The English word antagonist comes from theGreek ἀνταγωνιστής –antagonistēs, "opponent, competitor, villain, enemy, rival," which is derived fromanti- ("against") andagonizesthai ("to contend for a prize").[2][3]
The antagonist is commonly positioned against the protagonist and their world order.[4] While narratives often portray the protagonist as ahero and the antagonist as avillain, likeHarry Potter andLord Voldemort inHarry Potter, the antagonist does not always appear as the villain. In some narratives, likeLight Yagami andL inDeath Note, the protagonist is a villain and the antagonist is an opposing hero.
Antagonists are conventionally presented as making moral choices less savory than those of protagonists. This condition is often used by an author to create conflict within a story. This is merely a convention, however. An example in which this is reversed can be seen in the characterMacduff fromMacbeth, who is arguably morally correct in his desire to fight the tyrantMacbeth, the protagonist.
Characters may be antagonists without being evil – they may simply be injudicious and unlikeable for the audience. In some stories, such asThe Catcher in the Rye, almost every character other than the protagonist may be an antagonist.[5] Another example of this occurring is throughJavert inVictor Hugo'sLes Misérables, in which Javert displays no malicious intent, but instead represents the rigid and inflexible application of the law, even when it leads to moral and ethical dilemmas.
An antagonist is not always a person or people. In some cases, an antagonist may be a force, such as a tidal wave that destroys a city; a storm that causes havoc; or even a certain area's conditions that are the root cause of a problem. An antagonist may or may not create obstacles for the protagonist.[6]
Societal norms or other rules may also be antagonists.[5]
An antagonist is used as a plot device, to set up conflicts, obstacles, or challenges for the protagonist.[5][7] Though not every story requires an antagonist, it often is used in plays to increase the level of drama. In tragedies, antagonists are often the cause of the protagonist's main problem, or lead a group of characters against the protagonist; in comedies, they are usually responsible for involving the protagonist in comedic situations.[7]
AuthorJohn Truby argues that a true opponent not only wants to prevent the hero from achieving his desire but is competing with the hero for the same goal. According to John Truby, "It is only by competing for the same goal that the hero and the opponent are forced to come into direct conflict and to do so again and again throughout the story."[8]
^Gunderman, Hannah C. (May 2017). "Blurring the Protagonist/Antagonist Binary through a Geopolitics of Peace: Star Trek's Cardassians, Antagonists of the Alpha Quadrant".The Geographical Bulletin.58 (1):52–53.