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Armenian art is the unique form of art developed over the last five millennia in which theArmenian people lived on theArmenian Highland. Armenian architecture and miniature painting have dominated Armenian art and have shown consistent development over the centuries.[1] Other forms of Armenian art include sculpture, fresco, mosaic, ceramic, metalwork, engraving, and textiles, especiallyArmenian carpets.
Prehistoric Armenia was home to theUrartu culture in theIron Age, notable for its early metal sculptures, often of animals. The region was, as later, often contested by the large empires holding the nearby regions ofPersia,Mesopotamia andAnatolia. The Armenians adopted Christianity very early, and developed their own version ofEastern Christian art, with much use oficons,Armenian miniatures in books, and the very originalarchitecture of their churches and monasteries. A distinctive Armenian feature, which may have influenced theMedieval art of Europe, was the popularity from early on of figurativerelief carvings on the outside of churches, unknown inByzantium.
Armenians specialized in arts and crafts such ascarpet-weaving.
The study of Armenian art began in the early 20th century. Notable scholars of Armenian art wereCatholicos Garegin Hovsepian and professorSirarpie Der Nerséssian.[1] More recently,Jean-Michel Thierry and ProfessorDickran Kouymjian are prominent scholars of Armenian art.
The first Armenian churches were built during the lifetime ofSt. Gregory the Illuminator, were often built on the sites of destroyed pagan temples, and imitated some aspects of Armenian pre-Christian architecture.[2]
Classical and Medieval Armenian architecture is divided into four separate periods.
The first period, from the 4th to the 7th centuries, began with Armenia's conversion to Christianity, and ended after the Arab invasions of Armenia. The early churches were mostly simplebasilicas, some with side apses. By the 5th century the typical cupola cone in the center had become widely used. By the 7th century, centrally-planned churches had been built and the more complicatedniched buttress and radiatingHrip'simé style had formed. By the time of the Arab invasions, most of what we now know as classical Armenian architecture had formed.
The second period lasted from the 9th to the 11th centuries. Armenian architecture underwent a revival under the patronage of theBagratid dynasty with many buildings erected in the regions ofAni andLake Van: these included both traditional styles and new innovations. Ornately carved Armeniankhachkars were developed during this time.[3] Many new cities and churches were built during this time, including a new capital atLake Van and aCathedral on Akdamar Island to match. TheCathedral of Ani was also completed during this dynasty. It was during this time that the first major monasteries, such asHaghpat andHaritchavank were founded. This period was ended by theSeljuk invasion.
Illuminated manuscripts were produced in Armenia mainly between the 5th and the 17th centuries. The highest point of this art is associated with the 13th century and the name ofToros Roslin, considered to be the most prominent medieval Armenian manuscript illuminator. The majority of the manuscripts were lost, and scholarly approach to studies of Armenian illuminated manuscripts was only developed in the second half of the 20th century.[4]
Each culture possesses a certain original element which becomes a symbol of the entire national culture. In Armenia such symbol is “khachkar, the so-called cross-stones, the monuments of Armenia which are not found anywhere in the world. The word “khachkar” is formed by two Armenian roots: “khach” (cross) and "kar" (stone). Armenia has been called “a country of rocks” and has a rich heritage when it comes to sculptures.[5] Some of the sculptures in the country date way back even before the formation of Armenia as a nation. Such sculptures were created by empires that existed in the region before the modern period. A good example of these is the “Khachkar” which were ancient religious sculptures.[6] Besides these ancient sculptures, Armenia also has plenty of post-war sculptures which show the influence of modern times and also foreign traditions that have been adopted.
Ceramics, mosaics, and frescoes constitute a different category of Armenian artwork. The creation of the outlined artifacts dates back to the days of the Urartian Empire that existed long before the establishment of Armenia as a nation. Therefore some of the ancient art is shared among several countries in the region that were part of the Urartian Empire. While the evidence of these forms of art was realized through excavations in the country, their remains have been reconstructed thus providing physical evidence of what they looked like.[7]
Armenia has a history of making engravings and metalwork which are also considered as part of the art. Artifacts in this category can be subdivided into coins, silver and gold, and bronze and tinned copper.[1][8] The coins refer to the pieces of metals that were designed during the ancient times for trading purposes between Armenia and its neighbors such as Greece. On the other hand, gold and silver were luxury items during ancient Armenia which were fashioned in various ways such as drinking vessels, medallions, and statues just to mention a few. Besides, tinned copper and bronze were also used. Excavations in the country have revealed that these were used to make household items, weapons, and even statues.
Textiles are another part of Armenian art and also a significant part of their economy both in the ancient and present times. One of the most extensive collections of Armenian textiles can be found in the Armenian Museum of America.[9] In the current world, textile products from Armenia are a major trade commodity between Armenia, Europe, and America.[10]
Dance and Music are also an essential aspect of the Armenian Heritage. Initially, Armenian music consisted of Armenian Church music and folk songs that were based on an indigenous tonal system (Tetrachords) as opposed to the European tonal system. However, in the present time, other genres of music have influenced Armenian music thus resulting in the production of modern styles in the country such as Hip Hop, Pop, Rock, among many others. Accompanying original Armenian songs was Armenian dance. Native Armenian dance is one of the oldest practices of the inhabitants of the region. Armenian dance is even depicted in some of the ancient paintings on rocks.
Famous Armenianmodernist artists include painters likeArshile Gorky andPaul Guiragossian.
In 2015, Armenia won the Leone d'Oro for Best Pavilion at theVenice Biennale.[11] Besides the above-discussed art categories, Armenia also has well developed contemporary art which is overseen by the Biennale Foundation. The Foundation is responsible for organizing exhibitions in the country which are termed as Art Biennale. The name is used so as to distinguish its exhibitions from other shows conducted by different organizations. The institution has been doing its activities that date back from 1948 to date.