| Atlantic City | |
|---|---|
.jpg) Theatrical release poster | |
| Directed by | Louis Malle |
| Written by | John Guare |
| Produced by | Denis Héroux John Kemeny |
| Starring | |
| Cinematography | Richard Ciupka |
| Edited by | Suzanne Baron |
| Music by | Michel Legrand |
Production companies | |
| Distributed by | Paramount Pictures (North America) NPF Planfilm (France)[1][2] |
Release dates |
|
Running time | 104 minutes |
| Countries | France[3] Canada[4] |
| Language | English |
| Budget | $7.2 million |
| Box office | $12.7 million[5] |
Atlantic City (French:Atlantic City, USA) is a 1980romanticcrime film directed byLouis Malle from a screenplay byJohn Guare. It starsBurt Lancaster andSusan Sarandon in the leading roles, with a supporting cast featuringKate Reid,Michel Piccoli,Robert Joy,Hollis McLaren, andAl Waxman. An international co-production betweenFrance andCanada,[3] it was released in 1980 and in the United States later that year byParamount Pictures.
The film opened to critical acclaim[6] and was nominated for theBig FiveAcademy Awards:Best Picture,[7]Best Director,[8]Best Actor (for Lancaster),[9]Best Actress (for Sarandon),[10] andBest Original Screenplay,[11] but did not win in any category. In Canada, it wonGenie Awards forBest Performance by a Foreign Actress (for Sarandon),Best Supporting Actress (for Reid), andBest Art Direction, with three additional nominations. In France, it was nominated for theCésar Awards forBest Screenplay, Dialogue or Adaptation andBest Music.
In 2003,Atlantic City was among the 25 motion pictures added annually to the United StatesNational Film Registry of theLibrary of Congress, being deemed "culturally, historically, or aesthetically significant" and recommended for preservation, being one of the Registry's few non-American additions.[12][13]
Sally Matthews is a young waitress fromSaskatchewan, Canada, working at an oyster bar in anAtlantic City casino. She has dreams of becoming a blackjack dealer, going through dealer training under the tutelage of Joseph. Joseph, from France, encourages her to learn French and become a dealer inMonte Carlo.
Sally's estranged husband Dave and her pregnant sister Chrissie show up one day with the intention of selling a $10,000 (equivalent to $38,000 in 2024) bag ofcocaine he had stolen from a mobdead drop inPhiladelphia. Sally is outraged to see him, as he had impregnated Chrissie and run off with her. Dave meets Lou, an aging former gangster who lives in Sally's apartment building and runs a small timenumbers game in poor areas of the city; Lou also acts as a caretaker for Grace, a seemingly bedridden, aging beauty queen whose gangster husband he used to work under, and who constantly berates and demeans him. Dave convinces Lou to sell the cocaine for him, but as Lou sells the first batch to Alfie, who runs an illegal poker game in a hotel room, Dave is attacked and killed by the mobsters from whom he had stolen the drugs.
Lou is left with the remaining cocaine and continues to sell it to impress Sally, whom he has long pined for, with money. Sally and Lou make love one day, but she returns to her apartment to find it trashed; she has been tracked down by Dave's killers, who beat her to find out if she has the drugs. They leave, but Lou laments not being able to protect her. Grace also reveals that Lou was a small-time crook and nowhere near as competent as he pretends.
Sally is fired from the casino when her late husband's criminal record is discovered. Lou sells most of the remainder of the cocaine, while both Sally and the mobsters discover Lou's affiliation with Dave. The mobsters corner them one night, but are killed when Lou produces a gun and shoots them. He and Sally then steal their car and leave Atlantic City. That night, from a motel, they watch the TV news reporting on the killing. A police sketch of the suspect is shown. It looks nothing like Lou. Lou is overjoyed with relief and pride. He confesses to Sally that this was the first time he has ever killed anyone.
At the motel the next morning, Lou takes the phone to the bathroom to call Grace and brag about the killings. Sally wakes and takes half of the money with the intention of sneaking off; Lou witnesses this, allowing her to leave and giving her the car keys so she can escape to France, rather than go toMiami with him. Lou returns to Atlantic City to be with Grace. Working together, they sell the remaining portion of the cocaine and walk off arm in arm with renewed respect for each other.
Other cast members in the film includeMoses Znaimer (Felix),Angus MacInnes (Vinnie) andSean Sullivan (Buddy) as a trio of mob thugs,Louis Del Grande as casino manager Mr. Shapiro, Norma Dell'Agnese as Jeanne, John McCurry as Fred,Cec Linder as the hospital president,Sean McCann as a police detective, andHarvey Atkin as a bus driver.
Wallace Shawn, one of the subjects of Malle's filmMy Dinner with Andre, makes acameo appearance as a waiter.[14]
Atlantic City was filmed on location in and aroundAtlantic City and South Jersey, Philadelphia, and New York City. Although filmed in the United States, the film was a co-production between companies based in France and Canada.
The production companies allotted Louis Malle the money to make a film with the stipulation that it be made before the year 1979 ended. Malle had a difficult time finding the right script to direct and with time running out his then girlfriend Susan Sarandon suggested using a story written by her friendJohn Guare, a playwright most notable for his playsHouse of Blue Leaves andSix Degrees of Separation. Guare suggested that the story take place in Atlantic City, which was still for the most part suffering from the urban deterioration that prompted the legalization of gambling as a solution to save the city. The three met over dinner in early 1979 to work out quirks in the script and began shooting within a few months.
Aside fromBurt Lancaster,Susan Sarandon, and local extras, most of the cast originated from Canada or France. The film allowed Canadian actors such asAl Waxman to successfully transition into American film and television roles.
Principal photography commenced on October 31, 1979, and was largely finished by December 30 (although a few exterior and location shots were filmed until January 5, 1980). Malle filmed at an opportune time in that he was able to capture old Atlantic City: gambling was still in its early stages there, with only two casino hotels open (Resorts andCaesars; Bally's Park Place opened on December 30 toward the end of the principal photography). Most of the city's old resorts and entertainment piers were still standing, albeit in a severe state of disrepair. Within a couple of years of the filming, most of these old hotels would fall victim to the wrecking ball as they were replaced with new casinos. To frame the picture, Malle foreshadows the great transition of the famous resort town in the opening credits by featuring footage of the implosion of the once-grand and historicTraymore Hotel on the Atlantic City Boardwalk.
The opening shot of the old Traymore Hotel being demolished is shown to convey the notion that the city's old hotels were being demolished to make way for the new casinos. However, the Traymore was in fact demolished in 1972,[15] years before the gambling referendum passed in New Jersey. The referendum passed in 1976 and the first hotel to open up was Resorts, formerly the Chalfonte-Haddon Hall, in 1978.
When Dave and Chrissie are seen hitchhiking into Atlantic City from Philadelphia, they pass a large model elephant on their way into town. The elephant, namedLucy, was a tourist attraction built in 1881 to lure potential land buyers to South Atlantic City (now calledMargate), a small town south of Atlantic City. The model elephant had been left to deteriorate over the years; on the brink of its demolition in 1971, the residents of Margate had raised the money to have it restored. Today, Lucy still stands in Margate and is on theNational Register of Historic Places.
The club where Dave and Lou meet wasClub Harlem, which opened in 1935 on Kentucky Avenue, and became the premier nightclub for black tourists visiting Atlantic City. The club opened and closed frequently from 1968 on and eventually closed forever at the end of the eighties. It was torn down in 1992.
Scenes also were shot in theKnife and Fork Inn andWhite House Sub Shop, both landmarks in Atlantic City.
Louis Malle hired composerMichel Legrand to write a score for the film, which he did. In the end, however, Malle decided against using a score, and opted for all the music in the film to bediegetic: the only music used is that which exists in the world of the characters (i.e. radios, musical instruments, etc.). The music that Susan Sarandon's character plays from her tape player is the aria "Casta Diva" fromVincenzo Bellini's operaNorma. Featured in the beginning of the film, when Dave and Chrissie enter Resorts, and during the credits is the songOn the Boardwalk (In Atlantic City).
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Writing forThe New Yorker,Pauline Kael described the film as "a prankish wish-fullfillment fantasy about prosperity: what it does to cities, what it can do for people." She goes on to say "that sometimes the most pleasurable movies seem very slight, because they don't wham you on the noggin."[16]
Atlantic City opened to widespread critical acclaim. OnRotten Tomatoes, the film holds a 100% "Fresh" rating out of 37 critics' reviews.[17] The critics consensus reads "Bittersweet and reflective,Atlantic City is a modest romance given raw power by Burt Lancaster and Susan Sarandon's heartfelt performances along with director Louis Malle's eccentric eye for detail."[17]Metacritic, which uses aweighted average, assigned the film a score of 85 out of 100, based on 15 critics, indicating "universal acclaim".[18]
There are actually two slightly different versions of the film, one released in America and the other in France. The French version has a few extra short scenes, mostly at the beginning, and somewhat different editing, most notably in the section showing the drug drop off in Philadelphia and Dave and Chrissie making their way to Atlantic City on the road. The edits are minor and mostly affect comic timing, not plot.
