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Annamacharya

From Wikipedia, the free encyclopedia
Indian musician and composer (1408–1503)
"Annamayya" redirects here. For the 1997 film, seeAnnamayya (film).

Tallapaka Annamacharya
తాళ్లపాక అన్నమాచార్య
A statue of Annamacharya at Dwaraka Tirumala, in Andhra Pradesh, India
A statue of Annamacharya atDwaraka Tirumala, in Andhra Pradesh, India
Background information
Also known asAnnamayya,
Pada Kavitha Pitaamahudu
Born(1408-05-09)9 May 1408
Died23 February 1503(1503-02-23) (aged 94)
GenresCarnatic
Occupationssaint, poet, composer, writer
InstrumentTambura
Musical artist

Tallapaka Annamacharya (Telugu:తాళ్ళపాక అన్నమాచార్య,romanizedTāḷḷapāka Annamācārya; 9 May 1408 – 23 February 1503), also popularly known asAnnamayya, born in Thallapaka, Rajampeta (now Rajampeta Town) was aTelugu musician, composer, andHindu saint. He is the earliest known Indian musician to compose songs calledsaṁkīrtanas. His devotionalsaṁkīrtanas were in the praise ofLord Venkateswara, a form ofLord Vishnu.

Annamayya is said to have composed as many as 32,000saṁkīrtanas in the praise of Venkateswara, of which only about 14,904 are available today. He wrote the mostkīrtanas in the praise of Lord Vishnu of all time.[1] Themusical form of thekīrtana songs that he composed, which are still popular amongCarnatic music concert artists,[2] have strongly influenced the structure of Carnatic music compositions.[3] His compositions are classified as Adhyatma (spiritual) and Sringara (romantic). Annamacharya is remembered for his saintly life, as one of the greatest musicians and is honoured as a great devotee of Vishnu by devotees and saintly singers.[4] He was one of the first few who opposed the social stigma towards theuntouchable castes in his era.

ఇది కళ్యాణవేంకటేశ్వర ఆలయమునందు తీసింది
తాళ్లపాక అన్నమాచార్యులు

He is believed to have been theavatar ofNandaka, the sword ofVishnu. He is widely regarded as theĀndhra Pāḍākavita Mahāpita (Telugu:ఆంధ్ర పదకవితాపితమహుడు.), which means the "grandfather of Telugu songwriting."[1]

Personal life

[edit]

Tallapaka Annamacharya was born on Vaishakha Shuddha Pournami in the year Sarwadhari (22 May 1408) inTallapaka, NearRajampet Mandalam, a village in present-dayAnnamayya district ofAndhra Pradesh, India.[5] Even though his parents belonged to theNandavarika Niyogi Brahmin community ofSmarta tradition, he was givenSamashrayana initiation by Ghana-Vishnu, and became aVaishnava of theRamanujaSri Vaishnava Sampradaya tradition.[6][7][8] He decided to go toAhobilam in order to receive instructions from Satakopa Swami, the founder ofAhobila Matha. He spent many years in Ahobilam where he acquired the knowledge ofNaalayira Divya Prabandham and the philosophy ofVisistadvaita. His wife,Timmakka,[9] had writtenSubhadra Kalyanam, and is considered the first female poet inTelugu literature. Their son, Pedda Tirumalacharya, and grandson, Tallapaka Chinnayya, were also composers and poets. The Tallapaka compositions are considered to have dominated and influenced the structure ofCarnatic music compositions.[3] Annamacharya lived for 95 years until Phalguna Bahula (Krishna) Dvadashi (the twelfth day after the full moon) in the year Dhundhubhi (4 April 1503).

A statue of Tallapaka Annamacharya situated at the Sarada River Park in Anakapalle, Andhra Pradesh.

Literary career

[edit]
10-story tall statue of Sri Tallapaka Annamacharya located at the entrance of Tallapaka.

Annamayya is said to have composed as many as 32,000samkirtanas (songs) on the praise of Venkateswara of which only about 12,000 are available today. He is also the author of musical treatise called"Saṁkīrtana Lakṣaṇamu".[1]

Annamayya considered his compositions as floral offerings to Venkateswara. In the poems, he praises the deity, describes his love for him, argues and quarrels with the deity, confesses the devotee's failures and apprehensions, and surrenders himself to Venkateswara. His songs are classified into the Adhyatma (spiritual) and Shringara (romantic)samkirtanas genres. His songs in the "Sringara" genre worship Venkateswara by describing the romantic adventures ofVenkateswara and his consortAlamelu, while others describe thebhakti of his devotees.

In his later Samkeertanas, he espouses subjects such asmorality,dharma andrighteousness. He was one of the first few who opposed the social stigma towards theuntouchable castes in his era,[10] with his samkirtanas explaining that the relationship between God and humans is the same irrespective of the latter's colour, caste and financial status, in his songs "Brahmaṃ Okkatē Paraḥbrahmamokkatē" and "ē kulajuḍainanēmi evvaḍainanēmi". His prodigious literary career earned him a place among the all-time greats ofTelugu literature.[11]

Legacy

[edit]
2004 Indian stamp of Annamacharya

While he enjoyed popularity in his days, his compositions were forgotten for over three centuries. Mentioned in 1849,[12] they were later found engraved on copper plates, hidden for centuries inside theVenkateswara temple atTirumala, just opposite the Hundi, concealed in a very small room. An English translation of 150 of these verses was published in 2005.[13]

Tirumala Tirupati Devasthanams, also known as TTD, has been endeavouring to preserve the rich heritage of his compositions. In the year 1950, The State Government of Andhra Pradesh created a committee and appointed the musician lateDr. M. Balamuralikrishna as its head. He set music to over 800 compositions of Annamacharya. He was theĀsthāna Gāyaka of the Tirumala temple at Tirupati for two decades. He is regarded as a legend for rendering devotional music in classical style, especially the Annamacharya Sankirtanas.[citation needed] He was also an acclaimed poet, singer, and musicologist. In 1979, the singer Smt.M. S. Subbulakshmi's album Balaji Pancharatna Mala came up with Annamacharya samkeerthanas like Vande Vasudevam, Bhavamulona, Sriman Narayana and many more.[citation needed]

Shobha Raju is the first recipient of the Tirumala Tirupati Devasthanams scholarship in 1976 to study and set a trend for the propagation of Annamacharya's compositions, and was also chosen as the first exclusive artiste for the propagation of Tallapaka's compositions in 1978. Her first audio album, "Vēnkatēśvara Gīta Mālika" is globally popular among the Telugu community. She is the founder of Annamacharya Bhavana Vahini (ABV) in 1983, which is located in Hyderabad, India. She has been awardedPadmashri by the Government of India, in 2010 in recognition of her efforts to promote Annamayya Compositions.Garimella Balakrishna Prasad, a Carnatic music exponent and the Asthana Vidwan ofTirumala Tirupati Devasthanams has set tune to more than six hundred songs written by Annamacharya, gave audio recordings for TTD, published books with musical notations and conducted classes, teaching the songs to make them more popular.[citation needed]

In 1994, reputed Bharathanatyam artist Parvathi Ravi Ghantasala, also the daughter-in-law of the singer Ghantasala Venkateswara Rao, for the first time produced and presented a mammoth dance production as a tribute to the divine composer titled "Annamaiyah". Rare and popular songs were woven into a story format and music by stalwarts was set to action. This production was inaugurated by the former President of IndiaR. Venkatraman and Bharat Ratna-winning singerM. S. Subbulakshmi and later that year for the Tirumala Brahmotsavam. In 2009, a DVD of the production was launched which included several places visited by the saint himself.[citation needed]

ATelugu film namedAnnamayya was made on him byK. Raghavendra Rao in 1997. It starredNagarjuna in the lead role as Annamacharya and also featuredSuman as Venkateswara andBhanupriya as Goddess Padmavati in important roles.[citation needed]

In 2017, one of Annamayya's compositions, Brahmam Okate, became a YouTube sensation. As of early 2019, this video alone (produced byKuldeep M. Pai) has garnered over 11 million views and made the child singers Sooryagayathri andRahul Vellal household names for their flawless rendering of the classic keerthana. Professional singersP. Unnikrishnan[14] andSreeranjini Kodampally[15] have their performances of the composition on YouTube.

Famous compositions

[edit]

This is a partial list of some of the most famous Tallapaka Annamacharya compositions.

CompositionRāgaTālaMusic Set ByLanguageNotes
Adivō Alladivō Śriharivāsamu
అదివో అల్లదివో శ్రీహరివాసము
MadhyamavatiAdiDr. Shobha RajuTelugu
Alara Cañcalamaina Ātmalanduṇḍa
అలర చంచలమైన ఆత్మలందుండ
Rāga mālikakhanDa cApuGarimella Balakrishna PrasadTelugu[16]
Alarulu Kuriyaga Āḍinadē
అలరులు కురియగ ఆడినదే
SankarabharanamRallapalli Ananta Krishna SharmaTelugu
Anni Mantramulu Indē Āvahiñcenū
అన్ని మంత్రములు ఇందే ఆవహించెనూ
AmritavarshiniTelugu[17]
Antarangameḷḷa Srihariki
అంతరంగమెళ్ళ శ్రీహరికి
Adi (Tisra Nadaka)Nedunuri KrishnamurthyTelugu
Antaryāmi Alasiti Solasiti
అంతర్యామి అలసితి సొలసితి
ShivaranjaniTelugu
Bhāvayāmi Gōpālabālaṁ Manassēvitaṁ
భావయామి గోపాలబాలం మనస్సేవితం
Yamunā KaḷyāṇiKhanda ChapuKadayanallur VenkataramanSanskrit[18]
Bhāvamulōna Bāhyamunandunu
భావములోన బాహ్యమునందును
Śuddha DhanyasiAdiNedunuri KrishnamurthyTelugu[19]
Brahma Kaḍigina Pādamu
బ్రహ్మ కడిగిన పాదము
MukhāriAdiRallapalli Ananta Krishna SharmaTelugu
Brahmaṁ Okaṭē

బ్రహ్మం ఒకటే

BowliAdiDr. Shobha RajuTeluguTatva Prabōdha Kīrtana
Cakkani Talliki Chāṅgubhaḷā
చక్కని తల్లికి ఛాంగుభళా
Telugu
Cāladā Harināma Saukhyāmr̥tamu
చాలదా హరినామ సౌఖ్యామృతము
Telugu
Cēri Yaśōdaku Śiśuvitan̆ḍu
చేరి యశోదకు శిశువితఁడు
MohanamAdiTelugu
Candamāma Rāve Jābilli Rāve
చందమామ రావే జాబిల్లి రావే
Telugu
Dēvadēvaṁ Bhajē Divya Prabhāvaṁ
దేవదేవం భజే దివ్య ప్రభావం
HindolamKhanda ChapuSripada PinakapaniSanskrit
Ḍōlāyāṁ Cala ḍōlāyāṁ
డోలాయాం చల డోలాయాం
KhamasThisra AdiTelugu
Ēmakō Ciguruṭadharamuna Eḍaneḍakastūri Niṇḍenu
ఏమకో చిగురుటధరమున ఎడనెడకస్తూరి నిండెను
Telugu
Ē Purāṇamuna Enta Vedakinā
ఏ పురాణమున ఎంత వెదకినా
Telugu
Govindāśrita Gōkula Br̥ndā
గోవిందాశ్రిత గోకుల బృందా
MadhuvantiTelugu
Harināmame Kaḍu Ānandakaramu
హరినామమే కడు ఆనందకరము
JonpuriTelugu
Indariki Abhayammuliccu Cēyi
ఇందరికి అభయమ్ములిచ్చు చేయి
Telugu
Ippuḍiṭu Kalagaṇṭi
ఇప్పుడిటు కలగంటి
Telugu
Itarulaku Ninneruga Taramā
ఇతరులకు నిన్నెరుగ తరమా
Telugu
Jō Acyutānanda Jō Jō Mukundā
జో అచ్యుతానంద జో జో ముకుందా
NavrojTelugu[20]
Kaṇṭi Śukravāramu Gaḍiyalēḍiṇṭa
కంటి శుక్రవారము గడియలేడింట
Telugu[21]
Koṁḍalalō Nelakonna Kōnēṭi Rāyaḍu Vāḍu
కొండలలో నెలకొన్న కోనేటి రాయడు వాడు
HindolamTelugu
Kṣīrābdi Kanyakaku Śrīmahālakṣmikini
క్షీరాబ్ది కన్యకకు శ్రీమహాలక్ష్మికిని
Kurinji(raga)Khanda ChapuTelugu
Kulukaka Naḍavarō Kommalārā
కులుకక నడవరో కొమ్మలారా
AtanaAdiTelugu[22]
Mādhava Kēśava Madhusūdhana
మాధవ కేశవ మధుసూదన
KapiAdiSanskrit
Mēdini Jīvula Gāva Mēlukōvayyā
మీదిని జీవుల గావ మేలుకోవయ్యా
Telugu
Muddugārē Yaśōda Muṅgiṭa Mutayamu Vīḍu
ముద్దుగారే యశోద ముంగిట ముత్యము వీడు
KuranjiAdiNedunuri KrishnamurthyTelugu[23]
Mūsina Mutyālakēlē Moragulu
మూసిన ముత్యాలకేలే మొరగులు
Telugu
Nallani Mēni Nagavu Chūpulavāḍu
నల్లని మేని నగవు చూపులవాడు
Telugu
Namō Namō Raghukulanāyaka

నమో నమో రఘుకులనాయక

NattaiSanskrit
Nānāṭi Batuku Nāṭakamu
నానాటి బతుకు నాటకము
RēvatiAdiNedunuri KrishnamurthyTelugu
Nārāyaṇa Tē Namō Namō
నారాయణ తే నమో నమో
BihagAdi'Sanskrit
Neyyamullallō Nērēḷḷo Voyyana Ūreḍi Uvviḷḷō
నెయ్యములల్లో నేరేళ్ళో వొయ్యన ఊరెడి ఉవ్విళ్ళో
Telugu
Nityapūjalivivō Nericinānōhō
నిత్యపూజలివివో నేరిచినానోహో
Telugu[24]
Paluku Tēnelatalli Pavaḷiñcenu
పలుకు తేనెలతల్లి పవళించెను
Telugu
Poḍaganṭimayyā Mimmu Puruṣōttamā
పొడగంటిమయ్యా మిమ్ము పురుషోత్తమా
MohanamAdiTelugu
Śrimannārāyaṇā Śrimannārāyaṇā Nī Śrīpādamē Śaraṇu
శ్రీమన్నారాయణ శ్రీమన్నారాయణ నీ శ్రీపాదమే శరణు
BowliAdiTelugu
Rajīva Nētrāya Raghavāya Namō
రాజీవ నేత్రాయ రాఘవాయ నమో
MadhyamavathiKhanda ChapuK. J. YesudasSanskrit
Ramacandruḍitaḍu Raghuvīruḍu
రామచంద్రుడితడు రఘువీరుడు
Telugu
Siruta Navvulavāḍu Sinnakkā
సిరుత నవ్వులవాడు సిన్నక్కా
Telugu
Ṣōḍaśa Kaḷānidhiki Ṣōḍaśōpacāramulu
షోడశ కళానిధికి షోడశోపచారములు
Telugu
Tvamēva Śaraṇam
త్వమేవ శరణం
Telugu
Vandēhaṁ Jagadvallabhaṁ

వందేహం జగద్వల్లభం

HamsadhvaniKhanda ChapuSanskritIn praise ofVenkaṭēśvara
Vandē Vāsudēvaṁ Śrīpatiṁ
వందే వాసుదేవం శ్రీపతిం
SriKhanda ChapuSanskrit
Vēḍukondāmā Vēṅkaṭagiri Veṅkaṭēśvaruni Vēḍukondāmā
వేడుకొందామా వేంకటగిరి వేంకటేశ్వరుని వేడుకొందామా
Telugu
Vinnapālu Vinavale Vintavintalu
విన్నపాలు వినవలె వింతవింతలు
Telugu

అన్నమయ్య పాటలు (All Annamayya songs lyrics in Telugu Script)

See also

[edit]

References

[edit]
  1. ^abc"Life and Times of Sri Tallapaka Annamacharya". Svasa.org. Retrieved20 June 2013.
  2. ^Jackson (1999), p. 105.
  3. ^abJackson (1999), p. 216.
  4. ^Jackson (1999), p. 265.
  5. ^"Pension for Annamayya's descendants".The Hindu. Chennai, India. 23 May 2008. Archived fromthe original on 5 August 2012.
  6. ^The Illustrated Weekly of India, Volume 103, Issues 1-24. Bennett, Coleman & Company, Limited, at the Times of India Press. 1982. p. 30.Annamacharya became aVaishnava in the Ramanujacharya Sampradaya.
  7. ^William Joseph Jackson, ed. (1998).Songs of Three Great South Indian Saints. Oxford University Press. p. 36.ISBN 978-0-19-564655-9.
  8. ^Molugu, Pavithra; Pande, Rekha (2016)."Annamayya and His Contribution to the Bhakti Movement".Proceedings of the Indian History Congress.77:282–289.ISSN 2249-1937.
  9. ^"Annamacharya's 600th birth anniversary celebrated".The Hindu. Chennai, India. 6 April 2009. Archived fromthe original on 4 June 2011.
  10. ^"All are equal before God".The Hindu. Chennai, India. 14 July 2000. Archived fromthe original on 4 June 2011. Retrieved5 June 2013.
  11. ^"A classical touch to Annamayya kritis".The Hindu. Chennai, India. 5 February 2005. Archived fromthe original on 10 February 2005.
  12. ^Campbell, AD (1849).A grammar of the Telugu language (3 ed.). Hindu Press. p. xiii.
  13. ^Annamayya (2005).God on the Hill: Temple Poems from Tirupati. Translated by Velcheru Narayana Rao; David Shulman. Oxford University Press.ISBN 0-19-518284-7.
  14. ^Archived atGhostarchive and theWayback Machine:r2kkartik (3 July 2011),Brahmamokate Unnikrishnan, retrieved8 November 2018{{citation}}: CS1 maint: numeric names: authors list (link)
  15. ^Mathrubhumi Kappa TV (6 November 2018),Brahmam Okate - Sreeranjini Kodampally & Ralfin Stephen's Band - Music Mojo Season 6 - Kappa TV,archived from the original on 11 December 2021, retrieved8 November 2018
  16. ^"Alara chanchalamaina". Sahityam. 25 September 2009. Archived fromthe original on 17 March 2014. Retrieved20 June 2013.
  17. ^"Anni mantramulu". Sahityam. 7 November 2009. Archived fromthe original on 20 June 2013. Retrieved20 June 2013.
  18. ^"Bhavayami Gopalabalam". Sahityam. 6 July 2010. Archived fromthe original on 11 August 2013. Retrieved20 June 2013.
  19. ^"Bhavamulona bahyamunandunu". Sahityam. Archived fromthe original on 17 March 2014. Retrieved20 June 2013.
  20. ^"Jo achyutananda jo jo mukunda". Sahityam. 24 January 2012. Archived fromthe original on 27 May 2013. Retrieved20 June 2013.
  21. ^"Kanti sukravaramu". Sahityam. 9 June 2010. Archived fromthe original on 17 March 2014. Retrieved20 June 2013.
  22. ^"Kulukaka nadavaro". Sahityam. 19 October 2010. Archived fromthe original on 20 June 2013. Retrieved20 June 2013.
  23. ^"Muddugare yasoda". Sahityam. 2 October 2010. Archived fromthe original on 20 June 2013. Retrieved20 June 2013.
  24. ^"Nitya pujalivivO". Sahityam. 17 June 2010. Archived fromthe original on 20 June 2013. Retrieved20 June 2013.

Further reading

[edit]
  • Jackson, William. 'Religious and Devotional Music: Southern Area' (1999). InPorter, James; Rice, Timothy; Goertzon, Chris.The Garland Encyclopedia of World Music. New York & London: Taylor & Francis.

External links

[edit]
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