Amalasuintha[2] (495 – 30 April 535) was a ruler of theOstrogothic Kingdom from 526 to 535. Initially serving asregent for her sonAthalaric, she becamequeen regnant after his premature death.[3] Highly educated, Amalasuintha was praised by bothCassiodorus andProcopius for her wisdom and her ability to speak three languages (Greek, Gothic, and Latin).[4] Her status as an independent female monarch, and obvious affinity for Roman culture, caused discontent among the Gothic nobles in her court, and she was deposed and killed after six months of sole rule.Eastern Roman EmperorJustinian I used her death as acasus belli to invade Italy, setting off theGothic War.
Amalasuintha was likely born in Ravenna in 495, the only child ofTheodoric and his wifeAudofleda, the sister ofClovis, King of the Franks.[5] The union of Amalasuintha's parents were of a political purpose, as many royal marriages were at the time. Theodoric married Audofleda about the year 493, after he had defeated the various Gothic kingdoms and sought an alliance with the Franks.[5] Amalasuintha was born into theAmali dynasty on her father's side, which dynasty comprised Goths of Germanic descent.[6] Like her father, Amalasuintha was married out of political reasons toEutharic, an Amali prince, to ensure a legitimate heir to the throne.[7] They had two children together, Athalaric and Matasuntha. Eutharic died in 522, causing Theodoric some alarm, as his kingdom lacked an adult male heir to inherit the throne.[7] As Amalasuintha's sonAthalaric was only 10 years old at the time of Theodoric's death, Amalasuintha took control of the kingdom alongside her son as regent[8] and, although accounts by Cassiodorus and Procopius refer to Athalaric as King, she effectively ruled on his behalf.
Consular diptych of Rufius Gennadius Probus Orestes,Victoria and Albert museum. Portraits of Amalasuintha and her son Athalaric are above the inscription, flanking the cross.
According to Procopius, the Goth aristocracy wanted Athalaric to be raised in the Gothic manner, but Amalasuintha wanted him to resemble the Roman princes.[4] Amalasuintha had close ties to theByzantine emperorJustinian I, which would have made her adherence to Roman learning and customs especially objectionable to her fellow Goths. The regency lasted until 534, when Athalaric died from what was most likely the combination of excessive drinking[8] (a part of Gothic culture) and a disease, probably diabetes.[9] In order to secure the power in the Amali name, Amalasuintha created the consortium regni that allowed her to continue to rule as queen while still presenting a public face that honored conservative Gothic tradition. She then appointed her older cousin Theodahad to rule as co-regent, in which Amalasuintha would play the male character and Theodahad would play the woman, as male and female monarchs sharing powers.[10] Masculinity is the main characteristic attributed to Amalasuintha by Procopius and Cassiodorus, because she had a strong determination and temperament.[10]
Her tremendous influence in her position as regent can be seen in adiptych ofRufius Gennadius Probus Orestes in which she appears alongside her son, Athalaric, in 530.[11] Deeply imbued with the old Roman culture, she gave to her son's education a more refined and literary turn than suited her Goth subjects. Conscious of her unpopularity, she banished – and afterwards put to death – three Gothic nobles whom she suspected of conspiring against her rule.[12] One of whom has been suggested by Amory, Heather and Heydemann, to have been Tuluin (a powerful Gothic noble and General).[13][14][15] At the same time, she opened negotiations with Justinian, with the view of removing herself and the Gothic treasure toConstantinople.
After Athalaric's death, Amalasuintha became queen and ruled alone for a short while before making her cousinTheodahad co-ruler with the intent of strengthening her position.[8][16] Theodahad was a prominent leader of the Gothic military aristocracy that opposed her pro-Roman stances, and Amalasuintha believed this duumvirate might make supporters from her harshest critics.[11] Instead Theodahad fostered the disaffection of the Goths, and had Amalasuintha imprisoned on the island of Martana inLake Bolsena.[16]
While imprisoned by her co-regent Theodahad, Amalasuintha was murdered while bathing, on 30 April 535 according to Agnellus.[16][17] Though historian Massimiliano Vitiello has instead suggested a date in May.[17] The death of Amalasuintha was used byJustinian I as a reason to go to war with the Ostrogoths and attempt to reclaim Italy for the Roman Empire.[18] According to the Eastern Roman historianProcopius, Amalasuintha was thinking about handing over Italy to Justinian around the time of her death.[19] There is some evidence to suggest that the Byzantine EmpressTheodora arranged to have Amalasuintha murdered, by conspiring with Theodahad through Justinian's ambassadorPeter the Illyrian.[20] Procopius believed that Theodora viewed Amalasuintha as a potential love rival and threat to her position as Empress.[21] However, modern scholarship has contended that Theodora was acting on Justinian's behalf in arranging Amalasuintha's murder as it gave him clear justification to attack Theodahad.[22]
In 536, Theodahad was deposed byWitigis, who had forcibly married Amalasuintha's daughterMatasuintha.[23] With the people's support, Witigis had Theodahad put to death.[24]
The letters ofCassiodorus, chief minister and literary adviser of Amalasuintha, and the histories ofProcopius andJordanes, give us our chief information as to the character of Amalasuintha.[16] Cassiodorus was a part of a greater pro-Roman party that desired to Romanize the traditional Ostrogothic kingship, further evidence of the pro-Roman circle that Amalasuintha surrounded herself with.[25]
The life of Amalasuintha was made the subject of atragedy, the first play written by the youngCarlo Goldoni and presented atMilan in 1733.[26]
Romanian poetGeorge Coșbuc wrote a poem entitledRegina Ostrogoților (The Queen of the Ostrogoths) in which Amalasuintha (as Amalasunda) speaks to Theodahad (mentioned as Teodat in the poem) shortly before he kills her.[27][self-published source]
^abVitiello, Massimiliano (2014).Theohadad: A Platonic King at the Collapse of Ostrogothic Italy. Toronto: University of Toronto Press. p. 34.ISBN978-1-4426-4783-1.{{cite book}}: CS1 maint: publisher location (link)
^Procopius; Kaldellēs, Antōnios Emm; Mladjov, Ian (2014).The wars of Justinian. Translated by Dewing, H. B. Indianapolis Cambridge: Hackett Publishing Company. p. 256.ISBN978-1-62466-170-9.
^Arnold, Jonathan J.; Bjornlie, Michael Shane; Sessa, Kristina (2016).A companion to Ostrogothic Italy. Brill's companions to European history. Leiden: Brill. p. 34.ISBN978-90-04-31376-7.
^Amory, Patrick (1997).People and identity in ostrogothic Italy, 489-554. Cambridge studies in medieval life and thought. Cambridge: Cambridge University Press. p. 160.ISBN978-0-521-57151-7.
^Heather, Peter J. (2018).Rome resurgent: war and empire in the age of Justinian. Ancient warfare and civilization. New York: Oxford University Press. p. 143.ISBN978-0-19-936275-2.
^abVitiello, Massimiliano (2017).Amalasuintha: the transformation of queenship in the post-Roman world. Philadelphia (Pa.): University of Pennsylvania Press. p. 161.ISBN978-0-8122-4947-7.
^Potter, David Stone (2015).Theodora: actress, empress, saint. Women in antiquity. New York: Oxford University Press. p. 164.ISBN978-0-19-974076-5.
^Sarantis, Alexander (2009). "War and Diplomacy in Pannonia and the Northwest Balkans during the Reign of Justinian: The Gepid Threat and Imperial Responses".Dumbarton Oaks Papers.63: 22.JSTOR41219761.
^Foote, David (2009). "Reviewed Work: Il principe, il filosofo, il guerriero: Lineamenti di pensiero politico nell'Italia ostrogota by Massimiliano Vitiell".Mediaevistik.22.JSTOR42586872.
^Halamski, Adam T. (2024). "Contribution à l'étude des renoncules tête d'or (Ranunculus auricomus aggr.) de la Poméranie polonaise. Trois espèces nouvelles des environs de Darłowo et Sławno".Bulletin de la Société Linnéenne de Lyon.93 (7–8):169–205.ISSN2554-5280.
Craddock, Jonathan Paul (1996).Amalasuintha: Ostrogothic Successor, A.D. 526–535 (M.A. thesis). California State University, Long Beach.OCLC36022347.
Vitiello, Massimiliano (2018).Amalasuintha: The Transformation of Queenship in the Post-Roman World. University of Pennsylvania Press.ISBN978-0-8122-4947-7.