Sachchidananda Hirananda Vatsyayan (7 March 1911 – 4 April 1987), popularly known by hispen nameAgyeya (also transliteratedAjneya, meaning 'the unknowable'), was an Indian writer, poet, novelist, literary critic, journalist, translator andrevolutionary inHindi language. He pioneered modern trends in Hindi poetry, as well as in fiction, criticism and journalism. He is regarded as the pioneer of thePrayogavaad (experimentalism) movement in modernHindi literature.
Son of a renowned archaeologistHiranand Sastri, Agyeya was born in Kasia, a small town nearKushinagar inUttar Pradesh. He took active part in the Indian freedom struggle and spent several years in prison for his revolutionary activities against British colonial rule.
He edited theSaptak series which gave rise to a new trends in Hindi poetry, known asNayi Kavita. He edited several literary journals, and launched his own Hindi language weeklyDinaman, which set new standard and trends inHindi journalism. Agyeya translated some of his own works, as well as works of some other Indian authors to English. He also translated some books of world literature into Hindi.
Agyeya was born as Sachchidananda Vatsyayan inPunjabiBrahmin family on 7 March 1911 in an archaeological camp near Kasia,Kushinagar district ofUttar Pradesh, where his father, Hiranand Sastri, anarchaeologist, was positioned for an excavation. His mother was Vyantidevi (d. 1924) who was not much educated. Hiranand Sastri and Vyantidevi had 10 children, of whom Agyeya was the fourth. Agyeya spent his early childhood inLucknow (1911–1915). Due to his father's professional appointment at various places, he had to shift to various places includingSrinagar andJammu (1915–1919),Patna (1920),Nalanda (1921) and theOotacamund andKotagiri (1921–1925). Due to this peripatetic lifestyle, Agyeya came into contact with differentIndian languages andcultures. His father, a scholar inSanskrit, encouraged him to studyHindi and taught him some basic English. He was taught Sanskrit andPersian byPandit andMaulavi in Jammu.[1][2][3][4]
Forman Christian College in 1930; where Agyeya studied B.Sc
After passing hismatriculation in 1925 from theUniversity of Punjab, Agyeya moved toMadras, joined theMadras Christian College, and did Intermediate in Science in 1927, studying mathematics, physics and chemistry. In the same year, he joined theForman Christian College inLahore, where he studied Mathematics, Physics, Chemistry and English, and received a Bachelor of Science in 1929, standing first in a class. Thereafter he enrolled for an M.A. in English, but dropped out, and joined theHindustan Socialist Republican Army (HSRA), a revolutionary organisation, with a view to fight forIndian independence movement, and participated in rebellious activities against the British colonial government. In November 1930, he was arrested on account of his involvement in the attempt to helpBhagat Singh, a socialist revolutionary and leader of HSRA, to escape from jail in 1929. He was then sentenced on charge ofsedition against British rule in India. He spent the next four years in jail in Lahore, Delhi and Amritsar. During these prison days, he started writing short stories, poems and the first draft of his novelShekhar: Ek Jivani.[1][3][4]
He was associated with the Progressive Writers Association (PWA) and, in 1942, he organised the All India Anti-Fascist Convention. DuringWorld War II in 1942, he joined the Indian army and was sent to the Kohima Front as a combatant officer. He left the army in 1946. He stayed atMeerut (Uttar Pradesh) for sometime and remained active in local literary groups. During this period, he published several translations into English of other writers, and a collection of his own poems,Prison Days and Other Poems.[3]
Agyeya married Santosh Malik in 1940. Their marriage ended in divorce in 1945. He marriedKapila Vatsyayan (née Malik) on 7 July 1956. They separated in 1969.[5][6] He died on 4 April 1987, aged 76, inNew Delhi.[7] He was cremated atNigambodh Ghat.[4]
After his release from jail in 1934, Agyeya worked as a journalist inCalcutta, and from 1939 forAll India Radio.[1]
Agyeya editedSainik from Agra (1936–1937),Vishal Bharat from Calcutta (1937–1939),Prateek (1947)[8] andNaya Prateek (1973) respectively from Allahabad and New Delhi. In English. he editedVak (1951). He served as an editor ofJayprakash Narayan'sEveryman's Weekly (1973–1974) and editor-in-chief of Hindi dailyNavbharat Times (1977–1980) of the Times of India Group.
He travelled to Japan in 1957–58, where he learned about Zen Buddhism which influenced him and his writing style.[citation needed] In 1961, he joined theUniversity of California, Berkeley as a visiting lecturer in Indian Literature and Civilization, and remained there until June 1964.[3]
In 1965, he returned to India and became Founder Editor of the newsweeklyDinaman of the Times of India Group. When the members of theHungry generation orBhookhi Peerhi movement were arrested and prosecuted for their anti-establishment writings, Agyeya throughDinmaan relentlessly supported the young literary group of Culcutta till they were exonerated. His dispatches onBihar's famous famine are considered milestones in pro-people reporting.[citation needed]
He remained in India till 1968, before embarking on a trip to Europe. In 1969 he returned toBerkeley as Regents Professor, and continued there until June 1970. In 1976, he had an 8-month stint atHeidelberg University, as a visiting professor. Later he joinedUniversity of Jodhpur, Rajasthan as Professor and Head of the Department of Comparative Literature.[citation needed]
During the four years in prison, Agyeya started writing short stories and published them inHans, edited byPremchand. He also started writing the first draft of his autobiographical novelShekhar: Ek Jivani, followed by its second and third draft. His first collection of poems,Bhagnadutta, appeared in 1933. After his release from the jail, he published his first short story collection,Vipathga, in 1937, and in 1941, he published the first volume ofShekhar: Ek Jivani, followed by the second volume in 1944. Its third volume, though announced, was never published.[1][3][9]
In 1943, he edited and publishedTar Saptak, a collection of poems by seven young writers, whose poems were not published before. Considered the first anthology of modern Hindi poetry and a milestone in the history of Hindi literature,Tar Saptak gave rise to thePrayogvad (Experimentalism) in Hindi poetry,[3][10] and established a new trends Hindi poetry, known asNayi Kavita (New Poetry).[11][12]
Poetry collections
Bhagndoot (1933)
Chinta (1942)
Ityalam (1946)
Hari ghaas par kshan-bhar (1949)
Baawra aheri (1954)
Indradhanu raunde hue ye (1957)
Ari o karuna prabhamaya (1959)
Angan Ke Par Dwar (1961)
Poorva (1965)
Sunahale Shaivaal (1965)
Kitni naavon mein kitni baar (1967)
Kyonki main usei jaanta hoon (1969)
Saagar-mudra (1970)
Pahle main sannata bunta hoon (1973)
Mahavriksha ke neeche (1977)
Nadi ki baank par chhaya (1982)
Sadanira-1 (1986)
Sadanira-2 (1986)
Aisa koi ghar aapne dekha hai (1986)
Maruthal (1995)
Sarjana ke kshan (Selection)
Thaur thikaane (Handwritten, circulated xeroxed)
Karaawas ke din (Trans. from English by Uday Shankar Shrivastava)
Kavishri ( Ed. Shiyaram Sharan Gupt)
Aaj ke lokpriy kavi (Ed. Vidya Niwas Mishra)
Kaavya-stabak ( Ed by Vidya Niwas Mishra & Ramesh Chandra Shah)
Agyeya was awarded theSahitya Akademi Award in 1964 for his collection of poemsAngan Ke Par Dwar, and the Jnanpith Award in 1978 forKitni Naavon Mein Kitni Baar.[13] He was also awarded the Bharatbharati Award and the Golden Wreath Award for poetry in 1983.[14]
Agyeya is considered to be one of the most influential Hindi writers of the 20th century and is seen as the founder of ādhuniktā (modernism) in Hindi literature.[1] He is considered 'the most westernised' among the Hindi writers between the 1940s and the 1960s.[15] He was often criticised for his excessive use of intellectualism and individualism in his writings.[16]
The scholar Sushil Kumar Phull calls Agyeya an 'intellectual giant' and 'pundit of language' (master of language), and compares him with English poetRobert Browning for his obscure and condense language which he used in his poetry.[17]
His verse playUttar Priyadarshi, about the redemption of King Ashoka was first staged in 1966 at Triveni open-air theatre in Delhi in presence of the writer. Later it was adapted to Manipuri, by theatre director,Ratan Thiyam in 1996, and since been performed by his group, in various parts of the world.[18][19]
^Trivedi, Harish (January–February 2011). "Agyeya — and his "Shekhar" The Second Greatest Novel in Hindi?".Indian Literature.55 (1). New Delhi: Sahitya Akademi: 81.JSTOR23341824.
^Ajneya; Kumar, Sharat; Sen, Geeti (December 1983). "Interview with Ajneya (S.H. Vatsyayan)".India International Centre Quarterly.10 (4). India International Centre: 528.JSTOR23001392.
^Phull, Sushil Kumar (September–October 1981). "Agyeya: A Moving Force of Modern Hindi Literature".Indian Literature.24 (5). New Delhi: Sahitya Akademi:164–168.JSTOR23331095.
