Anne Bauchens | |
|---|---|
Bauchens on the set ofThe Affairs of Anatol (1921) | |
| Born | Roseanne Bauchens (1882-02-02)February 2, 1882 |
| Died | (1967-05-07)May 7, 1967 (aged 85) |
| Resting place | Hollywood Forever Cemetery |
| Awards | Academy Award for Best Film Editing 1940North West Mounted Police |
Anne Bauchens (February 2, 1882 – May 7, 1967)[1] was an Americanfilm editor who is remembered for hercollaboration over 40 years with the producer-directorCecil B. DeMille.
In 1935, she became the first female nominee for the newAcademy Award for Best Film Editing for her work inCleopatra, which was also nominated for Outstanding Production. In 1941, she was nominated a second time and won forNorth West Mounted Police (1940), DeMille's first three-strip Technicolor film. She received two more nominations, for the Best Picture winnerThe Greatest Show on Earth (1952) and the Best Picture nomineeThe Ten Commandments (1956), her last film.
In 1956, she received theAmerican Cinema Editors Achievement Award for "distinctive achievement in film editing and for outstanding contribution to the film industry over a period of years."[2]
OriginallyRoseanne Bauchens, she was born in St. Louis, Missouri, to Otto Bauchens and Louella McKee. She had a brother named Harry. She never married.
Bauchens was trained as an editor by DeMille,[3] and shared her first credit with him on the filmCarmen (1915). Prior to 1918, DeMille had edited, as well as directed, his films.[4] AfterCarmen andWe Can't Have Everything (1918), Bauchens no longer shared the editing credits with DeMille. She edited DeMille's films for the rest of their long careers, through the filmThe Ten Commandments (1956).
When theAcademy Award for Best Film Editing was created in 1934, Bauchens received one of the three nominations for her editing ofCleopatra. She later won the Academy Award forNorth West Mounted Police (1940) and became the first woman to win the Oscar in that category. She was nominated for the Academy Award for Film Editing again twice, first forThe Greatest Show on Earth (1952) and then forThe Ten Commandments (1956). In total, Bauchens is credited with editing on 43 films directed by DeMille and on 20 films with other directors.[5]
In a 1947 newspaper article, Bauchens talked about some of the films she worked on. She said she got her "biggest thrill" fromthe 1923 version ofThe Ten Commandments; she considered it her most difficult assignment because DeMille had 16 cameras and shot enough footage for ten films.[6] DeMille thought the Red Sea sequence was too long, but Bauchens convinced him to leave it as it was.[6] She also said she got her "deepest emotional feeling" fromThe King of Kings (1927), and believed thatUnconquered (1947) was DeMille's best frontier film.[6]
In 1956, Bauchens described DeMille as "actually two men in one, all business and strict when he works, and a magnificently gracious and easy host when at leisure. He is a man whose judgment you respect, who knows what he wants, who has temperament and fire but is courteous and who can tell a story better than anyone else."[7]
In his autobiography, DeMille wrote:
I have seen unedited film, played by good actors, directed by a good director from a well-written script, utterly confusing and even meaningless on the screen, until it had passed through the hands of a skilled editor—one like Annie Bauchens.
"Annie B." has edited every one of my pictures since I madeWe Can't Have Everything in 1918. She will edit every one the Lord gives us time to make in the future. I believe she is the only film editor whose name is written into a producer's contract. […] In every contract I sign to produce a picture one essential clause is that Anne Bauchens will be its editor. That is not sentiment, or at least not only sentiment. She is still the best film editor I know.[8]
NOTE: Some films were released/premiered at the end of a given year, but not copyrighted until the beginning of the following year. The sources themselves are inconsistent as to which date they applied to a given film. Either date might be used in the title of its corresponding Wikipedia article.
| Year | Title | Notes (as editor unless otherwise noted) | Ref(s) |
|---|---|---|---|
| 1915 | Carmen | Paramount Pictures | [9] |
| 1918 | The Squaw Man | Famous Players Lasky Editor and director | [10] |
| 1918 | We Can't Have Everything | Famous Players Lasky | [11] |
| 1918 | Till I Come Back to You | Famous Players Lasky | [12] |
| 1919 | For Better, for Worse | Famous Players Lasky | [13] |
| 1919 | Male and Female | Famous Players Lasky | [14] |
| 1919 | Don't Change Your Husband | Famous Players Lasky | [15] |
| 1920 | Why Change Your Wife? | Famous Players Lasky | [16] |
| 1920 | Something to Think About | Famous Players Lasky | [17] |
| 1921 | Forbidden Fruit | Famous Players Lasky | [18] |
| 1921 | The Affairs of Anatol | Famous Players Lasky | [19] |
| 1922 | Saturday Night | Famous Players Lasky | [20] |
| 1922 | Fool's Paradise | Famous Players Lasky | [21] |
| 1922 | Manslaughter | Famous Players Lasky | [22] |
| 1923 | Adam's Rib | Famous Players Lasky | [23] |
| 1923 | The Ten Commandments | Famous Players Lasky | [24] |
| 1924 | Feet of Clay | Famous Players Lasky | [25] |
| 1924 | Triumph | Famous Players Lasky | [26] |
| 1925 | The Golden Bed | Famous Players Lasky | [27] |
| 1925 | The Road to Yesterday | De Mille Pictures Corp. | [28] |
| 1926 | The Volga Boatman | Cecil De Mille Pictures Corp. | [29] |
| 1927 | The King of Kings | De Mille Pictures Corp. | [30] |
| 1928 | Chicago | De Mille Pictures Corp. Copyright and release 1928 | [31] |
| 1928 | Craig's Wife | Pathé Exchange | [32] |
| 1929 | Dynamite | MGM | [33] |
| 1929 | The Godless Girl | De Mille Pictures Corp. | [34] |
| 1929 | Ned McCobb's Daughter | Pathé Exchange Copyright November 1928; release January 1929 | [32] |
| 1929 | Noisy Neighbors | Pathé Exchange | [35] |
| 1930 | Lord Byron of Broadway | MGM | [36] |
| 1930 | Madam Satan | MGM | [37] |
| 1930 | This Mad World | MGM | [38] |
| 1931 | The Squaw Man | MGM | [39] |
| 1931 | Guilty Hands | MGM | [40] |
| 1932 | The Wet Parade | MGM | [41] |
| 1932 | The Beast of the City | MGM | [42] |
| 1932 | The Sign of the Cross | Paramount Pictures | [43] |
| 1933 | Tonight Is Ours | Paramount Pictures | [44] |
| 1933 | This Day and Age | Paramount Pictures | [45] |
| 1934 | Menace | Paramount Pictures | [46] |
| 1934 | Four Frightened People | Paramount Pictures | [47] |
| 1934 | Cleopatra | Paramount Pictures | [48] |
| 1935 | The Crusades | Paramount Pictures | [49] |
| 1936 | The Plainsman | Paramount Pictures Picture wrapped 1936, copyrighted January 1, 1937 | [50] |
| 1937 | This Way Please | Paramount Pictures | [51] |
| 1938 | The Buccaneer | Paramount Pictures | [52] |
| 1938 | Bulldog Drummond in Africa | Paramount Pictures | [53] |
| 1938 | Sons of the Legion | Paramount Pictures | [54] |
| 1938 | Hunted Men | Paramount Pictures | [55] |
| 1939 | Television Spy | Paramount Pictures | [56] |
| 1939 | Union Pacific | Paramount Pictures | [57] |
| 1940 | North West Mounted Police | Paramount Pictures Bauchens won the Academy Award for film editing | [58] |
| 1940 | Women Without Names | Paramount Pictures | [59] |
| 1942 | Mrs. Wiggs of the Cabbage Patch | Paramount Pictures | [60] |
| 1942 | Reap the Wild Wind | Paramount Pictures | [61] |
| 1942 | Commandos Strike at Dawn | Columbia Pictures Lester Cowan Productions, Inc. | [62] |
| 1944 | The Story of Dr. Wassell | Paramount Pictures | [63] |
| 1944 | Tomorrow, the World! | Lester Cowan Productions, Inc. | [64] |
| 1945 | Love Letters | Hal Wallis Productions, Inc. Paramount Pictures | [65] |
| 1946 | Our Hearts Were Growing Up | Paramount Pictures | [66] |
| 1948 | Unconquered | Paramount Pictures Copyrighted November 4, 1947; released February 4, 1948 | [67] |
| 1949 | Samson and Delilah | Paramount Pictures | [68] |
| 1952 | The Greatest Show on Earth | Paramount Pictures | [69] |
| 1956 | The Ten Commandments | Paramount Pictures | [70] |