rechnung! Donnerwort (Trinity IX) | B min. | satbSATB 2Oba Str Bc | 33: 147 | I/19: 87 | afterZ 4486 (/6); text byFranck, S.,Ringwaldt (/6) | 00203 |
| 168/6 | chorale setting "Herr Jesu Christ, du höchstes Gut" (s. 8) | SATB | 33: 166 | III/2.2: 52 | afterZ 4486; text byRingwaldt | 11198 | |||
| 169 | 1. | 1726-10-20 | CantataGott soll allein mein Herze haben (Trinity XVIII) | D maj. | aSATB 2Oba Tai Str Org Bc | 33: 167 | I/24: 59 | afterZ 2029a (/7); text byBirkmann,Luther (/7); /1 & /5 ↔BWV 1053/1 & /2 | 00204 |
| 169/7 | chorale setting "Nun bitten wir den Heiligen Geist" (s. 3) | A maj. | SATB | 33: 192 | III/2.1: 30 III/2.2: 54 | afterZ 2029a; text byLuther | 11196 | ||
| 170 | 1. | 1726-07-28 | CantataVergnügte Ruh, beliebte Seelenlust (Trinity VI) | D maj. | a Oba Fl Str Org Bc | 33: 193 | I/17.2: 61 | text byLehms | 00205 |
| 171 | 1. | 1729-01-01 | CantataGott, wie dein Name, so ist auch dein Ruhm (New Year) | D maj. | satbSATB 3Tr Tmp 2Ob Str Bc | 35: 1 | I/4: 131 | afterBWV 205 (/4),41/6 (/6); text byPicander,Hermann (/6) | 00206 |
| 171/6 | chorale setting "Jesu, nun sei gepreiset" (s. 2) | SATB | 35: 32 | afterBWV 41/6; text byHermann | 11253 | ||||
| 172.1 | 1. | 1714-05-20 | CantataErschallet, ihr Lieder, erklinget, ihr Saiten! (Pentecost; 1st version = Weimar version; incomplete) | C maj. | (SATB) 3Tr Tmp (Fl? Ob 2)Vl 2Va Vc Bas (Bc) | I/13 | afterZ 8359 (/6); text byFranck, S.?,Nicolai (/6), afterJh 14:23 (/2); →BWV 172.2 | 00207 | |
| 172/6 | chorale setting "Wie schön leuchtet der Morgenstern" (s. 4) | F maj. | SATB | 35: 69 | III/2.2: 187 | afterZ 8359; text byNicolai | 11314 | ||
| 172.2 | 1. | 1724-05-28 | CantataErschallet, ihr Lieder, erklinget, ihr Saiten! (Pentecost; 2nd version = 1st Leipzig version) | D maj. | satbSATB 3Tr Tmp Fl Ob Oba Bas 2Vl 2Va Vc Bc | I/13: 1 | afterBWV 172.1 (same text); →BWV 172.3 | 00208 | |
| 172.3 | 1. | 1731-05-13 | CantataErschallet, ihr Lieder, erklinget, ihr Saiten! (Pentecost; 3rd version = 2nd Leipzig version) | C maj. | satbSATB 3Tr Tmp Ob Bas 2Vl 2Va Vc Org Bc | 35: 35 | I/13: 33 | afterBWV 172.2 (same text) | 00209 |
| 173.2 | 1. | 1727-06-02 1731-05-14 | CantataErhöhtes Fleisch und Blut (Pentecost 2) | D maj. | satbSATB 2Fl Str Bc | 35: 71 | I/14: 1 | afterBWV 173.1 | 00210 |
| 173.1 | 1. | 1722-12-10 | Secular cantataDurchlauchtster Leopold (birthday ofLeopold of Anhalt-Köthen) | D maj. | satbSATB 2Fl Str Bc | 34: 1 | I/35: 95 | →BWV 173.2 (/1–/5, /8),175/4 (/7) | 00211 |
| 174 | 1. | 1729-06-06 | CantataIch liebe den Höchsten von ganzem Gemüte (Pentecost 2) | G maj. | atbSATB 2Cdc 2Ob Tai 3Vl 3Va 3Vc Str Bc | 35: 103 | I/14: 63 | afterBWV 1048/1 (/1),Z 8326 (/5); text byPicander,Schalling (/5) | 00212 |
| 174/5 | chorale setting "Herzlich lieb hab ich dich, o Herr" (s. 1) | D maj. | SATB | 35: 157 | III/2.1: 78 III/2.2: 32 | afterZ 8326; text bySchalling | 11244 | ||
| 175 | 1. | 1725-05-22 | CantataEr rufet seinen Schafen mit Namen (Pentecost 3) | G maj. | atbSATB 2Tr 3Fl Str Vc Bc | 35: 159 | I/14: 147 | afterBWV 173.1/7 (/4),BWV 59/3 (/7); text byZiegler, C. M.,Rist (/7), afterJh 10:3 & 6 (/1 & /5) | 00213 |
| 175/7 | chorale setting "O Gottes Geist, mein Trost und Rat" (s. 9) | SATB | 35: 177 | III/2.1: 76 | afterZ 7445a; text byRist | 11243 | |||
| chorale setting "Komm, Heiliger Geist, Herre Gott" | afterZ 7445a; text byLuther | ||||||||
| 176 | 1. | 1725-05-27 | CantataEs ist ein trotzig und verzagt Ding (Trinity) | C min. | sabSATB 2Ob Odc Str Bc | 35: 179 | I/15: 17 | afterZ 7246 (/6); text byZiegler, C. M.,Gerhardt (/6), afterJer 17:9 (/1) | 00214 |
| 176/6 | chorale setting "Was alle Weisheit in der Welt" (s. 8) | SATB | 35: 198 | III/2.2: 67 | afterZ 7246; text byGerhardt | 11296 | |||
| chorale setting "Christ unser Herr zum Jordan kam" | afterZ 7246; text byLuther | ||||||||
| 177 | 1. | 1732-07-06 | CantataIch ruf zu dir, Herr Jesu Christ (Trinity IV) | G min. | satSATB 2Ob Odc Bas Vl Str Bc | 35: 199 | I/17.1: 77 | afterZ 7400; text byAgricola, J. | 00215 |
| 177/5 | chorale setting "Ich ruf zu dir, Herr Jesu Christ" (s. 5) | G min. E min | SATB | 35: 234 | III/2.1: 50 III/2.2: 40 | 11211 | |||
| 178 | 1. | 1724-07-30 | CantataWo Gott der Herr nicht bei uns hält (Trinity VIII) | A min. | atbSATB Hn 2Ob 2Oba Str Bc | 35: 235 | I/18: 159 | afterZ 4441a; text afterJonas | 00216 |
| 179 | 1. | 1723-08-08 | CantataSiehe zu, daß deine Gottesfurcht nicht Heuchelei sei (Trinity XI) | G min. | stbSATB 2Ob 2Odc Str Bc | 35: 273 | I/20: 55 | afterZ 2778 (/6); text afterJS 1:34 (/1), byTietze [wikisource:de] (/6); /1 & /3 →BWV 236/1 & /5; /5 →234/4 | 00217 |
| 179/6 | chorale setting "Ich armer Mensch, ich armer Sünder" (s. 1) | A min. | SATB | 35: 292 | III/2.1: 55 III/2.2: 196 | afterZ 2778; text byTietze [wikisource:de] | 11218 | ||
| chorale setting "Wer nur den lieben Gott lässt walten | afterZ 2778; text byNeumark | ||||||||
| 180 | 1. | 1724-10-22 | CantataSchmücke dich, o liebe Seele (Trinity XX) | F maj. | satbSATB 2Fl Fl Ob Odc Str Vc Bc | 35: 293 | I/25: 41 | afterZ 6923; text afterFranck, J. | 00218 |
| 180/7 | chorale setting "Schmücke dich, o liebe Seele" (s. 9) | F maj. E♭ maj. | SATB | 35: 322 | III/2.1: 24 III/2.2: 15 | afterZ 6923; text byFranck, J. | 11188 | ||
| 181 | 1. | 1724-02-13 | CantataLeichtgesinnte Flattergeister (Sexagesima) | E min. | satbSATB Tr Fl Ob Str Bc | 37: 1 | I/7: 133 | 00219 | |
| 182 | 1. | 1714-03-25 | CantataHimmelskönig, sei willkommen (Palm Sunday) | B♭ maj. | atbSATB Fl (Ob 2)Vl 2Va Bc | I/8.2: 1 | after6288a–b (/7); text byFranck, S.?,Stockmann (/7), afterPs 40:8–9 (/3) | 00220 | |
| 1724-03-25 1728-03-21 | G maj. | 37: 21 | I/8.2: 43 | ||||||
| 183 | 1. | 1725-05-13 | CantataSie werden euch in den Bann tun (Exaudi) | A min. | satbSATB 2Oba 2Odc Str Vc Bc | 37: 59 | I/12: 187 | afterZ 5267 (/5); text byZiegler, C. M.,Gerhardt (/5), afterJh 16:2 (/1) | 00221 |
| 183/5 | chorale setting "Zeuch ein zu deinen Toren" (s. 5) | SATB | 37: 74 | III/2.2: 70 | afterZ 5267; text byGerhardt | 11325 | |||
| chorale setting "Helft mir Gotts Güte preisen" | afterZ 5267; text byEber | ||||||||
| 184.2 | 1. | 1724-05-30 1727-06-03 1731-05-15 | CantataErwünschtes Freudenlicht (Pentecost 3) | G maj. | satSATB 2Fl Str Bc | 37: 75 | I/14: 119 | afterBWV 184.1/1–/4 & /6,Z 5690 (/5); text byWildenfels (/5) | 00222 |
| 184.2/5 | chorale setting "O Herre Gott, dein göttlich Wort" (s. 8) | D maj. G maj. | SATB | 37: 95 | III/2.1: 17 III/2.2: 10 | afterZ 5690; text byWildenfels | 11181 | ||
| 184.1 | 1. | 1721-01-01 | Secular cantata (incomplete) | G maj. | sb 2Fl Vl Str Bc (?) | I/35 | →BWV 184.2/1–/4, /6 | 00223 | |
| 185.1 | 1. | 1715-07-14 | CantataBarmherziges Herze der ewigen Liebe (Trinity IV) | F♯ min. | satbSATB Ob Str Bc | 37: 101 | I/17.1: 1 | afterZ 7400 (/6); text byFranck, S.,Agricola, J. (/6); →BWV 185.2 | 00224 |
| 185/6 | chorale setting "Ich ruf zu dir, Herr Jesu Christ" (s. 1) | SATB | 37: 118 | III/2.1: 50 | afterZ 7400; text byAgricola, J. | 11212 | |||
| 185.2 | 1. | 1723-06-20 | CantataBarmherziges Herze der ewigen Liebe (Trinity IV) | G min. | satbSATB Tr Ob Str Bc | 37: 101 | I/17.1: 1 | afterBWV 185.1 (same text) | 11368 |
| 186.2 | 1. | 1723-07-11 | CantataÄrgre dich, o Seele, nicht (Trinity VII) | G min. | satbSATB 2Ob Tai Bas Str Bc | 37: 119 | I/18: 15 | afterBWV 186.1/1–/5 (/1, /3, /5, /8, /10),Z 4430 (/6, /11); text byFranck, S. (/1, /3, /5, /8, /10),Speratus (/6, /11) | 00225 |
| 186.1 | 1. | 1716-12-13 | CantataÄrgre dich, o Seele, nicht (Advent III; incomplete) | stbSATB 2Ob Odc Tai Bas Str Bc | I/1 | text byFranck, S.,Helmbold (/6); →BWV 186.2/1, /3, /5, /8, /10 | 00226 | ||
| 187 | 1. | 1726-08-04 | CantataEs wartet alles auf dich (Trinity VII) | G min. | sabSATB 2Ob Str Bc | 37: 155 | I/18: 91 | afterZ 4816e (/7); text:Meiningen, afterPs 104:27–28 (/1),Mt 6:31–32 (/4), byVogel [scores] (/7); /1, /3, /4, /5 →BWV 235/6, /4, /3, /5 | 00227 |
| 187/7 | chorale setting "Singen wir aus Herzensgrund" (ss. 4, 6) | SATB | 37: 191 | III/2.2: 61 | afterZ 4816e; text byVogel [scores] | 11344 | |||
| 188 | 1. | 1728-10-17 | CantataIch habe meine Zuversicht (Trinity XXI) | D min. | satbSATB 2Ob Tai Str Org Bc | 37: 193 | I/25: 265 | afterZ 2164 (/6); text byPicander; /1 ↔BWV 1052/3 | 00228 |
| 190.1 | 1. | 1724-01-01 | CantataSinget dem Herrn ein neues Lied (New Year; incomplete) | D maj. | atbSATB 3Tr Tmp 3Ob Oba Bas Str Bc | 37: 227 | I/4: 1 | afterZ 8652 (/1–/2),8477a (/7); text byLuther (/1–/2),Hermann (/7); →BWV 190.2/1, /2, /3, /5 | 00230 |
| 190/7 | chorale setting "Jesu, nun sei gepreiset" (s. 2) | SATB | 37: 257 | III/2.2: 189 | after8477a; text byHermann (/7) | 11306 | |||
| 190.2 | 1. | 1730-06-25 | CantataSinget dem Herrn ein neues Lied (200th anniversary of theAugsb. Confess.; incomplete) | atbSATB 3Tr Tmp 3Ob Str Bc (?) | I/34 | afterBWV 190/1, /2, /3, /5; text byPicander,Luther (/1–/2, /7) | 00231 | ||
| 191 | 1. | 1743–1746 | CantataGloria in excelsis Deo (Christmas) | D maj. | stSSATB 3Tr Tmp 2Fl 2Ob Str Bc | 41: 1 | I/2: 171 | afterBWV 232/4, /5, /8, /12; text:Lk 2:14,doxology | 00232 |
| 192 | 1. | autumn 1730? | CantataNun danket alle Gott (incomplete) | G maj. | sbSATB 2Fl 2Ob Str Bc | 41: 65 | I/34: 107 | afterZ 5142; text byRinkart | 00233 |
| 193.2 | 1. | 1727-08-25 | CantataIhr Tore zu Zion (council election; incomplete) | D maj. | saSA(TB) 2Ob Str (Bc) | 41: 91 | I/32.1: 201 | afterBWV 193.1/1, /7, /9 | 00234 |
| 193.1 | 1. | 1727-08-03 | Secular cantataIhr Häuser des Himmels, ihr scheinenden Lichter (name day ofFriedrich August II; incomplete) | saSA(TB) 2Ob Str (Bc) | I/36 | text byPicander; →BWV 193.2/1, /3, /5 | 00235 | ||
| 194.3 | 1. | 1724-06-04 1731-05-20 | CantataHöchsterwünschtes Freudenfest (Trinity; 1st Leipzig version) | B♭ maj. | stbSATB 3Ob Bas Str Bc | 29: 99 | I/31: 145 | afterBWV 194.2 (same text); →BWV 194.4 | 00236 |
| 194.4 | 1. | 1726-06-16 | CantataNun lasst uns Gott, dem Herren? (Trinity; 2nd Leipzig version) | B♭ maj. | stbSATB 3Ob Bas Str Bc | 29: 99 | I/31: 145, 235 | afterBWV 194.3/12, /2, /3, /4, /5, /7, /10 | 00237 |
| 194.2 | 1. | 1723-11-02 | CantataHöchsterwünschtes Freudenfest (Störmthal version: consecration of church and organ) | B♭ maj. | sabSATB 3Ob Bas Str Bc | 29: 99 | I/31: 123 | afterBWV 194.1/1, /3, /5, /7, /9,Z 6543 (/6),159 (/12); text byHeermann (/6),Gerhardt (/12); →BWV 194.3 | 00238 |
| 194.2/6 | chorale setting "Treuer Gott, ich muß dir klagen" (ss. 6–7) | B♭ maj. G maj. | SATB | 29: 124 | III/2.1: 20 III/2.2: 35, 152 | afterZ 6543; text byHeermann | 11184 | ||
| chorale setting "Jesu, deine tiefen Wunden" | afterZ 6543; text byHeermann | ||||||||
| chorale setting "Freu dich sehr, o meine Seele" | afterZ 6543 | ||||||||
| 194.2/12 | chorale setting "Wach auf, mein Herz, und singe" (ss. 9–10) | B♭ maj. | SATB | 29: 138 | III/2.1: 20 III/2.2: 52, 152 | afterZ 159; text byGerhardt | 11185 | ||
| chorale setting "Nun lasst uns Gott dem Herren" | afterZ 159; text byHelmbold | ||||||||
| 194.1 | 1. | 1717–1723? | Secular cantata model for church cantata versions of BWV 194 (incomplete) | B♭ maj. | 3Ob Str &? | I/35 | →BWV 194.2/1, /3, /5, /8, /10 | 00239 | |
| 195.3 | 1. | c.1748–1749 | CantataDem Gerechten muß das Licht (wedding; last version) | D maj. | satbSATB 3Tr Tmp 2Hn 2Fl 2Ob 2Oba Str Bc | 131: 1 | I/33: 171 | afterBWV 195.2,Z 198 (/6); text afterPs 97:11–12 (/1), byGerhardt (/6) | 00242 |
| 195.1 | 1. | 1727–1731 | CantataDem Gerechten muß das Licht (wedding; 1st version, lost) | SATB 3Tr Tmp 2Fl 2Ob Str Bc | I/33 | →BWV 195.2 | 00240 | ||
| 195.2 | 1. | c. 1742 | CantataDem Gerechten muß das Licht (wedding; 2nd version, incomplete) | SATB &? | I/33 | afterBWV 195.1,30.1/5, /1 (/6, /8); text afterPs 97:11–12 (/1); →BWV 195.3 | 00241 | ||
| 196 | 1. | 1708-06-05? | CantataDer Herr denket an uns (wedding) | C maj. | stbSATB Str Bc | 131: 71 | I/33: 1 | text afterPs. 115: 12–15 | 00243 |
| 197.2 | 1. | 1736–1737 | CantataGott ist unsre Zuversicht (wedding) | D maj. | sabSATB 3Tr Tmp 2Ob 2Oba Bas Str Bc | 131: 95 | I/33: 117 | afterZ 2029a (/5),2778 (/10),BWV 197.1/4, /6 (/6, /8); text byLuther (/5) | 00244 |
| 197.2/5 | chorale setting "Nun bitten wir den Heiligen Geist" (s. 3) | A maj. | SATB | 131: 128 | III/2.2: 46 | afterZ 2029a; text byLuther | 11328 | ||
| 197.2/10 | chorale setting "Wer nur den lieben Gott lässt walten" | B min. | SATB | 131: 144 | III/2.2: 37 | afterZ 2778; text byNeumark | 11313 | ||
| 197.1 | 1. | 1728-12-25 | CantataEhre sei Gott in der Höhe (Christmas; incomplete) | D maj. | abSATB 2Fl Oba Bas Str Vc Bc | 41: 109 | I/2: 63 | afterZ 5206b–c (/7); text byPicander,Ziegler, C. (/7; ↔BWV 398), afterLk 2:14 (/1); /4 & /6 →BWV 197.2/6, /8 | 00245 |
| 197.1/7 | chorale setting "Ich freue mich in dir" (s. 4) | SATB | 41: 114 | III/2.2: 182 | afterZ 5206b–c; text byZiegler, C.; ↔BWV 398 | 11298 | |||
| chorale setting "O Gott, du frommer Gott" | afterZ 5206b–c; text byHeermann; ↔BWV 398 | ||||||||
| 198 | 1. | 1727-10-17 | Secular cantataLaß, Fürstin, laß noch einen Strahl a.k.a.Trauer-Ode (funeral ceremony forChristiane Eberhardine) | B min. | satbSATB 2Fl 2Ob 2Oba Str 2Vdg 2Lu Bc | 133: 1 44: 54 | I/38: 179 | text byGottsched, J. C.; ↔BWV 244a,247 | 00246 |
| 199.2 | 1. | 1720–1721 | CantataMein Herze schwimmt im Blut (Trinity XI; Köthen version; incomplete) | D min. | s Ob Str Vdg Bc | 41: 202 | I/20: 48 | afterBWV 199.1 (same text); →199.3 | 00247 |
| 199.3 | 1. | 1723-08-08 | CantataMein Herze schwimmt im Blut (Trinity XI; Leipzig version) | D min. | s Ob Str Vc Bc | I/20: 23 | afterBWV 199.2 (same text) | 00248 | |
| 199.1 | 1. | 1714-08-12 | CantataMein Herze schwimmt im Blut (Trinity XI; Weimar version) | C min. | s Ob Str Bc | NBG 132 | I/20: 1 | text byLehms,Heermann (/6); →BWV 199.2 | 00249 |
| 200 | 1. | 1742–1743 (JSB) | AriaBekennen will ich seinen Namen | E maj. | a (2Vl) Bc | I/28.1: 189 | afterStölzel; text afterLk 2:29–32 | 00250 | |
| 201 | 1. | autumn 1729 | Secular cantataGeschwinde, ihr wirbelnden Winde a.k.a.Der Streit zwischen Phoebus und Pan (dramma per musica) | D maj. | sattbb 3Tr Tmp 2Fl 2Ob Oba Str Bc | 112: 1 44: 85 | I/40: 117 | text byPicander; /7 →BWV 212/20 | 00251 |
| 202 | 1. | c.1718? | Secular cantataWeichet nur, betrübte Schatten (wedding) | G maj. | s Ob Str Bc | 112: 73 | I/40: 1 | in D-LEbPeters Ms. R 8 | 00252 |
| 203 | 1. | c.1720? | Secular cantataAmore traditore | A min. | b Hc | 112: 91 | I/41: 31 | 00253 | |
| 204 | 1. | 1726–1727 | Secular cantataIch bin in mir vergnügt a.k.a.Von der Vergnügsamkeit | B♭ maj. | s Fl 2Ob Str Bc | 112: 103 | I/40: 79 | text afterHunold | 00254 |
| 205.1 | 1. | 1725-08-03 | Secular cantataZerreißet, zersprenget, zertrümmert die Gruft a.k.a.Der zufriedengestellte Aeolus (dramma per musica forAugust Friedrich Müller) | D maj. | satbSATB 3Tr Tmp 2Hn 2Fl 2Ob Oba Str Va Vdg Bc | 112: 137 44: 39 | I/38: 1 | text byPicander; →BWV 205.2/1–/7, /9–/11, /13, /15,171/4,216/7 | 00255 |
| 205.2 | 1. | 1734-02-19 | Secular cantataBlast Lärmen, ihr Feinde (dramma per musica; music lost but largely reconstructable; coronation ofAugustus III) | satbSATB 3Tr Tmp 2Hn 2Fl 2Ob Oba Str Va Vdg Bc | I/37 | afterBWV 205.1/1–/7, /9–/11, /13, /15; text byPicander? | 00256 | ||
| 206.1 | 1. | 1736-10-07 (1734?) | Secular cantataSchleicht, spielende Wellen (dramma per musica; 1st version: birthday ofAugustus III) | D maj. | satbSATB 3Tr Tmp 3Fl 2Oba Str Bc | 202: 1 | I/36: 157 | →BWV 206.2 | 00257 |
| 206.2 | 1. | 1740-08-03 | Secular cantataSchleicht, spielende Wellen (dramma per musica; 2nd version: name day ofAugustus III) | D maj. | satbSATB 3Tr Tmp 3Fl 2Ob 2Oba Str Bc | I/36: 157 | afterBWV 206.1 | 00258 | |
| 207.1 | 1. | 1726-12-11 | Secular cantataVereinigte Zwietracht der wechselnden Saiten (dramma per musica; appointment of professor Gottlieb Kortte) | D maj. | satbSATB 3Tr Tmp 2Fl 2Oba Tai Str Bc | 202: 71 | I/38: 97 | afterBWV 1046/3 (/1); →BWV 207.2/1, /3, /5, /7–/9 | 00259 |
| 207.2 | 1. | 1735-08-03 | Secular cantataAuf, schmetternde Töne der muntern Trompeten (dramma per musica; name day ofAugustus III) | D maj. | satbSATB 3Tr Tmp 2Fl 2Oba Tai Str Bc | 202: 139 34: 345 | I/37: 1 | afterBWV 207.1/1, /3, /5, /7–/9 | 00260 |
| 208.1 | 1. | 1713-02-23 | Secular cantataWas mir behagt, ist nur die muntre Jagd a.k.a.Hunting Cantata (1st version: birthday ofChristian of Saxe-Weissenfels) | F maj. | sstb 2Hn 2Fl 2Ob Tai Bas Str Vc Bc (Vne) | 29: 1 | I/35: 1 | text byFranck, S.; →BWV 208.2,1040,68/4, /2,149/1 | 00261 |
| 1040 | 1. | 1713-02-23 | Trio (a.k.a. (Canonic) Trio Sonata; postlude to theHunting Cantata?) | F maj. | Vl Ob Bc | 29: 230 | I/35: 1 | afterBWV 208.1/13; =BWV 208.1/13a | 01222 |
| 208.2 | 1. | c.1715 | Secular cantataWas mir behagt, ist nur die muntre Jagd a.k.a.Hunting Cantata (2nd version: forErnst August I of Saxe-Weimar) | F maj. | sstb 2Hn 2Fl 2Ob Tai Bas Str Vc Bc (Vne) | 29: 1 | I/35: 1 | afterBWV 208.1 (near-identical text); →BWV 208.3 | 00262 |
| 208.3 | 1. | 1742-08-03 | Secular cantataWas mir behagt, ist nur die muntre Jagd (3rd version: name day ofAugustus III) | F maj. | sstb 2Hn 2Fl 2Ob Tai Bas Str Vc Bc (Vne)? | I/37 | afterBWV 208.2; text afterFranck, S. | 00263 | |
| 209 | 1. | 1747? | Secular cantataNon sa che sia dolore (farewell of Lorenz Albrecht Beck?) | B min. | s Fl Str Bc | 29: 43 | I/41: 43 | text afterMetastasio | 00264 |
| 210.2 | 1. | 1741-09-19 | Secular cantataO holder Tag, erwünschte Zeit (wedding) | A maj. | s Fl Oba Str Hc Vne | 29: 67 | I/40: 35 | afterBWV 210.1/1–/2, /4, /8, /10 | 00265 |
| 210.1 | 1. | 1729-01-12 | Secular cantataO angenehme Melodei (incomplete; homage toChristian of Saxe-Weissenfels) | A maj. | s (Fl Oba Str Bc)? | 29: 245 | I/39: 141 | →BWV 210.2/1–/2, /4, /8, /10 | 00266 |
| 211 | 1. | c.1734 | Secular cantataSchweigt stille, plaudert nicht a.k.a.Coffee Cantata | G maj. | stb Fl Str Hc Bc | 29: 139 44: 86 | I/40: 193 | text byPicander | 00267 |
| 212 | 1. | 1742-08-30 | Secular cantataMer hahn en neue Oberkeet a.k.a.Peasant Cantata (Cantate burlesque; homage to Carl Heinrich von Dieskau) | G maj. | sb Hn Fl Str Bc | 29: 173 44: 132 | I/39: 151 | afterBWV 1157/9 (/14),201/7 (/20); text byPicander | 00268 |
| 213 | 1. | 1733-09-05 | Secular cantataLaßt uns sorgen, laßt uns wachen a.k.a.Hercules auf dem Scheidewege (dramma per musica; birthday ofFrederick Christian of Saxony) | F maj. | satbSATB 2Hn 2Ob Oba 2Vl 2Va Bc | 34: 119 | I/36: 1 | text byPicander; /1, /3, /5, /7, /9, /11 →BWV 248/36, /19, /39, /41, /4, /29 | 00269 |
| 214 | 1. | 1733-12-08 | Secular cantataTönet, ihr Pauken! Erschallet, Trompeten! (birthday of queenMaria Josepha) | D maj. | satbSATB 3Tr Tmp 2Fl 2Ob Oba Str Vne Bc | 34: 175 | I/36: 89 | text byPicander; /1, /5, /7, /9 →BWV 248/1, /15, /8, /24 | 00270 |
| 215 | 1. | 1734-10-05 | Secular cantataPreise dein Glücke, gesegnetes Sachsen (anniversary of the election ofAugustus III as king of Poland) | D maj. | stb2SATB 3Tr Tmp 2Fl 2Ob Oba Str Va Bc | 34: 243 | I/37: 85 | afterBWV 1157/1 (/1)?; text byClauder [fr]; /7 →BWV 248/47 | 00271 |
| 216.1 | 1. | 1728-02-05 | Secular cantataVergnügte Pleißenstadt (wedding; incomplete) | C maj. | sa &? | I/40: 21 | afterBWV 204/8 (/3),205.1/13 (/7); text byPicander; →BWV 216.2/1, /3, /5, /7 | 00272 | |
| 216.2 | 1. | 1728–1731 | Secular cantataErwählte Pleißenstadt a.k.a.Apollo et Mercurius (incomplete) | at &? | I/39 | afterBWV 216.1/1, /3, /5, /7; text byMeißner [scores] afterPicander | 00273 |
Links are found for the individual cantatas:
| Compositions |
| ||||
|---|---|---|---|---|---|
| People |
| ||||
| Organizations | |||||
| Places | |||||
| Other topics | |||||
