Antoine Pevsner (30 January [O.S. 18 January] 1886 – 12 April 1962) was a Russian-born sculptor and the older brother of Alexii Pevsner andNaum Gabo. As the originators ofConstructivism and pioneers ofkinetic art, the brothers are considered pioneers of twentieth-century sculpture. They made numerous prominent pieces, for instance Antoine's widely known sculptureThe Flight of the Bird, located at theGeneral Motors Technical Center in Warren, Michigan.[2]
Pevsner was born as Natan Borisovich Pevzner[3] inOryol, Russian Empire,[4] into a Jewish family. Among the originators of and having coined the term,Constructivism, and pioneers ofkinetic art, Pevsner and his brother Naum Gabo discovered a new use for metals and welding and made a new marriage of art and mathematics. Pevsner said:"Art must be inspiration controlled by mathematics. I have a need for peace, symphony, orchestration."[5] He was one of the first to use theblowtorch in sculpture, welding copper rods onto sculptural forms.[6] Along with his brother, Naum, he issued theRealist Manifesto in 1920,[3][7] which they hung on the city wall. This text preaches a complete departure from the reality beyond which the brothers sought to transcend.
He left the Soviet Union in 1923 and moved to Paris, where he would live for the rest of his life.[3] He began sculpting in 1923 and created assemblages in plastic, devising forms to give them colours through the interaction of components of the light spectrum.[8]
In 1931 he joined the Parisian art movementAbstraction-Creation and became a member, and from 1946 he was the organiser of theNew Realities exhibition salons.
Among the honors he received were a retrospective at theMuseum of Modern Art in Paris (1956-7) and theLegion of Honour (1961).[3]
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