| Animal Man | |
|---|---|
 Cover toAnimal Man (volume 1) #1 byBrian Bolland. | |
| Publication information | |
| Publisher | DC Comics Vertigo |
| Schedule | Monthly |
| Format | Ongoing series |
| Genre | Superherohorror |
| Publication date | (vol. 1) September1988 – November1995 (vol. 2) September2011 – March2014 |
| No. of issues | (vol. 1): 89 and 1 Annual (vol. 2): 30 (#1–29 plus issue numbered 0) and 2 Annuals |
| Main character | Animal Man |
| Creative team | |
| Created by | Grant Morrison Chas Truog |
Animal Man is asuperherohorrorcomic book series published byDC Comics starring thesuperheroAnimal Man. The series is best known for the run by writerGrant Morrison from issue #1 to #26 with penciller Chas Truog, who stayed on the series until #32.
Animal Man was innovative in its advocacy and for its use of themes includingsocial consciousness (with a focus onanimal rights),metaphysics,deconstruction of thesuperhero genre and comic book form,postmodernism, eccentricplot twists, explorations of cosmicspirituality andmysticism, the determination of apparentfree will by ahigher power, and manipulation ofreality includingquantum physics,unified field theory, time travel andmetafictional technique. The series is well-known for its frequentlypsychedelic and "off-the-wall" content.[1]
A majority of the series' cover art was done byBrian Bolland, often portraying intentionally unusual or shocking imagery with no text blurbs.
Grant Morrison would return to the character Animal Man in52.
Although the series was initially conceived as a four-issuelimited series, it was upgraded into an ongoing series following strong sales.
The series was released in DC's high-quality New Format, and was published without theComics Code Authority seal of approval. When DC launched itsVertigo imprint in 1993,Animal Man was moved to the imprint beginning with issue #57.[1]
Grant Morrison developed several long-running plots, introducing mysteries, some of which were not explained until a year or two later. The title featured the protagonist both in and—increasingly—out of costume. Morrison made the title character aneveryman figure living in a universe populated by superheroes, aliens, and fantastic technology. Buddy's wife Ellen, his son Cliff (9 years old at the beginning of the series), and his daughter Maxine (5 years old) featured prominently in most storylines, and his relationship with them as husband and father was an ongoing theme.
The series championedvegetarianism andanimal rights, causes Morrison supported. In one issue, Buddy helps a band of self-confessed eco-terrorists save a pod ofdolphins. Enraged at afisherman's brutality, Buddy drops him into the ocean, intending for him to drown. The man is saved by a dolphin.
Buddy fought several menaces, such as an ancient, murderous spirit that was hunting him; brutal, murderous alien Thanagarian warriors; and even the easily defeated red robots of an elderly villain who was tired of life. The series made deep, sometimes esoteric, reference to the entire DC canon, includingB'wana Beast,Mirror Master, andArkham Asylum.
Following Morrison's run,Peter Milligan wrote a 6-issue story (#27–32) featuring several surreal villains and heroes, exploring questions about identity andquantum physics and utilizing the textualcut-up technique popularized byWilliam S. Burroughs.
Tom Veitch andSteve Dillon then took over for 18 issues (#33–50) in which Buddy returns to his work as a moviestuntman and explores mysticaltotemic aspects of his powers.
Jamie Delano wrote 29 issues (#51–79) withSteve Pugh as artist, giving the series a morehorror-influenced feel with a "suggested for mature readers" label on the cover.
After Jamie Delano's first six issues, wherein, among other things, he killed off the central character of Buddy Baker, created the "Red" and resurrected Buddy as an "animal avatar" (analogous to the "Green" ofSwamp Thing), the series became one of the charter titles of DC's new mature readersVertigo imprint with #57, and its ties to theDC Universe became more tenuous. Vertigo was establishing itself as a distinct "mini-universe" with its own continuity, only occasionally interacting with the continuity of the regular DC Universe. The title evolved into a more horror-themed book, with Buddy eventually shapeshifting into a non-human animal god. The superhero elements of the book were largely removed — since Buddy was reborn as a kind of animal elemental, and legally deceased, he discarded his costume, stopped associating with other heroes, and generally abandoned his crime-fighting role. He co-founded the Life Power Church of Maxine to further an environmentalist message, drifting alongU.S. Route 66 to settle in Montana. Delano's final issue was #79, culminating in Buddy dying several more times.
Between issues #66 and #67, Delano also penned theAnimal Man Annual #1, focusing on Buddy's daughter Maxine. It was the third part of Vertigo's attempt to create a crossover event titled "The Children's Crusade". This event ran across the Annuals of the five then-Vertigo titles –Animal Man,Swamp Thing,Black Orchid,The Books of Magic andDoom Patrol – book-ended by twoChildren's Crusade issues co-written byNeil Gaiman, and starring hisDead Boy Detectives.
A brief run byJerry Prosser and Fred Harper (#80–89) featured a re-reborn Buddy as a white-hairedshamanistic figure before the series was canceled after the 89th issue due to declining sales.
In July 2009,DC Comics released a six-issue limited seriesThe Last Days of Animal Man byGerry Conway andChris Batista. The series takes place in the year 2024 and addresses a Buddy Baker who is losing both his family and his powers.
In September 2011,The New 52 rebooted DC's continuity, which included merging the Vertigo universe into DC's. In this new timeline, Animal Man is re-established for DC by the creative team of writerJeff Lemire and artistsTravel Foreman andDan Green.[2][3] The series follows Buddy and his family as his daughter Maxine begins to display powers of necromancy-based animal control.[4] Buddy is then forced to go on a journey to discover the source of this power and his own. He finds it in a life force known as the "Red", the animal counterpart to the "Green" fromSwamp Thing. Much like the Green, there have been multiple creatures chosen to represent the Red over the years; a few became evil and became part of what is known as the "Rot".[5] This led into a crossover betweenSwamp Thing andAnimal Man titled "Rotworld".
During their run on the title, Morrison consistently manipulated and deconstructed thefourth wall — the imaginary barrier separating the reader from the setting of the story which also extends to the characters and their creators. One visual expression of this theme was to present characters in a state of partial erasure — often juxtaposing the artist's pencil drafts with the finished art. Additionally, some characters become aware that they are being viewed by a vast audience, and are able to interact with the borders of thepanels on the page. The series notably contained overt references to the various Earths of the pre-Crisis DCMultiverse.
Issue #5, "The Coyote Gospel", features Crafty, a thinly disguised version ofWile E. Coyote.[1] Weary of the endless cycle of violence which he and his cartoon compatriots are subject to, Crafty appeals to his cartoonist creator. A bargain is struck: he can end the violence only by willingly being condemned to leave his cartoon world, entering Animal Man's "comic" world instead. The issue concludes with a series of "pull-back" shots beginning with a close-up of Crafty's bleeding body (and white blood), culminating with a panel depicting the cartoonist's immense hand, coloring Crafty's blood with red paint. The issue is partly a religiousallegory and partly a juxtaposition of the various layers of reality: cartoon to comic book, comic book to real life. It was nominated for anEisner Award forBest Single Issue.
The culmination of this self-referentiality is Animal Man's eventual discovery that all of the inhabitants of theDC Universe are fictional characters. He even meets Grant Morrison, the callous "god" who controls his life.
Buddy suffers a tragedy when his wife and children are brutally murdered while he is away on a case.[6] Buddy tracks down the killers to exact vengeance. His search leads him into a comic bookLimbo, a plane of residence for characters who are not actively written about. Animal Man ultimately confronts his writer in issue #26, and his family is restored to life, as Morrison cannot justify keeping them dead simply for the sake of "realism".[7]
Morrison also explains to Buddy that they write him as a vegetarian only because they are a vegetarian too, and every trait Baker possesses could be changed at a whim. Morrison said: "They might do the obvious and go for shock by turning you into ameat-eater". In issue #27, the first ofPeter Milligan's run, Buddy indeed bites into a horse.
Brian Bolland won the Eisner Award for Best Cover Artist in 1992 for his work onAnimal Man.[8] The series also earned several nominations in 1989, forBest Single Issue (#5), Best Writer (Grant Morrison), and Best Series.[9]
| Title | Material collected | Publication date | ISBN |
|---|---|---|---|
| Animal Man Vol. 1: Animal Man | Animal Man (vol. 1) #1–9 | July 1991 | 978-1563890055 |
| Animal Man Vol. 2: Origin of the Species | Animal Man (vol. 1) #10–17,Secret Origins #39 | July 1, 2002 | 978-1563898907 |
| Animal Man Vol. 3: Deus Ex Machina | Animal Man (vol. 1) #18–26 | November 1, 2003 | 978-1563899683 |
| Animal Man by Grant Morrison 30th Anniversary Deluxe Edition Book One | Animal Man (vol. 1) #1–13,Secret Origins #39 | December 12, 2018 | 978-1401285470 |
| Animal Man by Grant Morrison 30th Anniversary Deluxe Edition Book Two | Animal Man (vol. 1) #14-26 | September 2020 | 978-1779505507 |
| The Animal Man Omnibus | Animal Man (vol. 1) #1–26,Secret Origins #39 | August 6, 2013 | 978-1401238995 |
| Animal Man Vol. 4: Born to be Wild | Animal Man (vol. 1) #27–37 | February 26, 2013 | 978-1401238018 |
| Animal Man Vol. 5: The Meaning of Flesh | Animal Man (vol. 1) #38–50 | January 28, 2014 | 978-1401242848 |
| Animal Man Vol. 6: Flesh and Blood | Animal Man (vol. 1) #51–63 | July 15, 2014 | 978-1401246792 |
| Animal Man Vol. 7: Red Plague | Animal Man (vol. 1) #64–79,Annual #1 | January 20, 2015 | 978-1401251239 |
| Title | Material collected | Publication date | ISBN |
|---|---|---|---|
| Animal Man Vol. 1: The Hunt | Animal Man (vol. 2) #1–6 | May 8, 2012 | 978-1401235079 |
| Animal Man Vol. 2: Animal vs. Man | Animal Man (vol. 2) #0, 7–11,Annual #1 | January 15, 2013 | 978-1401238001 |
| Animal Man Vol. 3: Rotworld: The Red Kingdom | Animal Man (vol. 2) #12–19 andSwamp Thing (vol. 5) #12, 17 | September 10, 2013 | 978-1401242626 |
| Animal Man Vol. 4: Splinter Species | Animal Man (vol. 2) #20–23,Annual #2 | March 11, 2014 | 978-1401246440 |
| Animal Man Vol. 5: Evolve or Die | Animal Man (vol. 2) #24–29 | November 11, 2014 | 978-1401249946 |
| Animal Man by Jeff Lemire Omnibus | Animal Man (vol. 2) #0–29,Annual #1–2 andSwamp Thing (vol. 5) #12,17 | December 10, 2019 | 978-1401289416 |
| Title | Material collected | Publication date | ISBN |
|---|---|---|---|
| The Last Days of Animal Man | The Last Days of Animal Man #1–6 | March 9, 2010 | 978-1401226404 |