Angus Suttie | |
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| Born | 26 November 1946 Tealing, Scotland |
| Died | 17 June 1993 |
| Education | Camberwell School of Art, London |
| Known for | Pottery, teaching of art ceramics |
| Notes | |
Angus Suttie (26 November 1946 – 17 June 1993) was a studio potter and teacher of artceramics, most notably atMorley College, London. Suttie studied atCamberwell School of Art under Glennys Barton,Ewen Henderson andColin Pearson. This education promoted experimentation, rejecting theBernard Leach derived Anglo-oriental style which emphasisedwheel-throwing. Having studied together at Camberwell, Angus was invited bySara Radstone to share her studio space in South London; he and Radstone went on to exhibit together on several occasions, most notably in their two-person show at Contemporary Applied Arts in London's Covent Garden.[2]
Suttie was born on 26 November 1946,[3] inTealing, Scotland.[4] His initial interest was drama. After completing his education in ArtCeramics, he also completedteacher training atWhitelands College, inPutney, London. (1979–80).[5]
Suttie shaped his articles principally with rolled slabs of leather-hardclay body to create geometric forms, which he cut and reassembled into larger forms. Suttie's preference was for hand-building and he was inspired by objects and forms frompre-industrial societies. These were often in pastiche of traditionaldomestic objects includinganthropomorphic vessels such as jugs and teapots, which were part container and part figurative form. His functional, yet slightlybaroque works, are vividly colored, and often stand on oddly positioned legs or are seemingly off-balanced.[6]
As part of a developing tradition of abstraction in contemporary ceramics, Angus' works became lessrectilinear and more organic in appearance and as time went on, much larger than their domestic counterparts. In addition they became more serious and the protrusions came to resemble rows of thorns or tank tracks.
His later works have been described as reflecting and celebrating his life, personal relationships and his deteriorating health. His work displays a diversity of influences, including contemporary abstract ceramics, modern North American ceramics, andPre-Columbian American art.[7]
The most recent show of Suttie's work was "Things of Beauty Growing': British Studio Pottery"[8] the newest exhibit at the Yale Center of British Art. The show brings together almost 150 ceramic works of art from around the world, with the goal of exploring the evolution of the ceramic vessel over the past 100 years.
Suttie was also a contributor toThe Ceramic Review,Revue de la Céramique et du Verre,Studio Pottery etc. and his works are held in some significant 20th century ceramics collections around the world, including theVictoria & Albert Museum,Crafts Council, The Fred Marer Collection at theOtis Art Institute in Los Angeles, and theSmart Museum of Art at the University of Chicago.He was also a member of the Gay Left collective in the 1970s. A memoir of his early years, From Latent to Blatant, was published in issue number 2 of theGay Left journal and can be accessed athttps://web.archive.org/web/20160303170758/http://www.gayleft1970s.org/.
Angus Suttie died on 17 June 1993, of anHIV related illness.[9]
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