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Anma

From Wikipedia, the free encyclopedia
Japanese massage

A photograph of a typicalMeiji-eraanma
A blind practitioner and a woman. As well as musicians, theanma practitioners were the popular occupation of the blind till the establishment of deaf and blind institutes opened in the 1870s, which granted them wider fields of employment.

Anma (Japanese:) is a practice of traditional Japanesemassage; the word also refers to practitioners of that art. Modernshiatsu is largely derived fromanma.

History

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Anma is thought to be of Chinese origin, developing fromTui Na.Tui Na techniques arrived in Japan during theNara period (710–793 CE), along with other techniques oftraditional Chinese medicine, and were practiced in government-sponsored hospitals.Anma as a unique system was founded in 1320 by Akashi Kan Ichi.[1][2]

The cover ofAnma Tebiki

Anma was popularised in the seventeenth century by acupuncturistSugiyama Waichi, and around the same time the first books on the subject, including Fujibayashi Ryōhaku's (藤林良伯)Anma Tebiki (按摩手引 "Manual of Anma"), appeared.[3] The Fujibayashi school is the foundation of modern anma.[4]Anma (masseurs) were often nomadic, earning their keep in mobile massage capacities, and paying commissions to their referrers. In the nineteenth century, the image ofanma suffered somewhat from an association with theukiyo lifestyle of urban Japan, and it was subsequently less well-regarded as a therapy.[5]

During theMeiji period, the appearance of Western medicine reducedanma's prominence still further. Many of its techniques were subsumed into shiatsu andWestern massage practices, although research intoanma for medical purposes continues at Tokyo Kyoiku University.[3]Anma is still practiced independently of shiatsu in Japan, with practitioners being certified by the health board of their local prefecture.[6]

Blind practitioners

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Since Sugiyama's time,anma has been strongly associated with the blind.[7] Sugiyama, blind himself, established a number of medical schools for the blind which taught this practice. During theTokugawa period, edicts were passed which made the practice ofanma solely the preserve of the blind – sighted people were prohibited from practicing the art.[1] As a result, the "blindanma" has become a popular trope in Japanese culture.[8] This has continued into the modern era, with a large proportion of the Japanese blind community continuing to work in the profession.[9]

During theoccupation of Japan by the Allies afterWorld War II, the practice ofanma was banned (along with other aspects of traditional Japanese culture) byGeneral MacArthur. The ban prevented a large proportion of Japan's blind community from earning a living. Writer and advocate for blind rightsHelen Keller, on being made aware of the prohibition, interceded with the United States government; at her urging, the ban was rescinded.[10]

In recent years the fictional character ofZatoichi, the blind swordsman, has brought the concept of the "blindanma" into the public eye in the West.[11] Blindanma are also commonly used to comedic effect inJapanese cinema.

Techniques

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Anma practices uses common massage techniques such as kneading, rubbing, tapping and shaking. These activities are directed at specificvital points andmeridians on the body.[3] The seven traditional techniques are: pressing/stroking, grasping/kneading, strengthening, compressing, vibrating, tapping and "hand music". In addition, methods of abdominal palpitation (按腹anpuku), developed by Shinsai Ota in the seventeenth century, are used.[12][13] It is considered quite a vigorous form of massage, with gripping movements intended to increase blood flow to the muscles and deep tissues, and forcefulacupressure techniques applied with the knuckles. The treatment is usually performed through the clothing, rather than directly on the skin.[14]

References

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  1. ^abJōya, Moku (1985).Mock Jōya's Things Japanese. p. 55.{{cite book}}:|work= ignored (help)
  2. ^Fu ren da xue (Beijing, China). Ren lei xue bo wu guan; S.V.D. Research Institute; Society of the Divine Word (1962).Folklore studies. p. 235.
  3. ^abcKaneko, Dr. DoAnn T. (2006).Shiatsu Anma Therapy. HMAUCHI.ISBN 9780977212804.
  4. ^Louis Frédéric (2002).Japan Encyclopedia. Harvard University Press. pp. 28–29.ISBN 978-0-674-01753-5.
  5. ^Micozzi, Marc S. (2001).Fundamentals of complementary and alternative medicine. Churchill Livingstone. p. 120.ISBN 9780443065767.
  6. ^Liza Crihfield Dalby (1984).All-Japan: the catalogue of everything Japanese. Morrow. p. 132.ISBN 978-0-688-02530-4. Retrieved11 May 2012.
  7. ^Young, Jacqueline (2007).Complementary Medicine For Dummies. John Wiley & Sons. p. 99.ISBN 9780470519684.
  8. ^Beresford-Cooke, Carola (2010).Shiatsu Theory and Practice. Elsevier Health Sciences.ISBN 9780080982472.
  9. ^American Foundation for the Blind (1973). "The New outlook for the blind".67: 178.{{cite journal}}:Cite journal requires|journal= (help)
  10. ^Beresford-Cooke, Carola (2003).Shiatsu Theory and Practice: A Comprehensive Text for the Student and Professional. Elsevier Health Sciences. p. 2.ISBN 9780443070594.
  11. ^David West (26 December 2006).Chasing Dragons: An Introduction to the Martial Arts Film. I.B.Tauris. pp. 33–.ISBN 978-1-85043-982-0. Retrieved11 May 2012.
  12. ^Kiiko Matsumoto; Stephen Birch (1988).Hara Diagnosis: Reflections on the Sea. Paradigm Publications. p. 315.ISBN 978-0-912111-13-1.
  13. ^Carl Dubitsky (1997).Bodywork Shiatsu: Bringing the Art of Finger Pressure to the Massage Table. Inner Traditions * Bear & Company. p. 7.ISBN 978-0-89281-526-5.
  14. ^Jacqueline Young (2007).Complementary Medicine For Dummies. John Wiley & Sons. p. 99.ISBN 978-0-470-51968-4.

External links

[edit]
Types ofmassage
Authority control databases: NationalEdit this at Wikidata
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