| Au revoir les enfants | |
|---|---|
 Film poster | |
| Directed by | Louis Malle |
| Written by | Louis Malle |
| Produced by | Louis Malle |
| Starring | Gaspard Manesse Raphaël Fejtő Philippe Morier-Genoud Francine Racette |
| Cinematography | Renato Berta |
| Edited by | Emmanuelle Castro |
| Music by | Schubert Saint-Saëns |
| Distributed by | MK2 Diffusion(France) |
Release dates |
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Running time | 104 minutes |
| Countries | France West Germany Italy |
| Languages | French German |
| Box office | $4.5 million |
Au revoir les enfants (French pronunciation:[oʁə.vwaʁlezɑ̃.fɑ̃], meaning "Goodbye, Children") is an autobiographical 1987 film written, produced, and directed byLouis Malle.[1] It is based on the actions ofPère Jacques, a French priest and headmaster who attempted to shelter Jewish children during theHolocaust. The film won theGolden Lion at theVenice Film Festival.
During the winter of 1943–44, Julien Quentin, a student at aCarmelite boarding school in occupied France, is returning to school from vacation. He acts tough to the other students, but is actually a pampered boy who misses his mother deeply. Saddened to be returning to the monotony ofboarding school, Julien's classes seem uneventful until Père Jean, the headmaster, introduces three new pupils. One of them, Jean Bonnet, is the same age as Julien. Like the other students, Julien at first despises Bonnet, a socially awkward boy with a talent for arithmetic and playing the piano.
One night, Julien wakes up and finds Bonnet wearing akippah and praying inHebrew. After digging through his new friend's locker, Julien learns the truth. His real name is not Bonnet, but Kippelstein. Père Jean, a compassionate, sacrificing priest at the school, had agreed to grant secret asylum to hunted Jews. After a game oftreasure hunt, Julien and Jean bond and develop a close friendship.
When Julien's mother visits on Parents' Day, Julien asks his mother if Bonnet, whose parents could not come, could accompany them to lunch at a gourmet restaurant. As they sit around the table, the talk turns to Julien's father, a factory owner. When Julien's brother asks if he is still forMarshal Pétain, Madame Quentin responds, "No one is anymore." TheMilice arrive and attempt to expel a Jewish diner. When Julien's brother calls them "Collabos", the Milice commander is enraged and tells Madam Quentin, "We serve France, madam. He insulted us." But when aWehrmacht officer coldly orders them to leave, the Milice officers grudgingly obey. Julien's mother comments that the Jewish diner appears to be a very distinguished gentleman. She insists that she has nothing against Jews, but would not object if thesocialist politicianLéon Blum were hanged.
Shortly thereafter, Joseph, the school's assistant cook, is exposed for selling the school's food supplies on theblack market. He implicates several students as accomplices, including Julien and his brother, François. Although Père Jean is visibly distressed by the injustice, he fires Joseph but does not expel the students for fear of offending their wealthy, influential parents.
On a cold morning in January 1944, theGestapo raid the school, searching for Jean Kippelstein. As his classroom is being searched, Julien unintentionally gives away Bonnet by looking in his direction. As the other two Jewish boys are hunted down, Julien encounters the person who denounced them, Joseph the kitchen hand. Trying to justify his betrayal in the face of Julien's mute disbelief, Joseph tells him, "Don't act so pious. There's a war going on, kid." Disgusted, Julien runs off. Jean and Julien exchange books, a shared habit of theirs, as they pack away their belongings due to the closure of the school.
As the students are lined up in the school courtyard, a Gestapo officer denounces Père Jean's actions and calls French people weak and undisciplined. A moment later, Père Jean, followed by the three Jewish boys in single file is led away across the school yard. One by one, as the priest passes through their midst, the students spontaneously call out to him, "Au revoir, mon père!" He pauses and half turns towards them and gives a loud reply: "Au revoir, les enfants! À bientôt!" Jean is the last to exit the school grounds through a metal door in the garden wall. As he steps through the doorway, he glances back for a moment toward Julien, and Julien gives him a timid wave in return.
The film ends with an older Julien providing a voiceover epilogue, in which he mentions that Bonnet, Negus and Dupré died atAuschwitz, whereas Père Jean died atMauthausen; the school reopened in October. He explains that although more than 40 years have passed, he will remember every second of that January morning until the day he dies.
The film is based on events in the childhood of the director,Louis Malle, who at age 11 was attending aRoman Catholic boarding school nearFontainebleau. One day, he witnessed aGestapo raid in which three Jewish students and a Jewish teacher were rounded up and deported toAuschwitz. The school's headmaster,Père Jacques, was arrested for harboring them and sent to theconcentration camp atMauthausen. He died shortly after the camp was liberated by theU.S. Army, having refused to leave until the last French prisoner was repatriated. Forty years later,Yad Vashem, Israel's official memorial to the victims of the Holocaust, granted Père Jacques the title ofRighteous Among the Nations.
The film was a box-office success, having 3.5 million admissions in France and grossing $4,542,825 in North America.[2]
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The film was extremely well received by critics.[3][4][5][6]Au Revoir, les Enfants has an approval rating of 97% onreview aggregator websiteRotten Tomatoes, based on 37 reviews, and an average rating of 9.1/10, with the consensus: "Louis Malle's autobiographical tale of a childhood spent in a WWII boarding school is a beautifully realized portrait of friendship and youth."[7]Metacritic assigned the film a weighted average score of 88 out of 100, based on 18 critics, indicating "universal acclaim".[8]
According toQuentin Tarantino, the title for his first feature-length film,Reservoir Dogs (1992), came about after a patron at aVideo Archives rental store, where Tarantino worked, misheard his film suggestion ofAu revoir les enfants as "reservoir dogs".[9]
The screenplay was published byGallimard in the same year.
The film was included by the Vatican ina list of important films compiled in 1995, under the category of "Values".[22]
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