Ann Gilbert (néeTaylor; 30 January 1782 – 20 December 1866) was an English poet and literary critic. She gained lasting popularity in her youth as a writer of verse for children. In the years up to her marriage, she became an astringentliterary critic. However, she is best remembered as the elder sister and collaborator ofJane Taylor.
The Taylor sisters were part of an extensive literary family, daughters of theengraverIsaac Taylor of Ongar and the writerAnn Taylor.[1] Ann was born inIslington and lived with her family at first inLondon and later inLavenham,Suffolk, inColchester, and briefly inOngar. The sisters' father, Isaac Taylor, and her grandfather were both engravers. Her father later became an educational pioneer andIndependent minister, writing a number of instructional books for the young. Their mother, Mrs (Ann Martin) Taylor (1757–1830) wrote seven works of moral and religious advice in many respects liberal for their time, two of them fictionalized.
Isaac, brother of Ann and Jane, wrote as atheologian, but also as the inventor of a patentbeer tap. Their elder brotherCharles Taylor editedThe Literary Panorama, for which he wrote on topics from art to politics, and produced anonymously a massive annotated translation ofAugustin Calmet'sDictionary of the Bible. Their youngest brother Josiah was a publisher, chiefly of works on architecture and design.
The sisters and their authorship of various works have often been confused, usually to Jane's advantage. This is in part because their early works for children were published together and without attribution, but also because Jane, by dying young at the height of her powers, unwittingly attracted early posthumouseulogies, including what is almost ahagiography by her brother Isaac, and much of Ann's work came to be ascribed to Jane, a borrowing which, Ann ruefully remarked, she could ill afford and which Jane certainly did not require. It is true that Jane achieved much more than Ann as a writer of poetry for an adult readership – though Ann's poem "The Maniac's Song", published in theAssociate Minstrels (1810), was probably the finest short poem by either sister, and it has been postulated as an inspiration for Keats'sLa Belle Dame sans Merci (Lynette Felber: Ann Taylor's "The Maniac's Song": an unacknowledged source for Keats's "La Belle Dame sans Merci".[2]
However, Ann Taylor also deserves remembering as a writer ofprose, particularly for herautobiography and the many letters of hers that survive. Her style is strong and vivid, and when she was not too preoccupied with moral and religious themes, she tended, like her sister Jane, to pessimism about her own spiritual worth – it is often shot through with a pleasing and sometimes acerbic wit. The autobiography also provides detailed information on the life of what was a moderately prosperous dissenting family in the late 18th and early 19th centuries.
Ann Taylor's son, Josiah Gilbert, wrote:
"Two little poems – 'My Mother', and 'The Star', are perhaps, more frequently quoted than any. The first, a lyric of life, was by Ann, the second, of nature, by Jane; and they illustrate this difference between the sisters."[3]
Both poems attracted the compliment of frequent parody throughout the 19th century. The logicianAugustus De Morgan asserted (somewhat extravagantly) that Gilbert's mother wrote "one of the most beautiful lyrics in the English language, or any other language" and not knowing that Ann Gilbert was still alive, called uponTennyson to supply a less heterodox version of the final stanza, which seemed to de Morgan unworthy of the rest.[3]
Original Poems for Infant Minds by several young persons (by Ann and Jane, Adelaide O'Keeffe, and others) was first issued in 1804, and when it proved successful, a second volume followed in 1805.Adelaide O'Keeffe authored over 30 of the poems in the collection, though she has rarely received full credit for this. Ann Taylor's verse "My Mother" became a sentimental favourite. It was republished throughout the 19th century and was still being memorized as a standard recital work into the mid-20th century. Donelle Ruwe traces the publishing history of "My Mother," beginning in 1807 when the poem was first published as a stand-alone, single-volume work. The 1807 "My Mother" featured illustrations byPeltro Williams Tomkins.[4] While Tomkins was inspired by the attitudes ofLady Emma Hamilton, later illustrators of "My Mother," such asWalter Crane in 1873,[5] reflected changing ideologies of motherhood as well as the artistic style of theArts and Crafts Movement.[6] Other poems of hers fromOriginal Poems for Infant Minds are also significant. Ruwe identifies Ann's "The Hand-Post" as an interesting example of the clash between Romantic-era Gothic literature for adults and the different expectations of children's texts. As Ruwe notes in an essay, "The Rational Gothic," it manages to tell a Gothic tale – of a boy terrified by a ghostly hand-post – but concludes with a series of moral lessons about the importance of checking for evidence instead of bowing to irrational fears.[7]
Ann and Jane Taylor'sRhymes for the Nursery followed in 1806, andHymns for Infant Minds in 1808. InOriginal Poems for Infant Minds the authors were identified for each poem, which inRhymes for the Nursery (1806) they were not. Attributions for their poems can be found in an exceptional resource:The Taylors of Ongar: An Analytical Bio-Bibliography by Christina Duff Stewart.[8] Stewart cites a copy ofRhymes for the Nursery belonging to a nephew, Canon Isaac Taylor, annotated to show the respective authorship of Ann and Jane. Stewart also confirms attributions inOriginal Poems based on publisher's records.
On 24 December 1813, Ann marriedJoseph Gilbert, an Independent (laterCongregational) minister and theologian, and left Ongar for a new home far from her family, atMasborough nearRotherham. A widower of 33, Gilbert had proposed to Ann before he even met her, forming a sound estimate of her character and intelligence from her writings, particularly as a trenchant critic inThe Eclectic Review. Gilbert was at the time of their marriage the classics tutor atRotherham Independent College – the nearest body to a university open toDissenters at that time – and simultaneously pastor of the Nether Chapel inSheffield. In 1817, he moved to the pastorate of the Fish Street Chapel inHull, and then in 1825 toNottingham, serving in chapels there for the rest of his life.
While busy with the duties of wife and later mother, Ann Gilbert managed to write further poems, hymns, essays and letters. Her interest in public matters such asatheism, prison reform and the anti-slavery movement often spurred her, and the results found a way into print. Oddly for one of independence of mind and strongly held, usually liberal opinions, she was firmly opposed tofemale suffrage.
After Gilbert died on 12 December 1852, Ann wrote a memoir of him.[9] Nor did she spend the rest of her long life in retirement. While actively supporting the members of her large family through visits and a stream of letters – family was always of central concern to the Taylors – she travelled widely in Britain, taking in her stride as an old lady travelling conditions that might have daunted one much younger. She died on 20 December 1866 and was buried next to her husband inNottingham General Cemetery, although the inscription recording this on the vast Gothicsarcophagus has disappeared.
| International | |
|---|---|
| National | |
| Academics | |
| Artists | |
| People | |
| Other | |
