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 Interactive map of Asbury Park Convention Hall | |
| Address | 1300 Ocean Avenue |
|---|---|
| Location | Asbury Park, New Jersey |
| Public transit | NJ Transit atAsbury Park station |
Asbury Park Convention Hall | |
    | |
| Location | Ocean Avenue,Asbury Park, New Jersey |
| Coordinates | 40°13′25″N73°59′56″W / 40.22361°N 73.99889°W /40.22361; -73.99889 |
| NRHP reference No. | 79001512[1] |
| NJRHP No. | 1952[2] |
| Significant dates | |
| Added to NRHP | March 2, 1979 |
| Designated NJRHP | December 28, 1978 |
| Owner | City of Asbury Park |
| Type | Convention hall |
| Capacity | 3,600 |
| Construction | |
| Opened | 1925 (1925) |
| Tenants | |
| New Jersey ShoreCats (USBL) (1998–2000) Jersey Shore Roller Girls (WFTDA) (2008–present) | |
| Website | |
| apboardwalk | |
Asbury Park Convention Hall is a 3,600-seat indoorexhibition center located on theboardwalk and on thebeach inAsbury Park inMonmouth County,New Jersey. It was built between 1928 and 1930 and is used for sports, concerts and other special events. Adjacent to the Convention Hall is theParamount Theatre; both are connected by a Grand Arcade. Both structures are listed in theNational Register of Historic Places.[3]
In 1916, Asbury Park MayorClarence E.F. Hetrick hired famed architectural firmMcKim, Mead and White to design a convention center for the block just north of the city's Atlantic Square, between 6th and Sunset avenues. The firm submitted a plan that called for a 5,000-seat venue costing $75,000 to construct. However, city founderJames A. Bradley owned the block in question, then home to the agingAsbury Park Auditorium, and refused to sell the plot to the city. After Bradley's death in 1921, department store scionArthur Steinbach purchased the Auditorium property from Bradley's estate, demolished the auditorium, and constructed the Berkeley-Carteret Hotel on the plot.
The completion of the thirdMadison Square Garden inNew York City, and the approval ofAtlantic City's newConvention Hall, put Hetrick under considerable pressure to construct a similar venue for Asbury Park. "While we have hesitated, Atlantic City has added $100 million in valuations," he told theAsbury Park Press. "While the Traymores and Breakers and other imposing structures have been built over a period of 25 years, we can show only the Monterey, the Berkeley-Carteret, the Asbury-Carlton and the Palace", referring to four then-new seasonal hotels in the resort city.
In 1927, after a mysterious fire destroyed the 5th Avenue Arcade just east of Atlantic Square on the Boardwalk, voters passed a bond referendum to construct a new convention center on the plot. Hetrick commissioned architectsWarren and Wetmore, who also designed New York City'sGrand Central Terminal. The firm's eventual design called for a 1,600-seat theatre to occupy the old 5th Avenue Arcade plot. The theatre was connected to an enclosed arcade that covered the boardwalk. This arcade was connected on the east to a 3,200-seat convention center, offering 60,000 square feet (5,600 m2) of exhibition space. This portion, which would be christened "Convention Hall", extended 215 feet (66 m) over the beach and the waterline, and was supported by steel encased concrete pilings. From the time of its construction until a seawall construction project in the 1970s, visitors to the hall could look directly over theAtlantic Ocean from the hall's easternmost outer walkway.[4] Heat was provided in colder months by a system of underground pipes connected to a city-owned steam plant, located at the southernmost end of the Boardwalk. The entire complex was designed in a combination Italian-French style, with an emphasis on nautical themes in recognition of its oceanfront location.
In 1927, AM radio station WDWM moved from its studios inNewark to downtown Asbury Park, changing its call letters to WCAP for "Wonder City of Asbury Park". The Chamber of Commerce, which owned the station, moved it again into a studio on the northern second-floor promenade of Convention Hall in the fall of 1931. Warren & Wetmore had wired the hall for radio capability, and the on-hand studio allowed the station to broadcast live performances from the venue by the Arthur Pryor Band and the Berkeley-Carteret Orchestra, among other acts. The station broadcast from Convention Hall until 1944, whenWalter Reade Theatres and theCharms Candy Company bought the station and moved its studios back to the downtown area. The station switched to FM in 1947. Three years later, theAsbury Park Press purchased the station and changed its call letters toWJLK. It continues to broadcast today from studios in the formerSeaview Square Mall in nearbyOcean Township.[5]
On September 8, 1934, the cruise shipSSMorro Castle caught fire offLong Beach Island as she was returning toNew York fromHavana. After theMorro Castle could no longer sail under her own power, theCoast Guard cutterTampa attempted to tow the damaged ship from eight miles (13 km) off the coast ofSea Girt to New York. However, rough seas from anor'easter snapped the tow lines, and theMorro Castle drifted toward shore. WCAP radio announcer Tom Burley was broadcasting from the station's Convention Hall studios on the second floor promenade at about 7:30 p.m. when he first spotted the burning hulk of the ship approaching the beach. As the wire services already knew about the disaster, which had started early that morning, Burley led off his newscast with a straight update about theMorro Castle. A few minutes later, he saw the burning hulk of the ship slowly drifting toward Convention Hall and exclaimed on air, "She's here! TheMorro Castle is coming right toward our studio!"[5]
The ship eventually came to rest on a sandbar several yards in front of Convention Hall, with her stern perpendicular to the hall's oceanfront promenade. The following morning, with the hull still smoldering, city engineer James Kontajones and Coast Guard inspector R.W. Hodge paddled out to the stern from a lifeguard boat and climbed up to the deck via one of the ropes hanging down from the ship's D Deck railing. The Coast Guard then used aLyle gun to fire several ropes to theMorro Castle stern from Convention Hall. Kontajones and Hodge used the ropes to rig together abreeches buoy, facilitating passage for firemen, inspectors, local officials, and other authorities who needed to board the ship to search it for victims or anything of value. No living people were found on the ship and most of the decks and cabins were gutted by the massive fire. All told, 137 crew and passengers lost their lives in the disaster. Most of the victims either burned to death or died from smoke inhalation. Some victims' remains were found on the open decks and in the cabins below.
TheMorro Castle remained on the sandbar throughout the fall and winter, spurring an economic boomlet for Asbury Park, which had been suffering from the effects of theGreat Depression. Thousands of curious spectators and reporters lined both the boardwalk and Convention Hall's promenade to see the ship's charred remains, and both city officials and unlicensed individuals charged upwards of $5 to ride the breeches buoy onto the deck. On March 14, 1935, what remained of theMorro Castle was finally towed to New York'sGravesend Bay to be scrapped.[6][7]
Much like its counterpart in Atlantic City, Convention Hall was originally designed with the intention of installing a largeWurlitzerPipe Organ for public performance. Warren and Wetmore strategically placed massive grille work into the walls on either side of the hall's main stage.[8] These grilles would cover the organ's pipes while taking advantage of the interior acoustics, making the entire hall part of the instrument.[9] TheGreat Depression forced the city to abandon the original idea of buying a Wurlitzer. After the closing of theEarl Carroll Theatre in New York City in 1931, however, Asbury Park purchased that theatre's 3 manual/7 rank pipe organ and installed it in Convention Hall. It had been built three years earlier byGeorge Kilgen & Sons ofSt. Louis. Though measurably smaller than the Wurlitzer for which Convention Hall had been built, the Kilgen managed to sound much larger with the help of the hall's acoustics.
In the 1930s, Asbury Park created the position of municipal organist. The first, G. Howard Scott, would play free concerts to entertain visitors to the resort's boardwalk. WCAP would broadcast some of these concerts to its listeners from its studio at the hall. Jim Ryan took over in 1958, performing until the mid-1970s. The final municipal organist was Al Devivo, who performed from then until 1984, when the municipal concerts ceased.
The organ continued to be played intermittently from 1984 through 2000, most famously by composer andRadio City Music Hall organist Ashley Miller. During this time, volunteers from the Garden State Theatre Organ Society began refurbishing the instrument by cleaning or replacing pipes and adding five more ranks, resulting in an even fuller sound. In 1991, the console - traditionally in a stationary position underneath the southernmost grille - was made mobile so as to allow performers to play the instrument closer to the audience.[8] With the fate of the hall left in limbo by Asbury Park's long-delayed redevelopment plans, however, access to the instrument was eventually denied and it has lain dormant for most of the 2000s. It remains one of only two Kilgen organs left in New Jersey.
The first official convention held at Convention Hall was the annual meeting of theNew York Friars' Club on July 5, 1930.[10] Since that time, the hall has hosted countless conventions, community meetings, sporting events, trade shows and antique automobile shows. Since 1951, the Monmouth County Cotillion Society has held its annual Debutante Ball at Convention Hall.[11] The hall is also the alternate venue for Asbury Park's Easter Parade in the event of inclement weather.
Since February 2008, Convention Hall has been the home venue for theJersey Shore Roller Girls roller derby league.[12]
Rock and roll has been a mainstay at Convention Hall since the 1950s. On June 30, 1956, a concert byFrankie Lymon & The Teenagers at the Hall ended, prematurely, when a fistfight in the audience erupted into a full-scale riot. Three people were stabbed and then-Mayor Roland J. Hines threatened a citywide ban on rock and roll performances. The ban never came to pass.[10] In the mid-1960s, promoter Moe Septee started booking rock acts at Convention Hall, including some bands who would go on to achieve legendary status.
Between 1965 and 1975, Septee bookedIke & Tina Turner,[13]Martha & the Vandellas,[13]Black Sabbath,The Beach Boys,James Brown,The Byrds,Ray Charles,Chicago,The Dave Clark Five,The Doors,The J. Geils Band,Herman’s Hermits,Janis Joplin,Iron Butterfly,Otis Redding,Kiss,The Rolling Stones,The Temptations,Pink Floyd andThe Who, among many others.[14]Led Zeppelin played Convention Hall the evening of August 16, 1969, after their manager,Peter Grant, rejected an invitation toWoodstock.Joe Cocker opened for Led Zeppelin that night, before riding up toBethel, New York for his opening slot on the festival's third and final (scheduled) day.[15]
The hall was also the setting for one of the last few concerts played by the originalLynyrd Skynyrd lineup on July 13, 1977, before their tour plane's fatal crash on October 20, 1977.
Concerts at Convention Hall continued even after Septee's retirement. From the late 1970s to the 1990s, acts includingThe Allman Brothers Band,Judas Priest,Iron Maiden,Korn,Marilyn Manson,Earth Crisis,Blue Öyster Cult,Tool,Ted Nugent,King Crimson,Peter Gabriel,Elvis Costello,The Clash,Van Halen,Blondie,The Kinks,Weezer,Joe Jackson,Todd Rundgren's Utopia,No Doubt and TheGoo Goo Dolls played the hall.[16]
Beginning in the late 1990s Convention Hall gained a strong association withBruce Springsteen.[3] He held rehearsals for upcoming tours there (with fans standing outside to get early ideas of what the shows would bring),[3] some ticketed public rehearsal shows, and several December holiday shows in conjunction withThe Max Weinberg 7. The large lighted sign on the top of Convention Hall reads "Greetings from Asbury Park", in reference to Springsteen's 1973 debut albumGreetings from Asbury Park, N.J. In late 2020 Asbury Audio, the company that handles the concert and event production for the venue owners restored the sign with LED lighting.
During the 2000s, acts have included311,Bob Dylan,Deftones,Incubus,Killswitch Engage,Slipknot,Pantera,Mudvayne,Hatebreed,Taproot,Seether,Papa Roach,Disturbed,Kittie,Fear Factory,Slaves On Dope,Boy Hits Car,Staind,50 Cent,Tiesto,The Gaslight Anthem,Bouncing Souls,Face to Face,Thrice,Furthur,Jimmy Eat World,The Starting Line, andDream Theater. By this time, Convention Hall had neither heating nor air conditioning.[3] At the Hall there were 4 Ford 6cyl engines that ran on natural gas to run the A/C and the Paramount had 40 hp Allis Electric motors to run theirs.
Media related toAsbury Park Convention Hall at Wikimedia Commons
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