| Baarìa | |
|---|---|
 Theatrical release poster | |
| Directed by | Giuseppe Tornatore |
| Written by | Giuseppe Tornatore |
| Produced by | Tarak Ben Ammar |
| Starring | Francesco Scianna Margareth Madè |
| Cinematography | Enrico Lucidi |
| Edited by | Massimo Quaglia |
| Music by | Ennio Morricone |
Production company | |
| Distributed by | Medusa Distribuzione |
Release date |
|
Running time | 160 minutes[1] |
| Country | Italy |
| Languages | Sicilian Italian |
| Budget | $30 million |
Baarìa is a 2009 Italianhistorical drama film directed byGiuseppe Tornatore. It was the opening film of the66th Venice International Film Festival in September 2009.[2] Although selected as the Italian entry for theBest Foreign Language Film at the82nd Academy Awards, it was not nominated.
The film recounts life in the Sicilian town ofBagheria (known as Baarìa inSicilian), from the 1930s to the 1980s, through the eyes of lovers Peppino (Francesco Scianna) and Mannina (Margareth Madè).A Sicilian family depicted across three generations: from Cicco to his son Peppino to his grandson Pietro. Touching lightly on the private lives of these characters and their families, the film evokes the loves, dreams and disappointments of an entire community in theprovince of Palermo over five decades: during theFascist period, Cicco is a shepherd who finds time to pursue his passion: books, epic poems, the great popular romance novels. In the days when people go hungry and during World War II, his son Peppino witnesses injustice bymafiosi and landowners. He becomes acommunist. After the war, he encounters the woman of his life. Her family opposes the relationship because of his political ideas, but the two insist on marrying. They have children and raise their family.
Subplots include one about a boy running an errand, a living fly locked inside atop, three rocks people try to hit in one throw, a man mutilating himself to avoid having to fight in the war, looting while theU.S. invades Sicily, making clothing from an American parachute, and Peppino's daughter calling her father a fascist for not allowing her to wear amini-skirt.
Running through the film is the main subplot, related to the history of the Italian left, especially theCommunist Party, of which Peppino is a lifelong member. It charts his fight against injustice and eventual disillusionment in the face of corruption and compromise by his fellow politicians.
The film was first announced during the 2007Taormina Film Festival.
The film was shot in bothBagheria, where Tornatore was born, and in an old neighborhood ofTunis,Tunisia; the latter location used because it could better depict what Bagheria looked like in the early 20th century.
The film exists in two versions, the original in the local Baariotu dialect ofSicilian and the second dubbed inItalian.[3]
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Baarìa has an approval rating of 55% onreview aggregator websiteRotten Tomatoes, based on 11 reviews, and an average rating of 5.4/10.[4]
Nominated to the2010 Golden Globe in the Best Foreign Language Film category.
It was also the Italian entry for the2010 Academy Award for Best Foreign Language Film[5] but did not get the nomination.
In Italy, the Lega Antivivisezione (an anti-animal cruelty group) has condemned[6] the actual on-screen killing of a cow visible in the Italian trailer. The animal was killed with an iron punch driven in the skull without any pain-relief technique, and then seen bleeding to death while some actors collect and drink its blood.
Such a scene could not have been shot in Italy, because of laws against the unethical treatment of animals in media production. That part of the movie was filmed in Tunisia, where there are no such restrictions.
Thereafter the ENPA (National Association of Animal Protection) demanded the immediate withdrawal of all copies distributed in theatres "to avoid the exposition of minors to such disgusting and fearful images", as the film is rated for an unrestricted audience. Again according to the ENPA, although the scene was filmed in Tunisia thus bypassing the Italian law, after application to the Minister of Justice, the prosecution can still take place in Italy.[7] In October 2009, the ENPA started an international boycott campaign against the film and anonline petition asking to revoke the designation of the movie as Italian entry to the Oscars.[8]
Responding to these critics, director Giuseppe Tornatore clarified that the location in Tunisia was not intended to bypass Italian regulations, and that the animal was not specifically killed for the film. The scene was filmed in a local slaughterhouse and the killing was one of the many that take place there every day.[9]