Anything Goes
Sheet music from original Broadway production
Music	Cole Porter
Lyrics	Cole Porter
Book	Guy Bolton P. G. Wodehouse Howard Lindsay Russel Crouse John Weidman (1987 revival) Timothy Crouse (1987 revival)
Productions	1934Broadway 1935West End 1987 BroadwayRevival 1989 West End revival 2003 West End revival 2011 Broadway revival 2012 US tour 2015 UK tour 2021/2022 London revival 2022 UK tour
Awards	1987Tony Award for Best Revival 2002Laurence Olivier Award for Best Musical Revival 2011Tony Award for Best Revival of a Musical

Anything Goes is amusical with music and lyrics byCole Porter. The originalbook was a collaborative effort byGuy Bolton andP. G. Wodehouse, revised considerably by the team ofHoward Lindsay andRussel Crouse.^[1] The story concerns madcap antics aboard anocean liner bound from New York to London. Billy Crocker is a stowaway in love with heiress Hope Harcourt, who is engaged to Lord Evelyn Oakleigh.Nightclub singer Reno Sweeney and Public Enemy Number 13, "Moonface" Martin, aid Billy in his quest to win Hope. Songs introduced that later becamepop and jazz standards are "Anything Goes", "You're the Top", "All Through the Night", and "I Get a Kick Out of You".

Since its November 21, 1934 debut at the Alvin Theatre (now known as theNeil Simon Theatre) onBroadway, the musical has been revived several times in the United States and Britain. It has been adapted for film three times (in1936,1956 and a filmed version of a stage production in 2021), and adapted for television also three times (in 1950, 1954 and 1962). The musical has long been a popular choice for school and community productions.^[2]

The original idea for a musical set on board an ocean liner came from producerVinton Freedley, who was living on a boat, having left the US to avoid his creditors.^[3] He selected the writing team, P. G. Wodehouse and Guy Bolton, and the star,Ethel Merman. The first draft of the show was calledCrazy Week, which becameHard to Get, and finallyAnything Goes. The original plot involved a bomb threat, a shipwreck, and human trafficking on a desert island,^[4] but, just a few weeks before the show was due to open, a fire on board the passenger shipSSMorro Castle caused the deaths of 138 passengers and crew members. According to one version,^[5] Freedley judged that to proceed with a show on a similar subject would be in dubious taste, and he insisted on changes to the script. However, theatre historian Lee Davis maintains that Freedley wanted the script changed because it was "a hopeless mess".^[6] Bolton and Wodehouse were in England at the time and were thus no longer available, so Freedley turned to his director, Howard Lindsay, to write a new book.^[4] Lindsay recruited press agent Russel Crouse as his collaborator, beginning alifelong writing partnership.^[4] The roles of Billy Crocker and Moonface Martin were written for the well-known comedy teamWilliam Gaxton andVictor Moore, and Gaxton's talent for assuming various disguises was featured in the libretto.

Five versions of the libretto ofAnything Goes exist: the original 1934 libretto, the 1962 off-Broadway revival libretto, the 1987 revival libretto, the 2011 revival libretto, and the 2022 revised libretto. The story has been revised, though all involve similar romantic complications aboard the SSAmerican and feature the same major characters. The score has been altered, with some songs cut and others reassigned to different scenes and characters, and augmented with various Porter songs from other shows.

Billy Crocker, a young Wall Street broker, has fallen in love with a beautiful girl he met at a party and spent the evening with in a taxi. His boss, Elisha J. Whitney, is preparing to make a business deal and is going to travel to London aboard the SSAmerican. Evangelist-turned-nightclub singer Reno Sweeney will be traveling aboard the same ship. Billy sees Reno as a friend, but she obviously has feelings for him ("I Get a Kick Out of You"). Billy goes to the dock to say farewell to his boss and Reno ("Bon Voyage"), and glimpses the mysterious girl again. He learns that she is the heiress Hope Harcourt and, escorted by her mother Mrs. Harcourt, is on her way to England with her fiancé Lord Evelyn Oakleigh, a handsome but stuffy and hapless British nobleman. Billy stows away on the ship with a plan of winning Hope's heart. "Moonface" Martin, a second-rategangster labeled "Public Enemy 13", and his girlfriend, Bonnie, have disguised themselves as a minister and a missionary and, innocently aided by Billy, board the ship under their assumed identities, stranding the ship's real chaplain back at the port. Moonface and Bonnie mistakenly leave behind their leader, "Snake Eyes" Johnson, Public Enemy 1.

To thank him, Bonnie and Moonface let Billy have Snake Eyes Johnson's passport and ticket without telling him to whom they belong. Billy cons Evelyn into leaving him alone with Hope, by convincing him he is very ill. When he goes to get some air, Billy and Hope meet again, and it turns out she has been unable to stop thinking about him as well ("All Through the Night"). Though Hope prefers Billy, she insists she must marry Evelyn. Unbeknownst to Billy, her family's company is in financial trouble and a marriage to Evelyn would promote a merger and save it. The ship's crew gets a cable from New York saying that Public Enemy 1 is on board. Moonface admits his true identity to Billy and he and Bonnie conspire to disguise Billy as a crew member since he is now presumed to be Snake Eyes Johnson.

A quartet of lovelorn sailors comfort themselves with the thought of romance when they reach shore ("There'll Always Be a Lady Fair"). On deck, Bonnie lures the sailors to her ("Where Are the Men?"), then steals the clothes of one of the men for Billy.

Hope discusses her impending marriage with Evelyn and discovers that he is not particularly pleased with the engagement either. Billy asks Reno to help separate Evelyn and Hope, and she agrees. Billy and Reno reaffirm their friendship ("It's Friendship"). Reno tries to charm Evelyn; she succeeds and he invites her for a drink in his cabin. She and Moon plot that Moon should burst into the cabin and discover Reno half-naked in Evelyn's arms, providing sufficient reason for breaking off the engagement. However, when Moon breaks into the room, machine gun in tow, he instead sees Reno fully dressed and Evelyn nearly undressed. Moon tries to invent some indecent explanation for the situation, but Evelyn insists that he would be quite pleased by any rumor depicting him as a passionate lover, especially if Hope heard it. Moon admits that the plot has failed.

The crew discover that Billy is not a sailor, and Moon and Reno create a new disguise for him from a stolen pair of trousers, a jacket taken from a drunken passenger, and hair cut from Mrs. Harcourt's Pomeranian and made into a beard. Reno tells Billy that Evelyn has kissed her, and she is sure she will be Lady Oakleigh soon, since love moves so quickly these days ("Anything Goes"). Mrs. Harcourt, recognizing her dog's hair, angrily pulls off Billy's beard and the crew and passengers realize he must be the wanted man. As Snake Eyes Johnson, Billy is an instant celebrity.

Billy is honored by both crew and passengers as "Public Enemy Number One". He tells the Captain that Moon (who is still disguised as a minister) is helping him reform from his wicked ways. Moon is asked to lead a revival in the ship's lounge. The passengers confess their sins to the "Reverend", and Lord Evelyn admits to a one-night stand with a young Chinese woman, Plum Blossom. Hope is not impressed with Billy's charade, and to please her, he confesses to everyone that he is not really Snake Eyes Johnson. Moon attempts to compensate by revealing that he is not a minister; he is Public Enemy Number Thirteen. The captain sends them both to the brig. Reno restores the mood of the Revival ("Blow, Gabriel Blow").

Moon tries to cheer Billy up ("Be Like the Bluebird"). Billy doubts he will ever see Hope again; he and Moon cannot leave their cell until they return to America. Their card-playing Chinese cellmates Ching and Ling, imprisoned for conning all the third class passengers out of their money, will be put ashore in England. Moon and Billy challenge them to a game of strip poker, win their clothes, and disguise themselves again.

Billy, Moon, and Reno show up at the Oakleigh estate in Chinese garb. Billy and Moon tell Oakleigh's uncle that they are the parents of "Plum Blossom" and threaten to publicize Evelyn's indiscretion if he does not marry her. Oakleigh offers to buy them off and Moon gleefully accepts the cash, much to Billy and Reno's chagrin.

Billy and Reno find Hope and Evelyn, who are both unhappy with the prospect of their matrimony. Hope declares that she desperately wants to marry Billy ("The Gypsy in Me"). Billy spots Whitney and finally learns that Evelyn and Hope's planned marriage is really an awkward business merger. Billy realises that Oakleigh is manipulating them all; Hope's company is really worth millions and Billy informs Whitney of that fact. Whitney offers to buy the firm from Hope at an exorbitant price, and she accepts. The marriage is called off since a merger is now impossible. Billy and Hope get married, as do Reno and Evelyn. A cable from the U.S. government fixes Billy's passport problems and declares Moon "harmless". Moon indignantly pockets Oakleigh's check and refuses to return it.

Young Wall Street broker Billy Crocker helps his boss Elisha J. Whitney prepare for his trip to London. Eli tells Billy the next morning he is to make a huge sale of a sinking asset. Billy then runs into his friend; evangelist turned night club singer Reno Sweeney who is leaving on the same ship to London. Reno tries to convince Billy to join her, but he refuses and she laments her unrequited love for him ("I Get A Kick Out Of You"). Billy then reveals to Reno he has fallen in love with someone else and she berates him, believing he led her on before sadly reaffirming her feelings for him after he leaves ("I Get A Kick Out Of You - Reprise").

The next morning the crew of the SSAmerican prepare to set sail ("There's No Cure Like Travel") as Reno and the other passengers board. Among them is debutante Hope Harcourt, the subject of Billy's infatuation. She is joined by her wealthy English fiancé Lord Evelyn Oakleigh and her mother Evangeline, who has set her daughter up to be married in order to solve their family's recent financial struggles. Billy comes aboard to give Eli his passport and spots Hope. Upon hearing that she is to be wed, he stays on the ship in order to pursue her. Also sneaking on to theAmerican is Public Enemy No. 13 Moonface Martin, who is disguised as a priest. He is joined by Erma, the promiscuous girlfriend of Public Enemy #1 Snake Eyes Johnson, who is nowhere to be found. Billy inadvertently helps Moonface evade the FBI. Moonface returns the favor by giving Billy Snake Eyes' ticket as the ship leaves the dock ("Bon Voyage").

Later that night, Billy bumps into an apologetic Reno who encourages him to go after his real love. When Billy starts to express insecurities about being with Hope, Reno builds up his confidence while playfully putting herself down, and he returns the favor ("You're The Top"). Billy then scares off a seasick Evelyn so he can court Hope away from him ("So Easy To Love"). Though she returns Billy's feeling, Hope insists on maintaining her duty and marrying Evelyn. Once alone though, she repeats his romantic words ("So Easy To Love - Reprise").

Eli drunkenly sings about his excitement for the trip, reminisces on his days in Yale, and unsuccessfully invites Hope's mother, Evangeline, to spend the night with him ("The Crew Song"). In the next room over, Moonface and Erma are visited by Billy, who hides when the ship's captain comes in and reveals that Billy is believed to be Snake Eyes Johnson. The next morning a quartet of sailors sing about the joy of seeing women as they come ashore ("There'll Always Be a Lady Fair") while Erma steals another seaman's clothes to disguise Billy from the crew and his boss. Reno then encounters her old friend Moonface, shortly after which Evelyn approaches her and reveals himself to be a huge fan. Evelyn invites Reno for tea in his room, which Moonface convinces her to accept so she can seduce Evelyn, which they'll use to blackmail him and break up his engagement. Reno agrees to his plan and they sing about what great friends they are, only to descend into bickering ("Friendship").

The attempted extortion proves to be a failure, with Reno and Evelyn instead finding themselves utterly charmed by each other. Billy and Moonface then try to frame Evelyn as a madman to Evangeline only for Hope to step in and expose Billy's identity. The crew pursues him while Reno reprimands Hope for ignoring her own happiness and chasing away the man she loves. Hope breaks into tears before Billy returns to serenade her, with her now reciprocating ("It's Delovely"). However, the next morning Hope struggles to tell her mother of her real love and shortly afterwards Billy is apprehended by the crew. The captain then releases Billy to satisfy the celebrity-crazed passengers, and he basks in the fame of being a gangster whilst Moonface blows his cover to do the same. An upset Hope walks away whilst an onlooking Reno leads the ship in a tap dance and remarks that nowadays, "Anything Goes".

The whole ship has gathered to honor Billy as "Public Enemy No. 1". After unsuccessfully trying to get him and Hope back together, Reno begins her performance for that night. She starts out with a sermon asking passengers to confess their sins. In his confession, Evelyn tells everyone of the time he had casual sex with a Chinese woman named Plum Blossom. Reno then performs a lively gospel number with everyone else joining in ("Blow, Gabriel, Blow") at which point she declares "they've seen the light". The passengers then convince Billy to make a confession, and he reveals that he is not Snake Eyes Johnson and apologizes to Hope. Moonface tries and fails to defend him, and both are thrown in the brig. Reacting to this development, Evangeline moves the wedding up to the next morning on the ship and a heartbroken Hope realizes her chance at true love is over ("Goodbye Little Dream, Goodbye").

In the brig, Moonface attempts to cheer up a depressed Billy by telling him to "Be Like The Bluebird". Erma visits them to deliver a letter from Hope where she confesses her feelings for Billy, at which point they both — on separate parts of the ship — express their love ("All Through The Night"). Reno then meets Evelyn on the deck where he admits that he doesn't love Hope and hints that he has fallen for her instead. Despite this, his sense of honor and family code causes him to keep the engagement. Reno then notes that his one night stand in China contradicts this. At her prodding, Evelyn reveals his Romani ancestry and the wild side he'd previously tried to keep hidden. He shows his true feelings for her, she requites them, and they have a passionate tango dance ("Gypsy In Me").

Two Chinese passengers are thrown into the brig with Billy and Moonface for gambling. Reno then comes to tell her friends that she and Evelyn have fallen in love with each other. Knowing that the Chinese passengers will be let out in an hour, the three then steal their clothes to get Billy and Moonface out in time to stop the wedding. On the deck, Erma is proposed to by all the sailors she's slept with during the cruise. She warns them if they start a relationship, she won't be easily pleased ("Buddy Beware").

The wedding starts but is interrupted when Reno, Billy, and Moonface run in wearing Chinese garb. They claim that Reno is Plum Blossom, who is actually a Chinese princess that Evelyn dishonored when he slept with her. The ruse is almost ruined when Moonface accepts Eli's bribe to leave, but Hope intervenes by saying the only way for Evelyn to right his wrong is if he offers her to Plum Blossom's relative. Evelyn goes along with this, giving Hope away to Billy, and then proposing to Reno who accepts as she unmasks herself. Evangeline is distraught over the idea of becoming poor, but Eli proposes to her, bragging that his recent Wall Street sale has made him rich. Their mutual delight is cut short when Billy unveils his identity and informs his boss that he never made the sale. Evangeline prepares to leave Eli immediately but before she can do so, a wire comes in saying that the stock that wasn't sold has gone through the roof making him even richer than he imagined. All three couples now together sing to each other as they're married and the whole ship celebrates ("Finale").

• Reno Sweeney — a sultryevangelist turned nightclub singer and an old friend of Billy
• Billy Crocker — a young Wall Street broker in love with Hope
• Moonface Martin — a second-rategangster, "Public Enemy No. 13"
• Hope Harcourt — an Americandebutante
• Lord Evelyn Oakleigh — Hope's wealthy and eccentric English fiancé
• Bonnie/Erma — Moonface's girlfriend(1934 original), Snake Eyes' girlfriend and Moonface's friend(2011 revival)
• Elisha J. Whitney — anIvy LeagueWall Street banker, Billy's boss
• Mrs. Evangeline Harcourt — Hope's haughty and overbearing mother
• Captain, steward, purser on the ship
• Ching and Ling("Luke" and "John" in the 1987 revival and 2002 concert) — two Chinese "converts" and reformed gamblers who accompany Bishop Henry T. Dobson
• Ritz Quartette(1934 original) / Lady Fair Quartet(1987 revival)
• The Right Reverend Bishop Henry T. Dobson
• Reno's Angels (Purity, Chastity, Charity and Virtue)(1934 original and 1962 revival / 2002 concert and 2011 revival) — Reno's backing singers
• Ship's crew, passengers, reporters, photographers and F.B.I. agents

Notes

This chart shows all songs that were performed; placement of the songs varied. Source: Internet Broadway Database listing^[16]

Cut songs

• "Waltz Down the Aisle" [dropped before the Boston tryout, later reworked by Porter as "Wunderbar" forKiss Me, Kate] - Sir Evelyn and Hope Harcourt
• "What a Joy to Be Young" [dropped before the New York opening; alternate title: "To Be in Love and Young"] - Hope Harcourt
• "Kate the Great" [unused] - Reno Sweeney and Angels^[17]

The official Broadway debut was at theAlvin Theatre on November 21, 1934. It ran for 420 performances, becoming the fourth longest-running musical of the 1930s, despite the impact of theGreat Depression on Broadway patrons' disposable income. The opening production was directed byHoward Lindsay with choreography byRobert Alton and sets byDonald Oenslager. Today, the show remains a frequently-revived favorite.^[18]

Charles B. Cochran, a British theatrical manager, had bought theLondonperformance rights during the show's Boston run,^[5] and he produced it at the West End'sPalace Theatre. The musical opened on June 14, 1935, and ran for 261 performances. The cast includedJeanne Aubert as Reno Sweeney (the name changed to Reno La Grange, to suit Aubert's French background),Jack Whiting as Billy Crocker, andSydney Howard as Moonface Martin.P. G. Wodehouse was engaged to replace the specifically American references in the book and lyrics with references more appropriate to an English audience.^[19]

The production was revived in anOff-Broadway production in 1962, opening on May 15, 1962, at theOrpheum Theatre. It was directed byLawrence Kasha with a cast that includedHal Linden as Billy Crocker,Kenneth Mars as Sir Evelyn, andEileen Rodgers as Reno Sweeney. For this revival, the script was revised to incorporate several of the changes from the movie versions. Most changes revolved around the previously minor character Bonnie. This revision was also the first stage version ofAnything Goes to incorporate several songs from other Porter shows: "Take Me Back to Manhattan" fromThe New Yorkers, 1930, "It's De-Lovely" fromRed, Hot and Blue, 1936, “Friendship" fromDu Barry Was a Lady, 1939, “Heaven Hop” and "Let's Misbehave" fromParis, 1928, and “Let’s Step Out” fromFifty Million Frenchmen, 1929.

For the 1987 Broadway revival, John Weidman and Timothy Crouse (Russel's son) updated the book and re-ordered the musical numbers, using Cole Porter songs from other Porter shows, a practice which the composer often engaged in.^{[citation needed]} This revival was rescored for a 16-piece swing band playing on stage, in the style of earlyBenny Goodman.^[20] This production opened at theVivian Beaumont Theater, inLincoln Center, on October 19, 1987, and ran for 784 performances. Directed byJerry Zaks and choreographed byMichael Smuin, it starredPatti LuPone as Reno Sweeney,Howard McGillin as Billy,Bill McCutcheon as Moonface, andAnthony Heald as Lord Evelyn;Leslie Uggams andLinda Hart were replacement Renos. It was nominated for tenTony Awards (including nominations for McGillin, LuPone, McCutcheon, and Heald), winning for Best Revival of a Musical, Best Featured Actor (McCutcheon), and Best Choreography. The production also won theDrama Desk Awards for Outstanding Revival of a Musical and Outstanding Actress (for LuPone).

Elaine Paige, a British actress and singer, heard of the success of the 1987 Broadway production and made sure to attend a performance. After seeing the production herself, she was determined to bring it to London.^[21] To secure a place in the show's cast, Paige decided it was best she co-produced the show with her then-partner, lyricistTim Rice. The London production opened in July 1989 at thePrince Edward Theatre. Paige starred as Reno Sweeney^[22] (she was replaced later in the run byLouise Gold). The original cast also starredHoward McGillin as Billy Crocker^[22] (who was replaced later in the show's run byJohn Barrowman),^[23]Bernard Cribbins as Moonface, andKathryn Evans as Erma. The other principals included Ursula Smith,Martin Turner, and Ashleigh Sendin.

Jerry Zaks again directed the production, with scenic and costume design byTony Walton, lighting byPaul Gallo, and sound by Tony Meola. The musical director wasJohn Owen Edwards and the choreographerMichael Smuin.

The show transferred to Australia the same year and played in both Sydney and Melbourne, starringGeraldine Turner as Reno Sweeney,Peter Whitford as Moonface,Simon Burke as Billy Crocker,Marina Prior as Hope Harcourt, andMaggie Kirkpatrick as Evangeline Harcourt.

In April 2002, a one-night-only concert performance of the show was performed at the Vivian Beaumont Theater.Patti LuPone played Reno withHoward McGillin as Billy andBoyd Gaines as Lord Evelyn Oakleigh. LuPone and Gaines would later star together in the 2008 Broadway revival ofGypsy. The performance was directed and choreographed byRobert Longbottom with music supervision by David Chase and designs by Tony Walton.^[24]

TheNational Theatre revived the musical, which opened at theOlivier Theatre on December 18, 2002, and closed on March 22, 2003. The production then transferred to theWest End at theTheatre Royal, Drury Lane, running from September 26, 2003 (in previews), through August 28, 2004. Directed byTrevor Nunn, it starredSally Ann Triplett,John Barrowman, andYao Chin (who is now a TV reporter). A cast recording of this production is available.^[25]

A revival of the 1987 Broadway rewrite opened on April 7, 2011, at theStephen Sondheim Theatre, produced by theRoundabout Theatre Company. Previews began on March 10, 2011. This production was directed and choreographed byKathleen Marshall with musical supervision byRob Fisher, dance arrangements by David Chase, and designs byDerek McLane,Martin Pakledinaz, andPeter Kaczorowski. This revival retained much of the 1987 orchestrations byMichael Gibson with some additions from arrangerBill Elliott.

The show's opening night cast featuredSutton Foster as Reno Sweeney,Joel Grey as Moonface Martin,Laura Osnes as Hope Harcourt,Jessica Walter as Evangeline Harcourt,Colin Donnell as Billy Crocker,Adam Godley as Sir Evelyn Oakleigh,John McMartin as Elisha Whitney,Jessica Stone as Erma,^[26] Robert Creighton as Purser, Andrew Cao as Luke, Raymond J. Lee as John, andWalter Charles as the Captain.^[27][28] The production was received generally very well by the critics and received a total of nineTony Award nominations and tenDrama Desk Award nominations, including Best Actress in a Musical, Best Director of a Musical, and Best Revival of a Musical. The revival won the Drama Desk Awards and Tony Awards for Best Revival and Best Choreography, and Foster won the Drama Desk and Tony Awards for Best Actress in a Musical.^[29]

A cast recording of this production became available as a digital download on August 23, 2011, and it arrived in stores on September 20, 2011.^[30]

Stephanie J. Block took over for Sutton Foster as Reno Sweeney in a limited engagement (November 4–23, 2011) while Foster filmed a television pilot.^[31][32] Block permanently assumed the role on March 15, 2012, as Foster left the musical to take a role in a television series.^[33]

The production was originally scheduled to run through July 31, 2011, and was initially extended to April 29, 2012.^[34] It was extended two more times before closing on July 8, 2012, after 521 regular performances and 32 previews.^[35][36]

A national tour in the United States began^[37][38] in October 2012 at thePlayhouse Square in Cleveland, Ohio, which was played more than 25 other major cities.^[39]Rachel York played Reno Sweeney.^[40] Other cast-members includedFred Applegate as Moonface Martin, Erich Bergen as Billy Crocker, Jeff Brooks as Purser, Joyce Chittick as Erma, Alex Finke as Hope Harcourt, Dennis Kelly as Elisha Whitney,Vincent Rodriguez III as Luke, Marcus Shane as John, Sandra Shipley as Mrs. Evangeline Harcourt,Edward Staudenmayer as Sir Evelyn Oakleigh, andChuck Wagner as the Captain.^[41]

The critically acclaimedSheffield Theatres production directed byDaniel Evans began a UK and Ireland tour at theNew Wimbledon Theatre on January 29, 2015, and was scheduled to visit 32 venues in its nine-month run. The production starredDebbie Kurup as Reno Sweeney andMatt Rawle as Billy Crocker withHugh Sachs as Moonface Martin andJane Wymark as Evangeline Harcourt until April 4, 2015, followed byShaun Williamson andKate Anthony, respectively, from April 6, 2015. The tour was cut short and ended at theGrand Opera House, Belfast on May 30, 2015.

An Australian revival was announced in September 2014 with the cast led byCaroline O'Connor as Reno Sweeney and featuringTodd McKenney,Alex Rathgeber, Claire Lyon,Wayne Scott Kermond, andAlan Jones. Jones was replaced in the role of the Captain byGerry Connolly in Melbourne and Brisbane. The revival, directed by Dean Bryant, played in Melbourne, Brisbane, and Sydney, sequentially, running from June until November.

A revival directed and choreographed byKathleen Marshall, based on the 2011 Broadway production, opened for a limited season at theBarbican Theatre inLondon on August 4, 2021. The production repurposed the previous Broadway set designs byDerek McLane, sound design by Simon Baker, lighting design byNeil Austin and musical direction/supervision by Stephen Ridley.^[42] Previews began on July 23 and, following two extensions, the show closed on November 6, 2021.^[43][44]

Originally set to starMegan Mullally until she withdrew due to injury,Sutton Foster took over as Reno Sweeney in herLondon theatre debut.^[45] It also starredRobert Lindsay as Moonface Martin,Gary Wilmot as Eli Whitney andFelicity Kendal as Mrs. Harcourt. Foster and Kendal departed the production in October, and were replaced byRachel York andHaydn Gwynne, respectively.^[46] The production received rave critical reviews,^[47] broke box office records at the Barbican,^[48] and received 9Olivier Award nominations includingBest Musical Revival the following year.^[49] During its run, the show was recorded for cinema distribution.^[50][51] This version was eventually shown on theGreat Performances US television series on May 13, 2022.^[52]

After concluding its run at the Barbican, a UK and Ireland tour from April 2022 and a limited return to the Barbican from July 2022 were announced. The new cast featuredKerry Ellis as Reno Sweeney,Denis Lawson as Moonface Martin,Simon Callow as Eli Whitney, andBonnie Langford as Mrs. Harcourt. Nicole-Lily Baisden, Samuel Edwards,Carly Mercedes Dyer and Hadyn Oakley reprised their performances from the London run.^[53][54]

A high-profile co-production betweenGateway Playhouse (Bellport, New York) andOgunquit Playhouse starredAndrea McArdle as Reno Sweeney andSally Struthers as Mrs. Harcourt. The production, which ran in May to June 4, 2016, featured theDerek McLane sets and Martin Pakledinaz costumes that were created for the 2011 Broadway revival, which was produced by theRoundabout Theatre Company. The production was directed by Jayme McDaniel and choreographed byJason Wise.^[55]

In August 2024, there was a revival atThe Muny. It starredJeanna de Waal as Reno,Jay Armstrong Johnson as Billy,Kevin Chamberlin as Martin,George Abud as Lord Evelyn, Kimberly Immanuel as Hope,Adrianna Hicks as Erma,Ann Harada as Evangeline,Lara Teeter as Elisha, and Eric Jordan Young as the Captain.Marcia Milgrom Dodge will direct with choreography by Jared Grimes.^[56]

In 1936,Paramount Pictures turnedAnything Goes into a movie musical. It starredEthel Merman (the original Reno), withBing Crosby in the role of Billy Crocker. Other cast members includedIda Lupino,Charles Ruggles,Arthur Treacher, andGrace Bradley. The director wasLewis Milestone. Among those contributing new songs wereHoagy Carmichael,Richard A. Whiting,Leo Robin, andFriedrich Hollaender.

The book was drastically rewritten for a second film version, also by Paramount, released in 1956. This movie again starred Crosby (whose character was renamed), andDonald O'Connor. The female leads wereZizi Jeanmaire andMitzi Gaynor. The script departed significantly from the original story and was written bySidney Sheldon. The lesser-known Porter songs were cut, and new songs, written byJimmy Van Heusen andSammy Cahn, were substituted.

A third version, directed by Ross MacGibbonand Kathleen Marshall, filmed live on stage during a performance of the 2021 London revival, follows the 2011 Broadway revival. This version was eventually shown on US television onPBS'Great Performances on May 13, 2022.^[52]

In 1950, the premiere episode ofMusical Comedy Time featured a televised version ofAnything Goes starringMartha Raye.^[57][58]

In 1954,Ethel Merman, at the age of forty-six, reprised her role as Reno in a specially adapted livetelevision version of the musical, co-starringFrank Sinatra as the hero, now renamed Harry Dane; Merman's good friendBert Lahr (who had co-starred with her on Broadway inDuBarry Was a Lady) as Moonface Martin; andSheree North.^[59] This version was broadcast live on February 28, 1954, as an episode ofThe Colgate Comedy Hour, and has been preserved onkinescope.^{[citation needed]} It used five of the original songs plus several other Porter numbers and retained the shipboard setting, but it had a somewhat different plot.^[60] It has been reported that Merman and Sinatra did not get along well. This version was released on DVD in 2011.^[61]

In 1962, aNorwegian language television movie adaptation starringPer Asplin andAnita Thallaug aired as part of theNRK seriesLommeoperetten [no].^[62]

There are many popular cast recordings of the show, including:

• 1935 Original London cast
• 1936 Studio cast
• 1950 Studio recording withMary Martin
• 1953 Studio cast
• 1954 Television cast
• 1956 Film cast
• 1962 Off Broadway revival castHal Linden
• 1969 London revival castMarion Montgomery
• 1987 Broadway revival cast withPatti LuPone andHoward McGillin
• 1988 Studio cast withKim Criswell conducted byJohn McGlinn
• 1989 Australian revival cast
• 1989 London revival cast withElaine Paige
• 1995 Studio cast withLouise Gold
• 2003 London revival cast
• 2011 Broadway revival cast withSutton Foster

Wikiquote has quotations related toAnything Goes.

• https://anythinggoesmusical.co.uk/home
• ​Anything Goes​ (1934 original production) at theInternet Broadway Database
• ​Anything Goes(1962 production)​ at theInternet Off-Broadway Database (archived)
• ​Anything Goes​ (1987 production) at theInternet Broadway Database
• ​Anything Goes​ (2002 concert production) at theInternet Broadway Database
• ​Anything Goes​ (2011 production) at theInternet Broadway Database
• Tams-Witmark listing for 1987 production
• Tams-Witmark listing for 1962 production
• Anything Goes 1962 Broadway revival cast recording album on Masterworks Broadway
• ​1934 original production​ at thePlaybill Vault (archive)
• ​1987 revival​ at thePlaybill Vault (archive)
• ​2011 revival​ at thePlaybill Vault (archive)

• 1934 musicals
• Broadway musicals
• Laurence Olivier Award–winning musicals
• Musicals by Cole Porter
• Musicals by Lindsay and Crouse
• Musicals by P. G. Wodehouse
• Musicals by Guy Bolton
• Musicals set on ships
• Original musicals
• Tony Award–winning musicals
• West End musicals

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