Alice Faye | |
|---|---|
 Faye in 1934 | |
| Born | Alice Jeanne Leppert (1915-05-05)May 5, 1915 New York City, U.S. |
| Died | May 9, 1998(1998-05-09) (aged 83) |
| Resting place | Forest Lawn Cemetery |
| Occupations |
|
| Years active | 1931–1995 |
| Known for | Alexander's Ragtime Band Hello, Frisco, Hello In Old Chicago Rose of Washington Square Lillian Russell |
| Spouses | |
| Children | 2 |
| Awards | Hollywood Walk of Fame |
| Website | alicefaye |
Alice Faye (bornAlice Jeanne Leppert; May 5, 1915 – May 9, 1998) was an American actor and singer. A musical star of20th Century-Fox in the 1930s and 1940s, Faye starred in such films asOn the Avenue (1937) andAlexander's Ragtime Band (1938). She is often associated with theAcademy Award–winning standard "You'll Never Know", which she introduced in the 1943musical filmHello, Frisco, Hello.
She left her career as a film actress and became known for her role on the radio showThe Phil Harris-Alice Faye Show.
Alice Jeanne Leppert was born on May 5, 1915, inHell's Kitchen, Manhattan,[1] the daughter of Alice (née Moffit), who worked for the Mirror Chocolate Company, and Charles Leppert, a police officer. She had an older brother, Charles. Faye was raised anEpiscopalian. Faye's entertainment career began invaudeville as a chorus girl. She failed an audition forThe Earl Carroll Vanities when she was found to be too young. She then moved to Broadway and secured a featured role in the 1931 edition ofGeorge White's Scandals. By this time, Faye had adopted her stage name and first reached a radio audience onRudy Vallée'sThe Fleischmann's Yeast Hour.[2]
Faye gained her first major film break in 1934, whenLilian Harvey abandoned the lead role in a film version ofGeorge White's Scandals (1934 film), in which Vallee was also to appear. Hired first to perform a musical number with Vallee, Faye ended up as the female lead. She became a popular film star for audiences of the 1930s, particularly when Fox production headDarryl F. Zanuck made her his protégée. He softened Faye from a wisecracking showgirl to a youthful, and yet somewhat motherly figure, such as her roles in a fewShirley Temple films.[3] Faye received a physical makeover, going from a version ofJean Harlow to a wholesome appearance, in which her platinum hair and pencil-line eyebrows were swapped for a more natural look.[citation needed]
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Faye was cast as the female lead inIn Old Chicago (1938). Zanuck initially resisted casting Faye, as the role had been written for Jean Harlow, but critics applauded Faye's performance. The film contained a 20-minute finale, a recreation of theGreat Chicago Fire, a scene so dangerous that women, except for the main stars, were banned from the set. In the film, she appeared with two of her most frequent co-stars,Tyrone Power andDon Ameche, as it was customary for studios to pair their contract players together in more than one film.[citation needed]
Faye, Power, and Ameche were reunited for the 1938 releaseAlexander's Ragtime Band, which was designed to showcase more than 20Irving Berlin songs; Faye again received strong reviews. One of the most expensive films of its time, it also became one of the most successful musicals of the 1930s.[citation needed]
By 1939, Faye was named one of the top-10 box-office draws in Hollywood.[4] That year, she madeRose of Washington Square with Tyrone Power. Although a big hit, the film was supposedly based on the real life of comedianFanny Brice, who sued Fox for stealing her story.[citation needed]
Because of her bankable status, Fox occasionally placed Faye in films more for the sake of making money than showcasing Faye's talents. Films such asTail Spin andBarricade (both 1939) were more dramatic than regular Faye films, and often did not contain any songs. Due to her immense popularity, though, none of the films that she made in the 1930s and 1940s lost money; this success garnered her the nickname "Queen of Fox".[4]
One of Faye's most memorable parts was thetitle role in the musical biopicLillian Russell (1940). Faye always named this film as one of her favorites, though it was also her most challenging role. The tight corsets Faye wore for this picture caused her to collapse on the set several times.[citation needed]
After declining the lead role in forDown Argentine Way (also 1940) because of an illness, Faye was replaced by the studio's newest musical star,Betty Grable. She was paired as a sister act opposite Grable in the filmTin Pan Alley (also 1940). During the making of the picture, a rumor arose that a rivalry had arisen between the two. In aBiography interview, Faye disclosed that the Fox publicity department built up the rumor, and that the two actresses were in fact close friends.[citation needed]
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In 1941, Fox began to place Faye in musicals photographed inTechnicolor, a trademark for the studio in the 1940s. She frequently played a performer, often one moving up in society, allowing for situations that ranged from the poignant to the comic. Films such asWeek-End in Havana (1941) andThat Night in Rio (1941), in which she played a Brazilian aristocrat, made good use of Faye's husky singing voice, solid comic timing, and flair for carrying off the era's starry-eyed romantic story lines.[citation needed]
In 1943, after taking a year off to have her first daughter, Faye starred in the Technicolor musicalHello, Frisco, Hello. Released during World War II, the film became one of her highest-grossing pictures for Fox. In this film, Faye sang "You'll Never Know". The song won theAcademy Award for Best Original Song for 1943, and the sheet music for the song sold over a million copies. Since a clause in her contract (as was the case with most other Fox stars) stated that she could not officially record any of her movie songs, other singers, such asDick Haymes (whose version hit number one for four weeks),Frank Sinatra, andRosemary Clooney have been more associated with the song than Faye. However, it is still often considered Faye's signature song. That year, Faye was once again named one of the top box-office draws in the world.[citation needed]
As Faye's star continued to ascend during the war years, family life became more important to her, especially with the arrival of a second daughter, Phyllis. After her birth, Faye signed a new contract with Fox to make only one picture a year, with the option of a second one, to give Faye a chance to spend more time with her family.[5] Her second pregnancy resulted in a hospitalization, forcing her to surrender a plum dramatic role inA Tree Grows in Brooklyn toJoan Blondell, and she declined a musical role inThe Dolly Sisters (her intended part went toJune Haver).[6]
Faye finally accepted the lead role inFallen Angel (1945). Although designed ostensibly as Faye's vehicle, Zanuck tried to build his new protégéeLinda Darnell, ordering many of Faye's scenes cut and those of Darnell's emphasized.[7] When Faye saw a screening of the final cut—with her role reduced by 12 scenes and a song number—she wrote a scathing note to Zanuck, went straight to her car, gave her dressing room keys to the studio gate guard, and drove home, vowing never to return to Fox. Faye was still so popular that thousands of letters were sent to Faye's home and the Fox studios from around the world, begging her to return for another picture. In 1987, she told an interviewer, "When I stopped making pictures, it didn't bother me because there were so many things I hadn't done. I had never learned to run a house. I didn't know how to cook. I didn't know how to shop. So all these things filled all those gaps."[1]
AfterFallen Angel, Faye's contract called for her to make two more movies. Zanuck hit back by having herblackballed forbreach of contract, effectively ending her film career, although Faye no longer cared to pursue it.Fallen Angel was Faye's last starring film. Zanuck, under public pressure, tried to lure Faye back onto the screen; Faye returned all the scripts.[citation needed]
Alice Faye did return to Fox later, for a character role in a remake of an old Fox property,State Fair (1962). While she received good reviews, the film was not a success.[8] She made only infrequent cameo appearances in films thereafter, playing a secretary inWon Ton Ton, the Dog Who Saved Hollywood (1976) and inThe Magic of Lassie (1978) as a waitress.[9]
Faye was the subject ofThis Is Your Life for British television in 1984, when she was surprised byEamonn Andrews at Hollywood'sMetromedia Studios.[citation needed]
Faye's first marriage, toTony Martin in 1937, ended in divorce in 1940; both had busy careers that made it difficult for them to have opportunities for togetherness. In May 1941, she married bandleaderPhil Harris. Their marriage, one of the most successful in Hollywood, became a plotline in the hit radio comedy,The Jack Benny Program, where for 16 years Harris was a regular cast member.[citation needed]
The couple had two daughters along with Harris's adopted son from his first marriage.[citation needed] Faye and Harris began working in radio together as Faye's film career declined. First, they teamed to host a variety show onNBC,The Fitch Bandwagon, in 1946. The Harrises' gently tart comedy sketches made them the show's stars. By 1948, Fitch was replaced as sponsor byRexall, thepharmaceutical company, and the show, now a strictlysituation comedy with a music interlude each from husband and wife, was renamedThe Phil Harris-Alice Faye Show.
Harris's comic talent was already familiar through his tenure onJack Benny's radio shows forJell-O and Lucky Strike. From 1936 to 1952, he played Benny's wisecracking, jive-talking, hipster bandleader. With their own show revamped to a sitcom, bandleader-comedian Harris and singer-actress Faye played themselves, raising two precocious children in slightly zany situations, mostly involving Harris's band guitarist Frank Remley (Elliott Lewis), obnoxious delivery boy Julius Abruzzio (Walter Tetley, familiar as nephew Leroy onThe Great Gildersleeve), Robert North as Faye's fictitious deadbeat brother, Willie, and sponsor's representative Mr. Scott (Gale Gordon), and usually involving bumbling,malaproping Harris needing to be rescued by Faye.
The Harrises' two daughters were played on radio byJeanine Roose andAnne Whitfield; written mostly by Ray Singer andDick Chevillat; the show stayed onNBC radio as a fixture until 1954.
Faye's singing ballads and swing numbers in her honeyedcontralto voice was a regular highlight of the show, as was her knack for tart one-liners equal to those of her husband. The show's running gags also included references to Alice's wealth from her film career ("I'm only trying to protect the wife of the money I love" was a typical Harris drollery), and occasional barbs by Faye aimed at her rift with Zanuck, usually referencingFallen Angel.
In its early years, the Harris-Faye radio show ranked among the top-10 radio programs in the country. The radio show also provided Faye with the perfect balance between show business and home life; since radio only required her to be present for a read-through and the live broadcast, Faye was still able to spend most of her time at home with her daughters.[citation needed]
Faye supportedBarry Goldwater in the1964 United States presidential election.[10]
Faye and Harris continued various projects, individually and together, for the rest of their lives. In 1974, Faye made a return to Broadway after 43 years in a revival ofGood News, with her old Fox partnerJohn Payne (who was replaced byGene Nelson). In later years, Faye became a spokeswoman forPfizer Pharmaceuticals, promoting the virtues of an active senior lifestyle.[11] The Faye-Harris marriage endured 54 years until Harris's death in 1995. Faye admitted in an interview that when she married Harris, most of the Hollywood elite had predicted the marriage would only last about six months.[citation needed]
Three years after Phil Harris's death, Alice Faye died ofstomach cancer inRancho Mirage, California, four days after her 83rd birthday. She wascremated and her ashes rest beside those of Phil Harris at the mausoleum of theForest Lawn Cemetery (Cathedral City) near Palm Springs, California.[12] She has a star on theHollywood Walk of Fame in recognition of her contribution toMotion Pictures at 6922 Hollywood Boulevard. In 1994, a Golden Palm Star on thePalm Springs, California,Walk of Stars was dedicated to her.[13]The Phil Harris-Alice Faye Show remains a favorite of old-time radio collectors.[citation needed]
Her voice,The New York Times wrote in her obituary, was "inviting".Irving Berlin was once quoted as saying that he would choose Faye over any other singer to introduce his songs, andGeorge Gershwin andCole Porter called her the "best female singer in Hollywood in 1937".[1] During her years as a musical superstar (from the 1930s to the early 1940s), Alice Faye managed to introduce 23 songs to theHit Parade.[14] She was the first femalecrooner and equivalent toBing Crosby.[15][16]
Although Faye has had fans around the globe, she was never more popular than in Great Britain and inThe Alice Faye Movie Book an article is devoted to Faye's popularity there. The author, Arthur Nicholson, mentions how enormously popular she was even in her Harlow days and though other films shown in England were usually shown for three days a week, Faye's films played for an entire week. After Faye retired in 1945, her reissued films made as much money (in some cases, more) as current releases. When Faye returned to the screen forState Fair in 1962, the film broke records in England.[citation needed]
| Year | Program | Episode/source |
|---|---|---|
| 1950 | Lux Radio Theatre | Alexander's Ragtime Band[17] |
| 1951 | Suspense | Death on My Hands[17] |
