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Alec Guinness

From Wikipedia, the free encyclopedia
English actor (1914–2000)

Alec Guinness
Portrait byAllan Warren, 1973
Born
Alec Guinness de Cuffe

(1914-04-02)2 April 1914
Maida Vale, London, England
Died5 August 2000(2000-08-05) (aged 86)
OccupationActor
Years active1934–1996
WorksFull list
Spouse
Merula Salaman
(m. 1938)
ChildrenMatthew Guinness
RelativesNesta Guinness-Walker (great-grandson)
AwardsFull list

Sir Alec Guinness (bornAlec Guinness de Cuffe; 2 April 1914 – 5 August 2000) was an English actor. In theBFI listing ofthe 100 most important British films of the 20th century, he was the single most noted actor, represented across nine films — six in starring roles and three in supporting roles — including five directed byDavid Lean and four fromEaling Studios. He won anAcademy Award, aBAFTA, aGolden Globe and aTony Award. In 1959, he wasknighted byQueen Elizabeth II for services to the arts. He received a star on theHollywood Walk of Fame in 1960, theAcademy Honorary Award for lifetime achievement in 1980 and theBAFTA Academy Fellowship Award in 1989.

Guinness began his stage career in 1934. Two years later, at the age of 22, he played the role ofOsric inHamlet in theWest End and joined theOld Vic. He continued to playShakespearean roles throughout his career. He served in theRoyal Naval Reserve during theSecond World War and commanded a landing craft during theinvasion of Sicily andElba. Along withLaurence Olivier,John Gielgud andRalph Richardson, he was one of the greatBritish theatre actors who made the transition tofilms after the war, making his name in sixEaling comedies, starting in 1949 with bothA Run for Your Money andKind Hearts and Coronets (in which he played eight different characters). He went on to lead roles in 1951 withThe Man in the White Suit andThe Lavender Hill Mob (for which he received his first Academy Award nomination forBest Actor), then in 1955 withThe Ladykillers, and culminating in 1957 withBarnacle Bill.

Guinness collaborated six times with director David Lean: asHerbert Pocket inGreat Expectations (1946);Fagin inOliver Twist (1948); Col. Nicholson inThe Bridge on the River Kwai (1957), for which he won both the Academy Award and theBAFTA Award for Best Actor;Prince Faisal inLawrence of Arabia (1962); General Yevgraf Zhivago inDoctor Zhivago (1965); and Professor Godbole inA Passage to India (1984). In 1970, Guinness playedJacob Marley's ghost inRonald Neame'sScrooge. He also portrayedObi-Wan Kenobi inGeorge Lucas's originalStar Wars trilogy, which brought him further recognition; for his performance inthe original 1977 film, he was nominated as Best Supporting Actor for theAcademy Award andGolden Globe. Guinness's later life was closely associated with his definitive depiction of the leading role ofGeorge Smiley in theBBC television seriesTinker, Tailor, Soldier, Spy andSmiley's People byJohn le Carré.

Life and career

[edit]

Early years and education

[edit]
155Lauderdale Mansions South inMaida Vale, west London where Guinness was born

Guinness was born Alec Guinness de Cuffe at 155Lauderdale Mansions South,[1]Lauderdale Road, inMaida Vale, London.[2] His mother's maiden name was Agnes Cuff; she was born on 8 December 1890 to Edward Charles Cuff, a sometime lifeguard at Bournemouth who had served in the Royal Navy,[3] and Mary Ann, née Benfield, of a family of stonemasons and publicans. On Guinness's birth certificate, his mother's name is given as Agnes de Cuffe; the infant's name (where first names only are placed) is given as Alec Guinness, and there are no details for the father.[4]

The identity of Guinness's father has never been officially confirmed.[5] Agnes Cuff had worked at Cowes on the Isle of Wight as a barmaid at theRoyal Yacht Squadron clubhouse at the time of theCowes Regatta in 1913, which was attended by several members of theGuinness family includingEdward Guinness, 1st Earl of Iveagh, and his sonsErnest andWalter. Members of the Guinness family claimed a "distinct resemblance" between Alec and one or other of the Guinnesses at Cowes that year;Honor Guinness, who made Alec's acquaintance in 1950 and invited him to tea with "his cousin", later visiting Alec's family with photo albums and diaries to point out the similarities she perceived, believed either her uncle Ernest or his brother Walter ("a celebrated seducer") was Alec's father, while her cousinLindy considered Alec closely resembled her father,Loel.[6]

From 1875, underEnglish law, when the birth of an illegitimate child was registered, the father's name could be entered on the certificate only if he was present and gave his consent. Guinness himself believed that his father was a Scottish banker, Andrew Geddes (1861–1928), who paid for Guinness's boarding-school education at Pembroke Lodge, in Southbourne, and Roborough, inEastbourne. Geddes—who with a "round face and sticking-out ears" bore a resemblance to Guinness and believed himself to be his father—[7] occasionally visited Guinness and his mother, posing as an uncle.[8] Guinness's mother later had a three-year marriage to a Scottish army captain named Stiven, whose behaviour was often erratic or even violent.[9][10]

Early career

[edit]
Guinness at theOld Vic theatre, London in 1938. Joining the company in 1936, early roles include Boyet inLove's Labour's Lost, Le Beau inAs You Like It, and Osric inHamlet.[11]

Guinness first worked writing advertising copy. His first job in the theatre was on his 20th birthday (2 April 1934), while he was a student at theFay Compton Studio of Dramatic Art, in the playLibel, which opened at the old King's Theatre, Hammersmith, and then transferred to theWest End'sPlayhouse, where his status was raised from a walk-on to understudying two lines, and his salary increased to £1 a week.[12][13] He appeared at theNew Theatre in 1936 at the age of 22, playing the role ofOsric inJohn Gielgud's successful production ofHamlet. Also in 1936, Guinness signed on with theOld Vic, where he was cast in a series of classic roles.[14] In the later 1930s, he took classes at theLondon Theatre Studio.[15] In 1939, he took over forMichael Redgrave as Charleston in a road-show production ofRobert Ardrey'sThunder Rock.[16] At the Old Vic, Guinness worked with many actors and actresses who became his friends and frequent co-stars in the future, including Gielgud,Ralph Richardson,Peggy Ashcroft,Anthony Quayle, andJack Hawkins. An early influence was film starStan Laurel, whom Guinness admired.[17]

Guinness continued playingShakespearean roles throughout his career. In 1937, he played Aumerle inRichard II and Lorenzo inThe Merchant of Venice under the direction of John Gielgud. He starred in a 1938 production ofHamlet which won him acclaim on both sides of the Atlantic.[14] He also appeared asRomeo in a production ofRomeo and Juliet (1939),Malvolio inTwelfth Night, and as Exeter inHenry V in 1937, both opposite Laurence Olivier, and Ferdinand inThe Tempest, opposite Gielgud asProspero. In 1939, he adaptedCharles Dickens's novelGreat Expectations for the stage, playing Herbert Pocket. The play was a success. One of its viewers was a young British film editor,David Lean, who later had Guinness reprise his role in Lean's1946 film adaptation of the novel.[18]

Second World War

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Guinness served in theRoyal Navy Volunteer Reserve in the Second World War, initially as a seaman in 1941, before receiving a commission as a temporarySub-lieutenant on 30 April 1942 and a promotion to TemporaryLieutenant the following year.[19][20][21] Guinness then commanded aLanding Craft Infantry at theAllied invasion of Sicily, and later ferried supplies and agents to theYugoslav partisans in the eastern Mediterranean theatre.[22]

During the war, Guinness was granted leave to appear in the Broadway production ofTerence Rattigan's stage playFlare Path, aboutRAF Bomber Command, with Guinness playing the role of Flight Lieutenant Teddy Graham.[23]

Postwar stage career

[edit]

Guinness returned tothe Old Vic in 1946 and stayed until 1948, playing Abel Drugger inBen Jonson'sThe Alchemist, the Fool inKing Lear oppositeLaurence Olivier in the title role, DeGuiche inCyrano de Bergerac oppositeRalph Richardson in the title role, and finally starring in an Old Vic production as Shakespeare'sRichard II. After leaving the Old Vic, he played Eric Birling inJ. B. Priestley'sAn Inspector Calls at the New Theatre in October 1946. He played the Uninvited Guest in the Broadway production ofT. S. Eliot'sThe Cocktail Party (1950, revived at theEdinburgh Festival in 1968). He playedHamlet under his own direction at theNew Theatre in theWest End in 1951.[24]

Invited by his friendTyrone Guthrie to join the premiere season of theStratford Festival of Canada, Guinness lived for a brief time inStratford, Ontario. On 13 July 1953, Guinness spoke the first lines of the first play produced by the festival, Shakespeare'sRichard III: "Now is the winter of our discontent/Made glorious summer by this sun of York."[25][26]

Guinness won aTony Award for Best Lead Actor in a Play for hisBroadway performance as Welsh poetDylan Thomas inDylan. He next played the title role inMacbeth oppositeSimone Signoret at theRoyal Court Theatre in 1966.[27] Guinness made his final stage performance at theComedy Theatre in the West End on 30 May 1989, in the playA Walk in the Woods. In all, between 2 April 1934 and 30 May 1989, he played 77 parts in the theatre.[28]

Film career

[edit]
Main article:Alec Guinness on stage and screen
Drawing byNicholas Volpe after Guinness won an Oscar in 1957 for his role inThe Bridge on the River Kwai

Guinness made his speaking debut in film in the dramaGreat Expectations (1946). He was initially mainly associated with theEaling comedies, and particularly for playing eight characters inKind Hearts and Coronets (1949).[29] His other films from this period includedOliver Twist (1948),The Lavender Hill Mob,The Man in the White Suit (both 1951) andThe Ladykillers (1955), with all four ranked among the Best British films.[30] In 1950, he portrayed 19th-century British prime ministerBenjamin Disraeli inThe Mudlark, which included delivering an uninterrupted seven-minute speech in Parliament.[31] In 1952, directorRonald Neame cast Guinness in his first romantic lead role, oppositePetula Clark inThe Card. In 1951, a poll of British exhibitors identified Guinness as the top box office attraction in British films and fifth in international films, based on box office returns.[32] Guinness was idolised byPeter Sellers—who himself became famous for inhabiting a variety of characters in a film—with Sellers's first major film role starring alongside his idol inThe Ladykillers.[33]

Guinness's other notable film roles of this period includedThe Swan (1956) withGrace Kelly, in her penultimate film role, andThe Horse's Mouth (1958), in which Guinness played the part of drunken painter Gulley Jimson, and for which he also wrote the screenplay, which was nominated for anAcademy Award. Guiness' desire to makeThe Horse's Mouth led to a break with the Rank Organisation who refused to fund it, with the actor claiming John Davis, head of Rank, “told me that I was a funny man and if I ever made a serious film it would finish me off.”[34]

He played the lead inCarol Reed'sOur Man in Havana (1959);Marcus Aurelius inThe Fall of the Roman Empire (1964);Lieutenant General Yevgraf Andreyevich Zhivago inDoctor Zhivago (1965),The Quiller Memorandum (1966); Marley's Ghost inScrooge (1970);Charles I inCromwell (1970);Pope Innocent III inFranco Zeffirelli'sBrother Sun, Sister Moon (1972); and the title role inHitler: The Last Ten Days (1973), which he considered his best film performance, though critics disagreed.[35] Another role that is sometimes referred to as one he considered his best, and is also considered so by many critics, is that of Major Jock Sinclair inTunes of Glory (1960). Guinness also played the role of Jamessir Bensonmum, the blind butler, in the 1976Neil Simon filmMurder by Death.[36]

David Lean

[edit]
Guinness withRita Tushingham inDoctor Zhivago (1965)

Guinness won particular praise for his collaborations with directorDavid Lean, which today represent his most critically acclaimed work. After appearing in Lean'sGreat Expectations andOliver Twist, he was given a starring role oppositeWilliam Holden inThe Bridge on the River Kwai. For his performance as Colonel Nicholson, the unyielding BritishPOW commanding officer, Guinness won both theAcademy Award for Best Actor andBAFTA Award for Best Actor.

Guinness (foreground, third from right) withPeter O'Toole (left) andOmar Sharif inLawrence of Arabia

Despite a difficult and often hostile relationship, Lean, referring to Guinness as "my good luck charm", continued to cast Guinness in character roles in his later films:Arab leaderPrince Faisal inLawrence of Arabia (1962); the title character's half-brother, Bolshevik leader Yevgraf, inDoctor Zhivago and Indian mystic Professor Godbole inA Passage to India. He was also offered a role in Lean'sRyan's Daughter (1970) but declined. At that time, Guinness "mistrusted" Lean and considered the formerly close relationship to be strained—although he recalled, at Lean's funeral, that the famed director had been "charming and affable".[37] Guinness appeared in five Lean films that were ranked in theBritish Film Institute's50 greatest British films of the 20th century: 3rd (Lawrence of Arabia), 5th (Great Expectations), 11th (The Bridge on the River Kwai), 27th (Doctor Zhivago) and 46th (Oliver Twist).[38]

Star Wars

[edit]

Guinness's role asObi-Wan Kenobi in the originalStar Wars trilogy, beginning in 1977 withStar Wars, brought him worldwide recognition to a new generation, as well as Academy Award and Golden Globe nominations. In letters to his friends, Guinness described the film as "fairy-tale rubbish" but the film's sense of moral good – and the studio's doubling of his initial salary offer – appealed to him and he agreed to take the part of Kenobi on the condition that he would not have to do any publicity to promote the film.[39]

He initially negotiated a deal for 2% of the film's royalties paid to the director,George Lucas, who, upon the warm reception of the film with the press and film critics, and as a gesture of good-will for the positive amendments and suggestions Guinness proposed to the screenplay for the film, offered Guinness an additional 0.5%, bringing his share to 2.5%. When Guinness enquired about the share with the film's producerGary Kurtz, and asked for a written agreement so as to codify his earnings, Kurtz revised Lucas's offering down by 0.25%, bringing Guinness's final, agreed-upon share of royalties paid to the director to 2.25% (Lucas received one-fifth of the overall box office takings, which would take Guinness's share of the overall box office to 1.80%).[40][41]

Upon his first viewing of the film, Guinness wrote in his diary, "It's a pretty staggering film as spectacle and technically brilliant. Exciting, very noisy, and warm-hearted. The battle scenes at the end go on for five minutes too long, I feel, and some of the dialogue is excruciating and much of it is lost in noise, but it remains a vivid experience."[42]

Guinness soon became unhappy with being identified with the part and expressed dismay at the fan following that theStar Wars trilogy attracted. In the DVD commentary of the originalStar Wars, Lucas says that Guinness was not happy with the script rewrite in which Obi-Wan is killed. Guinness said in a 1999 interview that it was actually his idea to kill off Obi-Wan, persuading Lucas that it would make him a stronger character and that Lucas agreed to the idea. Guinness stated in the interview, "What I didn't tell Lucas was that I just couldn't go on speaking those bloody awful, banal lines. I'd had enough of the mumbo jumbo." He went on to say that he "shrivelled up" every timeStar Wars was mentioned to him.[43]

Although Guinness disliked the fame that followed and he did not hold the work in high esteem,[42] Lucas and fellow cast membersMark Hamill,Harrison Ford,Carrie Fisher,Kenny Baker, andAnthony Daniels have spoken highly of his courtesy and professionalism, on and off the set. Lucas credited him with inspiring the cast and crew to work harder, saying that Guinness contributed significantly to achieving completion of the filming. Guinness was quoted as saying that the royalties he obtained from working on the films gave him "no complaints; let me leave it by saying I can live for the rest of my life in the reasonably modest way I am now used to, that I have no debts and I can afford to refuse work that doesn't appeal to me." In his autobiography,Blessings in Disguise, Guinness tells an imaginary interviewer "Blessed beStar Wars", regarding the income it provided.[44] Guinness appeared in the film's sequelsThe Empire Strikes Back (1980) andReturn of the Jedi (1983), as aforce ghost apparition to the trilogy's main characterLuke Skywalker.

In 2003, Obi-Wan Kenobi as portrayed by Guinness was selected as the37th-greatest hero in cinema history by theAmerican Film Institute.[45] Digitally altered archival audio of Guinness's voice was used in the filmsStar Wars: The Force Awakens (2015) andStar Wars: The Rise of Skywalker (2019).[46][47]

Television appearances

[edit]

Guinness was reluctant to appear on television, but accepted the part ofGeorge Smiley in theBBC Television serialisation ofJohn le Carré'sTinker Tailor Soldier Spy (1979) after meeting the author.[48] Guinness reprised the role inSmiley's People (1982), and twice won theBritish Academy Television Award for Best Actor for his portrayal of the character.[49] He received another nomination for best actor for his role inMonsignor Quixote in 1987.[50] One of Guinness's last appearances was in the BBC dramaEskimo Day (1996).[51][52]

Awards and honours

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Main article:List of awards and nominations received by Alec Guinness
Plaque installed by theBritish Film Institute in the City of Westminster, London, in recognition of Guinness's contribution to British cinema
Ablue plaque commemorates his birthplace inMaida Vale, London.

Guinness received anAcademy Honorary Award for lifetime achievement in 1980. In 1985 theHamburg-basedAlfred Toepfer Foundation awarded Guinness its annualShakespeare Prize in recognition of his life's work. He received theBAFTA Academy Fellowship Award for lifetime achievement in 1989.[53]

For his theatre work, Guinness received anEvening Standard Award for his performance asT. E. Lawrence inRoss and aTony Award for his Broadway turn as Dylan Thomas inDylan.[54] He received a star on theHollywood Walk of Fame at 1559 Vine Street on 8 February 1960.[4]

Guinness was appointed aCommander of the Order of the British Empire (CBE) in the1955 Birthday Honours,[55] wasknighted byElizabeth II in the1959 New Year Honours,[56] and was made aMember of the Order of the Companions of Honour in the1994 Birthday Honours for services to drama.[13][14][57] In 1991, he received anhonorary doctorate fromCambridge University.[58] In 2014, Guinness was among the ten peoplecommemorated on a UK postage stamp issued by theRoyal Mail in their "Remarkable Lives" issue.[59]

Personal life and death

[edit]

Guinness married the artist, playwright and actress Merula Silvia Salaman (1914–2000) in 1938; in 1940, they had a son,Matthew Guinness, who later became an actor. From the 1950s the family lived at Kettlebrook Meadows, nearSteep Marsh in Hampshire. The house itself was designed by Merula's brother Eusty Salaman.[60][61] His great-grandsonNesta Guinness-Walker is a professional footballer.[62]

A biography claimed that Guinness was arrested and fined 10guineas (£10.50) for ahomosexual act in a public lavatory inLiverpool in 1946. Piers Paul Read, who wrote his authorised biography, did not believe it happened.[63] Another biography suggests: "The rumour is possibly a conflation of stories about Alec's 'cottaging' and the arrest of John Gielgud, in October 1953, in a public lavatory inChelsea, after dining with the Guinnesses at St. Peter's Square."[64] This suggestion was not made until April 2001, eight months after his death, when aBBC News Online article related that new books claimed that Guinness wasbisexual, that he had kept his sexuality private from the public eye and that only his closest friends and family members knew about his sexual orientation.[65]

While serving in theRoyal Navy, Guinness had planned to become anAnglicanpriest. In 1954, while he was filmingFather Brown inBurgundy, Guinness, who was in costume as a Catholic priest, was mistaken for a real priest by a local child. Guinness was far from fluent in French, and the child apparently did not notice that Guinness did not understand him but took his hand and chattered while the two strolled; the child then waved and trotted off.[66] The confidence and affection the clerical attire appeared to inspire in the boy left a deep impression on the actor.[67] When their son was ill with polio at the age of 11, Guinness began visiting a church to pray.[68] A few years later, in 1956, Guinness converted to theCatholic Church. His wife, who was of paternalSephardi Jewish descent,[69] followed suit in 1957 while he was inCeylon filmingThe Bridge on the River Kwai, and she informed him only after the event.[70]

Guinness told a story in a media interview and wrote in his memoir that he metJames Dean and predicted Dean's death one week before he was killed in a car accident in 1955.[71][72] In interviews shortly after Dean's death, Guinness recalled that all of Dean's friends had issued similar warnings because he drove too fast.[73]

Every morning, Guinness recited verse eight fromPsalm 143, "Cause me to hear your loving kindness in the morning".[74]

Death

[edit]
The graves of Alec and Merula inPetersfield,Hampshire

Guinness died on the night of 5 August 2000 at King Edward VII's Hospital inMidhurst,West Sussex.[75][76] He had been diagnosed withprostate cancer in February 2000, and withliver cancer two days before he died. His wife, who died two months later on 18 October 2000, also had liver cancer.[77] His funeral was held at St. Laurence Catholic Church inPetersfield, Hampshire, and he was interred at Petersfield Cemetery.[78][79]

Legacy

[edit]

Archives

[edit]

In 2013 theBritish Library acquired the personal archive of Guinness consisting of over 900 letters, manuscripts for plays, and 100 volumes of diaries from the late 1930s to his death.[80]

Box office ranking in Britain

[edit]

For a number of years, British film exhibitors voted Guinness among the most popular stars in Britain at the box office via an annual poll in theMotion Picture Herald.

  • 1951: most popular British star in British films and fifth in international films.[32]
  • 1952: 3rd-most popular British star[81]
  • 1953: 2nd-most popular British star
  • 1954: 6th-most popular British star
  • 1955: 10th-most popular British star[82]
  • 1956: 8th-most popular British star[83]
  • 1958: most popular star[84]
  • 1959: 2nd-most popular British star[85]
  • 1960: 4th-most popular star

Autobiographies and biography

[edit]

Guinness wrote three volumes of a best-selling autobiography, beginning withBlessings in Disguise in 1985, followed byMy Name Escapes Me in 1996, andA Positively Final Appearance in 1999. He recorded each of them as an audiobook. Shortly after his death, Lady Guinness asked the couple's close friend and fellow Catholic, novelistPiers Paul Read, to write Guinness's official biography. It was published in 2002.

Bibliography

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See also

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References

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Notes

[edit]
  1. ^"Guinness, Sir Alec (1914–2000)".Oxford Dictionary of National Biography (online ed.). Oxford University Press.doi:10.1093/ref:odnb/74513. (Subscription,Wikipedia Library access orUK public library membership required.)
  2. ^GRO Register of Births: June 1914 1a 39 Paddington – Alec Guinness De Cuffe, mmn = De Cuffe.
  3. ^"Guinness, Sir Alec (1914–2000), actor".Oxford Dictionary of National Biography (online ed.). Oxford University Press. 2004.doi:10.1093/ref:odnb/74513. (Subscription,Wikipedia Library access orUK public library membership required.)
  4. ^ab"Alec Guinness."Archived 6 November 2018 at theWayback MachineHollywood Walk of Fame (Hollywood Chamber of Commerce, Hollywood, California), 2011. Retrieved: 22 June 2011.
  5. ^"Alec Guinness biography".MSN Movies. Archived fromthe original on 26 October 2007. Retrieved29 July 2007.
  6. ^Alec Guinness- The Authorised Biography, Piers Paul Reid, Simon & Schuster, 2005, pp. 13-14
  7. ^Alec Guinness- The Authorised Biography, Piers Paul Reid, Simon & Schuster, 2005, p. 14
  8. ^Read 2005.
  9. ^"Sir Alec Guinness".The Daily Telegraph. UK. 8 August 2000.Archived from the original on 11 August 2013. Retrieved8 July 2013.
  10. ^"Guinness: The black stuff".The Guardian. 19 October 2003. Archived fromthe original on 15 September 2018. Retrieved8 April 2012.
  11. ^Read 2005, p. 61.
  12. ^Extracts from Guinness's Journals,The Daily Telegraph, 20 March 1999.
  13. ^abChambers 2002, p. 334.
  14. ^abc'Guinness, Alec (1914–2000)',The Cambridge Guide to Theatre, Cambridge University Press, Cambridge, UK; viewed 22 June 2011, fromCredo reference(subscription required)Archived 30 April 2024 at theWayback Machine
  15. ^"The London Theatre Studio, by Sophie Jump"Archived 14 May 2021 at theWayback Machine, michelsaintdenis.net, accessed 14 December 2020
  16. ^Marshall, Herbert. "Obituary: Robert Ardrey (1907–1980)."Bulletin of the Center for Soviet & East European Studies Spring 1980. pp. 4–6. Print
  17. ^On 3 June 1961, Guinness sent aletter to Stan LaurelArchived 11 December 2006 at theWayback Machine, acknowledging that he must have unconsciously modeled his portrayal of Sir Andrew Aguecheek as he imagined Laurel might have done. Guinness was 23 at the time he was performing inTwelfth Night, around 1937, by which time Laurel had become an international movie star.
  18. ^"NY Times: Great Expectations". Movies & TV Dept.The New York Times. 2009. Archived fromthe original on 21 February 2009. Retrieved26 October 2017.
  19. ^Houterman, J.N."Royal Naval Volunteer Reserve (RNVR) Officers 1939–1945"Archived 26 December 2017 at theWayback Machine, Unithistories.com; retrieved 7 March 2010.
  20. ^"No. 35561".The London Gazette. 15 May 1942. p. 2127.
  21. ^"No. 36096".The London Gazette. 16 July 1943. p. 3235.
  22. ^"'Fleming': 10 Famous Brits Who Were Heroes In World War II". BBC America. 25 October 2017.Archived from the original on 1 November 2017. Retrieved26 October 2017.
  23. ^"Theatre Obituaries: Sir Alec Guinness".The Telegraph. 8 August 2000. Archived fromthe original on 11 August 2013. Retrieved22 February 2011.
  24. ^McCarten, John (4 February 1950). "Eliot and Guinness".The New Yorker.25 (50):25–26.
  25. ^J. Alan B. Somerset. 1991.The Stratford Festival Story, 1st edition. Greenwood Press.ISBN 978-0-313-27804-4
  26. ^Tom Patterson. 1987.First Stage. McClelland and Stewart.ISBN 978-0-7710-6949-9
  27. ^Taylor 2000, pp. 133–134.
  28. ^Alec Guinness, Journals, November 1998.
  29. ^Fahy, Patrick (21 August 2015)."Alec Guinness: 10 essential performances".British Film Institute.Archived from the original on 12 August 2022. Retrieved13 February 2017.
  30. ^"The 100 best British films"Archived 3 April 2019 atarchive.today.Time Out. Retrieved 24 October 2017
  31. ^Capua, Michelangelo (2017).Jean Negulesco: The Life and Films. McFarland. p. 65.
  32. ^ab"Vivien Leigh Actress of the Year."Archived 12 December 2019 at theWayback MachineTownsville Daily Bulletin, via National Library of Australia, 29 December 1951, p. 1. Retrieved: 24 April 2012.
  33. ^Derek Malcolm, Ian Nathan, Wendy Mitchell, Neil Norman. (2017) "Discovering Peter Sellers".Sky Arts. Retrieved 27 April 2020
  34. ^Wiseman, Thomas (15 February 1958). "I do what I want says Mr Guinness".Evening Standard. p. 5.
  35. ^Canby, Vincent (10 May 1973)."Screen: 'Last Ten Days': Guinness Plays Hitler in Bunker Episode, The Cast".New York Times. Archived fromthe original on 13 October 2012.
  36. ^Canby, Vincent (24 June 1976)."Murder By Death (1976) Simon's Breezy 'Murder by Death'".The New York Times.Archived from the original on 12 December 2017. Retrieved24 June 2022.
  37. ^Guinness 1998, pp. 90–91.
  38. ^British Film Institute – Top 100 British FilmsArchived 12 January 2018 at theWayback Machine (1999). Retrieved 27 August 2016
  39. ^Selim, Jocelyn."Alec Guinness: Reluctant Intergalactic Icon."Archived 9 May 2012 at theWayback MachineCancer Today magazine, Spring 2012.
  40. ^"How Star Wars Producers Screwed Alec Guinness Out Of Millions".CINEMABLEND. 1 October 2014.Archived from the original on 18 October 2021. Retrieved17 December 2020.
  41. ^"Alec Guinness on Star Wars in 1977, interviewed by Michael Parkinson – YouTube".www.youtube.com. 13 April 2017.Archived from the original on 22 December 2020. Retrieved17 December 2020.
  42. ^abRead 2005, p. 507.
  43. ^"Alec Guinness Blasts Jedi 'Mumbo Jumbo'", 8 September 1999.
  44. ^Guinness 1986, pp. 214.
  45. ^"Good and Evil Rival for Top Spots in AFI's 100 Years...100 Heroes & Villains". American Film Institute. 4 June 2003. Archived fromthe original on 4 March 2016. Retrieved20 December 2013.
  46. ^Frank, Allegra (21 December 2015)."You might have missed these classic characters in Star Wars: The Force Awakens".Polygon.Archived from the original on 6 December 2023. Retrieved22 March 2022.
  47. ^Fullerton, Huw (20 December 2019)."Who were the Jedi voices in Star Wars: The Rise of Skywalker?".Radio Times. Archived fromthe original on 25 July 2020.
  48. ^le Carré, John (8 March 2002).Tinker Tailor Soldier Spy: A Conversation with John le Carré (DVD). Disc 1.{{cite AV media}}: CS1 maint: location (link)
  49. ^"Le Carré adaptations: six of the best".The Daily Telegraph.Archived from the original on 11 January 2022. Retrieved30 March 2020.
  50. ^"BAFTA Awards Search. Alec Guinness". BAFTA.Archived from the original on 16 July 2021. Retrieved16 July 2021.
  51. ^"BFI Screenonline: Eskimo Day (1996)". Screenonline.org.uk.Archived from the original on 13 April 2014. Retrieved13 May 2014.
  52. ^"BBC Four – Eskimo Day". BBC. 11 January 2009.Archived from the original on 10 April 2014. Retrieved13 May 2014.
  53. ^"Fellowship", British Academy of Film and Television Arts
  54. ^Taylor 2000, p. 131.
  55. ^"No. 40497".The London Gazette (Supplement). 3 June 1955. p. 3268.
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