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Agnes Booth

From Wikipedia, the free encyclopedia
American actress

Agnes Booth
Born(1843-10-04)October 4, 1843
Sydney, New South Wales, Australia
DiedJanuary 2, 1910(1910-01-02) (aged 66)
Brookline, Massachusetts, US
Other namesMarian Agnes Land Rookes
OccupationActress
Years active1858–97
Signature

Agnes Booth (October 4, 1843 – January 2, 1910), bornMarian Agnes Land Rookes, was anAustralian-born American actress and in-law of actorsJunius Brutus Booth,Edwin Booth, andJohn Wilkes Booth, the assassin ofAbraham Lincoln.[1]

Biography

[edit]
Harry A. Perry, first husband of Agnes Booth

Although there are no records of Agnes Booth's birth or her family's residence in Australia,[2] by her own account she was born inSydney,New South Wales. She migrated toCalifornia with her family in 1858, at the age of about 14.

She made her US debut in early 1858 as Agnes Land, performing with her sister Belle atMaguire's Opera House, San Francisco, attracting attention and gaining recognition and managing a season of the Metropolitan theatre in Detroit. In 1861 she married actor Harry A. Perry in San Francisco, but was widowed in 1862.[2][3][4] Her six-year apprenticeship withThomas Maguire allowed her to move from shape actress to leading lady.[5]

In 1865 she moved toNew York where she appeared at theWinter Garden Theatre.[6]As Agnes Perry, in 1866 she joined theBoston Theatre Company, of which she was a member for several years. In 1867, she was married toJunius Brutus Booth Jr. and she performed as Agnes Booth thereafter.

Agnes Booth in 1907

At the height of her popularity reviews of her performances were effusive. In 1874, theNews described her as "the most finished and effective emotional actress at present on the metropolitan stage."[1] She played Belinda in the first American production ofW. S. Gilbert'sEngaged in 1879.[7] In 1889,Belford's Magazine wrote of another "great triumph" by Agnes Booth inCaptain Swift. "For painstaking attention to detail, nicety of intonation, and powerful expression, Agnes Booth is in the front rank of leading ladies. We have seen her in many society dramas, and in each she has shown a charming appreciation of all the requirements... The mingled expression of shame, suffering and maternal love in Agnes Booth's face during [one] scene is one not soon to be forgotten.[8] In 1874, she and Junius made a praise-worthy trip to the far west playing San Francisco'sCalifornia Theater andPiper's Opera House inVirginia City. Her repertoire included Romeo and Juliet, Hunchback, and Lady of Lyons.[9]

In 1878 she played Madeleine Renaud in theUnion Square Theatre's production ofA Celebrated Case, the program noting that she had "kindly undertaken this part in order to strengthen the cast." From 1881 to 1891, she was with theMadison Square Company. After 1891, she went toEurope, then returned to theUnited States where she resided in the artist community ofNew Rochelle, New York and resumed her work onBroadway in nearbyNew York City. Booth gained fame for her role in the melodramaThe Sporting Duchess (The Derby Winner byCecil Raleigh) along with fellow actress and New Rochelle neighborCora Tanner.[10][11]

Junius Booth died in 1883, and in 1885 she married John B. Schoeffel, manager of Boston's Tremont theatre. Her last major performance was inL'Arlesienne in 1897.[1]

She died at her home inBrookline, Massachusetts on January 2, 1910.[12]

References

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  1. ^abcGerald Bordman & Thomas S. Hischak (1984)The Oxford Companion to American Theatre P.83, Oxford University Press,ISBN 0195169867
  2. ^abPat M. Ryan in Edward T. James, Janet Wilson James, Paul S. Boyer, eds. (1971)Notable American Women, 1607–1950: A Biographical Dictionary, Volume 1, p. 202-3. Belknap Press of Harvard University PressISBN 0-674-62734-2
  3. ^Willard, Frances Elizabeth; Livermore, Mary A. (1893).A Woman of the Century. Buffalo, New York: Moulton. p. 106.ISBN 9780722217139.OCLC 1207791.
  4. ^Sunday Times (Sydney, NSW : 1895–1930) Sunday, 27 February 1910, page 18. An "Australian American." Accessed January 22, 2017
  5. ^Carolyn Grattan Eichin, From San Francisco Eastward: Victorian Theater in the American West, (Reno: University of Nevada Press, 2020), 175.
  6. ^Jane Kathleen Curry (1994)Nineteenth-century American Women Theatre Managers. Greenwood Press, Westport, Conn.ISBN 0313291411
  7. ^"Dramatic and Musical",The New York Times, February 18, 1879, p. 5(subscription required)
  8. ^Belford's Magazine [2:8] (January 1889)
  9. ^Eichin, From San Francisco Eastward, 176,
  10. ^New York: A Guide to the Empire State; The Workers of the Writers' Program of the Works Projects Administration in the State of New York, p. 244
  11. ^"Agnes Booth To Act Once More; The Popular Actress Will Create the Role of the Sporting Duchess at the Academy".The New York Times. February 12, 1895. p. 9. RetrievedApril 27, 2021 – via Newspapers.com.
  12. ^"Agnes Booth Dies; Once Stage Star".Chicago Tribune. Boston, Massachusetts. January 3, 1910. p. 7. RetrievedApril 27, 2021 – via Newspapers.com.

Sources

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  • Asia Booth Clarke (1882).The Elder and the Younger Booth, Boston: J.R. Osgood and Co.
  • McKay and Wingate (1896).Famous American Actors of To-day, New York: T.Y. Crowell.
  • Clapp and Edgett (1899). "Players of the Present",Dunlap Society Publication. New York.
  • Montrose Jonas Moses (1906).Famous Actor-Families in America, New York: Greenwood Press.

External links

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