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Arizona Opera's administrative, rehearsal, storage and small-scale performance building on Central Avenue. | |
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| Address | Phoenix, Arizona US |
|---|---|
| Coordinates | 33°28′02″N112°04′27″W / 33.4673202°N 112.0743041°W /33.4673202; -112.0743041 |
| Website | |
| azopera | |
Arizona Opera is anopera company which operates in bothPhoenix andTucson, Arizona.
Arizona Opera is a professional, American opera company that was established in 1971 as the Tucson Opera Company, under founding general director James P. Sullivan. The company presented its first production,Rossini'sThe Barber of Seville, in 1972.[1] By 1976 the company had expanded to include performances in both Tucson and Phoenix. Arizona Opera is now permanently headquartered in Phoenix.[2] The company has a subscriber base of approximately 10,000 drawn from the two metropolitan areas, and an annual expenditure of $5.8 million, according to the company's 2011 IRSForm 990.[3] According to the Form 990 filed by the company in 2017, revenues for the 2016 tax year were $7,704,444 and expenses were $6,211,715.[4]
The appointment ofGlynn Ross as general director in 1983 initiated a period of growth during which the company expanded its season from three to five productions. In 1996 and 1998 the company gained notice by stagingWagner'sRing Cycle as a summer festival inFlagstaff, Arizona. Ross retired in 1998 and was succeeded by David Speers, who increased spending on rehearsals, chorus, and orchestra in an effort to improve the quality of the company's productions. Under Speers' leadership subscriptions and single-ticket sales increased. In addition to the company's regular productions, Speers brought singersSamuel Ramey,Kiri Te Kanawa,Denyce Graves, andJerry Hadley to Arizona for recital performances.
During the 2000–2001 season, the company appointed its first principal conductor, Cal Stewart Kellogg. Kellogg remained in that position through 2004, and is now director of the Symphony of the Southwest.
David Speers left the company in 2003 and was succeeded by Joel Revzen, aJuilliard-trained musician, conductor, and music-organization administrator. Revzen continued Speers' practice of mixing standard repertory with productions of less-often-performed works, e.g.,Menotti'sThe Consul,Brecht andWeill'sThe Threepenny Opera, andHandel'sSemele. Revzen was succeeded as general director by Scott Altman in 2009, and Revzen has been named the company's conductor laureate. Altman oversaw the design and construction of the company's new office and production complex, the Arizona Opera Center, across Central Avenue from thePhoenix Art Museum in midtown Phoenix. The company announced Altman's resignation in April 2013. Arizona Opera artistic director Ryan Taylor was appointed interim general director upon Altman's departure, and then permanent general director in June 2013. Arizona Opera's current President and General Director is Brian DeMaris, who was appointed in July 2025.[5]
In February–May 2017 Arizona Opera presented the world premiere ofCraig Bohmler's operaRiders of the Purple Sage, based onZane Grey'snovel of the same name.[6][7][8][9][10] The production was also broadcast nationwide on November 25, 2017, on theWFMT Radio Network's American Opera Series,[11][12][13] and broadcast internationally in 2018 via distribution to theEuropean Broadcasting Union.[14][15][16]
In late 2017, Arizona Opera announced a shift from their traditional season model. While retaining five productions per opera season, the fall and spring performances were split into two distinct performance series.[17]
Arizona Opera offers five productions with five performances each per season. The McDougall Arizona Opera RED Series is performed in the fall at theHerberger Theater Center (802 seats) in Phoenix and The Temple of Music and Art in Tucson (627 seats).[18] The spring Main Stage Series is presented atPhoenix Symphony Hall (2,312 seats) and theTucson Convention Center Music Hall (2,289 seats).
The Arizona Opera Chorus is composed of professional singers from both Phoenix and Tucson. Choristers have been affiliated with theAmerican Guild of Musical Artists (AGMA) since 1995. Union representation has resulted in improvements in chorus compensation and working conditions, and a concomitant improvement in the quality of new chorister candidates.
The Arizona Opera Orchestra is composed of music professionals from three major cities in Arizona — Phoenix, Tucson, and Flagstaff, as well as from out of state. The musicians are represented by theAmerican Federation of Musicians (AFM), Local 586. Union representation resulted in improvements in working conditions under acollective bargaining agreement. The Arizona Opera Orchestra is a member of ROPA, the Regional Orchestra Players' Association. In 1998 orchestra members formed theArizona Opera Orchestra Musicians Association (AZOOMA) to support the musicians and the company.