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Arnolt Bronnen

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Austrian playwright and director
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Arnolt Bronnen
Born(1895-08-19)19 August 1895
Died12 October 1959(1959-10-12) (aged 64)
OccupationPlaywright
Theatre director
NationalityAustrian
Literary movementExpressionism
Notable worksParricide (1922)

Arnolt Bronnen (19 August 1895 – 12 October 1959) was anAustrianplaywright anddirector.

Life and career

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Bronnen was born inVienna, Austria, the son of the Austrian-Jewish writerFerdinand Bronner and his Christian wife Martha Bronner.[1] Bronnen's most famous play is theExpressionist dramaParricide (Vatermord, 1922); its première production is notable, among other things, for being that from which Bronnen's friend, the youngBertolt Brecht in an early stage of his directing career, withdrew, after being taken to hospital with malnutrition and the actors of the cast, led byHeinrich George, walked out on him.[2] According toThe Cambridge Guide to Theatre, the "erotic, anti-bourgeois, black expressionism" of the play "caused a sensation" when it was eventually performed.

Bronnen also wroteBirth of Youth (Geburt der Jugend, 1922) andDie Excesse (1923).[3] After having collaborated on film treatments and various theatrical projects together, in 1923 Bronnen and Brecht co-directed a condensed version ofPastor Ephraim Magnus (anihilistic, Expressionist play, according toThe Cambridge Guide, "stuffed withperversities andsado-masochisticmotifs") byHans Henny Jahnn.[4] Later in his life he wrotereportage plays.[3]

Bronnen signed theGelöbnis treuester Gefolgschaft, a "vow of most faithful allegiance" toAdolf Hitler in 1933,[5] and was program director for the public TV stationFernsehsender Paul Nipkow, but after theSecond World War he became acommunist.[3]

Bronnen died of heart failure inEast Berlin and is buried in theDorotheenstadt cemetery.[6]

Selected filmography

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References

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  1. ^The Menorah Journal 19 (1930)170.
  2. ^Willett and Manheim (1970, viii) and Thomson (1994, 26).
  3. ^abcBanham (1998, 132).
  4. ^Banham (1998, 553), Sacks (1994, xviii), and Willett and Manheim (1970, viii).
  5. ^88 "writers", fromLetters of Heinrich and Thomas Mann, 1900-1949, Weimar and Now: German Cultural Criticism 12, University of California Press 1998,ISBN 0-520-07278-2, pp. 367–68.
  6. ^Taylor (1980,65).

Sources

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  • Banham, Martin, ed. 1998.The Cambridge Guide to Theatre. Cambridge: Cambridge UP.ISBN 0-521-43437-8.
  • Sacks, Glendyr. 1994. "A Brecht Calendar." InThe Cambridge Companion to Brecht. Ed. Peter Thomson and Glendyr Sacks. Cambridge Companions to Literature. Cambridge: Cambridge University Press.ISBN 0-521-41446-6. pp. xvii–xxvii.
  • Taylor, Ronald. 1980.Literature and Society in Germany, 1918–1945. Harvester studies in contemporary literature and culture 3. Brighton, Sussex: Harvester Press / Totowa, New Jersey: Barnes & Noble.ISBN 9780389200369.
  • Thomson, Peter. 1994. "Brecht's Lives." InThe Cambridge Companion to Brecht. Ed. Peter Thomson and Glendyr Sacks. Cambridge Companions to Literature. Cambridge: Cambridge University Press.ISBN 0-521-41446-6. p. 22–39.
  • Willett, John andRalph Manheim. 1970. "Introduction." InCollected Plays: One by Bertolt Brecht. Ed. John Willett and Ralph Manheim. Bertolt Brecht: Plays, Poetry and Prose Ser. London: Methuen.ISBN 0-416-03280-X. pp. vii–xvii.
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